- 1 year ago
Examples of the painting featuring a Good Samaritan with a victim exhibiting a head trauma – dangerous sign of the possible future neurological illness.
In the previously produced presentation two paintings by Aime Morot were analyzed to show that Aime Morot knew that Jesus was the victim who was described anonymously in the parable of the Good Samaritan from the Gospel of Luke. The idea goes back to the Andrea del Verrocchio/Leonardo Da Vinci project (1472-1498) about the beginnings of Christianity.
In the previously produced presentation two paintings by Aime Morot were analyzed to show that Aime Morot knew that Jesus was the victim who was described anonymously in the parable of the Good Samaritan from the Gospel of Luke. The idea goes back to the Andrea del Verrocchio/Leonardo Da Vinci project (1472-1498) about the beginnings of Christianity.
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00:00Examples of the painting featuring a Good Samaritan with a victim exhibiting a head
00:04trauma – dangerous sign of the possible future neurological illness.
00:09In the previously produced presentation two paintings by M. Morat were analysed to show
00:14that M. Morat knew that Jesus was the victim who was described anonymously in the parable
00:18of the Good Samaritan from the Gospel of Luke.
00:22The idea goes back to the Andrea del Verrocchio-Leonardo da Vinci project, 1472-1498, about the beginnings
00:30of Christianity.
00:32Following is the list of paintings with similar visual clues.
00:38One needs to keep in mind that depiction of the victim exhibiting the signs of the head
00:41trauma on the painting related to the parable of the Good Samaritan could be a coincidence
00:46result of artistic vision by the painter without any backstory whatsoever, or it can be the
00:51result of following tradition, the tradition that could have possibly include both kind
00:56of paintings, those made with the knowledge of the significance of the head trauma suffered
01:00by the victim, who, as figured by Leonardo, was a Jesus himself, and those that just follow
01:07the visuals of existing paintings without the knowledge.
01:11It is above and beyond the format of this presentation to sort it out in one swoop,
01:16each identified painting would have to be analysed separately.
01:20The Parable of the Good Samaritan 25 And behold, a lawyer stood up to put him to the
01:24test, saying, Teacher, what shall I do to inherit eternal life?
01:2926 He said to him, What is written in the law?
01:33How do you read it?
01:3527 And he answered, You shall love the Lord your God with all your heart and with all
01:40your soul and with all your strength and with all your mind, and your neighbour as yourself.
01:4528 And he said to him, You have answered correctly, Do this, and you will live.
01:5129 But he, desiring to justify himself, said to Jesus, And who is my neighbour?
01:5830 Jesus replied, A man was going down from Jerusalem to Jericho, and he fell among robbers,
02:04who stripped him and beat him and departed, leaving him half dead.
02:0831 Now by chance a priest was going down that road, and when he saw him he passed by on the
02:13other side. 32 So likewise a Levite, when he came to the
02:18place and saw him, passed by on the other side. 33 But a Samaritan, as he journeyed,
02:25came to where he was, and when he saw him, he had compassion.
02:2934 He went to him and bound up his wounds, pouring on oil and wine.
02:35Then he set him on his own animal and brought him to an inn and took care of him.
02:4035 And the next day he took out two denarii and gave them to the innkeeper,
02:44saying, Take care of him, and whatever more you spend, I will repay you when I come back.
02:5036 Which of these three, do you think, proved to be a neighbour to the man who fell among the
02:55robbers? 37 He said, The one who showed him mercy.
03:00And Jesus said to him, You go, and do likewise.
03:04Giacoppo Bassano, Giacoppo dal Ponte, 1510-1592
03:11Giacoppo Bassano was in the know about the Verrocchio-slash-Da Vinci project.
03:16He produced other paintings for the project.
03:19Victim has head trauma and some additional leg bandage.
03:23Painting, Adoration of the Kings, below, is positively connected to the project in the
03:30separate presentation. Two dogs in the framework of the project usually signify the Gospel of John
03:36and two authors of that Gospel. Could be a tribute to the fact that the Gospel of John
03:42excluded the parable of the Good Samaritan. Slides following after this one will not
03:47be accompanied by sound. Most descriptions are very short.
03:59Slides following after this one will not be accompanied by sound. Most descriptions are very
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04:00are very short. Most descriptions are very short. Most descriptions are very short.
04:01Most descriptions are very short. Most descriptions are very short.
04:30Slides following after this one will not be accompanied by sound. Most descriptions are very
04:30short. Most descriptions are very short. Most descriptions are very short. Most descriptions
04:30are very short. Most descriptions are very short. Most descriptions are very short.
04:31Most descriptions are very short. Most descriptions are very short.
04:59Slides following after this one will not be accompanied by sound. Most descriptions are
05:01very short. Most descriptions are very short. Most descriptions are very short. Most descriptions
05:03are very short. Most descriptions are very short. Most descriptions are very short.
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05:07very short. Most descriptions are very short. Most descriptions are very short. Most descriptions
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