00:00 [dramatic music]
00:03 ♪ ♪
00:10 - Hey, yo.
00:14 [upbeat music]
00:15 - [laughs]
00:18 - Anything can happen.
00:20 - Maybe it's time for a change.
00:21 I just, like, don't really know if I want to go back.
00:24 - It's about to get stank in here.
00:26 ♪ ♪
00:28 - We would like to cordially invite you
00:31 in the spirit of family.
00:33 - Take about 20% off of there, bud.
00:35 - Spirit of friendship. - More.
00:37 - Fellowship. - More.
00:38 - Camaraderie.
00:39 all: No, thank you.
00:41 - But the cadence, 'cause every single, like,
00:43 you know, everyone's kids, the Hicks, you know, the J--
00:45 everybody has their own cadence,
00:47 but yet, like, specifically in this season,
00:49 I noticed it all sort of works together,
00:51 even though there's, like, these moments of, like,
00:53 "Do you accept me? I accept you, but do you accept--
00:56 could you sort of talk about that?"
00:58 'Cause it's an interesting metaphor
00:59 on this season particularly.
01:01 - Yeah, I think it's been a big--
01:02 a big note for our show too.
01:04 Our show has always been inclusive of everybody
01:07 without, I think, you know, trying too hard
01:09 to be that way.
01:10 You've always been allowed to be yourself
01:12 in Letter Kenny, and if you step out of line
01:14 and you're bullying or putting any of the other factions down,
01:18 you know, we bind together, and we set you straight.
01:22 So I think that was a big thing for Jerry,
01:25 was just, you know, everyone kind of deals
01:27 with inner turmoil and wants to find their place in society,
01:31 and in Letter Kenny, you know, you always--
01:34 you always got a place, whether that's Modine's
01:37 or the basement or the gym.
01:40 There's always a place for somebody.
01:42 - I think specifically knowing that it was the final season,
01:44 I think everyone might have layered that
01:46 into their performances a little bit,
01:49 that, you know, through it all,
01:51 there's been, like, little beefs
01:53 between a lot of the characters over the years,
01:56 but, you know, what's the--
01:58 it's a--you know, hate and love are kind of on the same side
02:02 and indifference is on the other,
02:04 so I think we all love each other
02:06 and hate each other at the same time.
02:08 I think on the final season,
02:10 really, like, came to accept each other over--
02:13 especially when you have, you know,
02:16 the D-gens of country.
02:18 You know, it always helps when you have an outside enemy
02:21 who kind of bands together.
02:24 And we, you know, we lost one of our own,
02:26 and we're bringing him back, so I think,
02:28 in the end, Leonard Kenny as a whole is a tribe,
02:31 and then the characters kind of, yeah, embody that.
02:35 - Through the use of AI found on the Darkwing,
02:38 Rold and I were able to determine
02:40 the two essential elements necessary
02:42 in constructing a hit country music song.
02:44 [buzzer]
02:46 The two essential elements necessary
02:48 in constructing a hit country music song
02:50 are as follows.
02:52 Number one, a unique hook,
02:54 which must also be used as the title of the song.
02:56 - Thank God's name's the country's, boys.
02:58 - Dig deeper. - Five o'clock somewhere's?
03:00 - Deeper. - Save a horse, ride a cowboy.
03:02 - [neighs]
03:04 - Giddy up! And that particular title
03:06 teaches us a valuable lesson in the process.
03:09 Just because it's unique does not mean it can't be dumb.
03:13 - Dumb is almost preferable in a unique hook
03:15 for a hit country song.
03:17 - Country and western.
03:19 - We're looking for contagious dialogue here, people.
03:21 - Quotables!
03:22 - She thinks my tractor's sexy?
03:24 - Dumber. - No shirt, no shoes, no problem.
03:26 - Dumber. - I've got it.
03:28 Beer for my horses.
03:30 - Bingo! - The thing is, all the characters,
03:32 despite them giving, you know, taking the piss
03:34 out of each other a lot of times,
03:35 they're all very warm-hearted.
03:36 They're all very loyal.
03:38 You know, and that's why I love you guys
03:40 when you're around the fruits, the produce stand,
03:42 because it's just sort of,
03:44 it's like a comfortable blanket.
03:46 Could you talk, what was one of the moments
03:48 that stands out to you of sitting at that stand,
03:50 or were there other moments that were, you know,
03:52 just sort of stand out to you as like,
03:54 that's what Letter Kenny is?
03:56 - There were so many times over the years
03:58 sitting at that stand where we were doing
04:00 ridiculous, ridiculous things.
