00:00 We're all kind of trapped in this place
00:01 and very strange things are happening.
00:03 [upbeat music]
00:05 - Somebody is dead.
00:10 [glass shattering]
00:11 No one shall leave this place until I know who did it.
00:14 - A ghost killed her.
00:15 [glass shattering]
00:18 - There must be a rational answer for all of this.
00:21 - Just admit that you are up
00:23 against something bigger than you.
00:25 - No!
00:25 [dramatic music]
00:29 [hissing]
00:31 [explosion]
00:33 [clicking]
00:43 [upbeat music]
00:45 - I think with the movies themselves,
00:49 as a finished piece,
00:50 they have a really good blend of something
00:54 a little bit cheeky and a bit funny,
00:55 but also riveting with the whole mystery of it all as well.
00:58 Keeps you going and there's a darkness to it,
01:00 but I feel that "Hunting of Venice"
01:02 leans into it much more.
01:03 Michael Green's script is much darker.
01:06 Without totally losing that sense of the playfulness
01:09 of what Agatha Christie created,
01:12 but it definitely is sort of seeped in a darkness
01:15 more than the previous two films that Ken's done.
01:18 [clicking]
01:20 It's been a lovely thing working with Jude again
01:28 and watching him grow as a boy and as an actor.
01:30 It's a lovely relationship
01:32 because there's so much care involved from both sides.
01:35 Leopold needs Ferrier because it's his father,
01:39 but Ferrier almost needs him as a support
01:42 almost more than the other way around.
01:44 He wishes that he could be a better father for him
01:47 and be stronger for his son,
01:49 but he's sort of incapable of it.
01:52 [clicking]
01:54 [upbeat music]
01:57 You felt like you were in a real enclosed building.
02:02 What that does is it creates a sense of like,
02:05 you know, authenticity essentially
02:07 and we're all really in this place
02:08 and of course there's lights and there's cameras
02:11 and boom mics and all sorts of stuff,
02:13 but anything that can help and aid the experience
02:18 of we're all kind of trapped in this place
02:21 and very strange things are happening is crucial.
02:24 I've never been on a set like this before
02:26 and it was amazing to have this created for us
02:29 'cause it makes our job a lot easier.
02:31 [clicking]
02:33 [upbeat music]
02:36 You know, having to be number one in the call sheet,
02:40 be prominent in nearly every scene,
02:43 but also, you know, having to deal with an ensemble,
02:47 a lot of actors, let alone all the other aspects
02:51 that go into filmmaking.
02:53 There's a lot of notes he has to give
02:54 to a lot of different, you know, people.
02:57 So to be able to be taking that on
02:59 whilst also trying to stay in his own character,
03:01 it's an incredible feat, I have to say.
03:03 My hat is firmly off to him with how he manages it
03:05 and he manages it so seamlessly.
03:08 It's a real talent, that.
03:09 [clicking]
03:12 When we're not shooting, we're all in a tent together.
03:17 There's people bringing chess boards, there's games,
03:19 there's lots of snacks, we're talking.
03:21 It creates this real sense of a unit and a company,
03:25 like a company of actors and we're all in this together.
03:28 - There it's you scream and shout and no one hears.
03:32 We do now.
03:33 Alicia Drake, find your voice.
03:38 [breathing heavily]
03:40 - It just got cold.
03:41 Does anyone else feel a chill?
03:42 - Is someone there?
03:44 [gunshots]
03:50 - Right.
03:52 - Yes.
03:53 - She didn't touch the key, I swear.
03:54 - She must have, you can't all be such fools.
03:57 - This is wrong, this is very wrong.
03:59 - Who is there?
04:00 Alicia Drake, listening.
04:04 We are here, listening.
04:07 It is the hallowed tide.
04:09 We are close, your spirit is close.
04:12 Your voice is loud.
04:14 Alicia.
04:17 [gunshots]
04:18 - Hey, Alicia.
04:19 - Alicia, I feel you are in pain.
04:22 - Does it hurt?
04:23 Please tell me.
04:24 - Did someone hurt you?
04:27 [gunshot]
04:28 - Yes.
04:29 [dramatic music]
04:32 [upbeat music]
04:35 [upbeat music]
04:38 [upbeat music]
04:40 [BLANK_AUDIO]
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