The Tourist (2010)
The Tourist is a 2010 American romantic thriller film co-written and directed by Florian Henckel von Donnersmarck and starring Johnny Depp, Angelina Jolie, Paul Bettany, and Timothy Dalton. It is a remake of the 2005 French film Anthony Zimmer. GK Films financed and produced the film, with Sony Pictures Worldwide Acquisitions releasing it in most countries through Columbia Pictures. The $100 million budget film went on to gross $278.3 million at the worldwide box office.
Category
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Short filmTranscript
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00:05:53 Save that letter. Go in now. Save that letter.
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00:13:12 I'm sorry.
00:13:13 What for?
00:13:14 [music]
00:13:29 Mind me smoking?
00:13:30 It's not a real cigarette.
00:13:31 What?
00:13:32 It's electronic.
00:13:33 It delivers the same amount of nicotine,
00:13:35 but the smoke is water vapor.
00:13:37 Yeah, water.
00:13:38 [sniffing]
00:13:40 LED light.
00:13:41 That's somewhat disappointing.
00:13:46 Would you rather have me smoking for real?
00:13:50 I would rather you be a man who did exactly as he pleased.
00:13:53 I'm Elise.
00:13:57 I'm Frank.
00:13:58 That's a terrible name.
00:14:00 [laughing]
00:14:01 It's the only one I've got.
00:14:03 Maybe we can find you another.
00:14:05 Okay.
00:14:06 You're British.
00:14:13 Mm.
00:14:14 I'm American.
00:14:17 Mm.
00:14:18 Mm.
00:14:20 What brings you to Venice?
00:14:23 You read spy novels?
00:14:26 I'm a mysterious woman on a train.
00:14:28 You tell me what my story is.
00:14:31 Okay.
00:14:34 Um.
00:14:35 I think you'd be a diplomatic attache.
00:14:42 Mm.
00:14:43 Or maybe a girl from East Germany whose father's been kidnapped.
00:14:47 And they're blackmailing you into stealing something for them.
00:14:52 Probably a microfilm.
00:14:53 There's usually microfilm involved.
00:14:55 What awaits me?
00:14:56 Trouble, certainly.
00:14:57 Danger.
00:14:58 Oh, yeah.
00:14:59 You'll most likely be shot at in less than two chapters.
00:15:02 Hmm.
00:15:03 Is there a man in my life?
00:15:08 Have to wait and see.
00:15:13 Invite me to dinner, Frank.
00:15:17 What?
00:15:18 Would you like to have dinner?
00:15:24 Women don't like questions.
00:15:26 Join me for dinner.
00:15:31 Too demanding.
00:15:32 Join me for dinner?
00:15:35 Another question.
00:15:37 I'm having dinner.
00:15:43 If you'd care to join me.
00:15:46 [♪♪♪]
00:15:49 Mm.
00:16:03 Musician.
00:16:06 Bartender.
00:16:13 [♪♪♪]
00:16:15 Thank you, Mark.
00:16:19 Math.
00:16:21 I teach math.
00:16:23 I would not have guessed that.
00:16:26 I'd imagine you're the cool math teacher, though.
00:16:30 Still a math teacher.
00:16:32 Hmm.
00:16:36 [♪♪♪]
00:16:39 [SPEAKING FRENCH]
00:16:48 [SPEAKING FRENCH]
00:16:50 [SPEAKING FRENCH]
00:16:53 [CAMERA SHUTTER CLICKS]
00:16:59 [♪♪♪]
00:17:02 [♪♪♪]
00:17:04 [♪♪♪]
00:17:30 [♪♪♪]
00:17:32 Could this be Pierce?
00:17:37 Are we still working on that?
00:17:40 Well, I only have the sketches to go by, so...
00:17:47 Ectomorph, yes.
00:17:50 Same basic phenotype.
00:17:52 Bottom line, could be him.
00:17:56 I knew we couldn't leave her.
00:17:57 Run a worldwide blind check on that face,
00:18:00 I bet you ten quid and there's no match.
00:18:02 Okay, but what case number do you want to book it under?
00:18:05 Just run it.
00:18:08 You really think it's Pierce?
00:18:10 Run it.
00:18:12 Get me Italian Interpol.
00:18:23 [CELL PHONE RINGS]
00:18:27 [SPEAKING FRENCH]
00:18:29 I have a strange feeling
00:18:36 that those two people over there
00:18:39 are watching us.
00:18:41 Do you know something?
00:18:50 I think you're right.
00:18:53 Really?
00:18:55 [LAUGHS]
00:18:57 You're the paranoid math teacher.
00:19:02 [SPEAKING ITALIAN]
00:19:07 [SPEAKING ITALIAN]
00:19:24 [SPEAKING ITALIAN]
00:19:26 So, what are you doing all alone in the city of lovers?
00:19:43 Is there no one in your life?
00:19:46 There was.
00:19:52 What happened?
00:19:54 She left me.
00:20:00 I'm sorry to hear that, Frank.
00:20:03 [SPEAKING ITALIAN]
00:20:13 Arrival at train station
00:20:19 Valencia-Santa Lucia in ten minutes.
00:20:21 End of the line.
00:20:23 I guess I should go get my suitcase and stuff.
00:20:26 Goodbye.
00:20:31 Bye.
00:20:33 Thank you.
00:20:37 [♪♪♪]
00:20:40 [♪♪♪]
00:20:42 [♪♪♪]
00:21:10 Oh, shit.
00:21:12 -Sir, I... -Wait.
00:21:27 Pick someone my height and build
00:21:32 and make them believe it's me.
00:21:39 We did get an exact match.
