- 1 year ago
Category
🎥
Short filmTranscript
00:00Pájaro soñador.
00:18¿Qué pasa, tío?
00:26¿Qué quieres que haga cuando termine aquí?
00:28¿Te veo en la oficina o nos vemos en la casa?
00:31Está bien, te veo en un rato en la oficina.
00:34Nos vemos.
00:45Vamos, muévete. La sobrina está a punto de llegar. ¡Rápido!
00:48Hago lo que puedo.
00:49Intenta hacer algo más. ¡Hazlo!
00:52Esto me pone nervioso, amor.
00:54Sí, me parece que tendremos que dejarlo en sus manos por ahora.
00:57Es que todo esto de la falsa página me pone muy nervioso, me agobia.
01:00Vamos, muévete. Sigue.
01:03Por favor, hazlo rápido.
01:07Tendríamos que ordenarlos por fecha, pero yo los ordené por color.
01:11¿A qué se le ocurre? ¿Qué clase les interesa?
01:12El morado, el rojo y...
01:13Buenos días.
01:14El azul.
01:16Buen día, ¿qué tal?
01:17¿Podemos ayudarla?
01:18¿Qué se le ofrece?
01:19Tengo una cita con el señor Yan.
01:21El señor Yan no ha llegado, pero si quiere puede sentarse ahí y esperarlo cómodamente.
01:24Hágalo.
01:25No hay problema, lo espero.
01:26Claro, siéntese ahí. Hay una silla muy cómoda, le va a gustar.
01:29¿Algo de tomar?
01:31No, estoy muy bien.
01:32Se nota. Por favor, siéntese. Enseguida la tiene.
01:34¿Para qué la pasas? Pudo haber esperado de pie.
01:36¿A ti qué te importa? Deja que se siente, está cansada.
01:39¿Quién es?
01:40Viene por el puesto de recepcionista.
01:42La chica se ve muy bien y mira, tiene el mismo estilo que Yan informal y todo eso.
01:47¿Se ve bien?
01:48Sí, muy bien. He visto a muchas como ella.
01:51Ah, espero que Yan llegue a tiempo porque la hija del señor Asim vendrá.
01:54¿El señor Asim metió a su hija en la empresa?
01:56¿Cómo se le ocurre? Eso no se hace ni que fuera una tienda de vecindario. ¿Acaso es un ignorante? ¡Eso es de principiantes!
02:02Ya sabes lo que dicen, hay quienes nacen en cunas de oro.
02:05Es verdad. Si eres la hija del jefe, tienes la vida resuelta y acabarás siendo la jefa y sin tener que ganártelo, no como nosotros.
02:14Seguro que estudió en el extranjero y le hicieron jefa del departamento cuando regresó, no lo dudo.
02:18Sí, seguro, así es.
02:19Exacto.
02:20Si no tienes unos padres ricos, date por feliz.
02:22Así es, exactamente.
02:23Maneja, si no tienes una, cuidado, cuidado, cuidado, ahí tiene, es ella, es ella.
02:28¿Es ella?
02:29Seguro es ella.
02:30¿En serio?
02:31Sí.
02:32Pero miren quien llegó.
02:33Bienvenida.
02:34Bienvenida.
02:35Hola.
02:36Muchas gracias.
02:37Pase por favor, el señor Yan va a tardar un poco, la acompañaré a su oficina.
02:42¿Algo de beber?
02:43Agua.
02:44¿Le puedo hacer un café con leche o un té el ajo?
02:46Muchas gracias.
02:48Por aquí, eso está en fondo.
02:50Vaya.
02:52Le enviaré un mensaje a Leila.
02:54Yo le enviaré uno a Yan.
02:55Sí, ya lo envié.
02:56La hija de la señora Sim está en su oficina.
02:58Iré con ella, ¿está bien?
02:59Muy bien.
03:00Me voy.
03:01Muzafer, llévate a esa chica, que no la vean ahí sentada.
03:04Pobre mujer, si no molesta a nadie.
03:10¿Cómo vas?
03:11Estoy en ello.
03:12Date prisa.
03:13¿Qué razón es?
03:15Un mensaje de Deren.
03:16¿Qué dice?
03:17Estás llevando a la hija de Azima a la oficina de Yan.
03:19¡Corre! ¡Siéntate en el sillón!
03:24Date prisa.
03:25¿Te falta mucho?
03:27Aún me falta algo por hacer.
03:28¿Falta más?
03:29Si no terminas en cinco minutos, será tu último trabajo, te lo juro.
03:32¿Oíste?
03:37¡Rápido!
03:38¡Muévete!
03:39No puede ser.
03:47¿Qué pasa?
04:06Buen día.
04:07Disculpe el retraso.
04:08No se preocupe.
04:10Ella es Anem, la creadora de las cremas.
04:12Encantada.
04:13Igualmente, es un placer.
04:17Gracias.
