- 2 years ago
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00:00Chapter 1
00:12Anyway, there's one thing I don't quite understand.
00:16The Barraka? Barraka?
00:18What's that? A new theatre they're going to open?
00:20No, no, no, no. It's an ambulance company.
00:23They're going to go through the villages.
00:25Federico García Lorca and Margarita Silvú are going to go through the villages?
00:29Just like that?
00:32They want to take the theatre to people who can't afford to move to the city
00:37and see a play in condition.
00:40I don't know if they'll realize it, because the people of the villages
00:43will pay little and nothing to go to the theatre.
00:46Of course, it's not going to be a profitable business.
00:49So I imagine they'll do it in an altruistic way.
00:55Well, look how lucky those people are.
00:57Because, of course, seeing Silvú on stage is priceless.
01:00Yes, of course.
01:04So, did you have a good time last night, Mrs. Lezara?
01:09Yes. I have to say that the performance was extraordinary
01:13and the locations you got on stage were unbeatable.
01:19Besides, I have to say in one word that it was a unique evening.
01:26Well, I'm very happy to hear that.
01:28Although I'm not so happy about a unique evening.
01:32Because, I don't know about you, but I'd like to repeat.
01:38Me too. So whenever you want.
01:45You'll see what dress I'm going to wear this afternoon.
01:49You're going to be dazzling, for sure.
01:51Well, and on your wedding day even more.
01:54I still can't believe that the bookseller and you are getting married.
01:57So soon?
01:58Well, daughter, when love comes, it comes.
02:01Yeah, but don't be like that, so suddenly.
02:04Go away.
02:06Come on, Trini doesn't have anything left to get married.
02:09Well, don't believe it.
02:11Because for us, the sooner the better.
02:13Yes, yes, I know.
02:15But then you have to get a date at the church,
02:18hang up the ammunitions,
02:20order a wedding dress.
02:22It's a lot of things.
02:24But do you already have the wedding date?
02:25No, no, no, not at all.
02:26But well, for us, if it can be in two weeks, better than three.
02:31Two weeks?
02:32Well, yes, the rush has come in, yes.
02:34Three weeks, nothing.
02:36At least three months, and that with luck.
02:38Well, they will know when they are going to get married.
02:40Esperanza is better than you. Come on, I say.
02:42Come on, Marta, you have nothing to talk about,
02:44because you don't know anything about life.
02:46Well, well, it's worth discussing.
02:48Besides, this is something that we are going to resolve between him and me,
02:51and we will get married when it suits us.
02:53And that's it.
02:54And the ajuar, do you have it already?
02:56Yes, well, the ajuar, for Miguel and for me,
02:58the ajuar is something very old-fashioned.
03:00Esperanza, the times are changing, you know?
03:03Well, time because it takes time to prepare a wedding.
03:06Let's see.
03:07You have to make a guest list.
03:09Send the letters.
03:10After they answer everything,
03:12at least those are two weeks.
03:14Well, that, two weeks, three weeks.
03:16Well, and then you have to look for a place for the guest.
03:19It is that a wedding is like a work in the rubble.
03:22Well, or not.
03:23What about Antonia and Pietro has been seen or not seen.
03:25Well, and what about Trini and Miguel, what do you tell me?
03:28By the way, Trini,
03:30it gives me that you know the bookseller more than you are saying,
03:34or not?
03:39You had made me call, right, Mr. Fermín?
03:42Yes, yes, Teresa.
03:43I wanted to tell you something about Antonia and Pietro's banquet.
03:47Yes, it is already made.
03:49If you want, we can review it.
03:51Yes, yes, great.
03:52But I also wanted to talk to you about some details
03:54about the decoration of the living room.
03:56In fact, I have hired a decorator.
04:00My God, but yes.
04:03Five minutes ago I had stayed with him in the living room
04:05to take measures.
04:08Excuse me.
04:14What are you looking at?
04:16Does it bother you that I had coffee with Mr. Fermín?
04:20Why bother me?
04:22I don't know, you now.
04:24Now that one thing I make very clear to you.
04:28Don't even think about airing this out there.
04:31Look, Mrs. Lázara, I already told you,
04:33but I'm going to repeat it again to make it clear to you.
04:36I have no intention of airing anything out there.
04:39Well, you never know.
04:41Now that everyone has seen us at night in the theater,
04:45maybe they feel like gossiping.
04:49But I want you to keep in mind
04:51that what happens between Mr. Fermín and me
04:53is my business and no one else's.
04:56Well, I say it will be your business and Mr. Fermín's.
05:02Save yourself the impertinences.
05:03You know exactly what I mean.
05:05Yes, I know exactly what I mean.
05:08That's it, solved.
05:09As I was saying, Teresa, the details of the decoration.
05:13I'd better not take up any more of your time.
05:15Go up to the first floor, if you don't mind,
05:17and talk to the decorator.
05:18He knows everything that needs to be explained.
05:21Great, so I won't interrupt you in your coffee.
05:23Okay.
05:25And...
05:28where were we going, you and me?
05:30Well, you were commenting on going back to the theater.
05:34Ah, yes, yes, yes.
05:36Well, I'd really like that.
05:39Yes.
05:41In fact, let's see what's in the poster right now.
05:46Yes.
05:47If you don't mind.
05:54Can you tell what he's looking at?