00:21:41 He's a math teacher from Madison Community College.
00:21:45 Frank Tupela.
00:21:47 Lost his wife in a car crash three years ago.
00:21:50 He's a tourist.
00:21:52 Thank you.
00:21:56 [♪♪♪]
00:22:09 Get me Italian Interpol.
00:22:11 [PHONE RINGING]
00:22:24 Si.
00:22:28 Precevuto.
00:22:31 [MAN ON RADIO]
00:22:37 [SPEAKING ITALIAN]
00:22:39 [MAN ON RADIO]
00:22:45 [♪♪♪]
00:22:54 [INDISTINCT CHATTER]
00:22:56 Grazie.
00:23:12 Molto gentile.
00:23:15 [INDISTINCT CHATTER]
00:23:17 What are you doing?
00:23:30 The Internet fraud report.
00:23:32 So...
00:23:36 this is what Alexander Pierce looks like.
00:23:39 It's above your clearance.
00:23:41 Get back to your work.
00:23:44 [♪♪♪]
00:23:46 [BEEPING]
00:23:53 [♪♪♪]
00:23:56 [SPEAKING ITALIAN]
00:24:06 [SPEAKING ITALIAN]
00:24:08 He's fluttering his eyelids like a girl.
00:24:18 That's his tail.
00:24:20 Go all in.
00:24:22 [SPEAKING ITALIAN]
00:24:26 [CHUCKLES]
00:24:28 Yes?
00:24:33 I have a piece of information for Mr. Shaw.
00:24:36 It's concerning Alexander Pierce.
00:24:40 Alexander Pierce just arrived in Venice with her.
00:24:47 -Valerie? -Sir?
00:24:57 Change of course.
00:24:59 -Venice? -Yes, sir.
00:25:02 You know, uh, what do I own in Venice?
00:25:05 Frank!
00:25:30 Hi.
00:25:32 Do you want to come with me?
00:25:34 What?
00:25:36 Oh, yeah, sure. I mean, I could use the lift, yeah.
00:25:41 Thank you very-- That's very kind.
00:25:44 Oh, oh.
00:25:47 [♪♪♪]
00:25:50 [♪♪♪]
00:25:53 [♪♪♪]
00:25:56 [♪♪♪]
00:25:58 Welcome to Venice, Signora.
00:26:25 -Bags? -Si, Signora.
00:26:27 Grazie.
00:26:30 Oh, uh, my bags.
00:26:35 You coming?
00:26:38 Grazie.
00:26:51 [SPEAKING ITALIAN]
00:26:54 Elise Cliftord and husband.
00:26:56 Oh, uh...
00:26:58 We arranged for you a wonderful suite,
00:27:02 with a bathroom and with...
00:27:06 -May I have your documents, please? -Yes.
00:27:11 Thank you.
00:27:13 It would be my pleasure to show you up personally.
00:27:17 -Please, this way. -Thank you.
00:27:20 Enjoy your stay, sir.
00:27:22 -Thank you. -De nada.
00:27:25 Mille grazie.
00:27:28 Everything was arranged according to the precise instructions.
00:27:39 I very much hope you will not be disappointed.
00:27:42 We are entering the Doge's suite.
00:27:44 It is a room that has been a home,
00:27:47 away from home for Marcel Proust and Honoré de Balzac.
00:27:51 -Thank you. -And almost...
00:27:53 -Have a nice day, sir. -Thank you.
00:27:58 Make yourself at home.
00:28:07 [FOOTSTEPS]
00:28:09 [DOOR CLOSES]
00:28:13 [DOOR SLAMS]
00:28:30 [GASPS]
00:28:33 [GASPS]
00:28:35 This really is a very nice hotel, isn't it?
00:28:52 They think of everything, don't they?
00:28:56 [♪♪♪]
00:28:58 [DOOR OPENS]
00:29:06 [INDISTINCT CHATTER]
00:29:12 [♪♪♪]
00:29:20 [♪♪♪]
00:29:22 [ENGINE REVS]
00:29:35 [TIRES SCREECH]
00:29:40 [ENGINE REVS]
00:29:43 [ENGINE REVS]
00:29:45 I know he will be with her.
00:30:04 They'll be staying at one of the grand hotels.
00:30:06 The Pretty, the Regina, the Daniele.
00:30:09 I want you to keep a watch on all of them.
00:30:12 You can kill the girl, but you can't kill him.
00:30:15 Not until I have my money, that is.
00:30:19 -Yes, sir? -Yes, sir.
00:30:22 -Of course. -Let's go.
00:30:24 Hello.
00:30:40 You're ravenous.
00:30:42 Do you mean ravishing?
00:30:44 I do.
00:30:46 You're ravenous.
00:30:48 I am.
00:30:50 Come on.
00:30:52 [♪♪♪]
00:30:55 The, um, the thing is,
00:31:08 the, um, scampi and champagne risotto, please.
00:31:11 Excellent choice.
00:31:13 Excellent.
00:31:15 You didn't say that to me.
00:31:23 Did he not like my choice?
00:31:25 Your choice was excellent.
00:31:29 [♪♪♪]
00:31:31 Who is he?
00:31:47 Hotels don't leave gifts like that, do they?
00:31:52 Who is he?
00:31:56 He's someone who used to be very important to me.
00:31:59 Used to?
00:32:01 Are you meeting him in Venice?
00:32:05 I hope so.
00:32:08 Part of me hopes I don't.
00:32:12 Why?
00:32:14 Because I don't like being told what to do.
00:32:19 I don't like being...
00:32:21 summoned.
00:32:25 But it felt even worse not hearing from him for two years.
