Cruces y escándalos por la temporada de verano

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La nueva temporada de teatro en Carlos Paz y Córdoba promete sorprender con propuestas originales. Gabi Mendoza destaca sus shows "Una mágica Navidad" y "Circoánima", mientras que Flavio Mendoza apuesta por producciones internacionales. Ambos coinciden en que el éxito no solo depende del escándalo, sino de ofrecer un mensaje significativo al público.

Transcript

00:00We were like, what's going on?

00:02What's going on?

00:04And they all came out at the same time.

00:06That's how the summer season starts.

00:08How nice.

00:10We talked a few days ago.

00:12We talked a little about the theater that is coming this season.

00:14You told me that there was no competition.

00:16That everything that was seen,

00:18we had already seen before.

00:20I always see that they do the same, so I don't compete.

00:22I always see that they do the same, so I don't compete.

00:24I have two incredible shows.

00:26A magical one at the Astral Theater.

00:28And in Circo Anima in Córdoba.

00:30I don't even look at the rest.

00:32Congratulations.

00:34You are going to do the season with Fátima.

00:36How are you preparing?

00:38We are rehearsing.

00:40We debuted on the 26th in Carlos Paz, at the Teatro Luxor.

00:42So we are happy.

00:44Flavio a few weeks ago made some comments

00:46and said that there was no competition this season

00:48and that it was more of the same.

00:50How do you see this?

00:52Flavio is in Córdoba, we are in Carlos Paz.

00:54We are in different places, different points.

00:56We have a spectacular show.

00:58In fact, it was the most watched show

01:00of last season, Mar de Plata.

01:02You have to browse, you have to look.

01:04And also the public and journalism

01:06have to change the label.

01:08Because if not, we are always the same.

01:10We promote more than the same.

01:12Instead of promoting new things that come out,

01:14there are a lot.

01:16There is an impressive theatrical off.

01:18There is an impressive theatrical off.

01:20What expectations of ticket sales

01:22do you think there will be?

01:24We are not going to do that.

01:26We are not going to do the Americas.

01:28We are going to do, at least in my role

01:30as a producer, actor and partner,

01:32is to go to my cast to enjoy.

01:34If we are doing well, welcome.

01:36Obviously, yes, what we can say

01:38is that I think we are going to be

01:40the cast with the most popular entries,

01:42more accessible in some way.

01:44When it's kind of mediocre,

01:46I go to the other side.

01:48When it's kind of mediocre,

01:50I go to the other side.

01:52This is a competition

01:54that is not one against the other.

01:56If you do a number that works for you,

01:58you are happy.

02:00And if the other does a number that works for him,

02:02he is also happy and we are all working,

02:04we are all fine.

02:06We are not going against each other

02:08in Mar del Plata or in Carlos Paz.

02:10We are competing with the needs we have.

02:12If I have a one-man show

02:14and with 20 people I'm fine,

02:16with 20 people I'm fine.

02:18If you have a musical show

02:20you're going to need more people.

02:22How do you see the friendly prices

02:24that are being proposed from Mar del Plata?

02:26For me, I'm not of that idea,

02:28because I'm from the first time

02:30that I did extravaganza,

02:32that they already gave you 4 for 1

02:34and they gave you a kid.

02:36It's like they gave you everything

02:38to get into the theater.

02:40You can't have such a cheap ticket

02:42if you want to do something big.

02:44We have to limit ourselves a little

02:46and make the audience have

02:48the desire to see a show.

02:50There are always good things

02:52in Mar del Plata, in Carlos Paz,

02:54there are always good works

02:56and impressive artists,

02:58very nice productions,

03:00like Flavio's, which is one

03:02of the most important

03:04that we have in the country.

03:06I don't know how the competition

03:08will be in the summer,

03:10but the sun comes out for everyone,

03:12I hope it goes well for everyone.

03:14We must also encourage

03:16people to enter this medium,

03:18because we will always

03:20be in the same bucket.