04:24Mi currículum.
04:29¿Currículum?
04:30Las empresas donde he trabajado.
04:33También adjunté dos cartas de recomendación.
04:39Deren.
04:40Eh...
04:47¿Vino por el puesto de recepcionista?
04:50Así es.
04:53Deren, ¿la chica de allá afuera no es la hija de Azima?
04:58Tal vez.
04:59No tengo idea.
05:01No quisiera.
05:03Igual que yo.
05:04Vamos a ver.
05:05Vamos.
05:07¡Le deseo mucha suerte en la entrevista!
05:18Le pido disculpas.
05:19Viene de Guma North, ¿cierto?
05:20Sí, señor Jan.
05:21Soy Aisha Dickman.
05:23Pero creo que sus empleados me conocen como la hija del señor Azim, ¿cierto?
05:31¡No puede ser!
05:32¡Era ella!
05:33¡Era ella!
05:35Discúlpenos por el malentendido que se presentó.
05:37¿Vamos a mi oficina?
05:38Está bien.
05:39Pero antes quiero decirles que estudié en el extranjero con una beca
05:42y trabajé cinco años de asistente.
05:45En verdad.
05:47Bien, bien.
05:49J.J., ven aquí.
05:51Ocúpate de la señorita, por favor.
05:54Discúlpenos, por favor.
05:55Por aquí.
05:58Pero qué bueno conocer a la señorita.
06:00Es evidente que tiene una formación académica.
06:03Ella era la hija de Azima.
06:11Parece la versión femenina de Jandivid.
06:13¿Lo notaste?
06:14Es una mujer hermosa.
06:17¿En serio que eres muy observadora?
06:19Por aquí, por favor.
06:21Personalmente la voy a entrevistar.
06:31Zanem...
06:34Quiero pedirle disculpas nuevamente por la confusión que hubo.
06:37No pasa nada.
06:38De hecho quería venir ayer, pero me fui a acampar
06:41y se me descompuso el auto cuando venía aquí para verlos.
06:44Pero lo arreglé y vine directo a la agencia.
06:47¿Y pudo ver algo sobre nuestro proyecto?
06:49Sí, lo hice.
06:51Los felicito.
06:52Quizá tengamos que hacer un pequeño cambio en el eslogan y las imágenes,
06:55pero lo que me preocupa es otra cosa.
06:59¿Son placas del ejército?
07:01¿Y qué es lo que le preocupa?
07:03El director que eligieron, Artur Capello.
07:06Busqué un poco, pero no pude encontrar nada sobre su trabajo.
07:15Qué raro.
07:18Lo siento mucho. Perdón.
07:20Tal vez se trate de un error.
07:23¿Estás bien, Zanem?
07:25Sí, sí, estoy bien, gracias.
07:27Es por el aire acondicionado.
07:29Es nuestro mayor enemigo en verano, por los ácaros.
07:33La verdad, me estoy sintiendo mal.
07:41¿Pero qué botas?
07:42¿Qué botas?
07:47Es que tengo mucha alergia.
07:49Por eso estornudo.
07:54Ay, Zanem me escribió.
07:56Me dice que solo tenemos cinco minutos para terminar.
07:58Date prisa.
07:59La hija ya sospecha.
08:01¿Qué haces? Deja de entretenerte. Termina ya.
08:03¿Cómo vas?
08:04Ya subí varios anuncios de otras páginas.
08:06Los firmé con el nombre de Artur.
08:08Bien, saldrá en los motores de búsqueda.
08:10No tenemos ninguna foto de él.
08:12No podemos subir ninguna.
08:13No sabemos quién lo interpretará.
08:16Entonces ya quedó.
08:18Perfecto.
08:20Muy bien.
08:31Está bien, está bien.
08:33Zanem, ya quedó.
08:34Llámame y dices que hay un problema con la red.
08:38Lo lamento, no suelo hacer estas cosas.
08:39Mi madre tiene un problema y tuve que escribirle.
08:42Ahora voy a llamar a la señorita Leila.
08:44Disculpen.
08:48Hola, Leila.
08:49¿Puedes venir a la oficina del señor Zan?
08:51Tenemos un problema con la red y necesitamos tu ayuda.
08:54Muchas gracias.
08:57Bien, ella lo resolverá.
08:58Como siempre lo hace.
09:04Muy bien.
09:06Qué buen currículum.
09:10Y dos cartas de recomendación.
09:13Excelente.
09:15¡Yei, yei!
09:16Tienes que venir.
09:17Esto se está poniendo muy feo.
09:18¡Levántate!
09:19No interrumpas, estoy entrevistando.
09:20Perdóneme, pero es que está pasando algo extraño en la oficina.
09:23¡Yei, yei!
09:24Leila corre de aquí para allá como una completa loca.
09:26El señor Zan tiene cara de enfadado.
09:28Esto no me gusta.