00:32:29 It's the, um, the Roman god, Janus.
00:32:49 My mother gave it to me when I was little.
00:32:52 She wanted it to teach me that people have two sides.
00:32:55 A good side, a bad side, a past, a future.
00:32:59 And that we must embrace both in someone we love.
00:33:06 And I tried.
00:33:11 [♪♪♪]
00:33:13 What's he like?
00:33:24 He's...
00:33:28 different...
00:33:31 from anybody I know.
00:33:33 Difference good.
00:33:41 Where I come from, the highest compliment they can offer a person
00:33:46 is to say that they're down to earth.
00:33:49 Granted, I hate it.
00:33:52 It drives me nuts.
00:33:54 Would you like another Americano?
00:34:05 I don't know.
00:34:09 Would I?
00:34:11 It really was a very nice restaurant, wasn't it?
00:34:16 Very nice wine.
00:34:18 Um...
00:34:21 making us a nice little drink,
00:34:23 which is very nice of me, isn't it?
00:34:26 Hmm?
00:34:28 Thank you.
00:34:31 Were those flowers here when we checked in?
00:34:34 [♪♪♪]
00:34:36 It's an invitation to a ball two nights from now.
00:34:53 Ah.
00:34:56 You've been summoned.
00:34:58 It appears I have.
00:35:02 [♪♪♪]
00:35:05 [♪♪♪]
00:35:07 [♪♪♪]
00:35:09 [SIGHS]
00:35:20 [BIRDS CHIRPING]
00:35:26 [♪♪♪]
00:35:33 [♪♪♪]
00:35:35 May I pay you a compliment?
00:35:42 Another question you need never ask.
00:35:46 You are the least down-to-earth person I've ever met.
00:35:54 [♪♪♪]
00:35:57 [♪♪♪]
00:35:59 [CAMERA SHUTTER CLICKING]
00:36:07 [♪♪♪]
00:36:09 It's been a long day.
00:36:17 I do hope the couch will be comfortable.
00:36:20 Good night.
00:36:24 [♪♪♪]
00:36:51 [♪♪♪]
00:36:53 [♪♪♪]
00:36:55 [♪♪♪]
00:37:13 [♪♪♪]
00:37:15 [♪♪♪]
00:37:26 [SIGHS]
00:37:41 [♪♪♪]
00:37:43 [♪♪♪]
00:38:07 [♪♪♪]
00:38:09 [CAMERA SHUTTER CLICKING]
00:38:23 [SIGHS]
00:38:33 [♪♪♪]
00:38:35 [♪♪♪]
00:38:43 [COUGHS]
00:38:59 [♪♪♪]
00:39:01 [CAMERA SHUTTER CLICKING]
00:39:17 [♪♪♪]
00:39:21 [♪♪♪]
00:39:23 [CAMERA SHUTTER CLICKING]
00:39:50 [SPEAKING SPANISH]
00:39:52 Good morning.
00:39:54 My name is Guido. I'm your waiter.
00:39:57 I'm Frank.
00:39:59 What's this?
00:40:02 It's your breakfast, sir.
00:40:04 I didn't order any.
00:40:07 La senora ordered it for you when she left.
00:40:17 [SQUEAKING]
00:40:19 She loves it.
00:40:21 [♪♪♪]
00:40:46 Have a nice day, sir.
00:40:48 [FOOTSTEPS APPROACHING]
00:40:54 [DOOR OPENS]
00:41:02 [DOOR CLOSES]
00:41:04 [ENGINE REVS]
00:41:15 [FOOTSTEPS APPROACHING]
00:41:17 Hi.
00:41:19 Alexander, let's go see an old friend.
00:41:22 Huh?
00:41:26 [SPEAKING RUSSIAN]
00:41:28 [♪♪♪]
00:41:42 [PHONE RINGS]
00:41:44 Hello? Please help.
00:41:46 [SPEAKING SPANISH]
00:41:48 I need help. There are two men trying to break down the door.
00:41:52 I see. What kind of problem do you have with the door, sir?
00:41:55 No, no, no. There are two men with guns trying to break in.
00:41:58 [SPEAKING SPANISH]
00:42:00 Your Spanish is excellent, sir.
00:42:02 Thank you.
00:42:04 I gotta go!
00:42:06 [GUNSHOTS]
00:42:08 Americani.
00:42:12 [GUNSHOTS]
00:42:14 [GUNSHOTS]
00:42:18 [SPEAKING SPANISH]
00:42:22 [GUNSHOTS]
00:42:26 [GUNSHOTS]
00:42:29 [SPEAKING SPANISH]
00:42:31 [PHONE RINGS]
00:42:39 [SPEAKING SPANISH]
00:42:41 [GUNSHOTS]
00:42:47 Frank!
00:42:50 Frank!
00:42:58 [SPEAKING SPANISH]
00:43:07 Yes?
00:43:09 Commander Hutchinson, two armed men are chasing the American from yesterday.
00:43:12 Shots have been fired. Request permission to intervene.
00:43:15 Do you still have a lease?
00:43:17 We still have a visual on the lease, Ward, but the American is in imminent danger.
00:43:22 You mean the mathematics teacher from Wisconsin?
00:43:25 I'd say not our mandate.
00:43:27 Sir, this man is a real parent.
00:43:29 This is exactly why she chose it. To distract us.
00:43:34 Stay with her. Do not move unless she moves.
00:43:38 Am I making myself crystal clear?
00:43:40 Sir, they will kill him.
00:43:43 Not our mandate.
00:43:47 [DRAMATIC MUSIC]
00:43:51 [SPEAKING SPANISH]
00:44:03 [GUNSHOT]
00:44:05 Hello? Hello?