05:56Your gestures.
05:58You're more relaxed, chubbier, aren't you?
06:00Let's see, get into character.
06:02But what is Esperanza saying?
06:04I know what I'm saying.
06:06Let's see.
06:08It can't be that those rushes to get married
06:11are for another reason, right?
06:13What reason could it be?
06:14The reason that we're in love
06:16and we want to enjoy our love.
06:18That's it.
06:19And you haven't enjoyed it in a long time.
06:20Esperanza.
06:22Okay, enough, Esperanza.
06:23You're a metoment and an indiscreet.
06:26I say it because there's trust.
06:28People are very bad and then they start to notice.
06:32Tell me the truth.
06:33Are you jealous or not?
06:34I'm fed up with your gossip, okay?
06:37You're a metoment and you're a jealous.
06:40That's what it is.
06:41You're angry to see people happy
06:43and what you want is to spoil everything with your bad manners.
06:47Well, daughter, don't get like that, for God's sake.
06:49Well, don't tell me these things, okay?
06:53That's it.
06:54Well, daughter, calm down.
06:55Look, if you need a godmother for the wedding, count on me.
06:58Well, okay, I'll think about it, thank you.
07:01Well, I'm going to get ready.
07:03Godmothers have to be the first in the church, like the grooms.
07:08Well, see you later.
07:10This woman is impossible.
07:12I can't stand her, huh?
07:13I'm telling you, I can't stand her.
07:23Here you have your infusion of honey, thyme and ginger.
07:27Be careful, it burns a little.
07:29Thyme with ginger is the best.
07:32Well, Inés, he was a specialist, like Agustín told you.
07:35Oh, I'm so lazy, Laurita.
07:37Can't we talk about something else?
07:39Is there anything more important than health?
07:41But do you know what a rehabilitation like the one Agustín proposes is?
07:45It's months, Laurita.
07:46The sessions are very expensive and without guarantees of success.
07:49I'm sorry, but no.
07:52I'm coming.
08:00Good morning.
08:03Lieutenant, what are you doing here?
08:06No one has invited you and if you want to talk to me, I already listen to my uncle.
08:09He will have to be present.
08:11As you wish.
08:12But it will no longer be necessary to notify your uncle.
08:15I come to inform you that the investigation on you has been closed for good.
08:22Oh my God.
08:24I see that you are happy.
08:26But then we will not see you around here anymore.
08:30What a shame, right?
08:33Indeed.
08:35I will not question you again.
08:37Although ...
08:39I tell you that if it were for me,
08:42I would end up getting all the truth out of you.
08:47For good or bad.
08:50Excuse me, Lieutenant, but I can save those threats from my sister.
08:54It's not a threat, I just want you to know
08:57that this is not over because your name has been cleared of all suspicion,
09:03much less.
09:06But then why is the investigation closed?
09:08Do you want to make me believe that you do not know why the investigation is closed?
09:28Well, when you go through the bookshop, you will not believe what you see.
09:32Why?
09:33Well, yesterday I was tidying up the shelves for four hours.
09:37I left them to take a picture of them.
09:39Imagine that even my father congratulated me.
09:41Wow.
09:42It seems that you are reforming.
09:44Only for a while.
09:46After the effort, I plan to lie down and wash all the rest of the week.
09:49Not to mention the month.
09:51You have a hard face.
09:53Don't be angry, woman.
09:55I will try to fulfill the file.
09:57If in the end you are chatting all day, you are also very tired.
10:01That's what I said, shamelessly.
10:03It's not good to abuse.
10:05Imagine that a boy as handsome and nice as I am,
10:09also had an exemplary behavior.
10:11Well, there would be no girl who would resist me.
10:15I was in the mood to give you the cube.
10:18Hey, and now that I'm a man of profit thanks to you,
10:22now that I'm a man of profit thanks to you,
10:25can I invite you to have a snack to thank you for the advice?
10:32You know what happens?
10:34I don't eat anything in three hours.
10:36Well, we agreed on that.
10:39Well, let's see, who says snack says have a coffee.
10:44Coffee attacks my nerves.
10:46Well, a soda.
10:48And you ask for that mouth.
10:49It's for taking a walk together.
10:51Shut up, you don't have to explain it to Albitas,
10:53and I know where you're going.
10:56Maybe I've been too direct.
10:58Maybe a little.
11:00Well, for God's sake.
11:02Besides, today it's impossible because I have a wedding.
11:05Who's getting married?
11:06Antonia, I already told you.
11:08Ah, yes, your second mother, right?
11:11Well, nothing, have fun and ...
11:15I'll come looking for you tomorrow.
11:17I'm going to take you to a place that will leave you impressed.
11:20The best snacks in Madrid.
11:22Improving the present.
11:23Well, you're going to take me if I say so.
11:26Or are you going to drag me?
11:28Well, I intend to keep inviting you until you say yes.
11:32Look, those airs won't work with me.
11:36You're very studied and very gentleman and everything you want,
11:40but I need more than a snack to impress me.
11:44Don't be like that, woman.
11:47Well, I'm leaving, I have a lot to clean up.
11:50Well, but ...
11:51Do you give me permission to ask you again tomorrow?
11:55Try it, see what happens.
12:08Your uncle has raised a complaint to the superiority.
12:13It is seen that it is very well related.
