- 1 year ago
Zlatan Stipišić Gibonni (Split, 13. kolovoza 1968.), hrvatski glazbenik, jedan od osnivača i prvi pjevač splitskoga heavy metal sastava Osmi putnik, bivši pjevač bosanskohercegovačkog sastava Divlje jagode, a najpoznatiji po svojoj samostalnoj kantautorskoj karijeri.
Od 1985. godine Gibonni je bio pjevač u sastavu Osmi putnik, u to vrijeme umjetnički nadimak mu je bio Gibo (čit. Đibo).
Iz Osmoga putnika Stipišić prelazi u bosanskohercegovački heavy metal sastav Divlje jagode, u kojemu ostaje godinu dana.
Od 1989. do 1990. Gibonni živi u Berlinu. Tamo svira s grupom V2, s kojom snima album Out to launch (na albumu Out to launch u biti pjeva Ralf Dohanetz).
Gibonnijeva glazba (svojevrsna mješavina melodičnoga hard rocka, popa, etna i world glazbe) je svojstvena po jedinstvenoj, melankoličnoj mediteranskoj atmosferi i intimnoj lirici. Njegove pjesme izvodili su brojni hrvatski umjetnici, a u više su prigoda osvajale prestižne glazbene nagrade.
Njegove je glazbene korijene lako pronaći jer je njegov otac, Ljubo Stipišić, vjerojatno najaktivniji arhivar hrvatskih tradicijskih pjesama i cijenjeni etnomuzikolog.
Ubrzo je nakon njegova prvoga albuma nazvana Sa mnom ili bez mene došlo do preokreta koji je promijenio cijelu njegovu buduću karijeru: Gibonni je napisao pjesmu „Cesarica” (Carica) za Olivera Dragojevića. Odmah je postao traženi skladatelj čije su pjesme postajale uspješnicama. Na album Noina arka (1993.) uvrstio je pjesme „Zlatne godine”, koju je napisao u suradnji sa Zrinkom Tutićem za istoimeni film, te „Mi smo prvaci”, koja je proglašena himnom Hrvatskoga olimpijskoga odbora. Na njemu su i uspješnice „Nek se dijete zove kao ja”, „Dobri judi” i „Tebe nisam bio vrijedan”. Samostalno nastupa s Brunom Kovačićem, a zatim okuplja sastav: Gibonni, Bruno Kovačić, Renato Švorinić, Gordan Dorvak i Josip Andrić. U tom sastavu Gibonnijeva skupina snima dva albuma: Kruna od perja (1994.) i Ruža vjetrova (1997.) Premda u tomu razdoblju Gibonni stvara poznatije pjesme ("Dvije duše", "Ozdravi mi ti", "Život me umorio", "Lipa moja", "Ovo mi je škola", "Tempera", "Ako me nosiš na duši", "Ej vapore", "Nije vrime od nedije za u poje poći"), tek nakon raspada te skupine i sa sljedećim albumima sazrijeva vrijeme za prva službena priznanja u obliku Porina. Time počinje tržišna Gibonnijeva faza koja polučuje velik uspjeh među širim slušateljstvom i kritikom.
Sljedeći Gibonnijev samostalni album Judi, zviri i beštimje (Dallas Records) objavljen je u veljači 1999. i bio je to u tomu trenutku najprodavaniji album u Hrvatskoj i Sloveniji s osvojenih sedam Porina. Na njemu su objavljeni hitovi „Činim pravu stvar”, „Projdi vilo” i „I ja ću budan sanjati”. Godine 1999. i 2000. bio je na turneji po Hrvatskoj, Sloveniji i Bosni i Hercegovini i održao je brojne velike koncerte (npr. u zagrebačkoj dvorani »Vatroslav Lisinski«)...
Od 1985. godine Gibonni je bio pjevač u sastavu Osmi putnik, u to vrijeme umjetnički nadimak mu je bio Gibo (čit. Đibo).
Iz Osmoga putnika Stipišić prelazi u bosanskohercegovački heavy metal sastav Divlje jagode, u kojemu ostaje godinu dana.
Od 1989. do 1990. Gibonni živi u Berlinu. Tamo svira s grupom V2, s kojom snima album Out to launch (na albumu Out to launch u biti pjeva Ralf Dohanetz).
Gibonnijeva glazba (svojevrsna mješavina melodičnoga hard rocka, popa, etna i world glazbe) je svojstvena po jedinstvenoj, melankoličnoj mediteranskoj atmosferi i intimnoj lirici. Njegove pjesme izvodili su brojni hrvatski umjetnici, a u više su prigoda osvajale prestižne glazbene nagrade.
Njegove je glazbene korijene lako pronaći jer je njegov otac, Ljubo Stipišić, vjerojatno najaktivniji arhivar hrvatskih tradicijskih pjesama i cijenjeni etnomuzikolog.
Ubrzo je nakon njegova prvoga albuma nazvana Sa mnom ili bez mene došlo do preokreta koji je promijenio cijelu njegovu buduću karijeru: Gibonni je napisao pjesmu „Cesarica” (Carica) za Olivera Dragojevića. Odmah je postao traženi skladatelj čije su pjesme postajale uspješnicama. Na album Noina arka (1993.) uvrstio je pjesme „Zlatne godine”, koju je napisao u suradnji sa Zrinkom Tutićem za istoimeni film, te „Mi smo prvaci”, koja je proglašena himnom Hrvatskoga olimpijskoga odbora. Na njemu su i uspješnice „Nek se dijete zove kao ja”, „Dobri judi” i „Tebe nisam bio vrijedan”. Samostalno nastupa s Brunom Kovačićem, a zatim okuplja sastav: Gibonni, Bruno Kovačić, Renato Švorinić, Gordan Dorvak i Josip Andrić. U tom sastavu Gibonnijeva skupina snima dva albuma: Kruna od perja (1994.) i Ruža vjetrova (1997.) Premda u tomu razdoblju Gibonni stvara poznatije pjesme ("Dvije duše", "Ozdravi mi ti", "Život me umorio", "Lipa moja", "Ovo mi je škola", "Tempera", "Ako me nosiš na duši", "Ej vapore", "Nije vrime od nedije za u poje poći"), tek nakon raspada te skupine i sa sljedećim albumima sazrijeva vrijeme za prva službena priznanja u obliku Porina. Time počinje tržišna Gibonnijeva faza koja polučuje velik uspjeh među širim slušateljstvom i kritikom.
Sljedeći Gibonnijev samostalni album Judi, zviri i beštimje (Dallas Records) objavljen je u veljači 1999. i bio je to u tomu trenutku najprodavaniji album u Hrvatskoj i Sloveniji s osvojenih sedam Porina. Na njemu su objavljeni hitovi „Činim pravu stvar”, „Projdi vilo” i „I ja ću budan sanjati”. Godine 1999. i 2000. bio je na turneji po Hrvatskoj, Sloveniji i Bosni i Hercegovini i održao je brojne velike koncerte (npr. u zagrebačkoj dvorani »Vatroslav Lisinski«)...
Category
🎵
MusicTranscript
00:00:00My Outro For My 20th Birthday
00:00:30My Outro For My 20th Birthday
00:00:40My Outro For My 20th Birthday
00:00:50Hello everyone and welcome to another episode of Sunday at 2pm. Today's guest is the singer Zlatan Stipisic Djiboni.
00:00:59He is also the ambassador of Unicef's Goodwill. We will talk a little bit about what Unicef's Goodwill means,
00:01:05about his social commitment. We will also talk about the latest affair, the fact that Djiboni will not participate in the opening of Starograd Moscow-Mostar.
