- 6 years ago
R | 1h 28min | Drama, Horror, Mystery | 14 September 1973 (USA)
A nightclub singer has nightmares about being involved in adultery and murder, only to wake up and find that they may not be nightmares.
Director: Alex Nicol
Writers: Peter Carpenter, Ernest A. Charles, Tony Crechales, Chris Marconi
Stars: Peter Carpenter, Dyanne Thorne, Lory Hansen
A nightclub singer has nightmares about being involved in adultery and murder, only to wake up and find that they may not be nightmares.
Director: Alex Nicol
Writers: Peter Carpenter, Ernest A. Charles, Tony Crechales, Chris Marconi
Stars: Peter Carpenter, Dyanne Thorne, Lory Hansen
Category
🎥
Short filmTranscript
00:00:30I leant a deafened ear to all the sounds of sadness
00:00:47I watched with blinded eyes the looks of goldenness
00:00:55I'm cold and heartless
00:00:58Won't give a damn if you're down and dying
00:01:02I'm cold and heartless
00:01:05But I'm wild and wild and free
00:01:08This is me, yeah
00:01:12This is me
00:01:16War against the wall
00:01:19I had to learn the hard way
00:01:23Of the deafened night
00:01:26I had to stop my pray
00:01:30I'm cold and heartless
00:01:34Won't give a damn if you're down and dying
00:01:38I'm cold and heartless
00:01:41And as proud as I can be
00:01:44This is me, world
00:01:48This is me
00:01:53They say that love is stronger than hate
00:01:58But with my thoughts
00:02:01I bet that love will come too late
00:02:07War against the wall
00:02:10I had to learn the hard way
00:02:14Of the deafened night
00:02:17I had to stop my pray
00:02:21I'm cold and heartless
00:02:25Won't give a damn if you're down and dying
00:02:29I'm cold and heartless
00:02:32Like a storm that rips the sea
00:02:36This is me
00:02:39You can't change the way I am
00:02:43This is me
00:02:46There's no one else I want to be
00:02:50This is me
00:02:53I'm wild and wild and free
00:02:57This is me
00:03:01This is me
00:03:04This is me
00:03:08Like a storm that rips the sea
00:03:12This is me
00:03:15You can't change the way I am
00:03:19This is me
00:03:38Hi there. I'm Andrea Hilliard. Mind if I sit down?
00:04:07Go ahead. It's a public beach.
00:04:10It's my beach.
00:04:12You mean I'm trespassing?
00:04:15That depends.
00:04:16Well, you must like your privacy.
00:04:18I know I like mine.
00:04:20Oh, please. Don't go.
00:04:28Hey, what's your name?
00:04:30Tony Trellis.
00:04:32How do you do, Tony Trellis?
00:04:39Drums?
00:04:41No, I'm a singer.
00:04:42Oh, where?
00:04:44Lobster House.
00:04:45Oh, my old hangout. I haven't been there in months.
00:04:49You ought to come down and catch a show sometime.
00:04:53I'll do that.
00:04:54Yeah, two shows a night.
00:04:56Yes, I know. No cover.
00:04:58And no minimum.
00:05:11You're not leaving already?
00:05:13Remember, I'm a working boy.
00:05:19Say, we were just getting started.
00:05:21We?
00:05:24When can I see you again?
00:05:25Like I said, I'm at the Lobster House.
00:05:28Why don't you come down and catch my show?
00:05:31I'll do that.
00:05:34Thanks for the use of your private beach, huh?
00:05:38Oh, any time.
00:05:40No cover. No minimum.
00:05:46Yeah.
00:05:48I'll remember that.
00:06:18Hi, Sally.
00:06:39Hi.
00:06:41You do a good job, Charlie.
00:06:45With TV, Dre?
00:06:53How's my leg?
00:06:55Oh, better now.
00:06:58Your lady friends are out there in droves tonight.
00:07:01Yeah, same old tired faces.
00:07:03Give them a good show.
00:07:05Easy with the hips, huh?
00:07:07Same goes for me.
00:07:09Hey, come here.
00:07:11Come down, boy.
00:07:12Hey, I like to warm up before a show.
00:07:14Tony, you'll spoil your makeup.
00:07:17Tony, you'll have to get back on the floor.
00:07:20Yeah, that's a good idea.
00:07:26Tony, stop.
00:07:29I'm stopping.
00:07:30I'm stopping.
00:07:39They're really quite efficient.
00:07:41Oh, very good with my hands.
00:07:45So you tell me.
00:07:47I'd be happy to show you.
00:07:50You have a real hang-up about these things, don't you, Charlie?
00:07:54I got a hang-up about your hang-ups.
00:07:57It must be something from your childhood.
00:07:59I was deprived.
00:08:01And now you're depraved.
00:08:04Honest, baby, I got a thing for you.
00:08:08Put it in a box and tie it with a ribbon.
00:08:11Now who's depraved?
00:08:13All right, Romeo.
00:08:15What about your wife?
00:08:17All she wants to do is eat.
00:08:20You've got something in common.
00:08:25Hey, where's Tony?
00:08:27Isn't it time for the second show?
00:08:29He's in the dressing room getting ready.
00:08:35Having trouble?
00:08:37With these things, who wouldn't?
00:08:40I wouldn't.
00:08:42That isn't it.
00:08:44Ladies and gentlemen, the Lobster House proudly presents Tony Trellis.
