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Professor van Dusen - Folge 5 - Stirb schön mit Shakespeare
Mimosa (Hörspiel - Imagine the Show)
Suivre
09/09/2024
Catégorie
😹
Amusant
Transcription
Afficher la transcription complète de la vidéo
00:00
Disappeared?
00:03
Yes, Professor. Disappeared without a trace.
00:06
Disappeared into thin air. And that practically in front of my nose.
00:09
And in front of 300 spectators.
00:11
Oh, that sounds different.
00:13
Did you get the police?
00:15
Of course. And Detective Sergeant Caruso is already looking for him.
00:18
But he won't find anything.
00:20
The case is so mysterious, so inexplicable, that only one person can solve it.
00:23
Professor Doctor Doctor Doctor Augustus Van Dusen.
00:26
Called the thinking machine. And that's why I'm here.
00:29
Very sweet, my dear Hedge.
00:32
I think he's interested in me.
00:35
Tell me the story.
00:37
Yes.
00:38
The whole story. With all the details. From the beginning.
00:41
Well, I was in the theater last night.
00:44
The whole world is a stage.
00:47
And all women and men are mere spectators.
00:50
They get up and leave again.
00:53
For his whole life, one plays some roles through seven acts.
01:00
First, the child, who cries and whines in the arms of the guardian.
01:05
You may be surprised to find Hutchinson Hedge,
01:08
the well-known court reporter of New York,
01:11
in the theater.
01:14
Especially at Shakespeare.
01:16
And you're probably wondering if I've committed myself to high art
01:20
and become a playwright.
01:22
I can only say, not the bottom.
01:25
But if the human being has to deal with murder,
01:28
execution and arson every day,
01:31
in short, with the normal facts of life,
01:34
then from time to time he feels like doing something completely different.
01:38
The last act, with which the strangely changing story ends,
01:45
is second childhood.
01:48
Complete forgetting.
01:52
Without eyes.
01:54
Without teeth.
01:56
Taste.
01:58
And everything.
02:08
I also got the tickets as a gift.
02:11
From our theater critics.
02:13
And it was finally the event of the season.
02:17
The famous Shakespeare players from England
02:20
on their first and only America tour.
02:23
With Belinda Belmond in How Do You Like It?
02:28
And today there was the last performance in New York,
02:31
in the small but fine Gehrig Theater at Washington Square.
02:36
The third act had just begun.
02:39
And how do you like this life of Schaefer, Master Probstein?
02:43
Truthfully, Schaefer,
02:45
in and of itself it is a good life,
02:48
but in view that it is a life of Schaefer, it is not suitable.
02:52
Stop!
02:53
Here comes the young Mr. Ganymed, my new brother-in-law.
02:58
Here comes the young Mr. Ganymed, my new brother-in-law.
03:04
The young Mr. Ganymed, I said!
03:08
It seems to me, my friend, that you have made a mistake.
03:13
That may be. I heard him very clearly.
03:18
Where is he?
03:20
Mr. Ganymed, if you do not come, we are in the devil's kitchen.
03:26
Mr. Ganymed!
03:27
I know my Shakespeare so well,
03:30
that I knew what the two were doing on stage,
03:33
but not in the play.
03:35
Something was wrong.
03:37
Mr. Ganymed came and did not come.
03:40
If you, as you like, have ever seen,
03:43
then you know, of course, that Mr. Ganymed is actually a woman.
03:47
Rosalind, the daughter of the exiled duke,
03:50
and Rosalind was in this case the star of the evening.
03:54
Belinda Belmond, BB, as she called the press of the civilized world.
03:59
And Belinda Belmond did not come on cue.
04:03
Her colleagues were confused.
04:05
The public was calm.
04:07
And now the iron curtain went down.
04:10
In the middle of the play.
04:15
Ladies and gentlemen,
04:18
a sudden unwellness of Miss Belmond
04:23
forces us to our greatest regret, as you can imagine.
04:31
To cancel our last performance in New York.
04:37
Please, do you understand?
04:41
You will get your entrance fee back at the ticket office.
04:47
A reporter is always on duty,
04:49
even if he sits in the theater and trains himself.
04:52
I said goodbye, also with regret, as you can imagine,
04:56
to my charming companion,
04:58
who, by the way, does not play a role in the story,
05:01
pushed me through the excited spectators
05:03
and marched behind the stage with a pre-reserved press card.
05:07
And then it turned out
05:09
that Belinda Belmond's unwellness was more of a non-existence.
05:15
Every spot behind the stage was searched,
05:18
but the famous actress was gone without a trace.
05:21
That's the situation, Professor.
05:25
So you call that a comprehensive report?
05:28
Yes.
05:29
You like to be a good journalist, my dear Hedge.
05:32
I can't judge that, I don't read newspapers.
05:34
But as a scientist, especially as a criminologist,
05:38
you have a lot to wish for.
05:40
Yes.
05:41
If I'm going to solve the case,
05:43
I need more than a picture of the mood from the high culture life.