00:01:13We will talk about the situation on the stage. The question of the show is, who do you prefer to listen to?
00:01:19On the one hand, Ed, his mother and cold beer, and on the other hand, Thompson or Skor.
00:01:25And I have to say something else at the beginning of the show. Voting for this TV survey,
00:01:31you give your vote for the program to prevent violence between children in schools, but more on that later, Djiboni himself.
00:01:40Djibo, today we will talk for almost an hour. You will not sing, is that a problem?
00:01:47Yes.
00:01:49What is harder to talk about?
00:01:51It is harder to talk about.
00:01:53Tell me, I said earlier that you are the ambassador of Unicef's Goodwill. What is the ambassador of Unicef's Goodwill?
00:01:58What does the ambassador of Goodwill do?
00:02:00The ambassador of Goodwill does various things in various countries. It depends on how many in certain countries.
00:02:06Some of my colleagues have a solved economic situation, some things that we do not have,
00:02:13or are better solved in our country than in other nations, so it is quite individual.
00:02:17In some richer countries, it is really just a figure.
00:02:21Specifically, do you convince people that they should give you money?
00:02:26I will tell you, extremely banally, ordinary people choose people who are popular and people who are economically independent,
00:02:34so they do not ask for anything, and they can give you a lot.
00:02:38Everywhere in the world.
00:02:40That's how it is with us, I am a volunteer there, and my job is actually more managerial.
00:02:46At least in our case, to motivate both the people and the people who are from the business, I do not know,
00:02:54that community, to put it that way.
00:02:56Hey, the job is managerial, but you do not look like it.
00:02:58I do not look like it, but I have to swim.
00:03:02And what is good, you find each other, and in fact you convince them to give money for a certain project.
00:03:07Today we are talking about the project of the program to prevent violence between children in schools.
00:03:12We are from 1991, I did not have that obligation, from 1991 to 2003, UNICEF was financed from the Central Bank of the United Nations,
00:03:25but since 2003, it has been decided that Croatia has now stood enough on its feet and can take care of itself.
00:03:35They appointed me, now we have to take care of ourselves.
00:03:38Are you satisfied with the money you collect?
00:03:41Well, as you know, it is quite difficult to motivate people like this, I am satisfied,
00:03:45but I can tell you that I participated in some actions that gave results much faster.
00:03:52Are the ones who have more money more stingy?
00:03:55Yes, they are.
00:03:57How so?
00:03:59Well, I have two feelings about it and two answers.
00:04:06I think that there are good people who are over-motivated,
00:04:09because they are really asked by all sports clubs, all my colleagues,
00:04:13and my colleague has 1,200 in the union, you can imagine when someone asks you for something every day.
00:04:18So, there are good people, but unfortunately, there is a reflex that does not listen to you until the end.
00:04:26I see it from the perspective of another person who gives, asks for money,
00:04:31and there are people who simply do not have that chip that it is their thing,
00:04:39it is the thing of some other people and it is good for them.
00:04:42Yes.
00:04:43They have their villas, they have good cars, rims.
00:04:47Well, does that make you angry?
00:04:50Well, you know, it can make you angry for 10 minutes, but if you have some lasting feeling, then it will calm you down.
00:04:55You see that it is rich and rich.
00:04:57It will calm you down.
00:04:59Do you sing along with those actions?
00:05:03Well, because in a way it is, to be honest, the fastest way.
00:05:07The fastest way is to motivate 5-6 fans who are more or less the same.
00:05:13Nina Balec, Diva, Soliver, Teddy, and so on.
00:05:17These are people who always respond.
00:05:19TBF, who respond, and I think they would like to be with the fans,
00:05:23there are certainly a lot of beautiful people far from the ballet, who respond and a concert is made.
00:05:29But I think that in our case it is about the fact that we are not there just to sensitize the public,
00:05:35as Madonna does in America, but we actually solve the problem.
00:05:40We don't send other money, but the money to charity.
00:05:45That's what is not very good.
00:05:48Igor Roginek emailed to the president of the NGO Mladi Kutinek.
00:05:54Now he asks, why Zlatan Stipisic-Dzibonik, the ambassador of goodwill,
00:05:58did not come to Kutin to protest against prejudice,
00:06:01to express public support to HIV-infected girls Eli and Nini.
00:06:05And now he continues to explain.
00:06:07From UNICEF, they first justified themselves with late flights to Split,
00:06:10but the 100-minute explanation did not satisfy us,
00:06:12so in the end they admitted that Dzibonik thought it was better not to come to Kutin,
00:06:15because he is a very sensitive person, so he does not know how to react
00:06:18if someone accuses him of something about those parents.
00:06:20Well, I know that they know me this way, as well as from the UNICEF headquarters,
00:06:24to protect, but maybe not in the right way.
00:06:28In fact, the real reason was that I did not know what to do at that moment.
00:06:32UNICEF has its own program that says that children should be kept away from publicity
00:06:41so that they can develop normally.
00:06:44I think that's right.
00:06:47And again, given the profession I belong to,
00:06:50that I am a musician, I hope a rock musician,
00:06:53although it is not recognized as a pop musician,
00:06:56but it does not matter.
00:06:59I feel a great need, and my team is present,
00:07:02so if nothing else, at least as someone who will pay the ticket.
00:07:05So it's not adequate pressure.
00:07:08Is it true that because of your sensibility, as they say?
00:07:11No, because of my sensibility, I am trying to calm myself down,
00:07:16because I feel invited and invited,
00:07:20and in some way to be present,
00:07:23and in some way to be satisfied with the publicity,
00:07:26I am going without it.
00:07:29I was in Kutin and it was totally private.
00:07:32I asked the members of Oblak how they can help,
00:07:35they told me specifically how they can help,
00:07:38and I specifically helped, and I will always do that.
00:07:41But there was not a single editorial office behind me,
00:07:44normally we exist.
00:07:47Let's talk about the program.
00:07:50Unfortunately, I am not that kind of person,
00:07:53and it is not my wish to be a diplomat,
00:07:56but sometimes based on experiences,
00:07:59which are totally new for us,
00:08:02we have tried to look smarter than us,
00:08:05and people who have had longer experience related to that,
00:08:08and somehow it seems to us that this experience,
00:08:11and Italy specifically, where there are children,
00:08:14anonymous, no one knows what they are doing,
00:08:17except for the principal of the school,
00:08:20which is not him,
00:08:23they are free of physical responsibility,
00:08:26under some other justification,
00:08:29and the most normal thing is to finish school,
00:08:32and go to school.
00:08:35Yes, maybe it is better not to pay so much attention.
00:08:38And there is one more thing,
00:08:41we all have a common enemy,
00:08:44the virus,
00:08:47and we can solve it for each other,
00:08:50if we educate ourselves properly,
00:08:53and someone tells us that the virus will die in 13 seconds,
00:08:56that it can only be transmitted in this way,
00:08:59and nothing else,
00:09:02but you know, we lack that,
00:09:05and in the end I lack that,
00:09:08and I think it is the same in the last half of the year.
00:09:11Here we are talking about the program to prevent violence in schools,
00:09:14here is a colleague of Jelena,
00:09:17I would like to ask you something.
00:09:20Good morning, Jelena Vučić,
00:09:23you are fighting against child violence in schools,
00:09:26and you once said that you admitted that you were making a living on others,
00:09:29but that others were making a living on you.
00:09:32Did that leave any consequences on you,
00:09:35Well, listen,
00:09:38it sounds a bit unwise,
00:09:41but I was asked if I was malicious,
00:09:44and I said that I was malicious,
00:09:47but that I was malicious.
