00:00of. The drawing of the
00:11of. The drawing of the
00:11of. The drawing of the victim in the world. In fact
00:13victim in the world. In fact
00:13victim in the world. In fact it is that you read. In the
00:15it is that you read. In the
00:16it is that you read. In the future. It's the only
00:18future. It's the only
00:18future. It's the only one. It's the
00:23one. It's the only
00:23one. It's the only one. It's the
00:28It's the only one. It's the
00:28It's the only one. It's the only one.
00:33It's the only one. It's the
00:33It's the only one. It's the only one.
00:38It's the only one. It's the
00:38It's the only one. It's the only one.
00:43It's the only one. It's the
00:43It's the only one. It's the only one.
00:48It's the only one.
00:53It's the only one.
00:53It's the only one. It's the only one.
00:58It's the only one. It's the only one.
01:03It's the only one. It's the only one.
01:18It's the only one.
01:23It's the only one.
01:23It's the only one.
01:28It's the only one.
01:33It's the only one.
01:38It's the only one.
01:43It's the only one.
01:48It's the only one.
01:53It's the only one.
01:58It's the only one.
02:03It's the only one.
02:08It's the only one.
02:13It's the only one.
02:18It's the only one.
02:23It's the only one.
02:28It's the only one.
02:33It's the only one.
02:38It's the only one.
02:43It's the only one.
02:48It's the only one.
02:53It's the only one.
02:58Do you think that cinema and the world
03:01generally refuse the complexity?
03:04It's not that they refuse it.
03:06I'm not a snob.
03:11I mean, I understand who,
03:15after a day of hard work,
03:18comes home and wants something simple, reassuring.
03:22I understand that.
03:23I'm like that too.
03:24I'm not different.
03:26But sometimes I ask myself,
03:28do we need to be reassured
03:30or do we need to be shaken?
03:32Our life assumes a different meaning
03:35only when we face something
03:38that we don't expect,
03:40something that manipulates
03:42our emotional politics.
03:46And this, of course,
03:47some stories can do it,
03:49some stories don't,
03:50I choose not to do it,
03:52deliberately,
03:53so I respect any form of television.
03:55Of course, it's about narration,
03:57it's about cinema,
03:58it's about literature,
03:59it's our marriage.
04:01Because it's the only one we can do.
04:04After Dostoevsky, what is there?
04:07It's such a totalized series,
04:09such a repulsive series,
04:11but at the same time fascinating.
04:13What was there after Dostoevsky?
04:16There was, there was,
04:20because it's a series that came out
04:22in Berlin a year ago in February.
04:24There was a lot of silence
04:25between me and Fabio this year.
04:27A really familiar and beautiful silence,
04:29of search, of contemplation.
04:31We talked for a long time
04:32with Dostoevsky,
04:33so it was also right
04:34to go crazy
04:35and look for the next story to tell
04:38as soon as this story comes,
04:40as soon as this story,
04:41whatever it is,
04:42has sincerity.
04:43And then, from there,
04:44the work begins,
04:45the entanglement of the cinema,
04:46that's wonderful.
04:47But it has to happen,
04:48that clash,
04:49otherwise we stay still.
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