- 1 year ago
056-Big Brother Australia Season 01, Day 53a Daily Show, Thursday, 14 June 2001
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00:00Tonight on Big Brother, the housemate's film turns into a real-life drama.
00:20The problem with you, Anita, wasn't...
00:22Did you sit and smirk at me?
00:25Tears and tantrums on the set.
00:27I'm actually talking to you.
00:29Just be honest.
00:29As Anita takes on the boys.
00:31Why didn't you tell me what the boys did?
00:32Because I thought it was right.
00:40So, top on.
00:42So, Benny, I was just saying, just this morning, we're going to shoot the morning scene.
00:45It's the final day of shooting for the housemate's short film.
00:4870% of the group's shopping money is riding on the outcome, and tension on the set is mounting.
00:54She walks and she bumps into the gardener who's mowing.
00:57They have a little confrontation.
00:58And then she comes to the pool and she finds Sarah Marie floating.
01:01I don't think you can do it in one time.
01:02Why do I have a confrontation before?
01:06Say again, sorry?
01:06Why do I have a confrontation with the gardener before?
01:09I never did.
01:10Well, according to her, you do.
01:13She screwed...
01:13Can I have a confrontation with him after?
01:15Well, in this script here...
01:17Johnny, the house-elected director, is having trouble with one of his stars.
01:21Yeah, this will be done in about four different takes.
01:25And you bump into the gardener or the gardener's...
01:28I think what the best...
01:29Even instead of me screaming at the gardener, as me trip over the gnome and I kick the gnome.
01:34Okay.
01:34And she takes it more personally than me, actually.
01:36Do you know what I mean?
01:37Yeah, that's fine.
01:38We'll just do that then.
01:38Just instead of...
01:39Because it's making...
01:40I think I'm worried about time here.
01:42Yeah, I just want to get the gardener in the shot because we also...
01:44The gardener will be in the shot.
01:45Okay.
01:46He'll see me kick him and see...
01:48Do you know what I mean?
01:48And just see the look of him.
01:50Do you know what I mean?
01:51Okay, cool.
01:51Okay.
01:52Let's see if we can do that now.
01:53That'd be great.
01:53Benny, you can chill out.
01:54Sarah Marie, you can chill out for now.
01:56Benny, you might want to have...
01:57Benny can take this one.
01:58You might want to have...
01:58Okay.
01:59Okay, everyone standing by, please.
02:01Okay.
02:02And anything, Anita, maybe just pick up the pace of fraction.
02:05Okay, work on the pace.
02:07Work on the pace.
02:08A.
02:10Paul.
02:11Ah!
02:12Dead body!
02:13Ah!
02:16Please, it wasn't supposed to be cleared by 10 o'clock!
02:20I'm walking off.
02:22That way.
02:24Fantastic.
02:25Great.
02:25That's a cut.
02:26That was great.
02:27Chrissy, you're wonderful in the background as well.
02:29We haven't forgotten you.
02:31That was great.
02:31Because you're a c***, Anita.
02:34And we're going to go for a take now, actually, guys.
02:36You're such a sucker, the director.
02:38I am.
02:38You're such a sucker.
02:39I'm never working with you again.
02:40Why?
02:41Because you suck up to us too much.
02:42Just do it.
02:43Stop apologising.
02:44You're driving me mad.
02:46It's getting late, and there's still one scene left to shoot.
02:51From my room, he leaves.
02:52That'll be a cut.
02:54She should offer you to come into the pool.
02:56Come and swim with me.
02:57I'll say you see it one moment.
02:58I will just go and get my towel.
03:00Where's our last scene with her?
03:02With who?
03:03We haven't done anything with her and Eduardo in the pool at night.
03:06No, we're about to do it now.
03:07Ah, so what, what, how does it happen again?
03:10Okay, basically it happens that we've got the gardener in the garden.
03:13Yeah.
03:13And so she's watering the plants.
03:15And then the camera will pan across the swimming pool where Sarah Marie is swimming in the pool.
03:21Who's directing this movie anyway?
03:29I do.
03:32Right.
03:33Who will be evicted from the house this week?