00:09:50This is not an example of a statement,
00:09:53but it was said in a way to drown the situation.
00:09:56I did not want to talk about myself in a way,
00:09:59I am not the happiest when I am pathetic.
00:10:02I think that we are not all from the same material,
00:10:05and that is the truth.
00:10:08If we all knew what was going to happen,
00:10:11someone would not register it in the children.
00:10:14Something later turns into an anecdote that is remembered,
00:10:17something later turns into a small complex in some children,
00:10:20all the same thing does not withstand long-term consequences.
00:10:23I think that our fight against UNICEF
00:10:26is that we have children,
00:10:29that we try to create an atmosphere
00:10:32for those who are the most sensitive,
00:10:35and for those who are made of the softest material.
00:10:41Children know how to be cruel,
00:10:44as we did.
00:10:47Absolutely.
00:10:50Now you say that I was malicious,
00:10:53and I was malicious,
00:10:56but I would not say that I am not.
00:10:59To be honest, I am not a bad person.
00:11:02I am not a bad person,
00:11:05but I am a bad person.
00:11:08I am a bad person,
00:11:11but I am a bad person.
00:11:14In Dalmatia and Sicily,
00:11:17you get more and more physical abuse.
00:11:20In Dalmatia and Sicily,
00:11:23you get more and more physical abuse.
00:11:26Yes, I hope so.
00:11:29Colleague Hrvoje Hrengik made an article about Zlatan Stipešić.
00:11:32Let's watch it.
00:11:53In the song Dalmatino povišću pritrujena,
00:11:56a kind of Dalmatian anthem,
00:11:59was written by Ljubo Stipešić,
00:12:02a poet, composer, melographer, and Djibonije's father.
00:12:05In the split, they know the saying
00:12:08that he did not do anything but that song,
00:12:11he did a lot.
00:12:14With the peaceful father Ljubo,
00:12:17little Zlatan grew up surrounded by music
00:12:20I told him,
00:12:23son, always
00:12:26listen to the speaker,
00:12:29stop for a moment,
00:12:32you can't get carried away,
00:12:35because when you get carried away,
00:12:38then our mental system,
00:12:41then it doesn't function.
00:12:44Ljubo's father never called him
00:12:47Zlatan Stipešić,
00:12:50he called him Djibo.
00:12:53He started playing heavy metal
00:12:56when he was 8 years old.
00:12:59He spent a year in Germany,
00:13:02in V2 band,
00:13:05and when he came back,
00:13:08he sang in Divlje Jagode.
00:13:11He met guitarist Bruno Kovačić
00:13:14and became friends with him for a long time.
00:13:23From nothing,
00:13:26from the fact that the two of us
00:13:29performed with guitars
00:13:32in front of 20 guards,
00:13:35I remember,
00:13:38until a few months later,
00:13:41I still remember him.
00:13:44At the beginning of the 90s,
00:13:47he was the most sought-after lyricist.
00:13:50He wrote hits for Dini Dvornik,
00:13:53Severini, Doris Dragović, Oliver.
00:13:56The Empress crowned him among immortals.
00:13:59With each new album,
00:14:02he grew older and attracted more and more audience.
00:14:05Somewhere around his 23rd, 24th year,
00:14:08I remember his poems,
00:14:11which often included
00:14:14some psychological moments
00:14:17of our adult lives.
00:14:23Djibo is the biggest star
00:14:26of the Croatian scene.
00:14:29Today, if you want to be popular in Croatia,
00:14:32everyone has to listen to you.
00:14:36Djibo is a true Split man.
00:14:39He feels the city,
00:14:42dedicates his poems to it and bows to it.
00:14:45Split, unfortunately,
00:14:48has made him available to everyone.
00:14:51UNICEF has hired him
00:14:54as the ambassador of goodwill,
00:14:57the first in Croatia.
00:15:00It is an honor,
00:15:04I don't know,
00:15:07it's hard for me to talk about him objectively.
00:15:10He is a good spirit of Split.
00:15:13His poems have a soul.
00:15:16His concerts have
00:15:19a breath of adrenaline.
00:15:22He writes great poems.
00:15:25I feel that I stand behind them,
00:15:28that he is not a calculator.
00:15:31When it comes to work,
00:15:34those who have worked with him
00:15:37say that he is a perfectionist
00:15:40who is not ready for a compromise.
00:15:43Djibo is a nervous guy
00:15:46who tries to hide it.
00:15:49He wants to change,
00:15:52but from the outside it seems
00:15:55that everything is calm.
00:15:58Djibo's new album has been awarded
00:16:01with 15 awards.
00:16:04The number of fans is growing.
00:16:07His music gives hope.
00:16:10It's very hymnal,
00:16:13and that's what I like.
00:16:16I would separate his temper
00:16:19and I would separate it
00:16:22because he is very close to me,
00:16:25and that's what I like.
00:16:29The album Miracule,
00:16:32most critics and musicians
00:16:35called it a production miracle,
00:16:38and no Croatian musician
00:16:41has reached the top.
00:16:44He showed that he can record an album
00:16:47according to the world standards.
00:16:50He said that he wouldn't make a new album
00:16:53if it wasn't better than Miracule.
00:16:57I would send him to a music diet
00:17:00to listen only to Norah Jones
00:17:03or some horrible simple things.
00:17:06I would lock him in the studio
00:17:09without Nikša Bratović,
00:17:12without Stefanović,
00:17:15without Kače, Levin, Pina Palladina,
00:17:18with a piano, guitar, drums and bass
00:17:21and I would absolutely forbid him
00:17:24to make all those huge arrangements.
00:17:27I think that Djiboni would make a record
00:17:30that would surprise those who don't like him.
00:17:33One of the hits from Djiboni's last album, Miracule,
00:17:36is the song about forgiveness.
00:17:39So that Djiboni wouldn't be bored
00:17:42until the new album was made,
00:17:45his song took care of it.
00:17:48In the last three months,
00:17:51Djiboni wanted to be in the show.
00:17:54He wanted Djiboni to sing it himself.
00:17:57He announced it to the public before him.
00:18:00One of the things I wanted to happen
00:18:03here on the bridge and under the bridge
00:18:06was the performance of Djiboni's beautiful song
00:18:09about forgiveness.
00:18:12Without any political or other incitements.
00:18:15Before the performance started,
00:18:18Djiboni had some health problems.
00:18:21The director didn't give up on the song
00:18:24and wanted Kambi to sing it.
00:18:27Kambi agreed and gave up.
00:18:30They should come to the bridge
00:18:33so that they would have problems
00:18:36coming back and so that the public
00:18:39would have an unfavorable situation.
00:18:42According to the director Kupusovic,
00:18:45Kambi didn't want to sing about forgiveness.
00:18:48But they gave up too.
00:18:51If no one from Croatia,
00:18:54maybe someone from Mostar would.
00:18:57The director wanted to engage
00:19:00the National Mixed Mostar Choir.
00:19:03Then it came to the Presidency of Bosnia and Herzegovina.
00:19:06I assume that the Croatian representatives
00:19:09demanded from the director
00:19:12to leave the song.
00:19:15At the opening of the bridge,
00:19:18Pavarotti, Kemal Monteno,
00:19:21was supposed to perform.
00:19:24There were supposed to be
00:19:27a lot of world famous people,
00:19:30even an American president.
00:19:33The best reaction of our Presidency,
00:19:36journalists, politicians,
00:19:39would be for Mr. Djiboni
00:19:42to appear under the bridge
00:19:45over his health problems.
00:19:50The situation is unpredictable.
00:19:53Djiboni could lose something
00:19:56in the eyes of the public.
