00:00What is the role of Pabango in your process as an actor in this movie?
00:13So before I made Green Bones, I'm used to making teleseries,
00:18like Lolongwan, Black Rider.
00:21So when I was making it, I wanted to change my attitude towards Green Bones
00:26because it's cinema, it's film.
00:28So there's a big difference between the two.
00:30Because usually, when you're on TV, when you're told,
00:33in this part, you should cry.
00:35In the movie, you need to tell why you're going to cry in this part
00:40when you're not saying it.
00:42So you need to feel it.
00:44So I watched a lot of Wong Kar-wai movies
00:48to distinguish the difference between TV and cinema.
00:51So in my process with my acting coach, Mr. Jay Cruz,
00:56we tried the process of scent.
01:00When I was using Pabango,
01:03I quickly got into the character of Javier Gonzaga.
01:07I was already there.
01:08And that Pabango, it's like my baby
01:12that's fresh, new.
01:15When I smell it, I feel like it's real.
01:18It's all new to me, naive, innocent.
01:21That's what I feel in that scent.
01:24So every time I'm on set,
01:26I feel like I get in there quickly.
01:28I don't need to go through a lot of processes.
01:31Great.
01:32You have my respect.
01:34That's great.
01:35I'm proud because I always say
01:38that it's not easy to be an artist.
01:40Yes, it's not easy.
01:42It is not easy.
01:43It is a craft.
01:44Yes.
01:45It is a discipline.
01:46Your scenes with Dennis Trilio,
01:48who is one of the most powerful actors in this business.
01:51Yes.
01:52How?
01:53How did you...
01:55Dynamics?
01:56Dynamics.
01:57Yes.
01:58How did you get along with each other?
02:00I guess it's, of course, with the guidance of our director,
02:04the award-winning Zig Tulay.
02:06Zig Tulay.
02:07Right?
02:08And by the way, I'm sorry,
02:09this is written by national artist Rikki Lee.
02:11Rikki Lee and Ms. Ange Atienza.
02:13Ange Atienza.
02:14So, of course,
02:15Director Zig is not the type to command you.
02:18This is what I want to see here.
02:20This is what I should do.
02:21He will tell you what you will feel in this scene.
02:26If it's like this or like that.
02:28He will tell you.
02:29So, while we're still blocking,
02:31you will feel the presence of everyone.
02:33And Brother Dennis,
02:34he doesn't usually talk on set.
02:37So, I can see that he's preparing.
02:39He's just going to face the mirror.
02:41He's going to fix his hair.
02:42And then I can see that he's already in his character.
02:45So, we'll just talk.
02:47Or we'll just have an interaction
02:49where we're already in the scene.
02:51But before that,
02:52we never,
02:53you know,
02:54Brother Dennis,
02:55small talk.
02:56You don't do that?
02:57Never.
03:50Yeah.
03:52Yeah.
03:54Yeah.
03:56Yeah.
03:58Yeah.
04:00Yeah.
04:20Yeah.
04:21Yeah.
04:22Yeah.
04:23Yeah.
04:24Yeah.
04:25Yeah.
04:26Yeah.
04:27Yeah.
04:28Yeah.
04:29Yeah.
04:30Yeah.
04:31Yeah.
04:32Yeah.
04:33Yeah.
04:34Yeah.
04:35Yeah.
04:36Yeah.
04:37Yeah.
04:38Yeah.
04:39Yeah.
04:40Yeah.
04:41Yeah.
04:42Yeah.
04:43Yeah.
04:44Yeah.
04:45Yeah.
04:46Yeah.
04:47Yeah.
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