09:29Sé que viene una catástrofe.
09:31Lo presiento.
09:33Nos van a despedir.
09:34Nos van a despedir, Muzafer.
09:35Bueno, ¿y qué vamos a hacer?
09:37¿Qué dice?
09:38Que nos echarán a la calle.
09:40¿Qué hicimos, amigo?
09:41Es que no hicimos nada.
09:43¿Qué pudimos hacer?
09:44¿Les pasa algo?
09:45Un pequeño error.
09:46¿Los despiden por un pequeño error?
09:48Así es.
09:49Esta empresa es así.
09:50No se permiten errores.
09:51Llevo 10 años trabajando aquí.
09:53Y soy accionista.
09:54Y aún así me van a echar.
09:55Tranquilo.
09:56¡Yei, yei!
09:57Cálmate.
09:58No puedo respirar bien.
09:59Cálmate, por favor.
10:00Me siento muy mal.
10:01Tranquilízate.
10:02Tengo que tomar aire.
10:03Déjame, no hagas eso.
10:04Tengo que tomar aire.
10:05Estoy ahogando.
10:06No lo hagas.
10:07Te asustarás a la gente.
10:08¿Y les hacen esto a los accionistas?
10:10¡Yei, yei!
10:11¡Métete ya!
10:12Necesito aire fresco.
10:13Aquí adentro hay aire.
10:14Adentro no respiro.
10:15Como digas.
10:16Está bien.
10:17Respira lo que quieras y después entramos.
10:21No me abraces así.
10:23Sentí extraño.
10:24Leila.
10:25Hola.
10:26Hola, Leila.
10:27¿Dijeron que hay un problema?
10:28La señorita no ha encontrado nada de nuestro director en Internet.
10:31Ah, ese es un problema muy común, porque nuestro director no se llama Artur, sí.
10:36Su verdadero nombre es Arturo Capello.
10:38Por eso la gente no lo encuentra.
10:40Mire, escribe el nombre como lo dice.
10:42Leila.
10:43Leila.
10:44Leila.
10:45Leila.
10:46Leila.
10:47Leila.
10:48Leila.
10:49Leila.
10:50Leila.
10:51Leila.
10:52Leila.
10:53Mire, escribe el nombre como lo digo en el buscador y verá como enseguida aparecerá.
11:03Es verdad.
11:09Es cierto.
11:10Lo encontré.
11:12Genial.
11:13Sí.
11:14Claro.
11:16Y veo que tiene otros anuncios.
11:18¿Por qué no me dijo lo del nombre, señor Yan?
11:22Well, I told him because we hadn't looked up his website properly.
11:26That's why.
11:27I have a good relationship with Arturito.
11:30And the truth is, I didn't even know his name was spelled like that.
11:33It depends on the language in which it's spelled.
11:35One way or another.
11:36In English, it's with an H.
11:38Arthur, Arturo.
11:39It's confusing.
11:40Yes, it happens to a lot of people.
11:42Then the matter is resolved.
11:43That's right.
11:44Very good.
11:46And when will the meeting with him be?
11:48Leila will look for a date and we'll let you know.
11:51In the meantime, we can go over the details.
11:53Perfect.
11:54Great.
11:55Excuse me.
12:00Good.
12:02And we have to talk about how much you care about her, Anel.
12:07Don't get cold.
12:09In that position, it gives you the air conditioning to your back.
12:13Here we have this.
12:17And this.
12:19Have you been in the army?
12:21Oh, sorry.
12:25I see.
12:26Yes?
12:28Ah, Muzafer.
12:29Come, come, come.
12:30You called me, right?
12:32Yes, sit down.
12:33I want you to do me a favor.
12:34Listen to me.
12:35You have to take Yeye to your house.
12:37And since the company has luxury cars,
12:39maybe I could take one for a ride and go for a walk.
12:42If you make her go, you can ask me whatever you want.
12:44Well, I would ask to attend the creative team meetings.
12:48Done.
12:49And also to the financial team.
12:52Done.
12:53And also to the marketing team, and also some suits, please.
12:56Yes?
12:57Okay, you can take one, whatever you want.
12:59Oh, and one more thing.
13:00Hey, you've gone too far, don't you think?
13:01Okay, understood.
13:02I will re-admit Yeye, I will be at the meetings,
13:05and from time to time, you will let me take a ride in the luxury cars.
13:12Oh, let it be the convertible.
13:14You have given me your word, don't forget it.
13:16A deal is a deal.
13:17Come on, let's go inside.
13:36I'm sure it will be a great campaign.
13:38I agree.
13:39Would you like to go eat to make up for the inconvenience?
13:42Perfect.
13:43I know a Mexican restaurant.
13:45Would you like to go?
13:46Fabulous.
13:47Great.
13:48Sanem, you're coming too.
13:50He doesn't even know what restaurant it is.
13:56Why don't you ask yourself if you like it?