00:19:59But as they say,
00:20:02he is not only an artist,
00:20:05but also a marketer.
00:20:08He could be creative.
00:20:25Djibo, it could be easier to die
00:20:28than to say sorry to people.
00:20:31You see?
00:20:34What's the matter?
00:20:37I don't know how many people
00:20:40are interested in the truth.
00:20:43The truth is benign.
00:20:46I was in the hospital in March,
00:20:49when I came out three days later.
00:20:52They called me from the Rotary Club.
00:20:55Mostar was singing
00:20:58to celebrate the renewal of the bridge.
00:21:01Dino Merlin and I would sing
00:21:04and I said, listen, my friend,
00:21:07I don't have a band,
00:21:10I don't know what my diagnosis looks like,
00:21:13I don't know where I'm going to therapy,
00:21:16I can't focus on that right now,
00:21:19I don't have a commercial gig,
00:21:22and I'm trying to do it.
00:21:25I never close my doors,
00:21:28I don't let anyone find me,
00:21:31and they suggested a gig in the fall.
00:21:34It was always for kids,
00:21:37or for music schools.
00:21:40They said it was a great idea.
00:21:43At the fifth month,
00:21:46I got a call from Mr. Matic.
00:21:49He said that he really wanted to be there.
00:21:52He said there would be a lot of
00:21:55famous musicians from all over the world.
00:21:58I'm not your president, you know. I'd like it to stay at the level I deal with,
00:22:08whether it's music or something related to humanitarian issues.
00:22:15Let's...
00:22:16You know, politics and all that.
00:22:18That's it.
00:22:19Then it somehow distanced me, but it doesn't matter.
00:22:21Did you experience it as if you were supposed to talk to someone?
00:22:24No, I didn't. It's been six months now.
00:22:31They called me a yellow card.
00:22:33I don't know if I saw the website,
00:22:36if I saw the daily news,
00:22:38but I don't think I did.
00:22:40There's already this idea that I have to talk to someone,
00:22:45and I'm invited to a rock concert every hour.
00:22:50Now I have to talk in the name of the Croatian people,
00:22:57which is the bridge that's been destroyed.
00:23:00In fact, everyone had an opinion about it before me,
00:23:03and I really didn't know about it.
00:23:05Djibo wrote a song about it.
00:23:07I have to say that all of this puts a lot of pressure on me.
00:23:10As a person, I'm not the kind of person who is a diesel engine.
00:23:17You know, there was a war in Bosnia,
00:23:19and I'm the kind of person who lived in Sarajevo in 1989,
00:23:22and I know how to send food to my friends,
00:23:25and I know how to send food to Marko.
00:23:28I don't know, I don't know how to send food.
00:23:30I mean, I can't understand at all why they called me.
00:23:33Well, if someone had to talk about it,
00:23:35it wouldn't have to be you anyway.
00:23:37No, no, I don't think so.
00:23:41All in all, it's not a problem that it didn't end at this level.
00:23:46It's a problem that it ended at a human level,
00:23:48how I functioned.
00:23:50I was a singer, I was a wild strawberry.
00:23:53I mean, we were all different nations,
00:23:56it doesn't matter.
00:23:58I mean, I can't understand the dimension of this conversation.
00:24:01Because this is something that,
00:24:03to be honest, I can talk about anything,
00:24:06but I think this is a situation that has grown on me,
00:24:10because this is a chess game,
00:24:13and a man has to be brave and smart about what he does.
00:24:16All in all, I don't have any intentions,
00:24:18but good ones.
00:24:20I don't understand science.
00:24:22What do you say, during the preparation of the show,
00:24:24I received e-mails from people from Bosnia and Herzegovina.
00:24:26Some of them support you, of course,
00:24:28as always, people share everything.
00:24:30However, those who don't support you,
00:24:32I assume they are Bosnians,
00:24:34say they didn't expect you to be a crazy Croatian nationalist.
00:24:36Does that bother you?
00:24:38Listen, you know what?
00:24:40I played, and I will continue to play,
00:24:42if I'm not unwanted.
00:24:44Everything is possible.
00:24:46Everything is possible.
00:24:48I can be unwanted today, tomorrow,
00:24:50and I will certainly receive such e-mails.
00:24:52I had 8,600 in Sarajevo,
00:24:54in Mostar 11,500,
00:24:56in Tuzla 4,500,
00:24:58in Bihać 3,000.
00:25:00I can't count them all.
00:25:02I think I was even more popular there.
00:25:04Does that bother you?
00:25:06Yes, it does.
00:25:08I could die if I'm sued.
00:25:10I don't want to be wrong,
00:25:12but I really think
00:25:14that I'm not the kind of person
00:25:16who, when he draws attention,
00:25:18is the one who does it.
00:25:20I would like the press to find out.
00:25:22I think that's the thing that bothered me the most.
00:25:24If the press finds out
00:25:26that there have been some conversations,
00:25:28then someone would probably listen to my advice.
00:25:30I would say that there are fantastic composers,
00:25:32such as Alfie Cabillo,
00:25:34who has a beautiful song.
00:25:36I don't know,
00:25:38Zdenko Arvonić,
00:25:40Viro Ljubav.
00:25:42There are some great composers.
00:25:44Another message?
00:25:46A colleague from Novi List
00:25:48said,
00:25:50let Džibo sing in Mostar
00:25:52so that you don't become
00:25:54just one of your miscreants.
00:25:56OK, let him become one,
00:25:58but he doesn't know what he's talking about.
00:26:00Maybe he's doing it on purpose,
00:26:02but there are intelligent people
00:26:04who have to read the lyrics
00:26:06and maybe they didn't get into the beat.
00:26:10This is actually
00:26:12a no-win position.
00:26:14I'm the only loser here.
00:26:18A colleague from Jelena
00:26:20wants to ask you something.
00:26:22She's waiting.
00:26:24Kristina, sorry.
00:26:26Kristina Valić, good afternoon.
00:26:28I'm interested in another song
00:26:30about Neoproste.
00:26:32Would you sing it in Mostar?
00:26:34I don't know.
00:26:36I don't think this song
00:26:38has reached
00:26:40the level
00:26:42of precedence.
00:26:44I mean,
00:26:46it doesn't have to be
00:26:48called Neoproste,
00:26:50it could be called Libar.
00:26:52There are some great songs,
00:26:54Tempera,
00:26:56but I don't know
00:26:58what it would mean
00:27:00if I composed it.
00:27:02I wouldn't be happy.
00:27:04You know,
00:27:06I'm not the type
00:27:08to play around.
00:27:10This is a big
00:27:12political crisis.
00:27:16I didn't challenge it.
00:27:18There are people
00:27:20who love this song,
00:27:22and they see it there.
00:27:24It would be great
00:27:26if it didn't appear
00:27:28in the newspapers.
00:27:30So,
00:27:32you wouldn't sing it
00:27:34in Mostar?
00:27:36I wouldn't.
00:27:38I mean,
00:27:40I would, but
00:27:42I wouldn't sing it
00:27:44in Mostar.
00:27:46I would sing it
00:27:48for children,
00:27:50regardless
00:27:52of nationality.
00:27:54You didn't answer
00:27:56my question.
00:27:58It's a political question,
00:28:00but you can answer it
00:28:02as a citizen.
00:28:04I would answer it
00:28:06as a citizen.
00:28:08It's not my job
00:28:10to be so competent.
00:28:12I don't know,
00:28:14Willy Brandt went to Israel.
00:28:16Some important things
00:28:18were done by the ministers
00:28:20of foreign affairs
00:28:22and the president of the state.
