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How do Hollywood artists differ from Filipino ones? | SiS
GMA Network
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2 years ago
German Moreno breaks down the differences between the cultures of artists in the United States and the Philippines.
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Transcript
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00:00
It's like a Chinese theater through a wall.
00:03
Because here, the footprints of the people here are imprinted.
00:08
And it was Brother Germs who suggested this.
00:10
There are handprints and footprints there.
00:13
When Dr. Perez brought me to America for the first time,
00:17
we were in Bica and Dr. Perez took us around.
00:20
So in Hollywood, the Chinese drama theater,
00:23
in their lobby, there's a place like this.
00:27
So I suggested to Dr. Perez and Mommy Perez
00:30
that why don't we do the Sampaguita every weekend?
00:33
It's like a tourist attraction, like Universal City.
00:38
So they agreed.
00:39
We tried it and it was successful.
00:43
And there were also excursionists.
00:45
Yeah.
00:46
So we did the printing first.
00:50
Then the makeup room, the clothes that Gloria and Susan used,
00:56
we displayed all of that.
00:58
So they can see it.
00:59
And we edited the old movies,
01:01
we printed it so that the audience can see it.
01:04
Because there's a fee of one peso.
01:06
Just one peso?
01:07
Just one peso.
01:08
I have a question.
01:09
Because in the US, in Hollywood,
01:11
there are a lot of veteran actors and actresses
01:14
like Jesse Catandi at the time.
01:16
And their careers are booming.
01:18
Their careers are booming when they return.
01:20
They even won awards like Jack Lemmon.
01:24
And when he was still alive,
01:25
he suddenly came back and he's so handsome.
01:28
Do you feel that you want to do something like that again?
01:32
Or are you happy that you can relax a bit?
01:37
For me, no.
01:38
I still want to appear on TV.
01:43
You know, Denise and Jelly, it's in the blood.
01:46
Once you enter this business,
01:49
you can't leave it.
01:50
You'll keep looking for it, right?
01:52
What makes us sad is
01:55
the lack of respect.
01:57
Because in the US, until now,
02:00
even if you're getting older,
02:02
you're becoming more important to them.
02:05
That's why the name of an artist,
02:07
you can't see that they're lowering it.
02:09
It will stay forever.
02:11
It's already there.
02:13
It's already there, you can't lower it.
02:16
I agree with that, it's really germs.
02:18
It's really a different trend
02:20
from other Filipino producers.
02:23
If you're not a superstar,
02:25
you're just like a crowd.
02:28
Like that.
02:29
They forgot your achievements.
02:31
Just like a crowd.
02:32
There's also an issue of audience appreciation.
02:36
Why?
02:36
Sorry to say, but the audience of
02:41
Filipino films is not yet mature.
02:44
They're still there in the 60s,
02:46
where they're just rejecting the kids.
02:51
So maybe, as a producer,
02:54
they should somehow educate those kids
02:58
so that the audience can elevate their appreciation
03:02
to all kinds of films and artists.
03:04
Lito, I think, in my opinion,
03:08
you can't blame the audience.
03:12
The producer should take care of it.
03:15
Because if the producer shows
03:17
their respect to the artists they're getting,
03:20
the fans will respect it too.
03:22
Because, of course,
03:24
they don't care about the billing.
03:27
The artist doesn't look for you
03:29
to put him up there.
03:31
You put him in a place
03:33
where he's respected.
03:35
Actually, you, germs,
03:36
I see what you're doing all the time.
03:38
I learned so many things in this company.
03:40
What you're doing now,
03:42
what you're doing now,
03:44
because it's a different kind.
03:46
The artist of the day is like a diamond.
03:49
It's really precious.
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