12:16And unfortunately in this country, justice is worth less than certain friendships.
12:22Very well, thank you very much, lieutenant.
12:24And now, if you don't mind, leave my house, please.
12:30May you be lucky when it comes to fulfilling your dream.
12:35I sleep perfectly, gentleman.
12:37I am innocent and my conscience is very calm.
12:42Where did I hear that?
12:45Oh yes, absolutely all criminals say so.
12:52Let him leave at once, please.
12:54I'm going to keep looking for his friend Cesar.
13:00He has no one to protect him.
13:03So sooner or later he will fall.
13:06Bye.
13:13Goodbye, Lieutenant.
13:19What a cheap absurd.
13:21Inés, don't get nervous, it's not worth it.
13:23The important thing is that she is going to leave you alone.
13:26Well, can you help me with the wedding dress?
13:37Let's see, are you or are you not?
13:40And I had told Antonia that I would arrive first.
13:42And we are not going to get there, not even for the yes I want.
13:44It's these damn twins that don't close me.
13:46Oh twins, don't say that word, for God's sake.
13:48The mother who gave birth to us.
13:50And give birth, twins, do you want me to have a nervous attack?
13:53Woman, don't be so apprehensive.
13:55Apprehensive?
13:56Look, Esperanza is asking me all day that if I'm not pregnant here.
14:00Let's see, let's see what I'm afraid of.
14:02She tells me.
14:03That woman is a pain in the ass.
14:04Yes, a pain in the ass.
14:05And well, when two people commit themselves so quickly, it is for what it is.
14:09And I tell you that when this baby is born, everyone is going to start making accounts.
14:14Well, if we organize the wedding quickly, we can say that we were thirsty, neighbor.
14:18Yes, well, for the hairs.
14:20And it would have to be very fast.
14:23Anyway, we'll have to see how, I don't know, we have a wedding that is not a wedding.
14:29Well, one of the two gets very sick and we get married without a death certificate.
14:32What are you saying?
14:33Oh, sorry.
14:34What are you saying?
14:37But well, also in that case and in all, we will have to look for an imaginary priest.
14:42Of course, we are looking for an actor, that's it.
14:44I don't know.
14:45If we don't have money, how are we going to pay an actor?
14:48Well, you tell me.
14:49Look, for now ...
14:51Let me see, let me see.
14:53For now, we are going to focus on this wedding, which is today, and on top of that we arrive late.
14:58Okay?
14:59You see?
15:00That's it.
15:01Let's go.
15:03Let's see.
15:07Geneva, learn.
15:09But what are you doing, man?
15:11My love, we don't live together.
15:13Oh, how complicated.
15:14Do you remember?
15:15Yes, yes, yes, how complicated this is.
15:16Let's see.
15:17Well, go ahead, Antonia must be waiting for you.
15:19Come on, I'm leaving.
15:20Oh, but how handsome you are.
15:22You are handsome.
15:23How?
15:24I want to marry you again.
15:27Come in, come in.
15:32Do you want milk or sugar?
15:34No.
15:35I want you to answer my question.
15:38Why don't you want to see the specialist?
15:41Because I'm tired.
15:43Because it's not worth so much sacrifice for them to tell me later,
15:46we've tried, but nothing can be done.
15:49And how do you know they're going to tell you that?
15:51That's the problem.
15:53I don't know what's going to happen.
15:55And I don't want to be in rehab for a year if I don't have any guarantees.
15:58No, first of all.
16:00I don't think a year will come.
16:02Secondly, that guarantee will be given to you before the treatment is over.
16:05They won't have it with certainty until the last moment.
16:08But for that, you have to go, for them to see you, for the treatment to begin.
16:12Thank you, but the answer is still no.
16:16I can't do this, Inés.
16:19You are my protagonist.
16:22I can't do the pharaoh's court without you in charge.
16:26Justine, it's just that...
16:28I don't have the strength.
16:30I don't know how to explain it to you, but...
16:33I don't feel prepared for this.
16:36Well, look, I think exactly the opposite.
16:41And humbly, I have much more experience than you in the field.
16:45I really can't accept the role.
16:48I have to find another singer and write the play.
16:52Otherwise, I will feel very guilty.
16:58It's a real shame, really.
17:00And not just for my role, but for the Spanish song.
17:06I really think a great promise is lost.
17:10Thank you.
17:13I will always be very grateful for everything you have done for me and for giving me this opportunity.
17:18And I will always think that I made a mistake.
17:22But I don't want to insist anymore.
17:29I guess I have to go, right?
17:32You have to find an actress as soon as possible.
17:36Can I come and visit her sometime?
17:39Yes, of course. We are friends, right?
17:43Take care.
17:45And remember her sister, please.
17:47Of course, don't worry.
17:58Hi.
18:00But Laura, you look gorgeous.
18:02Yes? Do you think so?
18:05I don't know if they're going to let you enter the church.
18:07Let's see if you're going to make the groom fall in love.
18:09Don't be silly.
18:11By the way, what are you doing here? Shouldn't you be at the wedding?
18:14No, my uncle is taking me by car, so I arrived in time.
18:17You look spectacular.
18:19Good morning, ladies.
18:21Wow, wow.
18:24You look gorgeous this afternoon, Laura.
18:26Thank you very much. I'm going to a friend's wedding.