00:28:24I don't know,
00:28:26maybe the most moral
00:28:28of all British people
00:28:30was the group Clash.
00:28:32I don't know,
00:28:34they went to Falkland.
00:28:36I don't know
00:28:38if George Balashevich
00:28:40is the most moral
00:28:42of all people
00:28:44in Yugoslavia.
00:28:46I don't know.
00:28:48What do you think?
00:28:50Should Balashevich
00:28:52come to Yugoslavia?
00:28:54I don't know
00:28:56who is good-willed
00:28:58and who is not.
00:29:00For example,
00:29:02good-willed economy,
00:29:04love,
00:29:06no one can stop it.
00:29:08I think the song
00:29:10is good-willed.
00:29:12The most difficult
00:29:14situation in my life
00:29:16is when someone
00:29:18shares my song.
00:29:20My wife got married
00:29:22and she opened the song.
00:29:26I'm kidding.
00:29:28Don't joke,
00:29:30it's fantastic.
00:29:32I imagine the situation
00:29:34when he comes
00:29:36and the song is written
00:29:38by his wife.
00:29:40In Bosnia and Herzegovina,
00:29:42in Croatia,
00:29:44in Slovenia,
00:29:46in Romania,
00:29:48there are good-willed people.
00:29:50What can I say?
00:29:52I hope they are good-willed.
00:29:54They are calling
00:29:56to our TV survey.
00:29:58We had some problems
00:30:00with the interview.
00:30:02We didn't get the results.
00:30:04We are getting them now.
00:30:06Shkoro Thompson,
00:30:08around 1,500 votes,
00:30:10Edo Majka,
00:30:12cold beer,
00:30:14around 1,000.
00:30:16I want to emphasize
00:30:18that this is a program
00:30:20to prevent violence
00:30:22between children in schools.
00:30:24What does faith and nation
00:30:26mean to you?
00:30:28You are now
00:30:30declared a nationalist.
00:30:32Of course, you didn't want
00:30:34this to happen.
00:30:36What does faith and nation
00:30:38mean to you?
00:30:40It's not the same for me.
00:30:42In a way,
00:30:44I think
00:30:46I was lucky
00:30:48to have a quick father
00:30:50and a quick mother.
00:30:52They really
00:30:54answered me
00:30:56in every way
00:30:58possible.
00:31:00I experienced faith
00:31:02as a bridge,
00:31:04as a symbol
00:31:06of tolerance.
00:31:08I believe,
00:31:10not out of habit,
00:31:12but out of deep faith
00:31:14in the teachings
00:31:16of Jesus of Nazareth.
00:31:18Do you judge people
00:31:20by their faith?
00:31:22Do you?
00:31:24It's not the same thing.
00:31:26It's not the same thing.
00:31:28I think that faith
00:31:30in its core
00:31:32is extremely tolerant.
00:31:34When it appeared,
00:31:36and what that teaching
00:31:38was like,
00:31:40compared to the state
00:31:42of Palestine 2,000 years ago,
00:31:44and what God
00:31:46preached,
00:31:48it's something
00:31:50extremely tolerant.
00:31:52Let's talk about Croatia.
00:31:54Do we lack tolerance?
00:31:56No, we don't.
00:31:58We don't lack it.
00:32:00Where do you see it the most?
00:32:02At home.
00:32:04You can start a conversation,
00:32:06find a friend,
00:32:08start a conversation
00:32:10about anything,
00:32:12about rims, tires,
00:32:14Ultimastro,
00:32:16the Croatian national team,
00:32:18anything.
00:32:20But if you start with
00:32:22some ideology,
00:32:24politics,
00:32:26it ends up being
00:32:28very temperamental.
00:32:30I think it starts
00:32:32at home,
00:32:34in the streets,
00:32:36in cafes,
00:32:38and you show your opinion,
00:32:40and you enter a conversation.
00:32:42Well, if I could get a shoe,
00:32:44I would go to the gym.
00:32:46But if I see people,
00:32:48civilization,
00:32:50I would go to any conversation.
00:32:52Why, I ask you,
00:32:54people can't look at each other
00:32:56through faith and nation,
00:32:58who is the father of Serbs,
00:33:00who is the mother of Muslims.
00:33:02I quote you.
00:33:04From 1994.
00:33:06It shouldn't be the main thing.
00:33:08Nice, thank you for correcting me.
00:33:10You lived abroad,
00:33:12now we are on the topic of tolerance.
00:33:14Is it better abroad,
00:33:16or do we just think it is better in Germany?
00:33:18I lived in one of the most
00:33:20extreme situations
00:33:22in Western Europe.
00:33:24I lived in Kreuzberg,
00:33:26that was a quarter in Berlin,
00:33:28I don't know if it still exists.
00:33:30At that time, I'm talking about
00:33:321988-1989, it was a quarter
00:33:34of a quarter of a quarter.
00:33:36It was a demolition,
00:33:38and they couldn't demolish it.
00:33:40It was a quarter of a quarter of a quarter.
00:33:42It had no water,
00:33:44everyone was anarchists.
00:33:46If the police would come,
00:33:48there would be such demonstrations,
00:33:50but it wasn't possible.
00:33:52The German law had
00:33:58a clause,
00:34:00that whoever was born in Berlin
00:34:02didn't have to serve military service,
00:34:04and whoever was born in Berlin
00:34:06until the age of 16
00:34:08didn't have to serve military service.
00:34:10Everyone who had a plan
00:34:12to not serve,
00:34:14lived there.
00:34:16It was a situation that existed
00:34:18everywhere.
00:34:20Without the law, it was there.
00:34:22Is there tolerance without the law?
00:34:24Yes, there is.
00:34:26People share it,
00:34:28they know who belongs to whom.
00:34:30It may sound banal,
00:34:32but it's true,
00:34:34people are suckers.
00:34:38You say that you are
00:34:40a civil movement.
00:34:42What does it mean to you?
00:34:44It's a dialogue.
00:34:46I don't believe that there is
00:34:48a left or a right,
00:34:50that there is a division of labels.
00:34:52They always take you to the ghetto.
00:34:54There are people who know
00:34:56how to talk,
00:34:58so there is a bond.
00:35:00If someone orders something
00:35:02that you don't eat,
00:35:04you don't give it to Perun,
00:35:06you let him eat it.
00:35:08There is a dialogue.
00:35:10I don't think that's all.
00:35:12Is Thompson a man of dialogue?
00:35:14Why now?
00:35:16He is my colleague.
00:35:18I know him.
00:35:20Maybe you are grateful
00:35:22that I ask you this.
00:35:24We are not connected.
00:35:26I know him since 1991,
00:35:28when he sang the song
00:35:30Čavoglava.
00:35:32We were in the same company.
00:35:34Skalinada.
00:35:36It was a great situation.
00:35:38I had a lot of songs
00:35:40that no one knew.
00:35:42He had one song that everyone knew.
00:35:44It was from a radio station.
00:35:46We sent it to a concert together.
00:35:50Do you see
00:35:52on which line
00:35:54of the song
00:35:56you are happy?
00:35:58With Thompson's
00:36:00political messages?
00:36:04With whom?
00:36:08I respect him a lot
00:36:10as a Croatian defender.
00:36:14I respect every man
00:36:16who was in the war.
00:36:18It is a situation
00:36:20that no country
00:36:22in our history
00:36:24can be more difficult
00:36:26than the war.
00:36:28But politically,
00:36:30it is the South and the North Pole.
00:36:32And him?
00:36:34I think so.
00:36:36I give him a hand,
00:36:38he gets a son,
00:36:40I give him happiness.