03:22There are a lot of beautiful productions,

03:24but you will have flowers

03:26for your production,

03:28because I think I'm one of the most at risk,

03:30if I'm not the most at risk.

03:32Flavio doesn't do our genre,

03:34he does circus, he does magic,

03:36it's great, but Mar del Plata

03:38has a beautiful portfolio,

03:40it's not good to go against

03:42the shows that are being made.

03:44Mar del Plata is focused on children,

03:46although Flavio has children's shows,

03:48this is for a very specific age,

03:50it is for pre-adolescence,

03:52and it touches on issues

03:54like self-love,

03:56so I feel that our mission

03:58with this work is to bring

04:00a nice message to society.

04:02For me, doing theater is not only

04:04to fill the economic arcs,

04:06but to have a good product,

04:08to aspire to an award,

04:10to aspire to a mouth-to-mouth.

04:12Do you know that it never worked for me?

04:14I swear to God that it never worked for me.

04:16People went for what I did on stage,

04:18because if I slept with someone,

04:20I didn't fight with the other.

04:22Maybe it's more useful to the other,

04:24more useful to the pelagato.

04:28Flavio, I love you,

04:30but throw the pelagato at the end.

04:32My God.

04:34To tell the truth, Flavio,

04:36what he does is invest more,

04:38earn less, well, they are strategies.

04:40It's a talent that everyone prepares a lot.

04:42It's an international show

04:44that Flavio has been offering for a long time.

04:46In the Astral Theater,

04:48I personally recommend it

04:50for you to go see it,

04:52it's a magical Christmas,

04:54Astral Theater,

04:56because in addition to seeing

04:58an international show,

05:00it's spectacular,

05:02it has a beautiful message,

05:04that in these moments of so much anger,

05:06anger, we need it,

05:08it's an investment for your emotions.

05:10A fact that has to do

05:12with the profiles of spectators,

05:14that's why it's not one or the other.

05:16Flavio, from the extravagance,

05:18one who was going to see Flavio

05:20and that show structure,

05:22paid what he had to pay.

05:24In fact, the tickets that were sold out

05:26were the most expensive.

05:28The same will happen with Mamma Mia in Mar del Plata,

05:30it's a show of 30 people on stage,

05:32you can't pretend to pay the same as a comedy of 4.

05:34There are people who may not be able to pay it.

05:36It's very complicated,

05:38because before you saw 8,500 works,

05:40and you did theater nights,

05:42then you went out to eat,

05:44and the family.

05:46What I say is that,

05:48and also in Cordoba,

05:50with this animatic circus,

05:52which is a different square,

05:54Flavio always took the risk,

05:56because you can go well or you can go wrong,

05:58if you don't have a good season in Cordoba,

06:00because people don't move to Cordoba

06:02and you go to learn Carlos Bass,

06:04you go to see Mamma Mia in Mar del Plata,

06:06in a play that deserves it,

06:08and people can't pay it.

06:10How is the logic there?

06:12It's difficult.

06:14Many times municipalities

06:16accompany the reality of the place.

06:18Then there are other state policies

06:20that say, I don't know,

06:22you can't, you can't.

06:24And that's why the promotions

06:26were made two for one.

06:28I did many plays with two hands with 50,

06:30and a lot of people came to see us.

06:32I don't know if everything has to do with money

06:34and the structure.

06:36You leave a nice message,

06:38two people who start crying,

06:40three who laugh and make you feel more,

06:42to me personally,

06:44than the superstar.

06:46But that's what you think

06:48about what you like.

06:50As for what I like, no.

06:52As for what I did, I have made successes.

06:54We are talking about quality shows.

06:56I'm telling you about the participation.

06:58What happens to me is transferred.

07:00It's not a battle, it's artistic quality.

07:02Yes, it's a show, but artistic quality,

07:04because I see more than Inlanús,

07:06which are four actors.

07:08We are talking about show quality.

07:10But it's another bet.

07:12Of course.