03:42Here's how to have your say so it makes a difference.
03:45If you think Christina should go from the house, call 1-9-0-2-3-5-5-0-double-1.
03:50If you want her to stay, vote for either Gemma or Anita.
03:53Their numbers will be shown later in the program.
03:56Please note the call costs of 55 cents including GST.
03:59Rates may be higher for mobile and pay phones.
04:01Voting ends 8pm Eastern Standard Time next Sunday the 17th of June.
04:05When final results will be released and Big Brother's 8th Eviction will be shown live on 10.
04:13Next on Big Brother.
04:15I can't believe I took right to you guys.
04:17I can't believe it.
04:18I can't believe I'm not strong enough to laugh.
04:23With filming complete, attention turns to editing and how to give Big Brother instructions for the final cut.
04:32Anita doesn't agree with the boys' plans.
04:35In scenes.
04:36Yeah.
04:37It's all good.
04:38Tape 1, 4, 15.
04:40You've got to have...
04:4210.15 seconds to 8 seconds, yeah?
04:44Yeah.
04:45But there's about three groups where it's 4.5.
04:48Yeah, I know.
04:49Johnny told me something about that.
04:50So how can you...
04:50So they've got to be in order of tape seconds, like of this?
04:55This is all in order, though.
04:57Up until when?
04:58This is all in order.
04:58This is in order of the scenes, not in order of the counter.
05:01No, it is also in order of the counter.
05:02Yeah, it is.
05:03The first up until about 9, it is up.
05:04No, up until 16.
05:06Here they have the tape order, but here they have the story order.
05:09But here they also have the story order as well as the tape order.
05:12Yeah.
05:12So then just give that to them.
05:13Cool.
05:17They just couldn't get it.
05:18They just kept saying it.
05:19Well, we put it down private, didn't we?
05:20It's not.
05:21Yeah.
05:22They don't get it.
05:23It's going to fresh back to life.
05:26Um, where were we?
05:28Perf!
05:29Oh!
05:30Oh, ka-la-ka-la.
05:32Everything's going to be all right.
05:35It's going to be all right.
05:40It's going to be fun.
05:42But I'm going to kill somebody.
05:44I'll be the psycho.
05:45Hey.
05:46I'll be the psycho killer.
05:47Chill.
05:48It's going to be all right, baby.
05:50You all right now?
05:51Ah, yeah.
05:52I just wish I could speak.
05:55You feel so tight, don't you?
05:59Why can't people be f***ing honest?
06:01Hey.
06:02Why can't they just be honest instead of treating you like a two-year-old?
06:05That's just the way some of them are, baby.
06:07It's just because you and me are very...
06:09They smirk.
06:10They smirk.
06:11I smirk.
06:13I know.
06:15I swear to you.
06:18It's just because you and me are used to saying what we say.
06:22And if you don't like it...
06:22How dare...
06:23I know, but it's just because we're more of a confident girls.
06:29And I don't think they're used to being around girls that are very outspoken.
06:32So they think...
06:34They don't understand that we...
06:35They treat us to me like a two-year-old.
06:37They don't get that we get on to what they're talking about.
06:39That's all.
06:41Shimbukalakala.
06:42Shimbukalakala.
06:43Shimbukalakala.
06:44Shimbukalakala.
06:46Shimbukalakala.
06:48Come on.
06:49Shimbukalakala.
06:49Shimbukalakala.
06:51Okay, that's where we fit it, yeah.
06:52That's another death.
06:53And then we move on to another death.
06:5418, 19, 20.
06:55Inside, the boys have sorted out their problems.
06:58But Anita is still troubled.
07:00Despite Sarah Marie's advice, she decides to return to the lounge.
07:03And the argument.
07:05Cool.
07:05Now this just needs to be rewritten in some sort of understandable form.
07:09Just there.
07:12I'll do it.
07:12That's tape one.
07:15And that's tape two.
07:16I hope I do get less now.
07:18I really do.
07:19Say again?
07:19I hope I get less.
07:20Why?
07:21Because I hope I do.
07:22I hope you get less what?
