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In questa puntata di Explore, visitiamo la valle di Fergana in Uzbekistan, dove resistono ancora oggi antichi mestieri e i loro maestri, le cui conoscenze si tramandano di generazione in generazione.

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00:00I am in Uzbekistan's Namangan region in the Ferugana Valley to explore local traditions of knife
00:29making and ceramics. I hope to learn from the masters and maybe I will uncover some secrets.
00:40My journey starts in the city of Chust. Here since ancient times, knife makers known as
00:47Suzangars have created exquisitely beautiful knives or pichocks renowned far beyond the
00:55region. I am here to meet Rahimjohn Ubaidulaif who represents a dynasty of Suzangars.
01:01I am here to meet Rahimjohn Ubaidulaif who represents a dynasty of Suzangars.
01:13A Suzangar has to perform 70 operations before a piece of metal turns into a knife. Traditional
01:22methods of hardening involve heating and cooling the blade multiple times.
01:28Historically, the Uzbek Pichok has been a symbol of status often associated with local traditions
01:35and ceremonies. Creating a handle is an art in itself. Choose craftsmen traditionally use
01:42natural materials such as wood, bone, bone, bone, bone, bone, bone, bone and bone.
01:48Historically, the Uzbek Pichok has been a symbol of status often associated with local traditions
01:50and ceremonies. Creating a handle is an art in itself. Choose craftsmen traditionally use natural materials such as wood,
01:56e ceremoni.
01:58Creare un'handel è un'artico in itself.
02:01Chiusi craftsman tradizionalmente
02:03usano naturalmente materiali
02:04such as wood, bone, or horn.
02:06The handels are often adorned
02:08with intricate designs or carvings.
02:11Rahim John's well-crafted pitch oaks
02:13are highly prized
02:14by collectors and enthusiasts
02:16from abroad.
02:26My next destination
02:40is Rishtan.
02:41This city in Fergana Valley
02:43used to be the center of ceramics
02:45since ancient times.
02:47Alisher Nazirov,
02:49a Rishtan ceramics master,
02:50is one of the most renowned in Uzbekistan.
02:56The journey to mastery is long,
03:13spanning many years
03:14of dedication and practice.
03:16This is how the clay is prepared.
03:19Well, I have a try.
03:20It looks easy,
03:22but in fact it requires
03:23lots of strength and stability.
03:26There are many secrets
03:41passed down through generations of masters.
03:44Firing at an extremely high temperature
03:47is a very important part of the process.
03:50Rishtan ceramics feature
04:07a unique choice of colors
04:09with each piece being a work of arts.
04:11The artist's choice while painting
04:14is rooted in tradition.
04:15It tells the story of Rishtan
04:17and the region
04:18where each symbol carries meaning,
04:21a story waiting to be told.
04:23is a very important part of the process.
04:24The art is based on the technique
04:27islimi.
04:28Islimi is a farmer.
04:30Granat is a symbol of the nature.
04:32The symbol of the earth is a symbol of the earth.
04:33The symbol of the earth is a symbol of the earth.
04:34The fish is a symbol of the earth.
04:37I think it is a symbol of the soul.
04:39And the blood is a symbol of the earth.
04:44Uzbekistan's traditional ceramics,
04:46including those from Rishtan,
04:47are on the UNESCO Intangible Cultural Heritage List.
04:50Now I have the chance to add a few strokes
04:53of my own to this living history
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