00:08:57This is what I am
00:09:00And what I'll always be
00:09:05A drifter of the heart
00:09:08Until love changes me
00:09:13Make me for myself
00:09:16Let your mind run free
00:09:21And find what lies ahead
00:09:24Across the ocean sea
00:09:30I've been right
00:09:34And I've been wrong
00:09:37And I've been in between
00:09:40On the tip of my fingers
00:09:44I balance all my dreams
00:09:49Love is something I can't keep
00:09:53I only seem to borrow
00:09:58I play the game hard and fast
00:10:02Like there's no tomorrow
00:10:08This is what I am
00:10:11And what I'll always be
00:10:16A drifter of the heart
00:10:19Until love changes me
00:10:24Make me for myself
00:10:27Let your mind run free
00:10:31And find what lies ahead
00:10:35Across the ocean sea
00:10:44If things go right
00:10:46And I'm on top
00:10:48Love will be around
00:10:52Like the wind they all be gone
00:10:56Whenever I am down
00:11:00My constant lonely searching life
00:11:04Is the price I have to pay
00:11:08To do the things I want to do
00:11:12And live this life my way
00:11:18This is what I am
00:11:21And what I'll always be
00:11:26A drifter of the heart
00:11:29Until love changes me
00:11:34Make me for myself
00:11:37Let your mind run free
00:11:41And find what lies ahead
00:11:45Across the ocean sea
00:11:50This is what I am
00:11:52And what I'll always be
00:11:56A drifter of the heart
00:12:00Until love changes me
00:12:05Make me for myself
00:12:08Let your mind run free
00:12:12And find what lies ahead
00:12:16Across the ocean sea
00:12:21Make me for myself
00:12:24Let your mind run free
00:12:28And find what lies ahead
00:12:32Across the ocean sea
00:12:36Baby, this is what I am
00:12:40Applause
00:12:58Order me a drink, I've got to go change
00:13:00I'll be back in a minute
00:13:11Well, I see you made a big hit with the upper register.
00:13:15Yeah, who's that?
00:13:17The one you were playing up to.
00:13:19Who do you mean?
00:13:21You didn't know she was Madame National Records?
00:13:26Well, well.
00:13:29Don't get so excited.
00:13:31There's a Mr. National Records.
00:13:34Oh, I see.
00:13:36Don't get so excited.
00:13:38There's a Mr. National Records.
00:13:41Yeah, well, he's not sitting with her, though, is he, baby?
00:13:44No.
00:13:45Well, then there's nothing to worry about, huh?
00:13:48I'll see you later, huh?
00:13:50How much later?
00:13:52Much.
00:13:54Thanks.
00:14:04Sorry I took so long.
00:14:07You're good.
00:14:09It's quite a show you put on.
00:14:14Tell me, do you ever put it out?
00:14:17What?
00:14:19Your back.
00:14:21No, no, no.
00:14:23Hey, so you like my act, huh?
00:14:26Very much.
00:14:28I'm a bit surprised somebody hasn't picked you up and cut a record.
00:14:32Well, the last one I cut cost a small fortune.
00:14:36Did it sell?
00:14:38I heard it once on a local radio station.
00:14:41I'd like to hear it.
00:14:44Anytime.
00:14:48What's wrong with now?
00:14:52Okay.
00:14:53I'm going out with you for the night.
00:14:55Let's go.
00:14:57Who did you decorate it, Bela Lugosi?
00:15:21Uh, no, I did it myself.
00:15:24With what, a shovel?
00:15:26What's a poor boy to do?
00:15:28Anything to get out of this.
00:15:30Well, I spend more time on the beach than I do in this dump anyway.
00:15:33I'm glad.
00:15:34Uh, will you have bourbon and water, bourbon and soda, or bourbon and bourbon?
00:15:39Oh, surprise me.
00:15:44This didn't turn out exactly the way I wanted, but you'll be able to get an idea of my voice on record.
00:15:51I watched with blinded eyes the looks of loneliness.
00:15:58Love can haunt us.
00:16:02Don't give a damn if you're down and dying.
00:16:05Love can haunt us.
00:16:08You can do much better than that.
00:16:13Got any ideas?
00:16:18Yeah, I've taken it to a different studio.
00:16:22Oh, I can dig your style all right, but not those arrangements.
00:16:26Maybe added strings or...
00:16:29Sure, background voices.
00:16:31Now, if you put in background voices, you could fill in all those empty spots and then...
00:16:39There I go, talking sharp.
00:16:42No, no, no, go ahead.
00:16:43I mean, what you're saying is right.
00:16:45See that?
00:16:46I do need help.
00:16:49Who doesn't?
00:16:51Did you ever hear of Nashville Records?
00:16:53Sure.
00:16:55They're the biggest.
00:16:56That's me.
00:16:58Or at least it's my husband.
00:17:01That is, it was until his accident.
00:17:03He's an invalid now.
00:17:05I more or less run the business.
00:17:08How about that?
00:17:17You want to help, don't you?
00:17:20Sure, maybe something in writing.
00:17:23I don't think so.
00:17:26I don't think so.
00:17:29I don't think so.
00:17:32I don't think so.
00:17:35I don't think so.
00:17:38I don't think so.
00:17:41I don't think so.
00:17:44Sure, maybe something in writing.
00:17:46Oh, you don't trust me.
00:17:49No.
00:17:51Hello?
00:17:54No, I don't need any liquor deliveries tonight.
00:18:00Don't you think I ought to have your number?
00:18:03Sure.
