00:00 So, there are many interesting characters in this film.
00:03 Tell us about them.
00:05 - Mainly, Ajay Ghosh. - Yes.
00:08 He is the mastermind behind the movie.
00:12 Okay.
00:14 So, in that village,
00:18 he based the story on the story of Yugantham,
00:21 and he took Brahma and Daniel,
00:26 and changed them into this.
00:30 So, he has a good graph.
00:32 And very entertaining also.
00:34 And Srikanth Iyengar.
00:36 He has done so many characters,
00:38 but this is totally different.
00:39 The getup, everything.
00:41 One side, he has such a serious dialogue,
00:45 and in the next scene, he is like,
00:46 "Hey, what is this, Naina?"
00:48 He takes off his wig.
00:49 So, there is a difference.
00:52 He has done a good job.
00:54 Ram Prasad, also known as Otto Ram Prasad,
00:57 is a very good character.
01:00 Kasi Raju, who is Kasi Reddy in our film,
01:04 has also done a good job.
01:07 Everyone has two types of variations,
01:10 in the form of "Without Mask", "With Mask",
01:13 the scope of the film is to do variations.
01:15 So, all the artists,
01:17 LBC Ram, everyone,
01:20 Goparaj Ramana, his character is very hilarious.
01:25 He is an innocent guy,
01:26 everyone in the village is making fun of him.
01:30 So, his character has a round off.
01:32 So, after this film, everyone was like,
01:37 "This film is very good."
01:40 Because everyone knows that
01:42 all their characters are good.
01:45 Everyone had the confidence that this film would be a hit.
01:48 But, not just the characters,
01:50 the get-ups are also very interesting.
01:52 So, when you see the get-ups,
01:55 it feels like a new experience.
01:59 So, what kind of direction did you take for that?
02:02 When they have to use the name of God,
02:07 they have to have a certain look.
02:10 Be it Daniel's character or Brahman's character.
02:14 Only when they have that look,
02:18 people will believe them.
02:20 So, it came from the story.
02:22 But, it generated a lot of fun because of the get-ups.
02:25 They wore those get-ups.
02:27 They released a song called "Dongudai Duragaadu".
02:30 It was about those three.
02:32 So, it was a different get-up with Ajay Ghosh.
02:36 So, when you see all that,
02:38 it feels like you are enjoying it.
02:41 At the same time, it is important in the story.
02:43 But, when it comes to your first film,
02:46 it is a backdrop of Godavari district.
02:48 Again, it is a backdrop for this film.
02:50 So, is it a sentiment or...?
02:52 It is not what I thought.
02:54 Because, we definitely need a Lanka village.
02:58 A village like an island.
03:01 We have those in Godavari district.
03:04 So, we need a set-up for the people of Lanka.
03:10 And, since the clacks are from that area,
03:13 he can easily pull off that.
03:15 So, to say that,
03:17 it is a coincidence.
03:19 He did the clacks with RJ Vigayar.
03:23 That is where they met each other.
03:25 So, yeah, the names are Shiva in that.
03:27 Shiva in this.
03:29 It matches.
03:31 But, when it comes to the director,
03:33 it is easy to show a film based on a script.
03:36 So, what do you say about the director
03:38 after seeing the output?
03:40 After seeing the output,
03:42 I have really developed respect for the clacks.
03:45 Because, you have to shoot a film differently.
03:48 Regular framing,
03:50 regular shooting,
03:52 it is not good.
03:54 The concept is new,
03:56 the taking is in the same style.
03:58 So, the clacks,
04:00 whether you see the trailer,
04:02 the teaser cuts,
04:04 everything is cut differently.
04:06 So, definitely,
04:08 the credit goes to him.
04:10 I have told the clacks from the beginning.
04:12 I want this film to look different.
04:14 Not just the story.
04:16 Even when I cut the teaser,
04:18 I wanted the audience to feel
04:20 that the film is different.
04:22 He said he will take care of the clacks.
04:24 So, he is doing it now.
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