00:44:25 Hello?
00:44:32 Oh, God.
00:44:34 [SPEAKING SPANISH]
00:44:42 [SPEAKING SPANISH]
00:44:58 [SPEAKING SPANISH]
00:45:00 [SCREAMING]
00:45:10 Oh, my God.
00:45:18 I'm so sorry.
00:45:21 I'm so sorry.
00:45:26 [SPEAKING SPANISH]
00:45:53 [SPEAKING SPANISH]
00:45:55 I think you need more than I.
00:46:12 Thank you. Gracias.
00:46:15 De nada.
00:46:18 You smoke?
00:46:22 No.
00:46:24 No, I don't.
00:46:27 Now, you wish to report a murder?
00:46:43 No.
00:46:45 Some people tried to kill me.
00:46:47 I was told you were reporting a murder.
00:46:50 Attempted murder.
00:46:52 That's not so serious.
00:46:55 No. Not when you downgrade it from murder.
00:46:59 When you upgrade it from room service, it's quite serious.
00:47:02 So is assaulting a police officer.
00:47:05 That was an accident.
00:47:07 The officer feels differently.
00:47:09 With all due respect, sir,
00:47:13 I think maybe I should be talking with someone...
00:47:18 Someone...
00:47:20 Not Italian.
00:47:23 Like the embassy or Interpol.
00:47:25 Interpol.
00:47:27 I'm an American citizen.
00:47:29 What does it mean?
00:47:32 I don't know, but I'm involved in something here.
00:47:34 No offense. This is not a local issue.
00:47:36 What is it you think you're involved in?
00:47:43 It all started when I met a woman on the train from Paris.
00:47:48 This is already good.
00:47:50 No, no. She took me to her hotel.
00:47:53 Ah, maybe.
00:47:55 No, no. She's involved with another man.
00:47:57 I think she's in love.
00:47:59 Sorry to hear that.
00:48:01 I know.
00:48:03 Anyway,
00:48:05 this man, whatever his story is,
00:48:09 some people are obviously trying to kill him.
00:48:13 How do you know this?
00:48:15 Because they tried to kill me.
00:48:17 They tried to kill you?
00:48:20 Yes, because they must have thought that I was him.
00:48:25 I like you, Mr. Tupelo.
00:48:32 I like you too, sir.
00:48:34 But surely you understand how strange this all sounds.
00:48:39 Come with me.
00:48:41 Where are you taking me?
00:48:51 Oh, you're going to lock me in there?
00:48:57 Don't worry.
00:49:05 Please don't do this.
00:49:07 Sir, I've done nothing wrong.
00:49:10 Please.
00:49:13 It's only until I check some facts.
00:49:16 Hi.
00:49:24 Hi.
00:49:26 Your facts checked out.
00:49:39 We have to leave.
00:49:42 You're not safe here.
00:49:44 I don't understand.
00:49:47 This has to look right.
00:49:51 Come on.
00:49:53 The man you're talking about is called Alexander Pierce.
00:49:59 He stole big money from a gangster.
00:50:02 They've come to Venice to find him.
00:50:05 They think you are him.
00:50:08 They place a...
00:50:10 (speaking Spanish)
00:50:12 A bounty on your head.
00:50:14 That's why you're not safe.
00:50:18 That's why you're not safe.
00:50:21 Wait here for a moment.
00:50:31 (dramatic music)
00:50:34 You've come to buy a key?
00:50:59 (dramatic music)
00:51:02 Brand-new pills.
00:51:12 I appreciate it.
00:51:14 You think we cheat you?
00:51:24 Of course not.
00:51:25 I just enjoy counting.
00:51:27 (dramatic music)
00:51:30 Well, gentlemen,
00:51:38 Alexander Pierce is all yours.
00:51:41 (dramatic music)
00:51:44 (speaking Russian)
00:51:48 Yes.
00:51:52 (gunshots)
00:51:54 (dramatic music)
00:51:57 (gunshots)
00:51:59 (speaking Russian)
00:52:04 I think we've lost them.
00:52:12 I'd really like to take these off.
00:52:16 We have to wait to get to open waters.
00:52:19 Oh, okay.
00:52:21 (dramatic music)
00:52:24 Police! Police!
00:52:26 (gunshots)
00:52:28 (dramatic music)
00:52:31 (speaking Russian)
00:52:46 (dramatic music)
00:52:49 (gunshots)
00:52:51 (dramatic music)
00:52:54 (gunshots)
00:53:00 (dramatic music)
00:53:03 (speaking Russian)
00:53:13 (dramatic music)
00:53:18 (dramatic music)
00:53:21 (speaking Russian)
00:53:28 (dramatic music)
00:53:31 (gunshots)
00:53:35 (dramatic music)
00:53:38 Police!
00:53:44 (dramatic music)
00:53:48 (grunting)
00:53:51 (dramatic music)
00:54:16 (grunting)
00:54:19 (dramatic music)
00:54:22 (gunshots)
00:54:24 (speaking Russian)
00:54:27 (dramatic music)
00:54:30 (grunting)
00:54:42 (dramatic music)
00:54:45 (speaking Russian)
00:54:48 (dramatic music)
00:54:51 (dramatic music)
00:54:59 (speaking Russian)
00:55:10 (dramatic music)
00:55:13 (dramatic music)
00:55:16 (speaking Russian)
00:55:27 You think it's a little loose?
00:55:32 No, no, no.
00:55:34 (speaking Russian)
00:55:42 (speaking Russian)
00:55:45 Too long.
00:55:56 Yeah, bring them in.