00:18:06I'll have my secretary draw up the necessary contracts.
00:18:14I'll give you a call in a day or two.
00:18:37I see you didn't waste any time.
00:18:40Hey, come on in.
00:18:41I thought you'd never...
00:18:42What happened?
00:18:43She fixed me, baby.
00:18:45She flipped with the record of my act and everything.
00:18:47Tony, put me down.
00:18:51I wouldn't bank on it.
00:18:53Your secretary's drawing up the contracts.
00:18:55I don't care.
00:18:57I don't care.
00:18:59I don't care.
00:19:01I don't care.
00:19:03I don't care.
00:19:05Your secretary's drawing up the contracts.
00:19:08Believe it when you see it.
00:19:10She plays games, Tony.
00:19:12You're just one of her toys.
00:19:14Yeah, well, how do you know so much about her, huh?
00:19:17She's an old fixture.
00:19:19She collects men like she drinks.
00:19:21One at a time.
00:19:23All in a row.
00:19:27Not me, she doesn't.
00:19:33I've seen her in action.
00:19:35And you've seen my action, baby.
00:19:38Your money's on a winner.
00:19:41I'll play it cool.
00:19:44For your sake, Tony, I hope so.
00:19:49Is it that cut and dry?
00:19:53She's a woman, isn't she?
00:19:56Her husband's an invalid.
00:19:58It's as simple as that.
00:20:02You make it sound so cold.
00:20:07Well, it's a cold world, baby.
00:20:10Not to everyone.
00:20:14Don't worry.
00:20:17I'll keep her occupied.
00:20:24I want to be somebody.
00:20:28But you are someone.
00:20:30You'll have a job singing at the lobster house.
00:20:32Oh, come on, get off it.
00:20:35These things take time.
00:20:38Yeah.
00:20:41Well, there's not that much time left for me.
00:20:46I've waited all my life.
00:20:52They used to laugh at me when I was a kid.
00:20:56Because my old man was a shoe-shine boy.
00:21:01While he was on his knees, my mother was on her back.
00:21:12I blew town when I was 14.
00:21:16I worked at odd jobs until I met this older woman.
00:21:22She wanted somebody young.
00:21:25How did that last?
00:21:29Until the next one.
00:21:32It was Sally.
00:21:36You don't know what it's like wanting to be somebody.
00:21:42That's what I want.
00:21:45To be somebody.
00:21:49That's all I've ever wanted.
00:21:53And I'll do anything to get it.
00:21:56Anything.
00:22:00I'm glad I don't want anything that badly.
00:22:06A little workout.
00:22:10It's got to.
00:22:13Your mother and father?
00:22:19She died from an occupational disease.
00:22:23He drank himself to death.
00:22:26I bit her off.
00:22:30You know, when I got my first job singing, nobody laughed.
00:22:36Nobody.
00:22:40I was good.
00:22:43From that time on, the only thing that counted was my voice.
00:22:49Weren't you ever in love?
00:22:56Sally, you're the only one I've ever been able to open up to.
00:23:01Well, at least I'm good for something.
00:23:05Baby, you're good for a lot of things.
00:23:08You take me like I am, huh?
00:23:11No questions asked.
00:23:15It's something, isn't it?
00:23:20When I make it, baby, I'm going to buy you a kite made out of $100 bills.
00:23:27With my luck, this dream will break.
00:23:30No more talk, Tony, huh?
00:23:32Come here.
00:23:33Let's go for a swim.
00:23:45¶¶
00:24:15¶¶
00:24:45¶¶
00:25:15¶¶
00:25:46¶¶
00:26:08Now, wait a minute.
00:26:10Wait a minute.
00:26:11What do you mean that shipment hasn't been sent out yet?
00:26:14They were supposed to be in New York two days ago.
00:26:18I told Mrs. Hilliard about it.
00:26:20Did you check with her?
00:26:22Well, why not?
00:26:23What do you think I pay you for?
00:26:27Look, you know it's impossible for me to come down to the office.
00:26:33And I expect you to assume leadership in my absence.
00:26:40Mrs. Hilliard damn sure isn't.
00:26:47Oh, I see.
00:26:50All right.
00:26:53All right, she's here at the house now.
00:26:55I'll ask her, and I'll get back to you.
00:27:01His name is Tony.
00:27:03Tony Trellis.
00:27:06¶¶
00:27:14Andrea?
00:27:16Andrea, I want to talk to you right away.
00:27:20Right away.
00:27:23¶¶
00:27:28Dirty bitch.
00:27:31¶¶
00:27:34Oh, he's good.
00:27:36Does he have a brother?
00:27:39Seriously, chickie, you better be careful.
00:27:42You know Martin's a very jealous man.
00:27:44Martin's a wheelchair.
00:27:47Then whose fault is that?
00:27:49His own.
00:27:51If he hadn't been so damn suspicious, he never would have driven that car off the road.
00:27:56He expects me to be a wet nurse to him.
00:27:58I've got news for Martin.
00:28:00I've got big news for him.
00:28:02But he's given you so much.
00:28:04And I've earned every cent of it.
00:28:07Look, honey, I'm on your side, remember?
00:28:12I'm just worried he's gonna find out about this little affair you're having.
00:28:15Fat chance.
00:28:19Get some ice while you're up.
00:28:23Great to see him, Fred.
00:28:26He's special.
00:28:28They all are at first, honey.
00:28:30You know, I mean it.
00:28:32Big wide eyes.
00:28:35Fantastic body.