13:58I don't care.
14:01Sanem, let's go.
14:02I'm coming.
14:03Did you know that my father has a family in Mexico?
14:06I'm coming.
14:08In the center of Mexico.
14:15Let's go.
14:22What are you doing?
14:23What is this?
14:24What do you think?
14:25I came to apologize with a bouquet of flowers because I want you to forgive me.
14:29No, of course not.
14:30You kicked me out.
14:31But what nonsense are you talking about?
14:33Not at all.
14:34I didn't kick you out.
14:35You asked me.
14:36I didn't want to, but you forced me.
14:38I have dignity and I will never, ever come back.
14:40Enough.
14:41Don't say those things.
14:42Yeye, please.
14:43Remember that they kicked you out of here too and you came back.
14:45Please, Yeye.
14:46Enough.
14:47Don't you see that the company needs us?
14:49Maybe, but it was an exception.
14:51I'm not coming back to your house.
14:52Period.
14:53But why do you say that?
14:54Why?
14:55You hurt my feelings.
14:56Enough, please.
14:57You almost spit on my coffee.
14:58Yes, I wanted to spit on you, but I didn't.
15:00I was about to, but I didn't.
15:01And you asked for it.
15:02And what about the slap you gave me the other day?
15:04Who is the victim and who is the accused?
15:06I lost control and I didn't hit you so hard.
15:08Don't complain.
15:09Aha.
15:10Well, you're right.
15:11I went a little too far.
15:12It's true.
15:13I admit it was wrong, but I don't know.
15:15I have to tell you.
15:16I'm the one who should be offended.
15:19And on the contrary, I came to beg you with flowers and to beg you.
15:23Don't you understand?
15:28Musafer, I've been very sensitive.
15:32I noticed, Yeye.
15:33You've been very irritable lately, but we'll get over it together.
15:37In our house.
15:38I'll help you.
15:39You'll see.
15:42It's okay.
15:43Come here.
15:44Come to my arms, friend.
15:54Now calm down a little and then when you're calmer,
15:57you go to Mekibe's house and pack your bags.
15:59This is going to be great.
16:01Very good.
16:02So you cover me so I can go get my things.
16:04I'll cover you here.
16:05Don't worry.
16:06Perfect.
16:07And this?
16:09A big detail.
16:12I'm leaving.
16:14How funny you are.
16:16You're great, friend.
16:18Proof passed.
16:19How good I am.
16:20Yes, I could do it.
16:21I could do it.
16:22Well, my career is taking off.
16:25I will surely rise in this business little by little.
16:28And I will end up having a super position.
16:30It was predicted, Musafer.
16:31You are a genius.
16:32You are great.
16:34To start, I want some chicken tacos.
16:37I want the same and also some enchiladas.
16:39Yes, but with chili, the spicy one.
16:40And with meat.
16:41Excellent.
16:42And you?
16:43The usual.
16:44And what is it?
16:48The same as them.
16:52So you two were in Mexico?
16:55Yes.
16:56I even spent a night in prison.
16:58Really?
16:59And you survived something like that?
17:00Because I lost my passport in Mexico.
17:02And I saw how the police stations are.
17:04I can't imagine how the prisons will be.
17:06It's better that you never know.
17:07Can we talk about work?
17:08No, let's leave work aside today.
17:10This food is to get to know us a little better as collaborators.
17:14And what else do you want us to talk about?
17:16The two of you were in Mexico and where else?
17:18Yes, it's a good idea.
17:20What do you need to know, Aisha?
17:22I'm missing the polar areas.
17:24And...
17:25Well, you won't believe it, but I don't know Cuba either.
17:28Don't ask me why.
17:30Or Australia.
17:31You know very little, don't you think?
17:32You haven't traveled much.
17:33You don't know the world.
17:35What countries have you visited?
17:36Tell us, because I'm missing three.
17:39That's silly.
18:09I'm missing three.
18:23I'm missing three.
18:39I'm missing three.
19:09I'm missing three.
19:27So, you also like to travel?
19:29Uh-huh.
19:30I was going to travel the world, but...
19:33What happened?
19:34The person I was supposed to go with, well...
19:37What did he do without you?
19:39He lost his memory.
19:41He had an accident.
19:46He hit his head.
19:48And then he remembered everything but me.
19:51But that's another story.
19:53I'll tell you another day.
19:55And...
19:56Why do you travel so much?
19:59To be honest, I love outdoor sports.
20:02Uh-huh.
20:03Bravo.
20:04You got her to be more interested in it.
20:06Are you happy now?
20:15Those at the table back there...
20:17They're talking very loud.
20:18It looks like they're giving a concert.
20:20Well, go on.
20:21I do mountain climbing.
20:23Really?
20:24Mountain climbing?
20:25That's right.
20:26Good.
20:27Where have you climbed?
20:28I guess to many mountains around the world.