18:29Well, have a good time at your wedding.
18:32By the way, I just went out to talk to your sister.
18:36Really? What did she say?
18:38Well, bad news.
18:41She doesn't want to know anything about the rehabilitation.
18:44Wow, I thought you would convince her.
18:48I've tried it actively and passively, but I can't force her to do it.
18:53Don't you think it's a shame that my sister wasted that gift from God?
18:56Well, it's a shame, yes. It's a lost opportunity, but...
19:00There's nothing more we can do.
19:06Well, um...
19:09I just came to say hello, so...
19:12Have a good time at the wedding.
19:14Thank you.
19:23Uncle.
19:25And that face?
19:27No, no, I'm fine. Come in.
19:29Would you like some coffee?
19:31No, no, thank you.
19:33How are you?
19:35I'm fine. Lieutenant Lorenzo came and...
19:38He told us that the case is closed thanks to you.
19:41Well, I made a couple of calls, yes.
19:44Thank you.
19:45By the way, I just ran into Agustín on the stairs.
19:48Have you talked about the diagnosis?
19:50Uncle, I don't want to talk about that anymore.
19:52I really need to forget about this as soon as possible.
19:54But how are you going to forget, honey?
19:57Uncle, you never liked that I was a singer, right?
20:02No, no, honey, that's not it.
20:04The world of the show is uncertain, problematic, but...
20:07Well, after seeing your talent, I thought...
20:10Your aunt told me that because I didn't forget to sing,
20:13she was going to work with me at La Moderna.
20:15It's an offer, it's still on.
20:18What? What do you mean, it's an offer?
20:21But what?
20:23Do you want to come work at La Moderna?
20:25Yes.
20:26But Inés, what's wrong with your performances?
20:30Well...
20:32I've already made a decision and...
20:35I'm not going to act again.
20:37That's what Agustín said.
20:42Well...
20:43Well, I don't know what to tell you, Inés.
20:46It's something... I didn't expect...
20:50Of course the offer is still on.
20:52It would be missing more.
20:54My nieces will never miss a job at La Moderna.
20:58In fact, I've been thinking for days
21:01that I need a personal secretary.
21:04Well, I just found her.
21:07And I assure you she won't regret it.
21:09Are you sure, Inés?
21:11Yes, man.
21:12Yes, I have to be realistic.
21:14I'm not going to have the voice in conditions to sing
21:17and I have to make some profit.
21:19Well, if that's what you want,
21:23count on it.
21:25Thank you.
21:26I'm so lucky to have you.
21:28The suit...
21:29Sorry, sorry.
21:30I have a wedding.
21:32Of course, the wedding, but...
21:34Laurita went out a while ago to pick him up.
21:37Maybe she'll be late.
21:39No, no, no.
21:40Don't worry.
21:41We're going by car.
21:42But...
21:43It hurts me to leave you here.
21:45Like this, as you are.
21:47No, no, I'm fine.
21:48Really, I'm better.
21:49But when am I going to start?
21:51Tomorrow?
21:52Tomorrow?
21:53No, no, no, Inés.
21:54Not tomorrow.
21:55Let's not hurry.
21:56Next week, okay?
21:58Yes, of course.
21:59Now rest and recover well.
22:01Thank you.
22:05Goodbye, darling.
22:06Goodbye, uncle.
22:07Thank you.
22:13Well, I'm going to see if my uncle is ready and we're leaving now.
22:16Yes, one more question, Laura.
22:21Imagine you like a boy.
22:23Me?
22:24I don't like anyone.
22:25Well, woman, it's a guess.
22:27Imagine you like a boy
22:29and a friend of yours also likes that boy.
22:32But your friend doesn't know that you've noticed before
22:35because you haven't told anyone.
22:38So what?
22:40Your friend asks you to pretend to be Celestina with that boy.
22:43What would you do?
22:44With the boy I like?
22:45Yes.
22:46Not to mention that she forgets.
22:48Yes, right?
22:49Yes, in love and war there are no friends.
22:53Yes, yes, that's what I think.
22:56Why are you asking me this question?
22:59No, because a friend of mine is in this situation.
23:02Well, wish her luck.
23:04Because she's going to need it.
23:05Yes, yes, poor thing.
23:07Well, come on.
23:08And you go to the wedding.
23:09Yes, see you later.
23:11You look gorgeous.
23:12Thank you.
23:13Thank you.
23:23And the upper floor?
23:24Is everything ready for the banquet?
23:26Very ready.
23:27Since two hours ago.
23:28Good.
23:29The cover has been reviewed conscientiously
23:31because I don't want a single trace of lime.
23:33The cover is shining again.
23:35It's a trial.
23:36As always.
23:37And if you have any questions,
23:39you can go up and check it yourself.
23:41Of course I will.
23:44In La Moderna we have been preparing agapes and banquets for many years.
23:48We are not going to make a mistake precisely at the wedding of some colleagues.
23:51Precisely because they are colleagues and there is trust,
23:54it is easier to relax and not do things as God commands.
23:57Don't worry, it won't happen.
24:00So, can we retire?
24:04I trust you brought the suit to change here.
24:07What a remedy.
24:09If not, I didn't have time.
24:11Don't complain so much, Cañete.
24:14The captain is always the last to leave the ship.