00:28:38And a waist slimmer than yours.
00:28:40Thanks a lot.
00:28:43Have fun with him, baby.
00:28:45Play around a bit.
00:28:47But don't get yourself in too deep.
00:28:51I'll take you over to the lobster house tonight.
00:28:54I can't wait for you to see him.
00:29:00Oh, how much I hate the sound of that chair.
00:29:04You didn't answer my call.
00:29:06Hello, Martin.
00:29:07What's the matter? Are you deaf or something?
00:29:09We were deep in conversation.
00:29:11I guess I just didn't hear you, Martin.
00:29:12You just didn't hear me.
00:29:13Of course you didn't hear me.
00:29:14How could you hear me?
00:29:15You left the phone off the hook.
00:29:17I want to talk to you.
00:29:20Now.
00:29:21I was just...
00:29:22Don't go, Fred.
00:29:23No, I have some appointments.
00:29:24I'll let myself in.
00:29:25Call me later.
00:29:26Do you like him?
00:29:31I never liked that woman.
00:29:42I told you to lay off that stuff.
00:29:44What do you want, Martin?
00:29:48I hear you haven't been to the office in a few days.
00:29:52Why?
00:29:55I'm talking to you.
00:29:58So talk.
00:30:04You were supposed to take care of a shipment going to New York.
00:30:07You didn't.
00:30:08Now I'm out a couple of thousand dollars.
00:30:11Are you listening to me?
00:30:14No, of course not.
00:30:15You drink too goddamn much.
00:30:17Don't start on me, Martin.
00:30:23It's because of your drinking that I'm in this chair.
00:30:31I don't have to remind you of that, do I?
00:30:36Martin, I have a headache this big with your name on it.
00:30:40The hell with your headache.
00:30:42Now, look, you either straighten up and take care of business...
00:30:44Are you threatening me, Martin?
00:30:46Yes, I'm threatening you.
00:30:48May I just remind you I married you, I gave you everything...
00:30:51Yes, yes, yes, yes, yes, Martin.
00:30:55And whatever happened to us, we were happy for a while.
00:30:58Stop it.
00:31:00And I need you now more than ever.
00:31:03I hate running the business.
00:31:05You keep forcing me to do it.
00:31:06Why? Because it cuts into your style?
00:31:09And I hate your being suspicious,
00:31:11always accusing me of running around, spying on me.
00:31:14You do see other men.
00:31:16I have my own life to lead.
00:31:25You do remember, Audrey, what we did.
00:31:28I didn't have your kind of hate for my wife.
00:31:32But you had enough inside you for both of us.
00:31:40Help! Help! Help! Help! Help! Help!
00:32:01It worked. It worked. It worked.
00:32:06Stop it!
00:32:07All right, then what is all this talk about I have my own life to lead?
00:32:11No, we're in this thing together, to the end, you and I.
00:32:14Together, you understand?
00:32:16We're married, very married.
00:32:18You have an obligation to me.
00:32:20And you have one to me, one which you are incapable of fulfilling.
00:32:25Don't tell me. Tony's mother.
00:32:29Where is Prince Charles?
00:32:31Telling me he's taking a shower.
00:32:33Oh, how cozy.
00:32:35Playing doctor?
00:32:40I see you're a regular fixture around here.
00:32:44I'll tell Tony.
00:32:46I'll tell Tony.
00:32:49I see you're a regular fixture around here.
00:32:53I'll tell Tony you're here.
00:32:55Oh, please, don't bother.
00:32:57I'm sure you must have something to do, somewhere to go.
00:33:01I was just leaving.
00:33:03Anyway, good.
00:33:05Bye.
00:33:10Hey, Sally, throw me a towel.
00:33:12I think there's one out there on the chair.
00:33:19Excuse me for not shaking your hand.
00:33:22Perfectly all right.
00:33:24The view from here is marvelous.
00:33:27Where's Sally?
00:33:29Oh, she left. Had a scout meeting.
00:33:32It's mum's.
00:33:34It's too rich for me.
00:33:36Oh, come on.
00:33:42I'm sorry.
00:33:45This girl.
00:33:47Serious?
00:33:51We're close friends.
00:33:53I see. Kissing cousins.
00:33:56Look it, you didn't come here to talk about her, did you?
00:34:00I certainly didn't.
00:34:07I came to see you.
00:34:09Well, it's been a week. How about our deal?
00:34:12These things take time.
00:34:16Such an impatient little boy.
00:34:19You playing with me?
00:34:24I thought you were a woman of action.
00:34:26I wasn't bluffing.
00:34:28Action's what we're talking about.
00:34:30It's been a week. I haven't seen any.
00:34:32Look, all I have to do is pick up that phone...
00:34:35And dial.
00:34:37You won't forget our arrangement.
00:34:41I won't forget.
00:35:03Mike Abrams.
00:35:06Mike Abrams, please.
00:35:09Mrs. Hilliard.
00:35:13Hello, Mike? Andrea.
00:35:15Mike, I found a singer with one hell of a voice.
00:35:18I... I want him under contract.
00:35:21He's polished, professional.
00:35:25Three years.
00:35:27Well, of course, options.
00:35:30Tony Trellis.
00:35:33Trellis. T-R-E-L-L-S.
00:35:38S as in sex.
00:35:45We'll be in in the morning.
00:35:47No, I want it done immediately.
00:35:50You'll meet him then.
00:35:53Don't worry, this one's different. He'll hit.
00:35:56Thank you, Mike.
