00:00Alive, I was Cleo Johnson, but in my death, I became the Lady in the Lake.
00:07Lady in the Lake is different from a typical murder mystery.
00:11It's about these two characters, Cleo and Maddie, who are from two different worlds.
00:17I saw you once, Maddie Schwartz. Saw you seeing me seeing you.
00:22The lives of these two women are set on a collision course.
00:26I believe this woman was murdered.
00:31Back off the story or you're going to wind up in the trash with it.
00:34Maddie finds that Cleo was murdered, but the question is why is this so important to Maddie?
00:41I'm following everything and it always comes back to me.
00:44You need to stop.
00:45The whole show is a riddle in motion.
00:48Cleo and Maddie intersect and it's this back and forth between the two stories.
00:53With tension, murder, mystery.
00:58Oma Harrell is our B-list director.
01:01And action!
01:02Lady in the Lake is the kind of show that transports you into the world of Baltimore in the 60s.
01:08The production design and the costume design were a result of a lot of research.
01:15There was a lot of exploration of how to build that world.
01:19And always making sure we had a personal mythology for the characters.
01:24There's a lot of surreal moments that Oma brought to it.
01:29Every time someone turns up dead in that lake, it seems to lead to you.
01:34I wanted it to feel very visceral.
01:36We traveled between different soundscapes.
01:39Inspired by a time where Baltimore was the mecca of jazz.
01:44It's a fresh telling.
01:46With fervor and soul.
01:49You'll be gripped by the mystery and by the characters.
01:53Because this storytelling is different than anything anyone's seen before.
02:00You wanted to tell everyone's story.
02:05But your own.
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