00:36:42He is a warm person to me.
00:36:44Are you careful when you talk about Thompson?
00:36:46Why not?
00:36:48I don't know.
00:36:50Is it allowed
00:36:52not to talk about you?
00:36:54I don't know.
00:36:56Maybe you, Nenad Jelanković.
00:36:58You have a colleague
00:37:00who is probably
00:37:02the best person in the world
00:37:04to have a cup of coffee with
00:37:06and, I don't know,
00:37:08to slice a ham.
00:37:10But there are some
00:37:12political things
00:37:14that are not so close.
00:37:16Jelka Čulić's music critic
00:37:18says that you and your music
00:37:20opened the channels for Marko Perković's progress.
00:37:22Is that true?
00:37:24When you put it like that,
00:37:26it certainly is.
00:37:28It is like an axiom.
00:37:30Maybe someone says
00:37:32that I opened the way
00:37:34for Vladko Stefanović,
00:37:40for singers from Uganda,
00:37:42for drummers from France.
00:37:44I don't know.
00:37:46Do you think it is pointless
00:37:48when you look at it as a paradox?
00:37:50I read him
00:37:52from the inside
00:37:54when he writes badly about me.
00:37:56I usually draw the enemy
00:37:58to my attention.
00:38:00I mean, I know he is old,
00:38:02but he doesn't like me.
00:38:04He doesn't like me,
00:38:06so he has to do it.
00:38:08I don't know.
00:38:10Someone who is smart verbally
00:38:12can say anything.
00:38:14I remember some latin
00:38:16when Igor Mandić
00:38:18was sitting
00:38:20at the end of the show
00:38:22and he said
00:38:24that he would be able
00:38:26to beat me
00:38:28if he was sitting there.
00:38:30Because he is smart verbally.
00:38:32I think he is smart
00:38:34in his state.
00:38:36I don't know
00:38:38what is
00:38:40going on
00:38:42in my head.
00:38:44But he beats you
00:38:46because he doesn't like you.
00:38:48You know,
00:38:50I am a tough guy.
00:38:52My friend told me
00:38:54that he would rather
00:38:56live in Mosul
00:38:58and write good news
00:39:00about me.
00:39:02But you have to be mature
00:39:04and be patient.
00:39:06I am not so modest
00:39:08as I look.
00:39:10I am a tough guy.
00:39:12I don't like bad news,
00:39:14but I have to accept it.
00:39:16If I fight for freedom of speech,
00:39:18you have to be a victim
00:39:20too.
00:39:22You can't love everyone.
00:39:24Absolutely.
00:39:26Daniela.
00:39:28Good afternoon, Daniela Lončar.
00:39:30We have recently heard
00:39:32about the scandal around Severina.
00:39:34How would you react
00:39:36in this situation?
00:39:40She is sitting here.
00:39:42What would she say?
00:39:44I don't know.
00:39:46I am a bit...
00:39:48To be honest,
00:39:50I saw her story
00:39:52and I see that
00:39:54she is happy
00:39:56and it is a happy end.
00:39:58I don't like that.
00:40:00I was surprised
00:40:02but I haven't seen
00:40:04anything like that in a long time.
00:40:06I know thousands of people
00:40:08with thousands of comments.
00:40:10I think that is what
00:40:12interested me the most.
00:40:14Maybe
00:40:16it is not your question,
00:40:18but the power of the Internet
00:40:20has been put
00:40:22on the ceiling
00:40:24for the first time.
00:40:26OK.
00:40:28For now.
00:40:30My agent and I
00:40:32received a reward
00:40:34for 16.000 downloads.
00:40:36It was a million
00:40:38only in Yugoslavia.
00:40:40We received
00:40:42around 400.000.
00:40:44I don't want to talk about it.
00:40:46Do you know Severina?
00:40:48Yes.
00:40:50What message did you send her?
00:40:54I don't know.
00:40:56I tried.
00:40:58We are not that close.
00:41:00I tried to comment
00:41:02as much as I could.
00:41:08I think it is a gentleman's
00:41:10attitude to put out a fire.
00:41:12That was mine.
00:41:14I would like her
00:41:16to survive
00:41:20and to get well.
00:41:22Nicolina.
00:41:24Good day.
00:41:26I am interested
00:41:28in your campaigns.
00:41:30Do you sing for money
00:41:32or for political confidence?
00:41:34I stopped singing
00:41:36at the moment
00:41:38when I knew
00:41:40it was great
00:41:42that I was in Nice.
00:41:44It is great that
00:41:46they ban it.
00:41:48I am an ambassador
00:41:50of my children,
00:41:52HSP and SDP,
00:41:54HGZ and IDS.
00:41:56I was paid for some elections
00:41:58but not for others.
00:42:00I was paid for some
00:42:02because I wanted money
00:42:04but not for others
00:42:06because the elections
00:42:08were not finished
00:42:10as they should be.
00:42:14There are some elections
00:42:16that I didn't even ask
00:42:18for money.
00:42:22I will say it again.
00:42:24Everything was open.
00:42:26I will say it again.
00:42:28This race between
00:42:30Škora and Tomsom
00:42:32is relatively dead.
00:42:34Škora and Tomsom are still in power.
00:42:36I will say it again.
00:42:38You vote for this TV survey
00:42:40and give your money
00:42:42for a program
00:42:44about housing in schools.
00:42:46Are all
00:42:48four names
00:42:50in this survey
00:42:52Estrada?
00:42:54Are they
00:42:56Hladno Pivo,
00:42:58Škora, Tomsom,
00:43:00Estrada?
00:43:02No.
00:43:04Who is Estrada?
00:43:06Estrada is
00:43:08Radijski festival.
00:43:10I think
00:43:12Estrada is there.
00:43:14I think Estrada has its own...
00:43:16What do you call it?
00:43:18I don't know.
00:43:20People ask me
00:43:22when I am the person
00:43:24who knows the most.
00:43:26Or you would like that?
00:43:28How much can I?
00:43:30When they throw me in fire
00:43:32I can't.
00:43:36I am there
00:43:38as a person
00:43:40of sharing.
00:43:42I love this song.
00:43:44I listen to it.
00:43:46I enjoy it a lot.
00:43:48When I have to go somewhere
00:43:50I don't want to go.
00:43:52We Dalmatians have a saying
00:43:54but it is not for TV.
00:43:56For people like that.
00:43:58Maybe you will only understand in Dalmatian.
00:44:00What do you say?
00:44:02You have a dialect.
00:44:04I would fart and squeeze.
00:44:06It is not a dialect.
00:44:12Let's say
00:44:14that I am serious.
00:44:16You say
00:44:18that Estrada is only
00:44:20from time to time.
00:44:22How many artists
00:44:24make good money
00:44:26just because of money?
00:44:30What I know
00:44:32is that
00:44:3490% is money.
00:44:36I think so.
00:44:38How can that be your colleagues?
00:44:40Imagine yourself in that 1%.
00:44:42How do you deal with those
00:44:44who sing and dance?
00:44:46What do you have in common
00:44:48if you are that 1%?
00:44:50What do we have in common?
00:44:52What did you ask me?
00:44:54You hang out together.
00:44:56If you are at festivals
00:44:58you hang out together.
00:45:00That is my sweet worry.
00:45:02That is my sweet worry.
00:45:04I am...
00:45:08Are you interested in this?
00:45:10I asked you first.
00:45:12I think
00:45:14that there are 4.5 million of us
00:45:16in Croatia.
00:45:18We cannot compare ourselves
00:45:20to America.
00:45:22In America, if a person
00:45:24does not have a good time,
00:45:26he plays in the subway.