24:17You, as chief of staff,
24:19and you, as in charge,
24:21should set an example and be the last to leave here.
24:27Can we retire?
24:29Well, for my part, it's fine.
24:32As long as you don't detect any problem in the living room, you can go change.
24:37If you allow me.
24:42What is it?
24:45Three times already.
24:47What am I going to do without pendants in the end?
24:50Do you want me to help you?
24:52Do you know how to put pendants?
24:54Well, I haven't put a pendant in my life, but I could try.
24:58No, it doesn't matter.
25:00It's just that I have butter hands today.
25:04You didn't sleep much last night, did you?
25:07With the valerian you gave me, I fell asleep right away, but...
25:11at three in the morning, my eyes were like plates.
25:14And I confess that all I did was watch the terrace and the door.
25:18Honey, you don't have to worry about that.
25:21No one is going to enter this house.
25:23If he tries, I'll make sure he regrets it for the rest of his life.
25:28Ñeo, I know it's crazy.
25:30And I know it's impossible for it to be her,
25:33and for someone to come from beyond to scare me.
25:36I know that.
25:38But I swear there was someone outside.
25:41Honey, you don't have to swear anything because I believe you.
25:44But there has to be a logical explanation for all this.
25:47Of course there is.
25:48Of course.
25:49Someone is trying to drive us crazy.
25:52Well, if that's the case, don't worry,
25:54because we'll meet the person behind all this.
25:57How?
25:59Are you going to come running from Madrid every time I'm scared?
26:02Well, tonight you don't have to worry about anything because I don't work.
26:05I'll stay here with you, you don't have to worry about anything.
26:09And tomorrow night?
26:11Well, tomorrow, well, tomorrow God will tell.
26:14But honey, really, don't think about all this.
26:17Don't get obsessed because for him nerves don't suit you.
26:21It's not an obsession.
26:23It's a memory.
26:25And it will happen again.
26:27Who says that now, when we leave, someone will come in?
26:29Listen to me, listen to me. Let's do one thing.
26:31What do you think if we pay attention to how we leave things?
26:36And then, when we come back and they've moved out,
26:39it's because someone has come into the house.
26:41Then we'll call the police.
26:43Do you think it's a good idea?
26:48Yes.
27:02Honey.
27:05Matilde.
27:07My love, we have to go to the wedding.
27:11Matilde.
27:14Yes.
27:15Yes, yes.
27:16That's it.
27:18The wedding, the wedding.
27:19The wedding.
27:20I'm not going to think about this all day.
27:22You're right.
27:24We're going to have a great time.
27:27Of course.
27:28And?
27:29Of course I know.
27:32Come on, let's go.
27:41The sergeant who has lost the Spanish army.
27:43Not even in the military they were so strict.
27:45Have you seen how hard they try to make it clear that she is the one in charge?
27:49Unless she finds a problem in the living room.
27:52No, no, detect.
27:53Unless she detects
27:55that in addition to Mandona, she is a three-walled scoundrel.
27:58Well, you should have seen her this morning in the office,
28:01how she talked about Don Fermín.
28:02It seems they were engaged and everything.
28:04But Teresa, do you think that's going to happen to elders, really?
28:09No, but the important thing is not what I think,
28:12but what she intends.
28:14And what she wants is to tie Don Fermín.
28:17Well, well.
28:19I don't think our boss is so easy to hunt.
28:23Well, I hope you're right, Cañete.
28:25But Mrs. Lázara is very smart.
28:27And Don Fermín too.
28:28And he will know to see that this woman is not interested.
28:32Look, I'll tell you something, Cañete.
28:34If he can't see it, we'll have to open your eyes.
28:39We have to unmask Mrs. Lázara before it's too late.
28:42No, no, Teresa.
28:43You have to be very careful.
28:45This woman has the pan in her hand.
28:47And facing her will only bring us problems.
28:52Yes, yes.
28:53It's clear that we have to act with our heads.
28:56But we have to act.
28:58I'm very clear about that.
29:01Are you with me?
29:02Me?
29:03Always with you.
29:04To death.
29:06Are you sure?
29:07Sure.
29:08Don't have any doubts.
29:13Hey, Cañete.
29:14You know that even if we are together in this,
29:18there is nothing else between us, right?
29:24Teresa, my feelings are what they are.
29:26I love you.
29:28I love you with all the strength of my heart.
29:30And now with so much wedding around us,
29:33look, I shit in the sea.
29:36Do you want to marry me?
29:38Cañete.
29:41Cañete.
29:44Cañete.
29:46Yes, sorry.
29:48That if you are clear that between you and me,
29:51even if we are together in this, there is nothing else.
29:54Yes, yes, Teresa.
29:55You have made it clearer than water.
29:57I am only in this to help you.
29:59And to help Juan Fermin.
30:01Well, I'm calmer.
30:04Thank you.
30:05I'm going to change.
30:15I love you.
30:31But what aisle?
30:32Not what aisle, Esperanza, huh?
30:33I am the groom, not a bullfighter.
30:35And I am the godmother and you have to listen to me.
30:37Walk down the aisle as I told you.
30:40Esperanza, please.
30:41It is that the bride walks down the aisle.
30:44I have to wait for the altar.
30:46I know, damn it.
30:47It's for when you go out with the bride.
30:49Eh?
30:50You won't walk anyway.