20:29Excellent, Cupid.
20:30You're finding two soul mates.
20:31Don't exaggerate.
20:32But no, I'm not exaggerating.
20:33Climbing, rappelling, parachuting...
20:35Everything.
20:36But...
20:37There's nothing like diving without an oxygen tank.
20:39I once dived with pearl divers in the Caribbean.
20:42You're one of mine.
20:43Excellent.
20:44Well done, Sanem.
20:45Chico!
20:49What did I say?
20:57I saw a friend from Mexico.
20:59I'm going to say hi.
21:01I'll be right back.
21:03She's a very peculiar girl.
21:05Very, very, very peculiar.
21:15Think about it, Sanem.
21:17If you met someone who speaks with an inner voice,
21:20you'd be surprised, wouldn't you?
21:23Try to understand Johnny and Aisha.
21:26Can you tell what you're insinuating now?
21:29You know what?
21:30We've come this far.
21:31I can't say anything else.
21:33From now on, you'll be together.
21:35You'll commit and you'll get married.
21:37That's not going to happen.
21:39I'll never give up on him.
21:41What are you talking about?
21:43You heard what he said.
21:44He doesn't feel you in his heart.
21:46Fine.
21:47We may be apart now,
21:49but that doesn't mean it's forever.
21:51John's heart is my home.
21:54So, are you going to fight?
21:56Did you say fight?
21:58Not yet.
21:59I'll start the third world war.
22:01Are you looking for trouble?
22:03Excuse me?
22:04How would you feel
22:05if someone told you about a commitment and a wedding?
22:08Listen to me.
22:09A long time ago,
22:10I was able to conquer his heart
22:12and I'll do it again.
22:15Did you understand?
22:19Look at the way they throw stones.
22:23We ate very well.
22:24I'm satisfied.
22:25Do you want us to order coffee?
22:26No, I have a commitment.
22:28Okay.
22:35Did you see your friend?
22:36The Mexican.
22:37The boy.
22:38Yes, he sends his regards.
22:40If you have a Mexican friend,
22:42you must know something about him.
22:44Long live Carlos Santana.
22:46Of course, a great character.
22:48But let's change the subject.
22:56Yes.
23:56Dad!
24:06Dad!
24:18Are you not going to cry?
24:20No.
24:22Does that music sound from your phone?
24:26That's right.
24:27It's just that it's sad.
24:29It goes with the moment we live.
24:31I didn't want the magic of the farewell to be lost.
24:33Do you understand me?
24:34But now I turn it off.
24:36Music is very important to give atmosphere.
24:38A lot.
24:39In the future we will listen to music more easily
24:41and technology allows it and then ...
24:43Yes, yes, son.
24:44You're right.
24:45I know.
24:46Surely you have to go back to work.
24:48Don't be fired.
24:49I think you should go back to the office right away.
24:52Are you going to fire me?
24:54You're right.
24:55You can fire me.
24:56I have to go back to the office right now.
24:58Thank you very much for your hospitality and your advice.
25:01It was a pleasure.
25:19Well, they're going to fire you.
25:20You better go.
25:21Yes.
25:22At this rate, they'll fire you.
25:24Don't cry, Dad.
25:25I'll come on Sunday.
25:26I won't cry.
25:27No, no.
25:28Yes.
25:29Goodbye.
25:30Come on, boy.
25:31They're going to fire you.
25:33You don't want me to see you cry.
25:35And I don't want to see you either.
25:37No, of course not.
25:38Goodbye.
25:39Goodbye.
25:40Goodbye.
25:41Goodbye.
25:42Goodbye.
25:43Goodbye.
25:44Goodbye.
25:45Goodbye.
25:46Goodbye.
25:48Goodbye.
25:49Goodbye.
25:50Goodbye.
25:51No, of course not.
25:52No, you lost a son.
25:53You won a bedroom.
25:55Ah, viva!
26:00M'am has saved my life.
26:01I really love that kid.
26:03I don't want to see what Mevkisdem will make me for dinner.
26:10Dos tres.
26:12Tres.
26:14I am so ugly.
26:16Don't laugh, brother. Help me.
26:19The truth is that it's very funny, Emre.
26:21Hey, Musafer, can you attend the meetings or not?
26:25Okay, come on.
26:27Very well.
26:31Captain Aziz, good afternoon.
26:33Hello, sons, I'm coming.
26:35How are you?
26:36Fine, and you?
26:37Well, fine.
26:38If you're here to see how everything is going at the agency, calm down, everything is fine.
26:42No, I didn't come for that.
26:44I just came to say goodbye to you.
26:46What are you talking about, dad?
26:47I don't understand.
26:50You're already recovered, Can.
26:52And the agency is doing...
26:54very well, better than ever.
26:56And what?
26:57It's just that...
26:59I get very bored here, sons.
27:02I rediscovered the love of my life and...
