Dans la peau de Griselda : Netflix tease l'incroyable transformation de Sofía Vergara (vost)

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Sortie le 25 janvier, sur Netflix.

Transcript

00:00 [sonnerie de téléphone]

00:02 [sonnerie de téléphone]

00:03 - Hello?

00:04 - Hi, it's Grisalda.

00:05 I need a favor.

00:06 [sonnerie de téléphone]

00:07 [sonnerie de téléphone]

00:08 There are so many nuances to explore

00:10 in terms of who she was...

00:11 - Le flic en el carro.

00:13 [sonnerie de téléphone]

00:14 ...as a woman, as a mother.

00:16 [sonnerie de téléphone]

00:17 And of course, as a drug lord

00:19 who created one of the most profitable cartels in history.

00:23 - Este se supone que es el país de los sueños.

00:26 Esa sensación es más fuerte que el amor,

00:28 que el dinero, que todo.

00:31 [sonnerie de téléphone]

00:36 - Sofia is Colombian. I'm Colombian.

00:38 So that was one of the aspects I love about working with her,

00:41 having the opportunity to work with her,

00:43 because she was redefining her work as an artist.

00:46 And it was my job to gain her confidence.

00:48 [cris de douleur]

00:50 - Grisalda Blanco is one of the great stories

00:53 in the narcotics trade,

00:55 a self-made woman coming out of such a male-dominated culture.

00:59 - She's always trying to make it in her own way,

01:02 but the rug is always pulled under her,

01:04 and she has to start from scratch.

01:05 - This is a superhuman feat that Grisalda pulls off

01:08 to be able to navigate this world,

01:10 and we see that seeping into who she is.

01:12 - She was not as famous as someone like Pablo Escobar,

01:16 but even he was scared of her at the time.

01:18 She stood on her own.

01:19 - We're gonna make the big money for ourselves,

01:22 for our families, and keep what is fucking ours!

01:25 [gunshots]

01:28 - Her physical transformation,

01:29 that was one of the toughest aspects of the whole show.

01:31 What we decided was that she had to be different than Sofia,

01:35 but we shouldn't imitate Grisalda Blanco.

01:37 - Particularly at the expense of performance.

01:40 - Bueno. Ya sabe donde está por si pasa algo.

01:43 - And she sat in makeup every day for hours.

01:46 She was in every scene.

01:47 - It was in Miami in the '70s and the '80s.

01:50 Getting the look correct was very important to me.

01:53 - Some of these clothes are just absolutely incredible.

01:56 The grittiness and yet colorfulness of Miami.

01:59 I cannot stress enough how incredible the job

02:02 that our department heads have done

02:04 just bringing that to life.

02:05 - I had an incredible hair and makeup design team.

02:08 - It's a really complicated show.

02:10 It's got so many moving parts.

02:12 - We have five wigs, different time periods,

02:15 like 1978, 1983.

02:17 - Her posture has been changed, the way she holds her hands.

02:21 - One of Sofia's signature features

02:23 are her beautiful eyebrows.

02:24 So she wanted to have that sort of tweezed-out,

02:27 late '70s look.

02:28 She's wearing prosthetic eyebrow covers

02:31 and then false eyebrows that are glued on

02:33 and then a nose and a plate of teeth,

02:35 slightly bucked, and we yellow out her bottom teeth

02:38 even a bit more because she smokes.

02:41 All the way through the show.

02:43 [crowd cheering]

02:45 - I needed to disappear.

02:48 - It's no longer the actor.

02:50 No one ever saw her on set as Sofia

02:52 by the time she left her makeup trailer.

02:54 She was Griselda.

02:56 And that's why Sofia's so perfect.

02:58 - [speaking Spanish]

02:59 - People are attracted to how she carried herself,

03:01 and that's a huge connecting point between her and Sofia.

03:05 We want the essence of Griselda.

03:07 - [speaking Spanish]

03:10 - It has a specific feel,

03:13 a specific identity.

03:15 It has an integrity.

03:16 - The truth is, as much as Griselda broke down barriers,

03:20 she's definitely not a hero.

03:22 That was a concern of ours.

03:23 How are we gonna make an audience feel

03:25 for a woman who's so downright despicable?

03:28 [thud]

03:29 It is not about a glamorous life.

03:32 - No!

03:33 - It was often bloody and terrifying.

03:37 And in the world she came from,

03:40 she did what she knew how to do.

03:42 - [speaking Spanish]

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