Dark Gallery ( Full Album ) - Sentimental Progressive Instrumentals
- last year
A Retrospective Collection of Sensitive Instrumentals from Scandinavia.
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Upon a glade of sun-sculpted
pine forest, rooted in stone,
layers of my bark peel away,
inviting a softer surface to emerge.
I climb
far into the sky, following an eagle’s current
to the sun –
I melt into my sculptor...
nestled by Her vision, I hear a new call:
"Go back to seed, and I will bring you Home."
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Listen these tracks with high quality equipment to get the whole spectrum. By downloading in SoundCloud you get the accurate view.
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Shaftesbury shortscale bass, rough copy of a Fender
guitarz.blogspot.com:
"Ahhhh... now this one brings back some memories. It's a shortscale Shaftesbury bass, roughly modelled on the original slab-bodied Fender Precision/Fender Telecaster bass, and I guess it's from the mid 1970s.
I remember back in the early 1980s when I was first getting into starting bands with my mates and doing a spot of home recording on the then-new Fostex X15 multitrack cassette recorder; one day a couple of my friends came round wanting to record a demo. They brought a couple of cheap guitars with them. I don't remember what the six string was, but the bass was one of these. It was bad. I remember thinking it how dreadful it was. It was boomy, as you'd expect from a short-scale bass but I've played many that were streets ahead of this. I don't think the flat wound strings helped (I've never liked them and never will). I can't explain exactly what was wrong with it, just that it felt bad and it played bad. It was a cheap and nasty bass and performed accordingly."
Now I have done some new songs and found many enjoying moments with it. It is a semi acoustic instrument so it has an empty body. This means it has a slow attack more like a cello. If you treat it right it gives you a new world.
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The musicians in those days:
https://www.last.fm/music/Vintage+and+Nature/+images
* * * * * * * * * * * * * * * * * * *
Upon a glade of sun-sculpted
pine forest, rooted in stone,
layers of my bark peel away,
inviting a softer surface to emerge.
I climb
far into the sky, following an eagle’s current
to the sun –
I melt into my sculptor...
nestled by Her vision, I hear a new call:
"Go back to seed, and I will bring you Home."
* * * * * * * * * * * * * * * * * * *
Listen these tracks with high quality equipment to get the whole spectrum. By downloading in SoundCloud you get the accurate view.
* * * * * * * * * * * * * * * * * *
Shaftesbury shortscale bass, rough copy of a Fender
guitarz.blogspot.com:
"Ahhhh... now this one brings back some memories. It's a shortscale Shaftesbury bass, roughly modelled on the original slab-bodied Fender Precision/Fender Telecaster bass, and I guess it's from the mid 1970s.
I remember back in the early 1980s when I was first getting into starting bands with my mates and doing a spot of home recording on the then-new Fostex X15 multitrack cassette recorder; one day a couple of my friends came round wanting to record a demo. They brought a couple of cheap guitars with them. I don't remember what the six string was, but the bass was one of these. It was bad. I remember thinking it how dreadful it was. It was boomy, as you'd expect from a short-scale bass but I've played many that were streets ahead of this. I don't think the flat wound strings helped (I've never liked them and never will). I can't explain exactly what was wrong with it, just that it felt bad and it played bad. It was a cheap and nasty bass and performed accordingly."
Now I have done some new songs and found many enjoying moments with it. It is a semi acoustic instrument so it has an empty body. This means it has a slow attack more like a cello. If you treat it right it gives you a new world.
* * * * * * * * * * * * * * * * * *
The musicians in those days:
https://www.last.fm/music/Vintage+and+Nature/+images