00:55:58 I come back tomorrow, huh?
00:56:00 No, no, no, stay.
00:56:11 We tried everything, sir.
00:56:14 But he got away.
00:56:15 So I heard, so I heard.
00:56:18 They're referring to the young man
00:56:20 who stole 2.3 billion dollars from me.
00:56:23 Mama mia.
00:56:25 You know, I worked very hard for years.
00:56:28 I wouldn't have to do the dirty work anymore.
00:56:31 No more chasing traitors.
00:56:34 No more killing.
00:56:38 Now I employ people to do those things for me.
00:56:43 Except that you don't.
00:56:46 (grunting)
00:56:49 (dramatic music)
00:56:56 (grunting)
00:57:24 Does it look all right?
00:57:26 Yes.
00:57:28 Like always.
00:57:31 What's always?
00:57:33 Very good.
00:57:35 Yes, I think it looks all right.
00:57:41 (water trickling)
00:57:44 Huh, so that's how you pick a lock.
00:57:57 Why do you know how to do that?
00:58:00 Where's the owner of this boat?
00:58:05 Bottom of a canal?
00:58:07 Sitting in a cafe with a pocket full of euros.
00:58:11 Why is all this happening?
00:58:15 Why is everyone trying to kill me?
00:58:18 It's because I kissed you.
00:58:23 Do I look that much like him?
00:58:35 I am sorry I got you involved in all this.
00:58:38 Why are you involved in all this?
00:58:41 Because I'm in love with him.
00:58:45 Really? I'm not.
00:58:48 Seriously, help me understand why.
00:58:51 I honestly didn't think he would let it go this far.
00:58:54 I didn't think he would let Shaw get to you.
00:58:57 Shaw? That's the man that Pierce stole from?
00:59:01 Mm, Reginald Shaw.
00:59:05 Alexander used to be his private banker.
00:59:08 I thought he'd be Russian or something like that.
00:59:12 He surrounds himself with Russians,
00:59:15 but he's as English as Alex and I.
00:59:18 Give me your hand.
00:59:20 Now he owns most of the casinos and brothels
00:59:24 from here to Nervousbrusk.
00:59:27 Once he bragged to Alexander that he had every man killed
00:59:32 his wife had slept with before she met him.
00:59:35 When he found out how many there'd been,
00:59:38 he killed her, too.
00:59:40 There you are.
00:59:42 What made Pierce think that he could take on a guy like that?
00:59:49 It's just who he is.
00:59:52 Mm-hmm.
00:59:56 Could you ever feel like that about someone like me?
01:00:00 I don't regret it, you know.
01:00:07 Kissing you.
01:00:10 I have to go check the, um...
01:00:16 the thing.
01:00:19 The thing.
01:00:21 Where are we going?
01:00:43 [♪♪♪]
01:00:46 The airport.
01:01:06 Where are we going?
01:01:08 You'll see.
01:01:11 Tie yourself, would you?
01:01:13 I wish we'd met in another life, Frank.
01:01:31 Take the next flight back to America.
01:01:37 You'll find what you need in the back.
01:01:40 Be safe.
01:01:43 [♪♪♪]
01:01:56 [♪♪♪]
01:01:59 What a man loves you.
01:02:10 [♪♪♪]
01:02:13 [♪♪♪]
01:02:17 [♪♪♪]
01:02:45 [♪♪♪]
01:02:49 [♪♪♪]
01:02:52 [♪♪♪]
01:03:00 [♪♪♪]
01:03:12 [♪♪♪]
01:03:15 Agent Lees, Clifton Ward.
01:03:35 Identification number MFS 98495G.
01:03:41 [♪♪♪]
01:04:09 [indistinct chatter]
01:04:12 At least walk.
01:04:14 [indistinct chatter]
01:04:17 [♪♪♪]
01:04:20 Well, you've certainly blown your cover now.
01:04:34 I'm ready to give you Pierce.
01:04:36 [indistinct chatter]
01:04:39 You're ready to give me Pierce.
01:04:53 Well, that's interesting.
01:04:56 So you aren't here to beg me to lift your suspension.
01:05:00 You've actually come to do your job.
01:05:03 Allow me to ask...
01:05:06 Why now?
01:05:08 You live with a man for an entire year,
01:05:13 during which time we don't get one single usable photograph.
01:05:18 But now you're ready to give him up.
01:05:21 It's because of that tourist, isn't it?
01:05:28 I want to put an end to this before someone gets killed.
01:05:34 Wow.
01:05:36 I wish I could understand your choice in men.
01:05:47 A fugitive thief, well, that's exciting, perhaps.
01:05:53 But a schoolteacher from Wisconsin...
01:06:00 Who'd have thought your tastes were so provincial?
01:06:05 Do you want Pierce or not?
01:06:09 Yes.
01:06:11 I'm eating him at a ball tonight.
01:06:15 You know you'll have to wear a wire.
01:06:19 Good.
01:06:23 [♪♪♪]
01:06:26 [♪♪♪]
01:06:30 [♪♪♪]
01:06:33 [♪♪♪]
01:07:02 Buona sera, signora.
01:07:04 [♪♪♪]
01:07:07 [♪♪♪]
01:07:35 She's heading toward the southeast corner.
01:07:38 [indistinct chatter]
01:07:41 Where have you been?
01:07:50 I thought you'd never get here.
01:07:55 Really?
01:07:57 Certainly.
01:07:59 Is that our man?
01:08:03 How could you be so sure I was coming?
01:08:06 I just knew it.
01:08:09 Fate wouldn't bring me to an evening like this with no reason.
01:08:14 As soon as you walked in, I knew what the reason was.