07:23Because that's all I wanted to do was contribute.
07:26Yeah, you were contributing.
07:27But I just write it out now.
07:28I can't believe I have to cry to you guys.
07:32I can't believe it.
07:33I can't believe I'm not strong enough to laugh.
07:36Okay, can I...
07:37What seems a bit...
07:38The problem here, Anita, was...
07:40Did you sit and f***ing smirk at that?
07:42Mate.
07:44Yeah, like that.
07:45Like that.
07:45Like you are now.
07:46Because you're accusing me.
07:47You haven't thought about it.
07:48Like you are now.
07:48Like you couldn't even look me in the eye to speak with me.
07:51Why can't anyone just be honest here?
07:53Okay, I wasn't...
07:54Why does everything have to be going around like this to make me feel like an idiot?
07:58Or anybody else?
07:59Why can't you just be open and say what you feel?
08:02What is it that we're doing to you that makes you feel the way that you're feeling now?
08:06Like this.
08:07What?
08:07I'm actually talking to you.
08:08Just be honest.
08:09I'm being honest.
08:10I mean, all I was trying to do was trying to contribute to make sure my score is high
08:14enough so everyone will pass and everyone will be happy and blah, blah, blah.
08:18And you come here and you try and tell me from this angle and this angle and this angle,
08:25just tell me from the beginning what your point was.
08:26Maybe we're actually trying to understand as well because what you were trying to write
08:30was actually turned out to be something...
08:31But why didn't you tell me a word before I started?
08:32Because I thought it was right and then when Blair pointed it out to me, I didn't realise
08:36that it was incorrect.
08:36You know, it makes somebody feel pretty useless when I sit there and I'm trying to find something
08:41for myself to do so we don't end up with someone with a bad mark and everyone feels that way.
08:45Chrissy feels that way.
08:46Gemma feels that way.
08:47That everyone feels quite inadequate because you have got a really big job and I understand
08:52what you have to do and I'm sure you'll get 10 out of 10 but other people are a bit worried
08:56because this is supposed to be a group effort in the end.
08:59Have you said what you wanted to say?
09:03Yes.
09:04Okay.
09:05I'm sorry that A, that you're feeling the way that you're feeling and if anybody else is
09:09feeling that they haven't contributed to the piece and Chrissy's pointed out a few times.
09:14I'm always like that.
09:15You know what I'm like.
09:15And when it has been pointed out, I have tried to get those people to contribute.
09:18Yeah, and I've done quite a few years.
09:19I've tried to put a couple of extra people in the shot.
09:22In regards to what just happened up on the table, I'm sorry if you feel that the work that
09:27you were doing wasn't something that you were contributing to or if you felt that inadequate
09:31in regards to it.
09:32And yes, I have noticed that you were sitting around this afternoon but I also felt that
09:36you were in a lot of scenes.
09:38Terrible feeling to think I don't give a s**t.
09:40I really don't now.
09:41Okay, but I'm not making you feel that way.
09:43That's your choice that you feel that way.
09:44I'm not making you feel like you shouldn't give a s**t.
09:46I'm not responsible for how you feel, Anita.
09:49No, no, no, no, no, no, no, no, no.
09:50I'm totally responsible.
09:51That's why I'm probably even angrier at myself that I actually came out and said something now.
09:55No, don't be angry.
09:56I'm glad you did.
09:56And if you hadn't said it now, I would have spoken to you about it later anyway.
09:59I was just frustrated that I was being talked to like a two-year-old.
10:02That's what I was, and that was the feeling I got.
10:04Okay, that's fair enough.
10:05Okay, and maybe it wasn't the feeling you wanted to portray, but that's the feeling I got.
10:08Cool.
10:08That I was treated like a two-year-old here, that I didn't understand what is going on,
10:12and that you couldn't just get to the point after two minutes.
10:13Because I didn't understand myself, because I didn't understand myself, Anita.
10:16I was, if you could see all three of us were going backwards and forwards.
10:20Blair was pointing out one thing, you were pointing out one thing.