30:52Look.
30:54I understand that you say it with good intention.
30:56But what you say doesn't make sense.
30:58And you're making me nervous.
31:00And you are sabotaging me.
31:01And you're doing it on purpose.
31:02Of course, I didn't want to be the godmother.
31:04But don't scream, Esperanza.
31:07Not even on my wedding day.
31:09Well, we'll see if he marries.
31:10Maybe Antonia regrets it.
31:15One more fork and that's it.
31:20I don't see it, Marta.
31:21I don't recognize myself, huh?
31:23You don't, do you?
31:24You look like a queen.
31:25Yes, the queen of the seas, Marta.
31:26I don't get married like that.
31:28I'm sorry.
31:29Oh, Antonia, don't start with your nerves.
31:30The godfather hasn't arrived yet and you haven't even tried on the dress yet.
31:33Well, that's another one.
31:34Where is the dress?
31:35Venancia has it.
31:36I wanted to iron it last before I put it on you.
31:39Venancia, that.
31:40Venancia's sister, who is a hairdresser.
31:41Tell her to come and please make me a simpler hairstyle so that I don't look so different.
31:46Antonia, you look beautiful.
31:48Different?
31:49Well, of course it's different.
31:50But why is it a different day?
31:52Or do you wear a wedding dress every day?
31:54No, right?
31:55Well, that's it.
31:57Yes, I'm sorry.
31:58I'm sorry.
31:59It's just that I'm a little nervous.
32:00Forgive me.
32:01Of course, it's normal, Antonia.
32:05Hello, may I come in?
32:06It's Laurita.
32:07Yes, it's Laurita who comes with Don Fermín and I without a dress.
32:11Relax.
32:13Come in.
32:15Hello.
32:17How beautiful you are.
32:19Thank you, but for beautiful.
32:21Antonia, I bring the bouquet.
32:23My uncle said not to hurry, that he waits with the car all the time it is necessary.
32:26Please don't tell him that I'm not dressed yet.
32:28No, no, don't worry.
32:29Do you need help with anything?
32:30I need this girl to go for the dress.
32:32Yes, I'm going.
32:34The only thing is that I'm going to put a few more curls here.
32:37Another one?
32:38You look like a seamstress, Marta.
32:40Well, I'll leave you alone, I'll wait outside.
32:42Yes.
32:43Thank you.
32:46Relax.
32:52But what voices are where you are, they are heard from the street.
32:55Voices that I'm going to give to your boss.
32:56Where is that man, if you can find out?
32:58He comes right away, Mrs. Esperanza, calm down.
33:00That's why I'm here.
33:01Cañeta has delegated everything to me until he comes.
33:03But it won't take long.
33:04Oh yeah?
33:05Then take it.
33:06Come on.
33:07The list of how to seat people in the banks.
33:09These are the banks for the people of La Moderna.
33:12These two for the Motriz family.
33:14And this for the Martos family.
33:16Really? Really, Mrs. Esperanza?
33:18Isn't this better the other way around?
33:20Don't argue with me.
33:21You don't know anything about this.
33:23And of course, you have the diplomatic flesh, I'm not telling you.
33:26Come on, bring it.
33:27That's it, I'll do it myself.
33:28I have to do everything myself.
33:29Come on, bring it.
33:30And the next wedding, take it, it's worth it to you.
33:32I have nerves that no one can stand.
33:34Enough, please.
33:35Enough, huh?
33:36Thank you.
33:39Hey.
33:40Pietro, maestro.
33:41How's everything?
33:42Did you do well?
33:43Because if I don't have a little reconstituting here,
33:46this temples the spirits that I don't see.
33:48No, no, thank you, thank you.
33:49No, it's just that I have a bad feeling.
33:51Man, don't say that.
33:52Although it is true that the last wedding of a La Moderna employee
33:55ended in no wedding and in tragedy.
33:58But calm down.
33:59I'm not saying that.
34:01And you too.
34:02Make me remember that day.
34:04Let's see, but if you were a hero.
34:06Pietro, maestro, I just ...
34:08Please, please.
34:10Between one and the other, leave me alone.
34:13Come on, breathe.
34:14Leave me alone.
34:15Leave me alone.
34:17You have to see the truth.
34:24You should call the newspapers.
34:26So that you come out on the cover of the newspapers.
34:28That she is very beautiful.
34:29More beautiful than Maria de las Mercedes.
34:31Well, when I have put on the dress,
34:33I don't even want to imagine it.
34:34Well, don't imagine it and please go for the dress.
34:38I'll be back in a minute.
34:39Don't touch your hair!
34:40Yes.
34:41Come on.
35:06Good morning, Antonia. I'm here.
35:11What do you think?
35:12What an illusion, what an illusion.
35:25Welcome, Don Guillermo.
35:26Doña María Jesús, what a joy to see you.
35:28You are radiant as always.
35:29Come in, welcome.
35:31Please, those of Martos in front of the counter.
35:34I think it was like that, yes.
35:35And those of Motil here in the back.
35:37They are very kind.
35:38Thank you.
35:39Welcome.
35:40Welcome everyone.
35:45Oh, ma'am.
35:46Or miss.
35:47Today is my lucky day.
35:50What am I, Elias?
35:52Oh, the mother who brought me.
35:53You are Trini.
