The 10th Victim Part 4

  • last year
Transcript
00:00 I'm an iceberg.
00:02 Yes, you certainly have a good technique.
00:15 I should...
00:17 I should go take a course in light erotics.
00:20 But it's so depressing.
00:22 Especially the written part.
00:25 Come on, how can I go to work on you if you don't shut up?
00:29 Shut up.
00:31 Marcello.
00:46 Marcello.
00:57 Sorry to disturb you.
00:59 Oh, Lidia, it's all right.
01:04 Caroline, I present my wife, Lidia.
01:06 Ex... Ex-wife.
01:08 You might have let me know.
01:11 Now that I think of it...
01:13 No one telephoned Olga.
01:16 And I told her that we had finally received the annulment.
01:19 Did I do wrong?
01:26 You idiot, now she'll run to apply for a marriage license.
01:29 Of course.
01:31 After so many years.
01:33 Don't forget you always promised her you'd marry her.
01:36 She even forced me to be friends with her.
01:39 She's always here with me.
01:41 Well, I didn't force her on you.
01:43 What a morbid pair you are.
01:44 I feel sorry for her. She wants to marry you so badly.
01:47 Looking for something?
01:48 Yes, my prize money.
01:50 Sorry, darling, I already spent it.
01:52 All of it?
01:54 Of course, all of it.
01:56 If I'm to remarry someday,
01:58 I have to buy myself some pretty things.
02:01 And besides, your parents eat like everyone else.
02:05 Don't think they don't cost me a lot.
02:08 Too old people.
02:11 Want me to hand them over to the state?
02:13 Hmm?
02:15 [footsteps]
02:18 [ghostly moaning]
02:30 Marcello?
02:38 Marcello!
02:44 [ghostly moaning]
02:47 Marcello?
02:49 Marcello!
02:57 [footsteps]
03:00 [door slams]
03:26 [knocking]
03:29 Where's Marcello?
03:38 Oh, it's you.
03:40 You're why I never see him these days, huh?
03:43 I'm going to murder the two of you.
03:44 I'm sorry, but just who are you?
03:47 I've been waiting for the annulment for years,
03:49 and now you arrive on the scene.
03:50 You're not going to ruin everything for me.
03:52 I'm going to murder you.
03:53 What do you want from me?
03:55 I'm going to stand by and let you take him.
03:56 You're out of your mind.
03:58 Not in my house.
03:59 Calm down, calm down.
04:00 Stupid idiot.
04:02 Marcello sends you his regards.
04:03 He just left.
04:05 Hmm.
04:06 It's not just a simple interview like that girl
04:11 tried to make you believe.
04:12 I have the impression that there's something more behind it.
04:15 For me, it's a trap.
04:16 Anyway, you go take a look.
04:18 But be careful.
04:21 [car engine starts]
04:23 Wait for me here.
04:27 Careful, huh?
04:31 Signore, is this the Temple of Venus?
04:49 Yeah, sure.
04:50 Thank you.
04:51 Carol, get ready.
04:57 Get ready, come on.
04:58 Sure.
04:59 He's here.
05:02 Why isn't Carolyn here?
05:08 Don't worry about it.
05:09 She'll be here.
05:10 Come on, girls.
05:18 We're starting.
05:19 Come on, everybody.
05:20 Place it.
05:21 Look here.
05:24 I was paid for an interview, but somehow the girl who asked--
05:28 we got separated and lost.
05:30 Is it possible to do the interview without the girl?
05:32 No, I'm sorry.
05:33 But I think Carolyn will be here pretty soon.
05:35 Any word from Carolyn?
05:36 Is she here?
05:37 Oh, yeah.
05:38 She knows that she should be here.
05:39 She's usually very punctual.
05:41 Well, since you're not ready for me yet,
05:43 want me to return the advance she gave me?
05:45 Oh, it's not important if we don't have the interview.
05:47 We'll get it.
05:48 We're not in a hurry.
05:49 Isn't that right, Cole?
05:50 Sure, tonight, tomorrow.
05:52 Why don't you hang around for a while?
05:54 We'll get it done.
05:55 Don't worry about it.
05:56 Have a drink of whiskey.
05:57 Vodka tonic?
05:58 Oh, by the way, if Senorina Carolyn has any more use for me,
06:01 I'll be at the Big Hunt Club tonight.
06:03 She's going to be here in a few minutes.
06:05 Come on.
06:06 At the Big Hunt Club at midnight.
06:08 Hold everything.
06:14 Kill it.
06:16 Come on, girls, down here.
06:18 Let's take advantage of this delay and go over the new stat.
06:20 One, two.
06:21 You're right.
06:22 The interview on television is just an excuse for them to bring me here
06:25 where their pigs can kill me on a commercial.
06:27 Commercial, huh?
06:28 That's right.
06:29 Quite an idea, isn't it?
06:30 No doubt about it.
06:31 The Americans are ahead of us in everything.
06:33 Get out.
06:41 I heard they tried the same sort of thing in Milano.
06:43 The only one here who would go out of his mind for an idea like this is Count Silvestri.