27:04it seems more and more like Uma.
27:07So maybe...
27:08the problem is me.
27:11Maybe I'm the one who changes them.
27:13I don't know anymore.
27:15And where are you going?
27:16To Amsterdam.
27:17I'm flying tonight.
27:18That's great.
27:19And you're going to leave like that, like nothing happened?
27:21Let him enjoy.
27:22Anyway, the goodbyes are not my thing.
27:25Come on, give me a hug.
27:26Come here.
27:28But, dad...
27:33Okay.
27:34It's okay.
27:39Put it down.
27:40You're going to hurt him, Can.
27:45Listen.
27:46I have some instructions to give you.
27:49Emre, take good care of Leila and don't hurt her.
27:52Make a beautiful couple.
27:54Okay?
27:55Okay, dad.
27:57Can.
27:59Don't forget...
28:00what I told you about Sanem, please.
28:04Listen to me and never let go of her hand.
28:07Never.
28:10Well, I'll say goodbye to the others and I'll go.
28:17Don't worry.
28:34I love you.
29:04I love you.
29:35Mr. Can.
29:44Now that we're all here, we can start.
29:46One second, Can.
29:47I want a latte.
29:48Oh, yes.
29:50Can and Sanem, have some tea.
29:52What do you want?
29:53Another latte.
29:54A latte is fine.
29:55Let's see, how many lattes?
29:56Two and three.
29:57Who's going to bring them and where's the waiter?
30:00What?
30:01Who's going to bring them?
30:02Of course, since JJ's not here, it's your turn.
30:04Look, Sanem, don't mess with me, and neither do you.
30:07I'm also the shareholder of this company,
30:09even if I only have 1%.
30:11Do you understand?
30:13So JJ can come, too.
30:15Yes.
30:16We worked together last night.
30:17He has excellent ideas.
30:18Oh, no.
30:19He can't come now.
30:20He's picking up his things from your house.
30:22Oh, Mom must be sad.
30:24Well, I admit we're a little strange agency,
30:26but I'd appreciate it if you didn't start arguing.
30:29Like, Mom must be sad.
30:31He's doing it to annoy me.
30:33Very good.
30:34Arthur.
30:35Capello.
30:36Who will play him?
30:37That's not a priority.
30:38First we have to see the recording.
30:40Jan will direct it.
30:41We'll look for someone for the scenography.
30:43Very good.
30:44Let the rain of ideas begin.
30:45Very good.
30:48Let's see.
30:49Let's see.
30:50Yes.
31:00Mr. Jan.
31:01I'm not fired, am I?
31:03Did you ask Henry for permission?
31:05Yes, of course.
31:06But I was still very worried.
31:08You know me.
31:09Well, now that I'm here, you can ask for whatever you want.
31:13Moussafer, you look very good sitting there,
31:15but I don't see anyone with coffee.
31:17Yes, I also noticed.
31:18We're in the middle of a creative meeting,
31:20and you're the only one with coffee.
31:22I'm sorry.
31:23I'm sorry.
31:24I'm sorry.
31:25I'm sorry.
31:26I'm sorry.
31:27I'm sorry.
31:28We're in the middle of a creative meeting,
31:30and there's no coffee or tea on the table.
31:32Go get them, please.
31:33We've got our throats close.
31:34Are you crazy?
31:35If you keep this up, you're getting fired.
31:37No, I'm not crazy.
31:38On the contrary, I'm very intelligent.
31:40I just joined the creative team, and I'm on fire.
31:43I'm giving out incredible ideas.
31:45Then he's in the creative meetings?
31:48Why?
31:49And what about me?
31:50Do you know why?
31:51The board decided.
31:53Did they really talk about it?
31:54I didn't know.
31:55It has to be a joke.
31:57I didn't know either, to be honest.
31:58Can we focus on the purpose of the meeting?
32:01Mr. Aziz wouldn't allow something so impossible.
32:04He just left.
32:06Mr. Aziz is no longer here.
32:08You lied to me, Muzafer.
32:09It was a trap.
32:10You planned all this while he was at home.
32:13I don't know.
32:13I've been working for this agency for more than 10 years.
32:17And that traitor has just arrived.
32:18Why do I have to serve the coffee?
32:21I'm sure you thought it through.
32:29It's more than thought, Mirivan.
32:30Think about it one more time.
32:32I've already done it.
32:34After so many years, neither you nor I are going to change,
32:37let alone one.
32:39I think this way we'll all be happier.
32:42It's not true.
32:43You'll see that it is.
32:44I can't accept it.
32:45You'll be happy.
32:46You're wrong.
32:47You'll be happy because you deserve it.
32:50You've made me very happy and I thank you.
32:53I really appreciate it.
32:55I'll miss you a lot.
33:09Now, it's better if I get in the taxi.
33:12Otherwise, I'll miss the plane.
33:18It's okay.
33:20It's okay.