35:54Girl, with this elegance, I didn't recognize you.
35:56Son, you say it as if you were normally wearing a façade.
35:59No, woman, I say it because if you are not in uniform
36:01and as you have come alone, Miguel is not coming?
36:04Yes, well, I guess he's coming, of course.
36:06But well, obviously he will come on his own.
36:08Because I remind you that we don't live together.
36:10Yes, yes, of course, of course, Trini.
36:12Of course, we are boyfriends, but at night,
36:15each mochuelo to his olive, and that's it.
36:18Yes, yes, it has become clear to me.
36:19I understood it well, Trini.
36:21As it is natural and the most decent.
36:24Come on, we are boyfriends, but each one to his house.
36:27Until we get married, of course.
36:29You say well, very well, Trini.
36:31If you want to keep sitting down ...
36:33Because this is the most normal.
36:35The most normal and the most decent.
36:37Come on, we are boyfriends, and each one to his house.
36:41Until we get married.
36:42Hi.
36:43Hi.
36:44But good morning, how handsome.
36:45And Trini is radiant.
36:47Where is Miguel?
36:48Well, Miguel comes on his own.
36:50Because we don't live together.
36:52As it is logical, Laurita, they don't live together.
36:54It has become very clear to me.
36:55Each mochuelo to his olive.
36:58Excuse me, the godmother and the boyfriend passed.
37:00But of course, what a more elegant boyfriend.
37:03Yes, elegant and nervous.
37:04As he has not done the walk.
37:05What walk?
37:06Yes.
37:07The same I say, but the woman does not.
37:09And Miguel didn't come with you?
37:11It's a question, it's a question.
37:13Let's see, Miguel comes on his own.
37:15On his own, as it is natural.
37:17And I don't know why everyone is asking me about Miguel.
37:19Because we don't live together.
37:21It's as if we lived together.
37:23Come on, I'll take you to the altar to deliver the bride.
37:26But there are many people missing, Esperanza, right?
37:28Oh, the circulation.
37:30That they will come after the bride?
37:32Master, calm down, everything is under control.
37:35Except for his nerves.
37:36At a wedding that is appreciated, the bride has to arrive late.
37:39If it weren't for these moments that we spend in life.
37:43You are nervous.
37:44Yes, like everyone.
37:46Laurita, look to see if Mr. Fermin's car is coming.
37:49And if you see him,
37:50tell him to go back to Manzana because the guests have not finished coming.
37:53Okay?
37:56Yes, welcome, welcome.
37:59Are they from La Corrala?
38:00Yes, right?
38:01Well, back here, yes.
38:02Thank you very much.
38:05Oh.
38:13I'm afraid I haven't got the pastas you like.
38:16It doesn't matter, I'm not hungry.
38:18There was hardly anyone in La Moderna.
38:20Apparently, almost all the staff is at a dependent's wedding.
38:24For me, let them all burst.
38:26And don't go back there to buy me pastas.
38:28I thought you liked to drink tea with the lemon pastas of La Moderna.
38:32There wasn't, but I've brought you others.
38:34Look, try this.
38:37What are you thinking, honey?
38:41I have jaqueca.
38:42Ah, I brought you a pill for headaches.
38:45I've already taken one.
38:47Do you need anything else?
38:49What I need you can't give it to me.
38:54What are you talking about?
38:56Nothing, nothing.
38:58And can you tell me what that attitude is about?
39:01Is it because of the minister?
39:03It's for everything.
39:05It's because the company of my late daughter is in danger and you don't move a finger to help me.
39:11Barbara, you know I don't live for you.
39:14But I'm a man of principles and there is a certain line that I will never cross.
39:19I'm also a woman of principles.
39:21And one of them is loyalty.
39:23And if you were in my situation, you could count on me.
39:28I wouldn't leave you stranded for a ridiculous scruple.
39:32But what goes against the law, what you're asking me?
39:34The law, the law.
39:37When a man loves a woman, he is willing to do everything necessary.
39:41Especially if what I'm asking you is very easy.
39:44No, no, no, please.
39:46Don't doubt my love.
39:48That you are the most important person in my life.
39:51But what you ask me is immoral.
39:53Okay.
39:55Okay.
39:56Let's leave it.
39:58I have a terrible headache and your vocabulary is getting worse.
40:03Don't you realize?
40:05You need to be alone, Fabio.
40:23I love you.
40:37My uncle is taking the last round of the apple with the car.
40:40They will arrive in a few minutes.
40:42Sorry, sorry, sorry, sorry, sorry for the delay.
40:44Tini, as she came on her own, has arrived earlier.
40:46Of course, it's what she has.
40:47Since we don't live together, one arrives earlier and the other later.
40:50Of course, if you want, you can go up to the pulpit.
40:52While the bride arrives, tell him.
40:54So that he doesn't find out.
40:56Come on.
40:57Sit down and shut up.
40:58And you could have been a little more subtle.
41:00You'll see if this is possible for me.
41:05I'm coming for the hair.
41:07Don Frimin is already parking.
41:08It was time.
41:10Do you want hope?
41:11The vampire doesn't let go of one so easily.
41:20Look how pretty Matilde is coming.
41:22Oh, yes, how beautiful.
41:23What a shame that she couldn't marry me as God commands.
41:26It has to be a bad drink.