10:22And the truth of the matter was I didn't understand correctly, so I'm trying to listen
10:25to both sides of the story and trying to ascertain which was the best way to do it.
10:28And I think that this is the best way to do it, because as Blair pointed out,
10:31and from what I understand of editing, if we keep it in that order there,
10:35then they can mix and match it together.
10:38So I do apologize if I patronize you, and all I was trying to do,
10:42where I was coming from, was trying to understand the work that was given to me
10:45that I don't have any knowledge, because I've never done it before as well.
10:47So I'm sorry for that, okay?
10:50And please, rewrite this out, because that's where we're at.
10:53No, no, no, it's okay.
10:53Look, it wasn't the point.
10:55I know.
10:56I think we've all done quite a lot of this,
10:59and I don't think we need to be worrying too much about points at this stage.
11:01It's just when you say, all right, this needs to be written out again,
11:04I just immediately go, oh, I'll do it.
11:06That's just the kind of person I am.
11:07I was worried about sitting here tomorrow, and they say,
11:08this person got this mark, this person got this back,
11:10and what if I was one mark behind?
11:12Yes, I was worried.
11:14And yes, this is the last night we work on this.
11:15That's fair enough.
11:16I think it's more than fair to talk about what you're feeling, and I know...
11:20I don't want someone to every time have to tell me when to get involved.
11:24Do you understand what I mean?
11:25But it's about...
11:26I wasn't going to wait for someone to tell me if I'm being inadequate or not.
11:29Okay, it also comes back to what you actually once said yourself,
11:33too many chefs in the kitchen can spoil the broth.
11:36So we do need to have...
11:38And that's why a lot of the time I sat back,
11:39and then I'm realising, tonight is last night, no more sitting back.
11:43Okay.
11:43If you want Anita to be evicted from the house,
11:48call 1-9-0-2-3-5-5-0-1-0.
11:51If you want her to stay, vote for either Christina or Gemma.
11:57After the break, Blair's next in the firing line.
12:00I just...
12:00And Blair, I don't like people smirking at me, hey?
12:02I don't.
12:03The argument flares up again when Anita turns on Blair.
12:11I just...
12:12And Blair, I don't like people smirking at me, hey?
12:14I don't.
12:15The only reason I was f***ing grimacing at you,
12:17and I'm pretty f***ed about this, to you, truth.
12:19I told you over there, okay?
12:20I said, if the way you were doing it,
12:24which was all fine up until where it was,
12:25which was absolutely perfect, okay?
12:28The only thing, and it's like I pointed it out,
12:30it just had to run one way.
12:32If you tried to mix the two together, it wouldn't work.
12:35And I...
12:36It's like two bulls locking horns.
12:37Yeah, fair enough, if I was wrong.
12:39But I just...
12:40In this case, I just...
12:42It was the right way to do it, okay?
12:44Now, I said that to you over there,
12:45and you questioned me.
12:46You said, no, no, no, that's right, it's fine.
12:47I said, fine, okay?
12:49I was just into what Johnny said to me,
12:50and Johnny told me...
12:51Did you not tell me to do it?
12:53I did say to you, yes,
12:53because I thought it would have been the better way,
12:55admittedly, when I spoke to you about it.
12:58I said that.
12:58Okay.
12:58And then Blair pointed out to me later
13:00that it wouldn't have been the correct way.
13:01And that's why I stopped it,
13:02and I told you then.
13:03And you questioned me,
13:04that's why I put it in simple terms,
13:06like bits of a puzzle,
13:07that you've got to chop each bit up in sequence
13:09so you can fix it later on and number it, okay?
13:13I can understand you explaining to me,
13:14and I listened,
13:15but I couldn't understand it.
13:16When I'm asking you,
13:17you don't look in my eye,
13:18and you smirk, you laugh.
13:20You laugh at me asking you a question.
13:22You're not laughing at you,
13:23I'm laughing...
13:24I'm not even laughing, f***.
13:25You're sitting there, right?
13:27I've said something to you,
13:29and straightaway you double back on me,
13:31and you try and challenge what I'm saying.
13:34I don't understand.
13:35Okay, okay.