33:50It's okay.
33:51It's okay.
33:53Miran...
34:19Ah!
34:20Just calm down, darling.
34:21Guys, come in. Have a seat.
34:23How are you?
34:24Hi.
34:25Have a seat.
34:26I have a meeting, guys.
34:27And?
34:28What's so important that you couldn't tell me on the phone?
34:31Please, calm down.
34:32I'm calm.
34:34Dad left.
34:36He left?
34:37Uh-huh.
34:38And that?
34:39Where to?
34:40To Amsterdam.
34:41And why?
34:42You know how Dad is.
34:44He just decided to leave and that's it.
34:47It was her.
34:49Ivan.
34:50Because of her, your father ran away.
34:52Relax, please.
34:53Let's talk about something else.
34:54How about a cup of tea or coffee?
34:56That way we can relax.
34:57Yeah, good idea.
34:58Think about it.
34:59That woman is unbearable.
35:00I'm not surprised she's all alone.
35:02All men run away.
35:04Calm down.
35:05Please.
35:06Okay, fine.
35:07And then?
35:08Are you going to tell me something else or can I go?
35:10Well, I'm leaving.
35:14Wait, where are you going?
35:17She didn't like the news, Leila.
35:31Why were you so tense at lunch?
35:34I wasn't tense.
35:35What are you talking about?
35:36A question.
35:38Was that guy a friend of the neighborhood or did you meet him in Mexico?
35:42I know where you're going.
35:44You're insinuating that person doesn't exist, right?
35:46I think you made up an excuse to go to the sanitarium.
35:48I noticed, Sanem.
35:51As always, you never notice.
35:53If I wanted to go to the sanitarium, I would have said it.
35:56It's natural, because I'd make up a story.
35:58That's what I don't understand.
36:00And that's what I'm telling you, that you never understand anything.
36:03I never understand anything and what do I have to understand?
36:05Look, if you could...
36:06If I could what?
36:08I can't explain it to you because you won't understand it.
36:11Forget it.
36:12This conversation is starting to get absurd.
36:14Exactly, it's absurd, just like that stupid food.
36:18I know what's wrong with you.
36:20And what's wrong with me?
36:22You're jealous of me.
36:24What?
36:25Don't worry, forget it.
36:28Long live Carlos Santana!
36:32I can't stand it, I can't stand it, I can't stand it.
36:45Mmm, mmm, mmm.
36:48Sir, give me another one, but without so much fat.
36:51And with...
36:52very spicy sauce.
36:55Very good.
36:57You see, I told you you'd like it.
37:00You enjoy it.
37:02No, the truth is no.
37:04But what's wrong with you?
37:06Do you want to tell me?
37:11So he went abroad.
37:13To Amsterdam.
37:14I just found out.
37:15My son told me.
37:17Why?
37:18Well, why do you think?
37:19Because of Mirivan's harpy, he managed to get out of the city.
37:24I don't care, but his children...
37:27They won't be able to see him as usual.
37:31Poor Mirivan, she's always the same.
37:35She must be devastated.
37:36I can't believe this, sir.
37:38I feel like I'm hallucinating.
37:39Tell me something.
37:40My son doesn't tell me anything.
37:42My daughter-in-law doesn't tell me anything.
37:43But look at what happened.
37:45At least you take my side.
37:46It hurts that no one takes me into account.
37:48I've already removed the fat.
37:49Thank you very much.
37:50Enjoy it.
37:51You do know how to prepare it.
37:53I'm sure they're delicious.
37:54Yes, of course, sir.
37:56Princess.
37:58Forget all that.
38:00Look at this.
38:01Come on, enjoy the moment.
38:05Come on, eat.
38:06Enjoy.
38:13Mevki, look.
38:14Mevki, look.
38:16It smells so delicious.
38:17I'm so hungry.
38:18It's like I have fireworks in my stomach.
38:21What are you doing?
38:22Hamburgers.
38:24Oh, and you put a lot of spices in them, huh?
38:27They're tofu.
38:28Tofu?
38:29J.J. sent me the recipe.
38:31And what's that?
38:33Oh, they're beluga lentils.
38:35Look, look.
38:36It looks very good, doesn't it?
38:38They're delicious.
38:39Without tomato sauce?
38:40With tofu.
38:41With tofu?
38:42But that's enough.
38:43Damn whoever invented tofu.
38:45Don't you have a heart?
38:47You'll never hurt J.J.
38:49And I'm not going to eat what you cook with J.J. recipes.
38:52Well, starve to death.
38:53I'm starving to death.
38:54I can't take it anymore.
38:55Don't overdo it.
38:56I'm going to faint.
38:57Mevki, I...
38:58You don't value anything.
39:04Oh.
39:06Look.
39:07Oh.
39:08Nyat.
39:09Oh.
39:10Nyat.
39:11Oh.
39:12What's wrong, Nyat?