41:27I was coming to a wedding.
41:29After the mother thing.
41:30Shut up, blonde.
41:43Are you okay?
41:45Yes.
41:46Yes, really, I'm much better.
41:48Let's enjoy and support our friends, okay?
41:54There's the bride.
42:11Pretty.
42:17Thank you.
42:26In the name of the Father, and of the Son, and of the Holy Spirit.
42:31Brothers and sisters, we are gathered here,
42:37even the less fortunate,
42:40to unite in holy marriage,
42:43Antonia and Matilde.
42:47Amen.
43:08Melina, it's me.
43:11Listen to me.
43:12I need you to buy me a ticket to get my daughter out of Spain as soon as possible.
43:17When I say as soon as possible, I mean as soon as possible, Melina, now.
43:22And think that you'll have to help me get her out of the door.
43:25I'm counting on you.
43:28When I have it, let me know.
43:47Okay.
44:17Let's go.
44:48So, if you have decided to marry,
44:52join your hands and manifest your consent before God and His Church.
44:59Trini, be careful that when Antonia throws the bouquet, you have to catch it.
45:03You'll be lucky.
45:04Again?
45:06Pietro Facciolo,
45:08you want to receive Antonia Hinojosa as your legitimate wife
45:12and you promise to be faithful to her in wealth and poverty,
45:18in health and illness,
45:22and thus love and respect her every day of your life.
45:28Wait a minute.
45:30You can't get married.
45:33What's going on?
45:35This is another one of your jokes.
45:37I have nothing to do with it, boss.
45:40Who is she?
45:41You've seen her in my life.
45:44Where is she going?
45:45Hold me, I'll get her out of here.
45:47Come on, out of my hair.
45:48Control yourself, please.
45:50This wedding can't be celebrated.
45:56It's not possible.
45:58Who is this woman, Pietro?
46:01It's not possible.
46:06Pietro.
46:09It can't be.
46:12I thought you were dead.
46:15Let's see, ma'am.
46:16What is that impediment?
46:20Pietro Facciolo can't get married
46:22because he's already married to me.
46:25What's going on?
46:28What?
46:30But who is this woman, Pietro?
46:32Pietro?
46:38It's Lucia.
46:40My wife.
46:42What?
46:45Pietro.
46:47But you weren't alive, were you?
46:50I thought so.
46:53Everyone thought so until now.
46:55I'm sorry.
47:00I know I'm starting next week,
47:02but I wanted to take advantage of these days
47:04to find out how the business works.
47:06From now on, my niece Inés will be my personal secretary.
47:10Pietro, is this a joke?
47:13No, it's not.
47:17Lucia.
47:18It's Carla's perfume.
47:20Don't you smell it?
47:22It's her smell, it's everywhere.
47:24Listen to me.
47:25I'm going to see if there's anyone else at home.
47:27Right now, she thinks she's seeing ghosts.
47:30Are you willing to end up in jail?
47:32Before that, she'll end up locked up in a asylum.
47:35And nothing will make me happier.
47:37I've decided that we're going to liquidate the Morconde Company.
47:40Because it's our wedding day.
47:42I didn't know Lucia was alive.
47:44How come she hasn't given any signals all this time?
47:46I don't know what's going on in La Moderna,
47:48but all weddings end in tragedy.
47:50Don't say that.
47:51Where have you been all this time?
47:53Where?
47:54And why didn't you write me a letter?
47:56Not even one.
47:57She'll want something, won't she?
47:59To show up like this at the wedding.
48:00To stop her.
48:01You're the one who's understanding.
48:02Anyone else would have put Pietro de Patitas on the street for Rigam.
48:06You're the deceased woman.
48:08Well, the one who was your wife before.
48:10Although, well, you're still your wife, aren't you?
48:12She'll have the other one at her house.
48:14Don't say that.
48:15It's true that I'm the other one.
48:17She's his legitimate wife.
48:19I'm the one who's left here.
48:20Do you know how many times I've dreamed of seeing you again?
48:24Of hugging you again.
48:25If all I want is to know what's going to happen to us, Pietro.
48:28And what intentions does that woman have?
48:30You didn't come to buy a gramophone, did you?
48:32But don't get mad.
48:33Your company is so nice.
48:34Thank you very much for the compliment,
48:36but I should be ashamed of wasting my time like this.
48:38We could also just take a walk around the retreat.
48:41I need your help, please.
48:43Laurita doesn't even want to have a snack with me.
48:46I'm glad you're telling me.
48:48Look how she's getting up.
48:49That's it. Sorry.
48:50Do you think she's getting up a lot?
48:52No, but she's practically hugging him.
48:55You know what I'm telling you?
48:56I'm going to investigate that woman.
48:58What do you mean, investigate?
48:59One thing is for her to come to the store,
49:01make her see that I want a gramophone to walk around,
49:03and another thing is for her to come bother my brother.
49:04Look, I deeply regret that you think that of me,
49:07but since I see that it will be impossible to convince her of my true motivations,
49:10the best thing is for me to leave.
49:11No, the best thing would have been for her not to have come.
49:13Laurita.
49:14Matilde.
49:17Matilde.
49:20I heard Carla.
49:21It's as if she were in this house.
49:23It couldn't be worse.
49:24Calm down, calm down, calm down.
49:27Calm down, calm down.
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