01:08:18 Hmm.
01:08:20 No?
01:08:23 No.
01:08:30 Count Filippo Caggia, landowner.
01:08:33 Big reputation as a swordsman.
01:08:36 Well, he won't be dealing tonight.
01:08:39 [♪♪♪]
01:08:42 [indistinct chatter]
01:08:45 [♪♪♪]
01:08:48 [indistinct chatter]
01:08:58 [indistinct chatter]
01:09:01 Wait.
01:09:11 Alexander.
01:09:13 Excuse me.
01:09:15 It's Pierce. He's here. He just left out that envelope.
01:09:18 Pull up the footage. We have his face.
01:09:21 Alexander.
01:09:25 [indistinct chatter]
01:09:28 Alexander.
01:09:32 Frank.
01:09:36 I don't bloody believe this.
01:09:40 All right, get that moron out of here.
01:09:43 You shouldn't. I can't. I'm sorry.
01:09:46 [sighs]
01:09:48 [♪♪♪]
01:09:52 [♪♪♪]
01:09:55 Come on. You owe me a dance.
01:10:05 I shouldn't be here.
01:10:19 No, Elise. This is the one place on Earth I should be.
01:10:23 How did you get in here?
01:10:32 I told the doorman you were my wife and I wanted to keep an eye on you.
01:10:36 Italians are big on that kind of thing.
01:10:39 Leave.
01:10:42 No.
01:10:44 [♪♪♪]
01:10:47 Do you like the suit? You paid for it.
01:10:52 I've been thinking about your friend Pierce and his plan.
01:10:58 And so far, I'm thinking it hasn't worked out for him.
01:11:02 No?
01:11:05 No. Take that gangster guy.
01:11:08 Shaw. Yeah, Shaw.
01:11:10 I don't believe that Pierce was prepared for him being here, for the whole chase.
01:11:15 Will you please leave?
01:11:18 You're kind of worried about me, aren't you?
01:11:24 Yes.
01:11:26 And I'm worried about you.
01:11:28 Frank.
01:11:31 And I'm not leaving without you.
01:11:34 You were part of the plan.
01:11:38 You were useful. That's all.
01:11:41 What do you think? I saw you on the train and my heart stopped?
01:11:46 Leave.
01:11:49 This way, please.
01:12:05 Excuse me, sir. I think you've made a mistake.
01:12:08 [♪♪♪]
01:12:17 [♪♪♪]
01:12:20 What's it say?
01:12:37 What's it say?
01:12:44 [♪♪♪]
01:12:47 [SPEAKING SPANISH]
01:12:59 It looks like they've called up our boat.
01:13:03 What should we do?
01:13:05 She may just be playing with us.
01:13:07 Let's wait.
01:13:10 [♪♪♪]
01:13:13 Fundamenta San Giacomo 23, please.
01:13:17 Okay, good. We have the address.
01:13:20 I'm going to follow her on the boat.
01:13:22 I want snipers on all surrounding rooms.
01:13:24 And if you get a visual on Pierce first, call.
01:13:27 [♪♪♪]
01:13:38 [SPEAKING SPANISH]
01:14:07 Help.
01:14:09 Hello?
01:14:12 Shh. Let's have a little fun with him.
01:14:15 Por favor.
01:14:17 Who are you people? Where are we going?
01:14:24 Well, I don't know, Alexander.
01:14:28 Where are we going?
01:14:31 I'm not Alexander.
01:14:33 My name is Frank Tupelo.
01:14:36 I'm an American citizen, and I have rights.
01:14:38 I don't care what you call yourself these days.
01:14:41 Your name is Alexander Pierce, and you have no rights.
01:14:45 Not until you pay us 744 million pounds back taxes.
01:14:49 744 million.
01:14:52 Looks like someone else is following our target.
01:14:55 Reginald Shaw.
01:15:01 [SCOFFS]
01:15:03 Well, this could be fun.
01:15:05 Stay close, but not too close,
01:15:07 and get the officer to send me an interpreter.
01:15:09 All right.
01:15:10 Yes, 744 million.
01:15:13 You didn't think we knew about that bank account in Liechtenstein?
01:15:18 I don't know what you're talking about.
01:15:21 Listen, you arsehole.
01:15:24 I know everything about you.
01:15:28 I even know how much that face cost.
01:15:31 24 million wired to a Brazilian surgeon
01:15:33 from a numbered Swiss bank account.
01:15:35 I haven't been able to prove it.
01:15:37 And now I don't have to.
01:15:40 'Cause I just lock you in a box in a basement
01:15:43 until you tell me where the money is.
01:15:46 [LAUGHS]
01:15:55 It's all right.
01:15:59 It's all right, Frank.
01:16:02 I know you're not Alexander Pierce.
01:16:04 But you know who you are?
01:16:06 You're a moron.
01:16:08 And you're a moron that almost ruined
01:16:10 my 8 million pound sting operation.
01:16:13 Twice.
01:16:15 So you're gonna stay here until this is all over?
01:16:18 Please. You can't do this.
01:16:20 I haven't done anything.
01:16:22 I shouldn't be here.
01:16:24 You know what I think?
01:16:26 I think that this is the one place on Earth
01:16:29 you really should be.
01:16:32 [♪♪♪]
01:16:34 How was your night in the hotel?
01:16:38 Huh?
01:16:40 She's quite something, I'm sure.
01:16:42 Target is about 200 yards away from destination.
01:16:45 We are matching speed.
01:16:47 Good. Don't get too close.
01:16:49 I don't want to scare Pierce off again.