05:47
Facts, my dear Hedge.
05:49
Precise information, if I may ask.
05:51
For example?
05:52
For example?
05:53
For example, what does Miss Belmond look like?
05:56
How was she dressed?
05:58
When and under what circumstances was she last seen?
06:02
Yes.
06:03
What possibilities are there to leave the theater?
06:06
Did you notice anything unusual during the search?
06:09
Did Miss Belmond have her own wardrobe?
06:11
Did she have...
06:12
Stop, stop, Professor. That's enough for now.
06:14
As you wish.
06:15
Then please answer my questions now,
06:17
one after the other, as precisely as possible.
06:19
As precisely as possible, at your command.
06:21
First of all, Miss Belmond,
06:23
one of the most famous actresses in England and the world,
06:26
has been with the Shakespeare Players for about ten years.
06:29
Age?
06:30
Thirty-four years, officially.
06:32
In truth, a few years over forty.
06:34
Appearance?
06:35
Big, stately.
06:36
A majestic appearance, as they say.
06:39
For the Rosalind, as you like her,
06:41
perhaps a little too majestic.
06:43
I understand.
06:44
Clothing?
06:45
According to the role, of course.
06:47
That tells me little.
06:48
What did Miss Belmond wear when she disappeared?
06:50
But, Professor, don't you know the play?
06:52
My dear Hansch,
06:53
I am a man of the young twentieth century,
06:55
and I like it.
06:56
My world is the natural sciences,
06:58
physics, chemistry, medicine, technology, and so on.
07:00
Culture is an ingredient for me,
07:03
a pleasant side-effect of life,
07:05
a side-effect, if you will.
07:06
As soon as my time permits,
07:08
I will make myself familiar with the play again,
07:10
because I suppose
07:11
that for the case and its solution,
07:13
it may be of some significance.
07:15
But at the moment you have to help me,
07:17
as an exception.
07:18
So, how was Miss Belmond dressed?
07:21
She wore a short green jacket,
07:24
if I remember correctly,
07:26
red-striped trousers,
07:27
and high-heeled boots.
07:28
A rather unusual appearance.
07:30
That has to do with the play, Professor.
07:32
You see, Rosalind disguises herself as a man
07:34
and flees with her friend Celia
07:36
into the Ardennes Forest.
07:37
Yes, at the moment that probably doesn't matter.
07:39
Go on, please.
07:40
Where and when was Miss Belmond last seen?
07:43
I can tell you that exactly in a minute.
07:46
Yesterday evening, behind the stage,
07:48
I spoke with the inspector.
07:50
What can I tell you, Mr...
07:52
Hedge, from the Daily New Yorker.
07:54
She was just here, Mr. Hedge.
07:56
And now she's gone.
07:57
I don't know any more.
07:59
You mean Miss Belmond left the theatre?
08:02
In the middle of the play.
08:04
Hard to believe, but I don't see any other possibility.
08:06
And why?
08:07
I don't know.
08:08
Maybe she didn't feel well.
08:11
Even in the first and second act,
08:12
she had severe headaches, migraines.
08:14
She's been suffering for years.
08:16
Maybe she didn't know what she was doing because of the pain.
08:19
Yes, maybe.
08:20
In the short break after the second act,
08:22
she went straight to her wardrobe.
08:24
And I saw her there.
08:26
Aha.
08:27
When was that?
08:28
I just need to look at my schedule.
08:30
Um...
08:32
curtain up for the third act.
08:35
Exactly at 9.45 p.m.
08:37
Yes.
08:38
At least a minute earlier,
08:39
I was at the door of Miss Belmond's wardrobe.
08:41
So, 9.44 p.m.
08:44
Exactly.
08:48
Miss Belmond, please get ready for your performance.
08:54
Miss Belmond!
08:58
All right, Paul. I'll be right there.
09:04
Did you notice anything about Miss Belmond?
09:07
Notice?
09:08
No.
09:09
No.
09:10
She was a little pale under the make-up because of her migraines.
09:12
Are you sure that it really was Miss Belmond?
09:15
What else could it have been?
09:16
Of course I'm sure.
09:17
I've known her for years.
09:18
So you saw her at 9.44 p.m.
09:21
And when did you notice that she had disappeared?
09:24
Well, at her cue.
09:25
Um...
09:26
Third act, second scene.
09:27
And when was that?
09:28
Wait a minute.
09:30
At 9.51 p.m.
09:32
Schaefer says,
09:33
Here comes Mr. Gunny.
09:34
Miss Belmond performs.
09:35
And when Miss Belmond doesn't perform?
09:37
I rushed to her dressing room, knocked on the door,
09:40
but no one was there.
09:41
Don't talk nonsense.
09:43
Don't go around with newspapers.
09:45
Act like Miss Belmond, Mr. Director.
09:47
But we already have...
09:48
Then act normal.
09:50
You're in every corner, somewhere.
09:52
You have to act.
09:53
Yes, Mr. Meany.
09:54
It's being done, Mr. Meany.
Recommandations
10:09
|
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