00:35:58Well?
00:36:01Starting tomorrow, you're in my hands.
00:36:05Why wait until tomorrow?
00:36:30Take it from the top.
00:36:32I can't hear it.
00:36:34It's okay, but take...
00:36:37I'm sorry. Okay. Yeah, I got it.
00:37:01Life beats turnin' into love beats
00:37:04Love beats turnin' into life beats
00:37:07Life's a drum and my heart's a drum
00:37:11Oh, the music gotta get me soft
00:37:20Seems I've spent my years
00:37:22Searchin' for the answer to life's game
00:37:27Is it power? Is it money?
00:37:30Am I broken, just a flame?
00:37:35Then last night for one small moment
00:37:39I looked behind her face
00:37:42All at once I got the message
00:37:46Everything fell into place
00:37:51Life beats turnin' into love beats
00:37:54Love beats turnin' into life beats
00:37:57Life beats turnin' into love beats
00:38:00Movin' in and takin' over me
00:38:09Hello?
00:38:11Yes?
00:38:15Well, if you think he's that good, just go ahead and activate the contract and release the record.
00:38:21Sure, give it a big build-up.
00:38:23If it needs money in my pocket, I'm all for it.
00:38:27But let me tell you something.
00:38:29After this record, that's it.
00:38:31I'll see to it the son of a bitch doesn't make another record for the next five years.
00:38:43Hey, Fran, listen.
00:38:44If your husband's such a teetotaler like you say, how come he married you?
00:38:49Clarence?
00:38:50He didn't even know I drank until one night I came home sober.
00:38:56Well, you ladies are going to have to excuse me.
00:38:58I got another number to do.
00:38:59Give him hell, honey.
00:39:02I'll see you later, Tony.
00:39:03Okay.
00:39:10He's beautiful.
00:39:14Can I get you anything else?
00:39:18Two are the same.
00:39:21If I had what she's got, I'd have them dipped in gold.
00:39:26You're pretty satisfied with yourself, aren't you, chicky?
00:39:30You mean helping Tony?
00:39:32I mean the whole scene.
00:39:35What's he got to give you?
00:39:37Kicks.
00:39:39He's using you.
00:39:41We're using each other.
00:39:44Well, at least you're honest.
00:39:46Say, look, I hope you don't think I flipped for this guy.
00:39:49I mean, that would really be pretty foolish, wouldn't it?
00:39:53Martin needs me to hate.
00:39:54It's what keeps him alive.
00:40:00Hate is no different than love.
00:40:03It's what keeps the world going.
00:40:06Don't worry about Martin.
00:40:08I can take care of him.
00:40:10Oh, it is marvelous.
00:40:13Hey, do you think this is such a good idea?
00:40:15He might hear us, huh?
00:40:17Into the house?
00:40:18Yeah.
00:40:20Come on, come on.
00:40:23Let's go.
00:40:24Come on.
00:40:29Come on.
00:40:30Come on.
00:40:33Let's get out of here.
00:40:34They're going to attack.
00:40:35I know.
00:40:36I know.
00:40:37Yeah, you might hear us, huh?
00:40:39Martin takes a pill at 11 o'clock.
00:40:42He's out cold.
00:40:48You know, you got a nice place here.
00:40:51It's got everything.
00:40:54I've got everything.
00:40:55Yeah.
00:41:06I need help.
00:41:07Wait.
00:41:13Oh.
00:41:15Yeah.
00:41:26You ready?
00:41:28Are you?
00:41:30Yep.
00:41:56Ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
00:42:06ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
00:42:15ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
00:42:20ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
00:42:24ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
00:42:29ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
00:42:34ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
00:42:39ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
00:42:44ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
00:42:49ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
00:42:53ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
00:42:58ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
00:43:03ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
00:43:08ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
00:43:13ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
00:43:19ooh, ooh, ooh, ooh, ooh, ooh, ooh!
00:43:23ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh!
00:43:30Hey, I better be going, huh?
00:43:33It's 4 o'clock in the morning?
00:43:37Resture your Wednesday and have another drink.
00:43:41Are you kidding?
00:43:48I'll call you in the morning, huh, baby?
00:43:58Good night.
00:43:59Good night, Tommy.
00:44:01Good night.
00:44:03Good night, Tommy.
00:44:30Good night, Tommy.
00:44:37Martin!
00:44:39Yeah, Martin.
00:44:42You had to do it, didn't you?
00:44:45You had to bring him here.
00:44:46You had to throw him in my face.
00:44:48No, no, Martin.
00:44:49It's not what you think.
00:44:51No, no.
00:44:52It's not what I think.
00:44:53Then tell me, what is it?
00:44:54Oh, he's a client.
00:44:56He just cut a record for us.
00:44:57We were out discussing business.
00:44:59Sure, you think just because I'm confined to this chair that I don't know what's going on.
00:45:04Listen, I know all about him, everything, the record, the contract, everything.
00:45:09All right, all right. So a man shows me a little attention, kisses me.
00:45:15From where I was sitting, it looked like you were doing all the work.
00:45:19All right, I'll fix it so he never works again.
00:45:24You lose him and I'll fix you, so help me, I'll fix you, I'll divorce you,
00:45:29I'll cut you off without a cent, and you know I can do it.
00:45:32You know that, don't you? Don't you?
00:45:34Oh, I know, I know. I've lived with you enough years to know how vindictive you can be.
00:45:40Would you like to know why I've stayed with you all these years?
00:45:44Because I felt sorry for you. That's why, you miserable cripple.