13:36They say,
13:37I don't understand.
13:38But you challenged me...
13:38I did.
13:39Don't you understand?
13:40That's when you laugh at me.
13:41I'm not laughing at you.
13:43I'm not laughing at you, Anita.
13:44But that's maybe what gets back to what she says.
13:46I get frustrated with people, all right?
13:49I think so.
13:49I'm sorry that I've upset you.
13:50I apologize sincerely
13:52for if I sounded patronizing to you.
13:55I think it was just a lack of communication
13:56because I personally wasn't understanding
13:58what was going on.
13:59I was trying to grapple with it.
14:01I think Blair was trying to explain it to me,
14:03and you were coming from a different angle,
14:05and it's just a lack of knowledge
14:06in what's going on.
14:07That's it.
14:09Cool.
14:11Okay, so that needs to be handed in.
14:13Would somebody like to rewrite that out, please?
14:15Would you like to help?
14:16No, I'm wrong.
14:16No? Okay, cool.
14:17I'll do it.
14:18Thanks, Chris.
14:20Jim, do you want to do that thing?
14:21Have you got another pen?
14:22The argument is still troubling Johnny,
14:26so he seeks reassurance from Sarah Marie.
14:29I wasn't being overly bossy boots
14:30the last three days, was I?
14:33No, you're not bossy at all,
14:34but it's just, I sort of, I understand her.
14:36It's just...
14:37I do, yeah.
14:38I understand exactly as well.
14:40It's, um...
14:40But if you notice me and Anita
14:41are very similar people,
14:43and I can understand her
14:46because I feel the same that
14:47see, Blair doesn't understand
14:48what she's going on about.
14:49All right.
14:50But I understand,
14:51but in a way,
14:52it's no big deal,
14:53but I understand how she got like that.
14:55I get like that in here.
14:56Yeah, right.
14:56Over silly things,
14:57but it's still, um...
15:00I don't know.
15:01It's nothing to do even with you.
15:02It's the whole fact of that whole situation
15:04just saying she wanted to help.
15:06And then...
15:07And then you said yes,
15:08and then Blair gave his little cheeky smirks,
15:10which Blair doesn't understand.
15:11Sometimes it may...
15:12They'd f*** somebody off.
15:13It'd f*** somebody,
15:14but he gets away with it
15:15because he's a joker.
15:16And that's nothing to address Blair with
15:18because I'm used to it now.
15:19But I used to get frustrated
15:22at Blair and Ben,
15:23but then you give in to them
15:25and you let them be
15:26what they are.
15:28But sometimes it's hard
15:29because they're not letting
15:30her be what she is
15:32because he said he's f***ed off.
15:34But really,
15:35it's her being her
15:36and that's him being him.
15:37So, yeah.
15:38So it clashes.
15:38Yeah.
15:39So it's got really nice...
15:40It's just natural.
15:41Yeah.
15:41It's nothing to do with you at all.
15:44Fish in the middle.
15:44Because you can tell
15:45you've got all your rash in there now.
15:47I know. I see.
15:47Whenever you get like that,
15:48you get a rash.
15:52Very little makeup
15:53but you're using it
15:54to create an illusion.
15:56But it's the same
15:56eyelash curling.
15:58It's like creating
15:58an illusion of the shape
16:00of something rather than actually...
16:02Good night, Anita.
16:02Good night, Svipa.
16:03Good night.
16:03Good night, Anita.
16:05Hey, Anita.
16:07Good night.
16:07Good night, Johnny.
16:10That was funny.
16:12It was very funny.
16:12It's old.
16:13Hey.
16:14No, no, no, no, no.
16:15I hope you use the joke.
16:18Johnny, you don't need friends like that.
16:19Listen.
16:20What's the matter, baby?
16:30What's the matter, baby?
16:32What's the matter, baby?
16:46Nothing.
16:47I was just reading
16:48before I got to sleep.
16:50Look at all this time.
16:51You okay?
16:52Yeah, I'm fine.
16:54Did you have a good night?
16:55Yeah.
16:56I can't believe I had that outburst.
16:58Yeah.