04:03 You know, the yes, yes, yeses,
04:07 it was one of the, I mean, it's a fan favorite,
04:12 and it was, I don't know if we've ever laughed
04:14 as hard doing that, you know.
04:16 Michelle was so uncomfortable doing that,
04:22 and we were all giggling like idiots.
04:24 And I have a lot of memories of trying
04:26 to get queso to crack.
04:28 That was whenever we were sitting around
04:31 the produce stand, my goal was to try
04:34 to get queso to corpse a scene.
04:37 And if queso laughed at something in one scene,
04:41 I would do it twice the next scene.
04:43 And if I could get queso,
04:47 then Nathan was sure to laugh,
04:50 'cause those two are each other's kryptonite.
04:52 You know, when we did the catch scene,
04:54 they couldn't look at each other
04:56 'cause they both just started laughing.
04:59 So they both, during my coverage,
05:01 they both had their backs turned to me
05:03 'cause they were just shaking with laughter.
05:06 And those will be my memories,
05:08 just us breaking each other
05:10 and having a lot of giggles off camera.
05:14 [coughs]
05:15 Darts? I was gonna say that too.
05:17 That's mostly just smoking darts.
05:19 But it needs to be more catchy,
05:21 more crafty, more clever.
05:23 Needs to be more poetic.
05:25 How about smoking darts in the rain?
05:28 No, you can't do that.
05:29 Well, then your--
05:30 I mean, your dart would go out.
05:32 Okay, so you're smoking darts when it's dry.
05:34 Well, they have to be dry to smoke 'em.
05:36 Dry darts, uh, blue sky darts.
05:38 Best darts are ones that's warm.
05:40 Hot darts.
05:41 Well, we're not trying to f--- darts, McMurray.
05:43 Well, I try anything once.
05:44 Smoking in the summer.
05:45 Smoking summer darts.
05:46 Smoking in the sun.
05:47 Darts when it's sunny. It's...
05:49 [sighs]
05:51 Sun darts.
05:55 Was there certain ones that jumped out?
05:56 Like Trevor was telling me, Michelle,
05:58 that the whole "yes, yes, yes" scene
06:00 was--he was trying to crack up Jared.
06:03 But then, you know, you were just like,
06:05 "Eh, maybe too far," you know?
06:06 But how do you know where the line is?
06:08 And what jokes do you know?
06:10 Like, when did you know Katie worked early on?
06:13 And same with you, Dylan.
06:14 Did you know when Riley was really starting to work,
06:18 and you could feel that sort of rhythm?
06:20 I mean, there isn't a joke that's too far.
06:23 You show up to work, it's written,
06:25 you sign on to the character,
06:26 you say yes, and you commit to it.
06:28 Like, ultimately, um, and the--the porn,
06:33 the "yes, yes, yes" skit,
06:35 was obviously crass and, you know, inappropriate,
06:40 but so much fun and so silly,
06:43 and kind of, like, weirdly exposing for all of us, too.
06:47 Won't go into details.
06:49 But we did it--we did that scene on stage
06:52 when we did the tour as well,
06:54 and we all got to do that together,
06:55 and it's just, like, so over the top
06:57 and weird to do that with your friends.
06:59 But, um, but yeah, I think what works with Katie
07:03 is she's down to go there with them just as hard,
07:07 but she's kind of always been a bit of the voice of reason.
07:11 She has authority in a way,
07:13 especially within the dynamic between her and Wayne,
07:18 that he doesn't really have with anyone else,
07:22 and I think she's kind of, yeah, voice of reason.
07:26 She's--she's steady Eddie.
07:28 She is who she is, and she--
07:30 She's the master of the world.
07:32 She's the master of the world, really.
07:33 She's kind of in charge.
07:34 She is.
07:35 She is kind of in charge,
07:36 and she likes it, but she doesn't abuse her power either.
07:39 Why'd you say "mmm"?
07:40 Just saying.
07:41 You can't say "mmm."
07:42 Just feeling a bit stuck.
07:43 Don't get stuck. You're stuck.
07:45 Like, it's the whole town with that phrase.
07:47 Don't you just all read it on the back of a box of sugar cereal?
07:50 Maybe I am stuck.
07:51 But the toughest guy in "Letter, Kenny"
07:53 rolls off the tongue nicely, doesn't it?
07:55 You are exactly where you belong.
07:57 [dramatic music]
07:59 [screaming]
08:01 [dramatic music]
08:04 ♪ ♪
08:09 (logo whooshes)
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