00:45:49I hate you!
00:45:54Oh!
00:46:01Oh!
00:46:05Oh!
00:46:12Oh!
00:46:21Oh!
00:46:25Oh!
00:46:27Oh!
00:46:30Oh!
00:46:34Oh!
00:46:36Oh!
00:46:39Oh!
00:46:43Please!
00:46:54Please!
00:47:05Olé!
00:47:24Olé!
00:47:55Into your hands I commend my spirit.
00:47:59You will redeem me, O Lord, O faithful God.
00:48:03You hate those who worship vain idols, but my trust is in the Lord.
00:48:08I will rejoice and be glad of your kindness.
00:48:12When you have seen my affliction and watched over me in my distress,
00:48:16not shutting me up in the grip of the enemy, but enabling me to move about at large.
00:48:22Have pity on me, O Lord, for I am in distress.
00:48:26With sorrow my eye is consumed, my soul also, my blood.
00:48:31For my life is spent with grief and my years with sorrow.
00:48:36My strength has failed through affliction and my bones are consumed.
00:48:41For all my foes I am an object of reproach, a laughingstock to my neighbors, a threat to my friends.
00:48:49They who see me abroad flee from me.
00:48:52I am forgotten like the unremembered dead.
00:48:55I am like a dish that is broken.
00:48:58I hear the whispers of the crowd that frighten me from every side.
00:49:02As they consult together against me, plotting to take my life.
00:49:07But my trust is in you, O Lord.
00:49:09I say, you are my God.
00:49:12In your hands is my destiny.
00:49:14Rescue me from the clutches of my enemies.
00:49:17Rescue me from the clutches of my enemies and my persecutors.
00:49:37You didn't know about her, did you?
00:49:39No, Andrea never mentioned quite.
00:49:42She never would.
00:49:43They hate each other.
00:49:46From where I'm standing, they look like old buddies.
00:49:48They have a lot to iron out.
00:49:51She hasn't seen the kid for years.
00:49:53She's been away at school.
00:49:56She never lived with Martin and Andrea?
00:49:58God, no.
00:49:59When Martin fell in love with Andrea, his wife wouldn't give him a divorce.
00:50:03But that didn't stop my chickie.
00:50:07No, it wouldn't.
00:50:09They carried on that affair right under the wife's nose.
00:50:12Made her life miserable, poor thing.
00:50:15Anyway, she was killed.
00:50:17Murdered by somebody who broke into the house.
00:50:19It hit Elaine hard, she was only 10.
00:50:23Chickie didn't want a kid around anyway.
00:50:25She just wanted the luxuries.
00:50:27She went through a whole fortune in parties and yachts and dances, dresses, the whole shot.
00:50:33She shipped Elaine from school to school.
00:50:35When the kid finally turned 14, she sent her off to Europe.
00:50:38That's where she's been ever since.
00:50:40They never saw each other then, huh?
00:50:42Oh, on holidays.
00:50:44But Andrea always managed to be off somewhere.
00:50:48She seems like a nice kid.
00:50:50Oh, she's a doll.
00:50:52And did you see the look in Andrea's eyes when she saw Elaine?
00:50:56The girl's turned into a real beauty.
00:51:01Yeah, she has.
00:51:03I think now more than ever before, Andrea would like to have Elaine gone.
00:51:07Would she go back to Europe?
00:51:09I don't know.
00:51:10One thing for sure, they can't live with each other.
00:51:13They'd be fighting like animals.
00:51:16It's not going to be too easy for Chickie.
00:51:19It's Elaine's home as well as Andrea's now.
00:51:24What are they talking about out there?
00:51:28Business, I imagine.
00:51:30What else would be on Andrea's mind right now?
00:51:33There's National and this house and other properties, stocks, bonds.
00:51:38Companies all over.
00:51:40Martin had a real little empire.
00:51:44It belongs to both of them now.
00:51:46Fifty-fifty.
00:51:49Right down the middle.
00:51:54I better be going.
00:51:56I mean, the only reason I came by is because Andrea asked me to.
00:52:00That was before she knew Elaine was coming.
00:52:30Leaving already?
00:52:32I'd better.
00:52:35Why?
00:52:36Elaine, remember?
00:52:40Plain mother?
00:52:42I can't exactly ignore her.
00:52:51Honey, fix me another drink, will you, please?
00:52:53No.
00:52:54You drink too much.
00:52:56I do everything too much.
00:52:59Yeah.
00:53:03Tony, what are you doing in my bag?
00:53:05Looking for some matches.
00:53:07Hey, what's this?
00:53:08Pick-up pills. Now, don't be so nosy.
00:53:10Yeah, they go great with liquor.
00:53:14I'm leaving.
00:53:19What are you doing tomorrow?
00:53:20I'm going to see a doctor.
00:53:23What are you doing tomorrow?
00:53:25I'm up to my neck in lawyers.
00:53:27Why?
00:53:28Thought we might take a trip.
00:53:30Trip?
00:53:32Only takes two hours to get to Tijuana.
00:53:36Tijuana? What for?
00:53:39People get married there in 15 minutes.
00:53:43Oh, Tony.
00:53:45Well, excuse me for laughing, but it struck me so funny.
00:53:50You've got to be kidding.
00:53:53Well, why not? You're free now. I mean, Martin's dead.
00:53:55Well, exactly. Free.
00:53:58Free to do as I please.
00:54:01I have plans.
00:54:03Plans that I don't fit into.