16:59How intense was that?
17:00Yeah, but...
17:01I thought I was so f***ed off.
17:02Well, you need to say it.
17:04Blair's just a cheeky little s***,
17:06and he's always got to...
17:06You can tell he's the youngest, and he...
17:08That's what I know.
17:09Two things.
17:10I don't know how Blair was brought up at home,
17:13but I think it's a pretty chauvinist way.
17:15There's four boys in the family.
17:16The boys know best.
17:18The boys know best.
17:19And that's not the way I'm brought up,
17:21and that's not the way I live.
17:22And I don't like the way...
17:25He's the f***ing youngest little kid here,
17:28and he tells me what to do.
17:30You're going to go for murder at home.
17:31He must be very spoiled at home.
17:33Yeah, it sounds like it.
17:34The smirking.
17:35You know how he does this...
17:37This thing?
17:38Yeah, but that's...
17:39Yeah.
17:40That's him.
17:40You've gotten used to that.
17:42I...
17:42Someone...
17:43But that's what I said to them.
17:44...to talk with them,
17:45not to look at me and say,
17:45you're talking to me now,
17:46and I just don't...
17:47I know.
17:48Yeah, I know.
17:50I could have hit you.
17:52But that's what I've had to learn
17:55the last two weeks.
17:56As I said to them...
17:56All I wanted to say to him was,
17:58like, how he said,
17:59he's angry that I said to him,
18:02and you, you f***ing smirk at me.
18:05Who are you?
18:06And I said this to him.
18:08Yeah.
18:08They said,
18:08oh, I'm pretty f***ed off
18:09that you f***ing swore at me
18:11or something like that.
18:11Yeah.
18:12Let him be f***ed off.
18:13I mean, you can't change someone,
18:15but he's just got to grow up.
18:16You don't have to change.
18:17You just have to grow up.
18:19Johnny was very upset about the situation.
18:23Yeah, but Johnny, I think,
18:24he just doesn't want people...
18:27He sort of...
18:28I think Johnny's a bit like Gemma,
18:29like he doesn't want anyone disliking him.
18:31I also think so.
18:32Do you know what I mean?
18:33And so it's like,
18:34that's when he kept coming over
18:36and apologising to you,
18:37go, all right, Johnny,
18:37and I'm so not.
18:38Yeah.
18:38Like, don't go away,
18:40but it's sickly.
18:41Yeah.
18:41So that's why...
18:42100%.
18:43Yeah, so...
18:44100%.
18:45Yeah, so you know what I mean?
18:46Yeah.
18:47I know what Jimmy is,
18:48yeah, he's a good guy.
18:52If you want Gemma to go,
18:54call 1902 555 012.
18:57If you want Gemma to stay,
18:58vote for either Christina or Anita.
19:03Next on Big Brother,
19:04the boys ask,
19:05what's all the fuss about?
19:06I'd feel terrible if I was you, boy.
19:10F*** up, Benny.
19:18It's been an emotional day
19:20for all the housemates,
19:21and for Christina,
19:22who's without Peter
19:23and up for eviction,
19:25it's been an emotional week.
19:27How do you feel with, um,
19:29Peter not being...
19:30Um...
19:34Well...
19:36I wish he was here.
19:41You know what I felt weird?
19:42What?
19:44It's like...
19:45I felt...
19:47I really...
19:49Well, I missed him on Sunday
19:51when he walked out.
19:52Yeah.
19:52And then I watched the video
19:53on Unboggle.
19:54And then I missed him on Monday
19:56because...
19:58didn't get a hug.
20:00It's hard, isn't it?
20:11And then I missed him yesterday
20:12because I got nominated again.
20:14Oh, my poor baby.
20:16And he always says to me,
20:17don't worry,
20:18you'll be all right.
20:19You're not going anywhere.
20:21And even though he has no idea...
20:23I know.
20:24He's always nice to hear someone say it.
20:26You do get to feel
20:31really alone in here,
20:32don't you?
20:34It's a funny thing is,
20:35although you have
20:36so many people around you
20:38and you're enjoying the experience,
20:39there's still that feeling
20:40of loneliness
20:41because there's...