07:14It's amazing.

07:16It's amazing and I didn't get in.

07:18But it's another bet.

07:20The state intervened.

07:22I don't know.

07:24Did they break up with the Inca?

07:26It's reduced.

07:28They were subsidized.

07:30It was a show.

07:32It's what the river does.

07:34A work that starts in the official circuit

07:36and passes to the private circuit

07:38with the same success.

07:40When something is good,

07:42people are there.

07:44Yesterday I was with Flavio.

07:46We were on the show talking

07:48and he said to me,

07:50you know what I wanted to say?

07:52I said,

07:54I don't know,

07:56what I wanted to say,

07:58what he meant

08:00with renewing

08:02is to stop doing the typical humorous work

08:04where the girl

08:06gave the girl a role,

08:08the man is funny.

08:10You can do something original

08:12without a budget, guys,

08:14because creativity is not from the economic.

08:16Flavio has put

08:18an immense production.

08:20For example, Sex of Muscari.

08:22It's a show that was rupturist,

08:24something new,

08:26and look at the success it has.

08:28The limit is Lolo Pollo

08:30with all his affection.

08:32I went to see Lolo.

08:34We are not going to cut tickets.

08:36What are you going to see the cuckoo

08:38with all your affection?

08:40Lolo Pollo is what nourishes the soul.

08:42You have to nourish your body too.

08:44They were smart

08:46and they said,

08:48let's point to an audience

08:50that no one is giving much attention to.

08:52The message of Lolo Pollo is divine.

08:54I went to see it with Lola.

08:56For pre-teens

08:58and in life too,

09:00to see what is happening to you,

09:02why you are sad,

09:04it is a work that is very good.

09:06But it seems that they went to India

09:08to do theater.

09:10But it seems, no,

09:12I'm going to feed the soul.

09:14No, there is a commercial structure.

09:16It's a business.

09:18She is an artist.

09:20You are confusing the show.

09:22I'm not confused, I'm clear.

09:24Maybe Luis is also investing

09:26when we start the show.

09:28I'm going to tell you something concrete.

09:30McCartney comes and the tickets

09:32are 300 dollars.

09:34People, when something is attractive

09:36and good, it's good too.

09:38Fortune,

09:40Tennis is occupied until March.

09:42Tennis is occupied until March.

09:44When something is good,

09:46people go beyond the budget,

09:48beyond the value.

09:50What you have to do is make good products.

09:52Argentina is a country full of artists,

09:54of quality, that there is talent,

09:56that there is creativity.

09:58You have to get in line.

10:00There will be a conditioning this season

10:02and I say it very seriously.

10:04Many people from Mendoza go to Cordoba,

10:06maybe it is more convenient for them to go to Viña del Mar.

10:08It is not convenient for them

10:10because they are anti-Argentine,

10:12because it seems that

10:14when it is cheaper to go abroad,

10:16it is to save money.

10:18No, but you have to ask all the tourist places

10:20to think about it and lower the prices

10:22because if not, people are going to leave.

10:24It's true.

10:26They live for a month,

10:28they want to put everything in one month.

10:30It's all in January.

10:32I think everyone does what they can.

10:34Nobody is going to fail

10:36to move all his tricks,

10:38to go to Mar del Plata,

10:40to go to Carlos Paz.

10:42There has to be acting,

10:44there has to be acting.

10:46Nobody is going to pay respect to the actors

10:48who are going to play.

10:50We have seen works, Gaby.

10:52I love you very much,

10:54but we have seen things

10:56that we have not seen.

10:58Tie me the flag.

11:00They don't do it on purpose,

11:02they didn't realize,

11:04maybe they thought it was something bad.

11:06They thought it was good.

11:08Nobody is going to fail.

11:10I found out that a person from this table

11:12at least they tried it.

11:14Or they saw it.

11:16I see you doing something there.

11:18They cast an eye.

11:20I'm talking,

11:22I'm in conversation.

11:24You have to do it.

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