00:45:28If he has a good time,
00:45:30he lives in Elton John.
00:45:32He spends tens of thousands
00:45:34of dollars.
00:45:36In our country,
00:45:38when you make
00:45:40a 200-horsepower car,
00:45:42there is no comparison.
00:45:44One room is smaller
00:45:46and 30 horsepower is smaller.
00:45:48It is not...
00:45:50What is the comparison
00:45:52made by Grdojević
00:45:54who says he did not earn
00:45:56500,000 euros.
00:45:58He says,
00:46:00if I bought a Ferrari,
00:46:02I would be the last fool.
00:46:04He is into fun music
00:46:06and he has his own standards
00:46:08and they are not his standards.
00:46:10I understand them.
00:46:12I wrote in 1991
00:46:14to feed my family.
00:46:16I wrote a song
00:46:18that I am not proud of.
00:46:20It is hard to forget.
00:46:22I wrote a song
00:46:24to live.
00:46:26I got to know
00:46:28a great world
00:46:30of fun music.
00:46:32They have their own priorities
00:46:34which are totally different
00:46:36from Arsena's
00:46:38or Oliver's priorities.
00:46:40Where do you fall?
00:46:42They think you are
00:46:44a fun musician.
00:46:46They think
00:46:48this is too successful
00:46:50to be good.
00:46:52They think so.
00:46:54You can't be a rocker
00:46:56if you are successful.
00:46:58No, you can't.
00:47:00If someone is only
00:47:02100% intelligent,
00:47:04there is a group
00:47:06that is
00:47:08very much alive.
00:47:10Only alive.
00:47:12There are phenomenal people
00:47:14in the world.
00:47:16I think
00:47:18that at least
00:47:20you have people.
00:47:22I like some members
00:47:24from Pipsa.
00:47:26They are great people.
00:47:28I mean, there are people.
00:47:30Mike is a fantastic guy.
00:47:32He is not influenced by antiques.
00:47:34I can give
00:47:36a nice speech.
00:47:38He is the only one
00:47:40who sent me a telegram.
00:47:42He is the only one.
00:47:44I wish him good health.
00:47:46You mentioned
00:47:48some embarrassing songs.
00:47:50You used to have
00:47:52little money.
00:47:54Now you earn a lot.
00:47:56Is it a material
00:47:58blessing?
00:48:00Do you feel authentic
00:48:02if you sing about
00:48:04a black man and you live
00:48:06in a two-story apartment?
00:48:08I stop singing about
00:48:10a black man.
00:48:12It is my good thing.
00:48:14I am used to
00:48:16singing about things
00:48:18I don't believe.
00:48:20Or maybe I do,
00:48:22but I don't feel
00:48:24confident.
00:48:26I am not competent.
00:48:28I wrote a song about a black man
00:48:30in 1992.
00:48:34My wife works
00:48:36in a candle shop.
00:48:38I wrote lyrics
00:48:40for Croatian singers
00:48:42who didn't pay
00:48:44for those songs.
00:48:46I have my own
00:48:48social self-regret.
00:48:50It turned out to be an authentic song.
00:48:52It doesn't matter
00:48:54when your life
00:48:56changes drastically.
00:48:58You stop singing about that song.
00:49:00My colleague Željka
00:49:02has a question.
00:49:04There are duets
00:49:06between Croatian and Serbian singers.
00:49:08For example, Ivana Banfić and Željko Joksimović
00:49:10are preparing a duet.
00:49:12What do you think about it?
00:49:14Would you record a duet with a Serbian singer?
00:49:16I didn't record a duet,
00:49:18but I had a guest
00:49:20from
00:49:22Mir Tadić
00:49:24on the album Miraculous.
00:49:28He lives in America.
00:49:30His magazine
00:49:32Guitar Player
00:49:34is the most influential magazine
00:49:36about guitar playing.
00:49:38It was published in 1997
00:49:40for the best
00:49:42flamenco guitarist in the world.
00:49:44Even
00:49:46Carlos Santana
00:49:48gave his son
00:49:50to learn from him.
00:49:52He was born
00:49:54in Banja Luka.
00:49:56It's not a problem for me.
00:49:58If a person is excellent,
00:50:00he is excellent.
00:50:02But if it's
00:50:04a thing
00:50:06that urban people
00:50:08and non-urban people do,
00:50:10I think it's putting
00:50:12art on the wrong track.
00:50:16Do you really want to hold a concert
00:50:18in Serbia?
00:50:20Or do you want to hold it in the city center?
00:50:22We haven't been there yet.
00:50:24Neither have I and Tomas.
00:50:26You can do it together.
00:50:28That's true.
00:50:30We haven't been there yet.
00:50:32I have some dilemmas
00:50:34with my family.
00:50:36I managed to survive
00:50:38some prices and offers
00:50:40that all of us
00:50:42couldn't get.
00:50:44I simply couldn't solve it with my family.
00:50:46But my efforts
00:50:48were not in vain.
00:50:50Oliver wasn't there.
00:50:52They really want Oliver.
00:50:54They constantly call him,
00:50:56but he says he hasn't been there yet.
00:50:58That's right.
00:51:00We'll talk about it
00:51:02at 4 p.m.
00:51:04But I'm not in power to say
00:51:06what I have to say.
00:51:08I know that
00:51:10when I had a show with Tereza,
00:51:12we talked about this topic.
00:51:14It's always a hot topic.
00:51:16They say
00:51:18that...
00:51:20Who invites them?
00:51:22That's right.
00:51:24I knew the same thing.
00:51:26Now Djiboni won't be there.
00:51:28Who invited him?
00:51:30I had the same topic.
00:51:32What now?
00:51:34We could do
00:51:36without him.
00:51:38We have similar shows.
00:51:40Yes.
00:51:42I don't think
00:51:44that music is
00:51:46completely different
00:51:48than sport.
00:51:50In sport,
00:51:52when you play football,
00:51:54you have a split
00:51:56between yours and ours.
00:51:58You can...
00:52:00What is Djiboni
00:52:02if he comes to Belgrade?
00:52:04When it comes to music,
00:52:06there are no emotions
00:52:08that are empty.
00:52:10There are emotions
00:52:12because
00:52:14someone recognized himself
00:52:16in the song.
00:52:18There are no yours and ours.
00:52:20It's just love.
00:52:22I don't know if it's love
00:52:24or some other emotion.
00:52:26It's my case.
00:52:28It's different.
00:52:30There are no political
00:52:32or individual decisions.
00:52:34It comes or it doesn't.
00:52:36It hasn't come yet.
00:52:38I don't know why.
00:52:40Never seen, never again.
00:52:44Jasmina.
00:52:46Good evening, Jasmina Beštek.
00:52:48You didn't perform
00:52:50at Melodija Majadra
00:52:52at Runjić's party in 2002.
00:52:54Exactly.
00:52:56At the beginning of 2004,
00:52:58the same thing happened
00:53:00at the party.
00:53:02It was always the case
00:53:04that no one contacted you
00:53:06and I don't know
00:53:08if there was a mistake
00:53:10in communication.
00:53:12I'll interrupt you.
00:53:14No, it's OK.
00:53:16Or maybe it was the beginning
00:53:18of your illness
00:53:20and you didn't want
00:53:22to publicize it.
00:53:24We can separate everything.
00:53:26I didn't perform
00:53:28at the festival in 2002
00:53:30because, you know,
00:53:32I have to be honest.
00:53:34I'll just comment on the poll.
00:53:36It's almost even.
00:53:38You're leading by about 100 votes.