01:16:52 [ENGINE RUMBLING]
01:16:56 [ENGINE RUMBLING]
01:16:58 [SPEAKING ITALIAN]
01:17:03 [SPEAKING ITALIAN]
01:17:11 I won't be needing you anymore this evening.
01:17:14 [♪♪♪]
01:17:17 [♪♪♪]
01:17:19 [♪♪♪]
01:17:21 [KEYS CLACKING]
01:17:44 [KEYS CLACKING]
01:17:46 Magnificent.
01:18:07 I've never really understood the love
01:18:12 that people devote to each other.
01:18:15 Money, yes. Possessions, yes.
01:18:18 But people are so unreliable,
01:18:21 they sicken, decay, and die.
01:18:23 But this...
01:18:25 this is worth dying for.
01:18:27 [RUMBLING]
01:18:29 [KEYS CLACKING]
01:18:36 [KEYS CLACKING]
01:18:41 [KEYS CLACKING]
01:18:43 Alexander, taste.
01:18:47 It seems fitting that we wake you in the middle of the day.
01:18:49 We're alive.
01:18:51 Oh, yes, do sit down.
01:18:56 When are you going in?
01:18:59 You're welcome to stay and watch,
01:19:01 if you can keep your mouth shut.
01:19:03 You know, Alexander was like a son for me.
01:19:06 I loved him.
01:19:08 That brilliant, playful,
01:19:11 disrespectful young bastard.
01:19:13 I even thought he and I were two of a kind.
01:19:18 Oh, I took great pleasure
01:19:20 in never knowing what the scamp would do next.
01:19:23 Until one day, what he did next
01:19:28 didn't give me any pleasure at all.
01:19:31 You know, in our quaint legal system,
01:19:35 if a man sleeps with my wife,
01:19:37 I kill him and her,
01:19:39 get away scot-free.
01:19:41 Crime of passion is what it's called.
01:19:43 But my passion extends to all the things I am.
01:19:47 They are me.
01:19:49 They represent me.
01:19:51 So if a man steals from me, I kill him.
01:19:55 I kill his wife, his children, his mother.
01:19:59 I might even throw in the family doctor for good measure.
01:20:02 For he has taken from me something
01:20:05 for which I have paid the infinite price.
01:20:08 My soul.
01:20:10 (laughs)
01:20:12 That's something these idiots will never understand.
01:20:18 (soft music)
01:20:21 He's not coming, is he?
01:20:39 He sent you to get the money.
01:20:46 So, where is it?
01:20:49 Where is my money?
01:20:53 Where is the safe?
01:20:55 I don't know.
01:20:58 Where is the safe?
01:21:02 I don't know.
01:21:04 You don't know?
01:21:06 (soft music)
01:21:09 Is it behind this bookcase here?
01:21:19 Or perhaps this one here?
01:21:30 (soft music)
01:21:33 Where is the safe?
01:21:46 I don't know. I haven't seen--
01:21:48 Please, you have to do something.
01:21:50 Permission to fire.
01:21:52 Hold your fire, I repeat, hold your fire.
01:21:54 Not until Pierce shows himself.
01:21:56 You're very beautiful, Elise.
01:21:58 Now, try to combine it with a little intelligence
01:22:01 and tell me where the safe is.
01:22:03 If I knew it, I would tell you.
01:22:05 (soft music)
01:22:08 You have to go in.
01:22:14 They're gonna kill her.
01:22:15 Where's my interpreter?
01:22:16 They're going to kill her.
01:22:18 She can handle herself.
01:22:19 She can handle herself.
01:22:22 She's one of us.
01:22:24 Expert in undercover operations.
01:22:27 When I sent her to Russia to find Pierce,
01:22:30 she went dark.
01:22:32 I think she could never quite decide
01:22:34 if she was with him or with us.
01:22:37 She's a good agent,
01:22:38 except she invariably falls in love with any man
01:22:41 that she spends longer than a train ride with.
01:22:45 Commander Ratcheson, I'm the interpreter.
01:22:48 Yes, go.
01:22:50 (speaking in foreign language)
01:22:55 (speaking in foreign language)
01:22:58 If you could provide me with some context.
01:23:02 She really doesn't seem...
01:23:06 to know where it is.
01:23:08 We should go.
01:23:10 We give it five more minutes.
01:23:12 If Pierce doesn't show,
01:23:15 we get rid of the woman and go.
01:23:21 I wish him to engage.
01:23:24 Negative.
01:23:25 Please.
01:23:26 Not one more word from you.
01:23:29 I won't kill her.
01:23:34 Pierce will come.
01:23:36 He has to come.
01:23:39 All right, let's do it.
01:23:42 Engaging target.
01:23:49 Negative, that is an order.
01:23:52 (speaking in foreign language)
01:23:54 Now, if you don't tell me where the safe is,
01:23:57 I might be tempted to rearrange your face somewhat.
01:24:02 Your fine life
01:24:13 is not quite so giving to an ugly woman.
01:24:19 (breathing heavily)
01:24:22 You really don't know, do you?
01:24:28 (gasps)
01:24:38 There!
01:24:40 There.
01:24:42 Behind the medallion there.
01:24:45 (eerie music)
01:24:48 ♪ ♪
01:24:55 ♪ ♪
01:25:00 ♪ ♪
01:25:05 Open it.
01:25:28 (eerie music)
01:25:31 There is movement in the courtyard.
01:25:34 Pierce, I knew it.
01:25:37 You know what? He does look a little like you.
01:25:45 No!
01:25:50 (dramatic music)
01:25:53 ♪ ♪
01:26:00 Oh, God.
01:26:07 Just try it.