20:42that Peter and you
20:43were like...
20:45Is that little...
20:46That's that connection
20:47of feeling...
20:48Are you right?
20:49Yeah.
20:49Is that feeling of fear...
20:51Feeling, um...
20:52Hold my hand.
20:53Feeling of, um...
20:55Feeling like a little bit of security,
20:56like love,
20:57like the real outside world love.
21:00You know what I mean?
21:00That you can confide in him,
21:02confide in him.
21:03Especially, I mean,
21:04you know what it's like
21:04when your name keeps coming up.
21:06I know, babe.
21:07I didn't even know
21:07what to say to you, hey?
21:09No, but I was so happy for you.
21:10So don't worry about it.
21:12It's just, we're even now.
21:14It kind of makes you go,
21:15who, who, who, you know?
21:17I know.
21:18Who is it?
21:19What am I doing wrong?
21:20It's everyone.
21:21Ben, Blair and Johnny
21:23stay up late
21:24and the talk quickly turns
21:25to Anita's outburst.
21:29I was getting a little bit mad,
21:31I have to say.
21:32Not with you, bloke.
21:33Did you like my...
21:35...smoke?
21:36I saw that.
21:41Oh.
21:43So Charlie's Angels
21:44was a good movie,
21:45wasn't it?
21:46Did you like that, though?
21:47I was so dark.
21:48Yeah, I just thought...
21:49I could have put my head
21:50through a brick wall
21:51then, I reckon.
21:52Oh, it was ropeable.
21:54I was up there making food
21:55and I just thought,
21:56this is an act.
21:56I just thought
21:57I was mucking around.
21:58And I started walking
21:59and I thought,
22:00something's amiss here.
22:01Yeah, I saw you just
22:02walk across the front
22:02and sit down
22:03and just go like this.
22:03You usually get into it.
22:08Oh, I couldn't believe it.
22:11I'm still, like,
22:13trying to figure it out.
22:14I still can't understand.
22:16I feel terrible.
22:16I can, but I can.
22:17I'd feel terrible
22:18if I was you, bloke.
22:20F*** up, man.
22:25Did I mile out, Johnny?
22:27No, mate.
22:28Did I mile out?
22:30I'm not sure
22:31at the moment.
22:32Do you want mine?
22:33Can you get me one?
22:36I can troll you.
22:37You got up
22:38and got the Milo.
22:45In the eye.
22:48Oh, hey, Ben.
22:50I can troll you.
22:52Milo for one.
22:54That's the biggest
22:55c*** I've ever met.
22:58You're not happy
22:59with your conclusion,
23:00are you?
23:01Because you can't
23:02share it.
23:03Yeah, that's...
23:04Yeah.
23:10I'm happy with the conclusion
23:11in regards to the evening.
23:13Oh, okay.
23:15Definitely.
23:16The evening.
23:17But there might have been
23:18other things
23:19that might have been
23:20discussed
23:20that I haven't
23:21drawn to conclusions about.
23:24Oh, yeah.
23:24That's fine.
23:26That's fine.
23:26Johnny's in this dress.
23:31You should see him
23:32quizzing in his mind.
23:34Johnny's f***ed himself.
23:34And he's doing these ones.
23:35He's doing the old...
23:36He's quizzing so hard.
23:43Get over it, Johnny.
23:45I am.
23:46Mine's allowed
23:46to be frustrated.
23:47I agree.
23:48And that's all she was.
23:51That's all she was.
23:53Nothing more
23:53and nothing less.
23:54Okay.
23:58Tomorrow on Big Brother,
24:00don't miss the premiere
24:01of the film
24:02Behind the Fight.
24:04Oh, Eduardo,
24:04I could kill you!
24:05G'day, bettors here.
24:14Catch more news,
24:15gossip and bitchin'
24:16from inside
24:17the Big Brother house
24:18with regular updates
24:19on Triple M
24:19or read about it
24:20in the Herald Sun.
24:21This program brought to you
24:36from Dream World,
24:37the home of Big Brother.
24:39in the Herald Sun.
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