00:53:40Those who want to speak,
00:53:42let them speak in the next 3 minutes.
00:53:44Go ahead.
00:53:46I think that...
00:53:50I think I wasn't a man for festivals.
00:53:52That's my opinion.
00:53:54Why? I wasn't when I was.
00:53:56It could be a great counter-question
00:53:58and it would be accurate.
00:54:00I had great results then.
00:54:02I sang great songs at the festival.
00:54:04Songs that were alive.
00:54:06Lipa Moja, I don't know,
00:54:08Sve ću preživit,
00:54:10Kupjela Tedina,
00:54:12I sang songs that were alive
00:54:14and the festival did me a favor.
00:54:18But I have to be honest.
00:54:20I don't know where it leads.
00:54:22I don't feel good there.
00:54:24I'm behind the curtain.
00:54:26I'm shaved.
00:54:28I don't know what it leads to.
00:54:30I don't know.
00:54:32I'm nervous.
00:54:34You know what?
00:54:36It's strange.
00:54:38Some topics.
00:54:40I went to my room
00:54:42and something broke.
00:54:44Some topics.
00:54:46I can't run away from myself.
00:54:48I grew up with other people.
00:54:50With someone else.
00:54:52Someone else loves me.
00:54:54I don't know.
00:54:56I feel like you always
00:54:58make compromises.
00:55:00I don't make compromises.
00:55:02That's it.
00:55:04I'm here, but I'm not there.
00:55:06Could you be Toma Bebić?
00:55:08Do you think he was different?
00:55:10He was our friend.
00:55:12He was our friend.
00:55:14I thought he was Sandokan
00:55:16when he first came to my door.
00:55:18You are younger than him.
00:55:20I know who Sandokan is.
00:55:22I want to add something.
00:55:24I come from myself.
00:55:26You have worked with Rujić
00:55:28many times.
00:55:30I protect him.
00:55:32It was his party.
00:55:34I know that.
00:55:36It was the same thing
00:55:38for children.
00:55:40He didn't invite me to his party.
00:55:42He didn't invite me to his party.
00:55:44He said you didn't want to come.
00:55:46It's not true.
00:55:48He knows that.
00:55:50I can go to any court
00:55:52for that.
00:55:54He didn't invite me
00:55:56because of one of my statements.
00:55:58He was constantly
00:56:00in my head.
00:56:02He had something
00:56:04for me.
00:56:06I didn't want to go
00:56:08to Pjana Playback anymore.
00:56:10He tried to convince me
00:56:12to go to Pjana Playback
00:56:14because it saves money
00:56:16and it's for technical reasons.
00:56:18I don't want to go to Pjana Playback
00:56:20because I'm not
00:56:22a god-given singer.
00:56:24I don't have the talent
00:56:26that Oliver has.
00:56:28I'm not a god-given singer.
00:56:30I don't want to go to Pjana Playback.
00:56:32I can't do that.
00:56:34I don't want to go to Pjana Playback.
00:56:36He explains it in his own way.
00:56:38I don't want to provoke you.
00:56:40The whole affair
00:56:42went in his own way.
00:56:44Who is your heir?
00:56:46He asked
00:56:48Janko Jergović in Globus.
00:56:50I told him that
00:56:52Janko Jergović is his heir
00:56:54in terms of quality.
00:56:56Janko Jergović is a bad guy.
00:56:58Janko Jergović is his little Judas.
00:57:00I told him
00:57:02that Janko Jergović is his little Jesus.
00:57:04That was the communication.
00:57:08You can't call me Judas
00:57:10because I don't want to go to Pjana Playback.
00:57:12Those are difficult words.
00:57:14I'm a religious man.
00:57:16Besides that...
00:57:18I'm trying to be benign.
00:57:20But I can't be benign.
00:57:24His life means a lot to him.
00:57:26It means a lot to me.
00:57:28I have 5-6 songs there.
00:57:30I don't want to be there anymore.
00:57:32If someone asks me about festivals...
00:57:34There are 8 singers from Croatia.
00:57:363 from Italy.
00:57:384 from Spain.
00:57:40I want it to be a Mediterranean level.
00:57:42To have an orchestra.
00:57:44To sing if we are bad singers.
00:57:46To be ashamed if we are good singers.
00:57:48That's my vision.
00:57:50Two more minutes.
00:57:52Two more minutes of voting.
00:57:54Tell me...
00:57:56How are your eyes?
00:57:58How's your health?
00:58:02It was a real show.
00:58:06It looked dangerous.
00:58:08But there were 2-3 pages.
00:58:10Everyone was ready.
00:58:12The news broke.
00:58:14I was a bit blind.
00:58:18I had a problem.
00:58:20I had minus 1.75.
00:58:22I got to minus 9.
00:58:24But it's not dangerous?
00:58:26It is.
00:58:28I get to minus 9 and I don't see anything.
00:58:30If my eye wasn't good,
00:58:32I wouldn't know which is which.
00:58:38But there are cures.
00:58:40There are Swiss people.
00:58:42They will come up with something.
00:58:44I know them.
00:58:48Do you suffer from baldness?
00:58:50Yes.
00:58:52What does that mean?
00:58:54Baldness?
00:58:56You are bald now.
00:58:58You have to know how to hide it.
00:59:00I will tell you...
00:59:04I asked in 1996
00:59:06how much it costs
00:59:08and he said
00:59:10it depends on what you have.
00:59:12I don't know what that means.
00:59:18He asked me what I had.
00:59:20I didn't know what he meant.
00:59:22He said I had a lot of hair.
00:59:24That's the quality of my hair.
00:59:26Then he said it was 1,600 marks.
00:59:28I think it was 1 euro.
00:59:34What about hair transplant?
00:59:36My father doesn't have it.
00:59:38Your father is bald.
00:59:42But he looks good.
00:59:44He looks like Sean Conner.
00:59:46He has that charm.
00:59:48If it continues,
00:59:50will you let it go?
00:59:52Or will you shave like me?
00:59:54I will go to Glubičić
00:59:56and I will see the results.
01:00:00Now we are talking about
01:00:02the topic of old age.
01:00:04How do you want to get old?
01:00:06In 15-20 years?
01:00:08Professionally.
01:00:10What would you like?
01:00:12You said you would be satisfied
01:00:14with two songs.
01:00:16That's when you are younger.
01:00:18I would like to be 15.
01:00:24I can't make an investment
01:00:26in my life
01:00:28because I am too young.
01:00:30But I think
01:00:32what I went through in life
01:00:34is better than what I planned.
01:00:36Considering my education,
01:00:38this is a great ending.
01:00:40For now.
01:00:44You can comment.
01:00:46They are almost the same.
01:00:48In the last moment,
01:00:50for the length of the curtain,
01:00:52Edo Majka and Hladno Pivo
01:00:54won.
01:00:56You are the author of the question.
01:00:58I think that...
01:01:02But it's true.
01:01:04I think it's more about
01:01:06the structure of your audience.
01:01:10They were there until the last moment.
01:01:12I think the show was about...
01:01:14Or maybe they are crazy
01:01:16with their thinking.
01:01:18I think the show was about...
01:01:20About someone else.
01:01:22I don't want to give too much importance.
01:01:24But everyone who participated
01:01:26will get a part of the money.
01:01:38Dear viewers,
01:01:40that's all for today.
01:01:42Next week,
01:01:44Jerko Ivanković-Lijanović
01:01:46will be our guest.
01:01:48We will talk about Herzegovina
01:01:50in Croatia,
01:01:52about the help that Croatia
01:01:54has given to Croatia.
01:01:56See you next week.
01:02:24END CREDITS
Be the first to comment