01:26:09 (gun cocks)
01:26:11 (eerie music)
01:26:14 ♪ ♪
01:26:21 Go on, press enter.
01:26:23 (doorbell buzzes)
01:26:26 You may try one more time.
01:26:29 (eerie music)
01:26:34 ♪ ♪
01:26:41 Let her go.
01:26:43 (gun cocks)
01:26:45 Oh, my gosh.
01:26:47 You let her leave, I'll open the safe.
01:26:49 Stop right there.
01:26:51 Frank, what in hell?
01:26:55 Please, Lise, let me handle this.
01:26:59 I'll say it again.
01:27:00 You let her go, I'll open the safe.
01:27:04 Who the hell are you?
01:27:07 I'm Alexander Pierce.
01:27:09 (speaking Russian)
01:27:10 He is not Alexander Pierce.
01:27:12 Lise, please.
01:27:13 What the hell are you doing?
01:27:15 What the hell is he doing?
01:27:17 I'm trying to engage the target.
01:27:19 Shut the hell up.
01:27:22 Alexander, is it you?
01:27:26 Truly?
01:27:28 Truly.
01:27:30 Show me your teeth.
01:27:35 Alexander had crooked teeth,
01:27:37 stained from excessive smoking.
01:27:40 Braces, electronic cigarettes.
01:27:43 He had a higher forehead.
01:27:46 He had a migraine for two weeks after the remodel.
01:27:49 You sound different.
01:27:51 Voice chip implant.
01:27:53 No, no, I mean the way you speak.
01:27:55 Yes, that's right.
01:27:56 Alexander was English.
01:27:58 This man is American.
01:28:00 I've actually gotten so used to the American accent
01:28:04 that I find it a tad difficult to go back.
01:28:07 That's pathetic.
01:28:08 This man is not Alexander Pierce.
01:28:11 He's a tourist.
01:28:14 A tourist?
01:28:16 Someone I happen to sit next to on a train.
01:28:19 How would a tourist know that you killed
01:28:22 every man your wife ever slept with?
01:28:24 I told him that.
01:28:26 You told a tourist?
01:28:29 Why would she do that?
01:28:31 It's absurd.
01:28:33 Well, there's a simple way of finding out.
01:28:38 Open the safe.
01:28:42 I've made you a deal.
01:28:44 When she's gone...
01:28:46 What are you doing?
01:28:47 And I know she's safe, then.
01:28:50 Well, I'll make you an even better deal.
01:28:54 Open the safe now,
01:28:56 and I won't make you watch something
01:28:58 that you would never forget.
01:29:02 Open it.
01:29:04 I see.
01:29:11 Now you see.
01:29:14 Sir.
01:29:31 I know him. He'll come for her.
01:29:34 I know him.
01:29:36 He won't give her up now.
01:29:38 We must engage.
01:29:40 Permission to engage, sir.
01:29:43 Sir.
01:29:45 [music]
01:29:48 [music]
01:30:16 He'll come for her.
01:30:19 He'll come for her. It doesn't make sense.
01:30:21 This is Chief Inspector Jones.
01:30:23 Permission granted.
01:30:26 Fire.
01:30:28 [gunshot]
01:30:30 [glass shattering]
01:30:37 [glass shattering]
01:30:40 [gunshots]
01:30:58 [footsteps]
01:31:01 [music]
01:31:13 [TV chatter]
01:31:16 Are you all right?
01:31:30 Yes.
01:31:32 Agent Ward, your suspension's lifted.
01:31:35 Thank you, sir.
01:31:36 And your employment is terminated.
01:31:39 Effective immediately.
01:31:41 Thank you, sir.
01:31:43 We got him.
01:31:47 We got Alexander Pierce.
01:31:49 Where?
01:31:50 On the Fundamenta.
01:31:51 300 meters south of your location.
01:31:54 [chatter]
01:31:58 [footsteps]
01:32:01 So you love me?
01:32:14 I do.
01:32:26 How do you feel about Alexander Pierce these days?
01:32:31 I love him too, unfortunately.
01:32:35 I may have a solution for you.
01:32:42 [music]
01:32:55 [gun cocks]
01:32:58 Are you with me this time?
01:33:17 [music]
01:33:20 Come on, let him go.
01:33:45 I'm just a tourist.
01:33:48 Just a tourist.
01:33:53 You said I might get arrested at some point.
01:33:55 What?
01:33:56 That you'd have to let me go because you'd have nothing on me.
01:34:00 Who?
01:34:01 The man that's been sending me these texts.
01:34:04 Texts?
01:34:06 And the money, of course.
01:34:13 Let me get this straight because I'm a little confused.
01:34:17 You receive money from a man you've never met before
01:34:20 who sends you text messages telling you just to show up somewhere.
01:34:26 Well...
01:34:29 not just anywhere.
01:34:34 [beep]
01:34:39 [explosion]
01:34:43 Clear.
01:34:46 Seven hundred and forty-four million.
01:35:11 [music]
01:35:14 Inspector Atchison, this operation is now officially terminated.
01:35:23 I'll expect your report on Monday.
01:35:25 Sir, listen--
01:35:26 We have our money, Atchison.
01:35:27 But we don't have Pierce.
01:35:30 The man's a criminal wanted in fourteen countries.
01:35:33 But what is it he did, really?
01:35:37 He stole money from a gangster, a dead gangster.
01:35:41 And he has good taste in women.
01:35:44 I can't say I don't wish him well.
01:35:48 [music]
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01:35:59 [music]
01:36:27 Twenty million dollars' worth of plastic surgery.
01:36:31 And that's the face you choose.
01:36:33 Do you not like it?
01:36:36 It'll do.
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