00:54:05You fit, you fit, but the way I want you to fit.
00:54:11Look, I had nine stinking miserable years of marriage.
00:54:15You wanted me badly enough when he was alive, though, didn't you?
00:54:18Oh, not as a husband.
00:54:21Look, you know what I need.
00:54:24You give me that.
00:54:26I'm satisfied.
00:54:30You don't, and I'll get someone who will.
00:54:32Look it, I'm not one of those beach bums that you ran around with.
00:54:35No, you're not.
00:54:37At least they had a little class.
00:54:39Look who's talking about class.
00:54:42Money! Money makes me class!
00:54:46It's what you haven't got.
00:54:48What you thought you'd have by marrying me.
00:54:52I can blow your entire career.
00:54:56A few words from me about how difficult you are.
00:55:02How talentless.
00:55:07So much so that when you get married,
00:55:10so much so that we're really afraid to release that record.
00:55:16Yes, I'd say I win.
00:55:20You lose.
00:55:29Ole.
00:55:33That's right, baby, I never left.
00:55:36I saw it all.
00:55:38It was an accident, Ole.
00:55:40The police listed it as an accident.
00:55:43I can change all of that.
00:55:45You bastard!
00:55:54Now, who's got the cards stacked?
00:56:03I'll tell them we were in it together.
00:56:05You think I'm afraid?
00:56:08If I go down, you come with me.
00:56:11You're bluffing, baby.
00:56:13You're scared.
00:56:15Am I?
00:56:18Here, then call the police.
00:56:21We'll see who's scared.
00:56:30No corruption.
00:56:33No career.
00:56:35No money.
00:56:39Nothing but a setback.
00:57:03You do exactly as I say from now on,
00:57:09Mr. Tony Trellis.
00:57:15And like the agent said,
00:57:18don't call me.
00:57:20I'll call you.
00:57:24I'll call you.
00:57:27I'll call you.
00:57:32I'll call you.
00:57:46Hey, Charlie, where's Sally?
00:57:48She went home, Tony. She wasn't feeling well.
00:57:50What's wrong with her?
00:57:52I don't know.
00:57:54Hi, I love her.
00:57:57What are you doing here?
00:57:59I'm getting smashed.
00:58:01On a trip?
00:58:03Where'd she go?
00:58:05I don't know. She said she had to get away to think.
00:58:08Boy, was she in a foul mood.
00:58:10What'd you two do, have a fight, huh?
00:58:14Nope.
00:58:16Well, I sure hope she's better when she gets back.
00:58:18When's she coming back?
00:58:20In her mood?
00:58:22At least a month.
00:58:24Hey, Charlie.
00:58:26Hit me again, will you?
00:58:28I'll bring one for Curly.
00:58:30Curly, you can handle another?
00:58:32Uh-huh.
00:58:34She has one more drink, Tony.
00:58:36She'll start stripping.
00:58:38I know. She's done it before.
00:58:40I'll get her out of here.
00:58:42Well, there she goes.
00:58:44Hey.
00:58:46What are you celebrating, huh?
00:58:48I'm taking a breather
00:58:50from my babysitter, George.
00:58:52You mean Elaine?
00:58:54Who else?
00:58:56I'm staying at the house
00:58:58with my lady.
00:59:00That's so bad.
00:59:02It's a bore.
00:59:04Oh, let's see if I can sit around the house and worry.
00:59:06Easy does it, tempest arm.
00:59:08Oh, that's what I'd like to know.
00:59:10If I had all her money
00:59:12and all her...
00:59:14Hey, hey, hey, come on.
00:59:16Something tells me I better take you home, huh?
00:59:18You will?
00:59:20Okay.
00:59:22Let's go.
00:59:28Bye, Charlie.
00:59:34What are they seeing in him?
00:59:36Something they don't see
00:59:38in you, Charlie.
00:59:42Whee!
00:59:46Ah.
00:59:48Hey, where's your keys, huh?
00:59:50I refuse to be raped.
00:59:52Here.
00:59:58Here.
01:00:08Yeah.
01:00:10Yeah.
01:00:12Yeah.
01:00:16Whee!
01:00:20Hey, where's your room, huh?
01:00:22Up there.
01:00:28Mm.
01:00:30Oh.
01:00:32Mm.
01:00:34Mm.
01:00:36Hey, go straight to bed, huh?
01:00:38Mm.
01:00:40Would you like to tuck me in?
01:00:42Ha, ha, ha.
01:00:44No.
01:00:46I guess you wouldn't.
01:00:50Ciao, Tony.
01:00:52Ciao.
01:00:54Ha, ha, ha.
01:00:56Ha, ha, ha.
01:01:08Hi.
01:01:10I remember you at Dad's funeral.
01:01:14Yeah, Tony Charles.
01:01:16Elaine.
01:01:20I brought home a very drunk friend.
01:01:22Oh, I see.
01:01:30Would you like a cup of coffee?
01:01:34No, thank you.
01:01:38Here's her keys.
01:01:40Her car's at the parking lot.
01:01:42She'll have to go down and pick it up tomorrow.
01:01:44I will.
01:01:48Is it any good?
01:01:50So-so.
01:01:54Yeah.
01:01:56Well, I better be going.
01:01:58Mm.
01:02:00Good night.
01:02:02Good night.
01:02:04Good night.
01:02:30Good morning, Elaine.
01:02:32Yeah, this is Tony Trillis.
01:02:34How's Fran?