06:47 What idea?
06:48 I'm going to kill her on a commercial the same way.
06:51 But how can I organize that in one night?
06:53 Come on, that's your business.
06:54 I don't care how you do it.
06:55 I want you to rule it because that's what I'm paying you for.
06:57 You understand?
06:58 What do you mean?
06:59 You haven't paid me for months.
07:00 Let go of me.
07:01 Let go.
07:02 You know what's good for you.
07:03 Thanks a lot.
07:04 Come on.
07:05 Get in.
07:06 They still say it's damn near impossible to organize in one night.
07:11 Hello?
07:12 I want to speak to the Comendatore.
07:14 I'll get him for you.
07:15 Hold on, please.
07:16 Thank you.
07:17 Hey, we're in luck.
07:18 He's in.
07:19 Yes, hello.
07:20 Go ahead.
07:21 This is he.
07:22 Comendatore, I'm Counsellor Rossi, the assistant of Marcello Poletti.
07:25 Have you heard of him?
07:26 He's a...
07:27 Oh, yes, the Hunt.
07:28 Yes, the big Hunt.
07:29 That's right.
07:30 Comendatore, I want to propose to you a great super publicity stunt for your product.
07:33 Picture this.
07:34 Your pool and the crocodile and the killing machine.
07:37 Picture this.
07:38 Your pool and the crocodile and the killing of a beautiful girl.
07:42 To me, the idea of killing someone for publicity amuses me very much.
07:48 The thing that might bother me is the fact that it concerns murdering a girl.
07:53 Why?
07:54 In Italy, it might have a bad effect on sales.
07:56 Insist.
07:57 Have you considered murdering someone else?
07:59 That's impossible.
08:00 Comendatore, did you know that this year it's said to be in to kill girls?
08:03 It's not important who's murdered, but how she's murdered.
08:06 Say that people today want things like that.
08:08 As you know, the only thing they like today is the spectacular.
08:11 Yes, yes, you're right, but I'd better think it over.
08:13 Comendatore, I'm sorry, but we must be sure.
08:15 We can't waste any time.
08:16 Is it yes or no?
08:17 All right, then.
08:18 Come right over here.
08:20 Wonderful.
08:21 No, come right away.
08:22 Right away.
08:23 He bought it.
08:24 He's waiting at his villa.
08:25 Come on.
08:26 Out of the way, please.
08:27 Out of the way.
08:28 Let us pass.
08:29 Don't come too close.
08:31 It's dangerous to come too close.
08:34 Out of the way.
08:35 What did I do?
08:36 It's marvelous.
08:37 Come here, please.
08:38 Beautiful, huh?
08:39 Put him down.
08:41 Careful, careful.
08:43 Put him down right by the edge, but be careful.
08:46 Careful.
08:47 I was told he was to eat a girl.
08:49 Nothing to it.
08:50 You can relax.
08:51 This one can eat three.
08:52 The old boy's got an appetite.
08:53 You sure?
08:54 He looks so quiet.
08:55 Oh, Harry, sure.
08:56 This one is a terror, believe me.
08:58 How does he do it?
08:59 He gets his prey in his jaws and snaps the spinal column.
09:01 Standard crocodile procedure.
09:03 He also has a very special characteristic.
09:05 Characteristic?
09:06 He's the only crocodile in the world that doesn't shed tears
09:08 after he eats in the water.
09:10 The old fellow's a regular torpedo.
09:12 Tomorrow morning, I leave for Milano.
09:14 This little show of yours shall have to be done tonight or not at all.
09:17 It'll get done.
09:18 You may count on it.
09:19 Marcello, the contact.
09:20 It's getting very late.
09:21 Mm-hmm.
09:24 For now, put the crocodile in the cathedral.
09:28 A mere detail, but what slogan do you have for Poletti to say?
09:32 Read it.
09:35 Oh, yes.
09:36 Let me see.
09:38 "At the moment of killing the hunters Carol and Meredith,
09:41 "the undersigned Marcello Poletti
09:43 "shall be seen to raise a big glass of your product.
09:45 "He will smack his lips and say in a manner that's clear and distinct,
09:48 "after smiling kindly and invitingly, the following slogan.
09:50 "With coca 70, you always win."
09:52 Good.
09:54 We're ready.
09:56 Come along.
09:58 Come along.
10:00 You didn't talk money.
10:09 Miss Caroline will sit here.
10:11 Look here. Are you quite sure it will work?
10:17 Quite sure.
10:19 I want to see for myself.
10:20 Of course.
10:22 You're Caroline.
10:24 Oh, really, I...
10:25 Sit down.
10:26 Are you sure the crocodile isn't in there?
10:28 Don't worry. Over here. The controls are here.
10:30 Don't be nervous. It's only a test. Sit still.
10:33 You just have to push this button.
10:35 Will you sit down?
10:36 No, please. Please, no...
10:38 Poletti, push the button.
10:42 Push the button.
10:44 Hola.
10:48 Oh, no. He's not sure that you're his hunter.
10:51 He may suspect, of course, but just suspect.

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