39:13It can't be.
39:14What do I do?
39:15Where's my phone?
39:16Mevki, look.
39:17What?
39:18Tell me.
39:19Give me some meatballs with rice.
39:22It's my last wish.
39:24Nyat, enough.
39:25I'll give them to you.
39:26I'll give you whatever you want, but first I'll call an ambulance.
39:29I'll call an ambulance.
39:30Wait.
39:31Nyat.
39:32Before they get here,
39:34could you give me some yogurt?
39:37Oh, my love.
39:38You want to eat before the ambulance gets here, right?
39:42Oh, poor you.
39:43Get up, my love.
39:44Come on, get up.
39:46I'll do whatever you ask.
39:48Don't worry.
39:49I'm sorry.
39:50I think I got carried away by JJ's recommendations,
39:55but I did everything to make you feel better, my love.
39:58I know, Mevki.
39:59I know you do everything for my sake, and I appreciate it,
40:02but I'm very hungry.
40:04It's okay, my love.
40:05I'll make you something else, but on the grill.
40:08Whatever.
40:09The important thing is that you make it.
40:11That and that it doesn't have tofu.
40:13Yes, tofu.
40:14Let's see.
40:15Now who's going to eat all this?
40:17Just like the kids.
40:19I have an idea.
40:20Send it all to JJ.
40:22Yes, you're right.
40:23Let him eat all the tofu.
40:28Do you know what hurts me the most?
40:31This has been the second time I've lost the same man in my life.
40:36Don't worry.
40:37I lost the same man many times, and now he's here,
40:40but unfortunately he doesn't remember anything about me.
40:43Don't feel guilty.
40:44Look at me.
40:45I've survived.
40:46Yes, it's true.
40:48But how could I let Uma provoke me?
40:51How could I fall for that?
40:53Deep down, it's my fault.
40:55I'm mad at myself.
40:58Honey.
40:59Honey.
41:00Honey.
41:01I just found out.
41:02I'm sorry.
41:03I came as soon as I could.
41:05Selim.
41:06Selim.
41:07Oh, poor you.
41:09Come here.
41:10Baby.
41:11Baby.
41:12Baby.
41:15How did you know?
41:16Who told you?
41:17It was Uma.
41:19Selim.
41:20I can't believe it.
41:21Don't tell me his name, please.
41:23I don't want to hear that woman's name, at least not for today.
41:26I'm sorry, please.
41:29But I think I've already taught you all this.
41:33What?
41:34Not to say stay when someone has already left.
41:37Not to cry when someone is no longer by your side.
41:40Didn't I teach you, honey?
41:41Yes, you taught me, but now it's no use to me.
41:44Maybe I can.
41:45Yes.
41:46What do you say when someone is no longer there?
41:49Goodbye.
41:50Take care.
41:51Not exactly, but it's something like that.
41:53I'll tell you.
41:55You say sayonara, baby.
41:58That's how you say it.
42:00Or in other words, arrivederci.
42:03Oh, Selim.
42:06Was that Italian?
42:08Yes.
42:09But you also say baby and honey, like honeymoon, like honeymoon.
42:14That's right.
42:15Honey means love in English?
42:17Of course.
42:18Do you speak English, Spanish, Italian?
42:20Yes, miss.
42:21I can't believe it.
42:22This miss is going to kiss you for how excited she is.
42:25I can't believe it.
42:26How wonderful.
42:27What's wrong?
42:28Sanem.
42:29Don't move from here.
42:30Now I'll tell you everything again and convince you.
42:33What?
42:34Jan.
42:35She's crazy.
42:36Sayonara, baby.
42:37Arrivederci, Jan.
42:38Sanem.
42:39What's wrong with her?
42:40What did you do to me?
42:41Where are you going?
42:49Jan.
42:50Jan.
42:51Jan, Jan, Jan.
42:55I found it.
42:56Now if I finally found it.
42:58Who did you find?
42:59Your Mexican friend?
43:00No.
43:01What are you talking about?
43:03I found our Arthur.
43:05Ah.
43:06And who is he?
43:07It will be the mister Selim.
43:09Ah.
43:10Yes.
43:11It fits well.
43:12That's right.
43:13And also speaks three languages.
43:14Italian, Spanish and English.
43:16It's great.
43:18That's right.
43:20I hope you'll thank me.
43:23Hi, Aisha.
43:25I'd like to introduce you to Arthur Capello
43:27tomorrow at the office.
43:28As soon as you can, of course.
43:30Check your schedule and let me know.
43:34Okay, I'll see you.
43:38Why did you call her?
43:42They're going to pay us a lot of money.
43:44What did you want me to do, send her a message?
43:46Yes, that would be a better idea.
43:50I wanted to get rid of Capello.
43:51That great idea you had.
43:54I'm super smart.
43:55I came up with it.
43:56You wouldn't have, but I'm smarter.
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