01:02:36Ha, ha, ha.
01:02:38Hey, did you finish the book?
01:02:40That means you're free then, huh?
01:02:44Listen, I know where there are two of the sweetest horses you've ever seen.
01:02:46You want to go riding?
01:02:48Okay, I'll pick you up in 15 minutes.
01:02:50Yeah.
01:02:52Okay, goodbye.
01:03:02Goodbye.
01:03:32¶ Seems I've spent my years
01:03:34¶ Seems I've spent my years
01:03:36¶ Searching for the answers
01:03:38¶ Searching for the answers
01:03:40¶ To life's game
01:03:42¶ Is it power? Is it money?
01:03:44¶ Am I born to just
01:03:46¶ Am I born to just
01:03:48¶ Am I born to just
01:03:50¶ Am I born to just
01:03:52¶ Am I born to just
01:03:54¶ Am I born to just
01:03:56¶ Am I born to just
01:03:58¶ Am I born to just
01:04:00¶ Am I born to just
01:04:02¶ Am I born to just
01:04:04¶ Am I born to just
01:04:06¶ Am I born to just
01:04:08¶ Am I born to just
01:04:10¶ Am I born to just
01:04:12¶ Am I born to just
01:04:14¶ Am I born to just
01:04:16¶ Am I born to just
01:04:18¶ Am I born to just
01:04:20¶ Am I born to just
01:04:22¶ Am I born to just
01:04:24¶ Am I born to just
01:04:26¶ Am I born to just
01:04:28¶ Am I born to just
01:04:30¶ Am I born to just
01:04:32¶ Am I born to just
01:04:34¶ Am I born to just
01:04:36¶ Am I born to just
01:04:38¶ Am I born to just
01:04:40¶ Am I born to just
01:04:42¶ Am I born to just
01:04:44¶ Am I born to just
01:04:46¶ Am I born to just
01:04:48¶ Am I born to just
01:04:50¶ Am I born to just
01:04:52¶ Am I born to just
01:04:54¶ Am I born to just
01:04:57I've just had a marvelous time.
01:05:00I've really had a lot of fun.
01:05:02I'm glad.
01:05:06I don't remember having as much fun as I've had.
01:05:26I have dreamed in desperation
01:05:30Waiting for some word or sign
01:05:33Now it's time for celebration
01:05:36Her eyes told me she was mine
01:05:41Life beats turning into love beats
01:05:45Love beats turning into life beats
01:05:48Life beats turning into love beats
01:05:51Moving in, taking over me
01:05:55Life's a drum and my heart's a drum
01:05:58Love's the music gotta get me strong
01:06:07Life beats turning into love beats
01:06:10Love beats turning into life beats
01:06:14Life beats turning into love beats
01:06:17Moving in, taking over me
01:06:21Life's a drum and my heart's a drum
01:06:24Love's the music gotta get me strong
01:06:33Life beats turning into love beats
01:06:36Love beats turning into life beats
01:06:40Life beats turning into love beats
01:06:43Moving in, taking over me
01:06:46Hey!
01:06:47Hey, wait a minute, young lady. I want to talk to you.
01:06:49Come on, I'm in a hurry.
01:06:50Oh, you've been in a hurry for a whole week now.
01:06:51Come on, sit down. I want to talk to you.
01:06:53Tell me what you've been up to.
01:06:55Oh, Fran, he's wonderful. We've just had so much fun.
01:06:59You've found yourself a young man.
01:07:01Hey, look, I've got to go and change.
01:07:03Tony will be here soon.
01:07:04Tony?
01:07:05I'm making dinner for him tonight.
01:07:06You've been seeing Tony?
01:07:07That's right.
01:07:09I think he is the most fascinating man I've ever met.
01:07:13And you've met so many.
01:07:16You know, he's different.
01:07:19And he's so sweet.
01:07:21Tony? Sweet?
01:07:24He must want something.
01:07:26What do you mean?
01:07:27Look, honey, you're young.
01:07:29Very young and inexperienced.
01:07:31Take it from an old crow who's been around.
01:07:34Don't take him seriously.
01:07:37Why not?
01:07:39Well, what do you know about Tony?
01:07:43What he told me.
01:07:44Sure. Sure, what he told you.
01:07:48Look, honey, he's okay as long as it's strictly for laughs.
01:07:53But do you really know what he's all about?
01:07:57Hey, look, all I have to know about him is that I like him very much.
01:08:01Do you know about Tony and Andrea?
01:08:08What do you mean?
01:08:10Well, don't tell me you haven't guessed by now.
01:08:16I haven't wanted to think about it.
01:08:19But you must have known something was going on, didn't you,
01:08:22with Tony popping in and sneaking out all the time?
01:08:29Oh, right, I know.
01:08:31But that was his past.
01:08:32Honey, it's very much in his future.
01:08:37Hey, Fran, look, don't spoil this.
01:08:42This means too much to me.
01:08:45Well, don't go into this with your eyes closed.
01:08:49I don't want you to be hurt.
01:08:50I know it. I won't be.
01:08:52You sure?
01:08:54I've never been so sure of anything in my life.
01:08:58Okay, you're a big girl now.
01:09:02Well, I guess there's no sense in my sitting around here doing nothing.
01:09:05I have a husband waiting at home for me somewhere.
01:09:09I'm going to find him.
01:09:11I wish you luck.
01:09:12Oh, save the luck for yourself, honey.
01:09:15You're going to need a lot of it with Tony.
01:09:31You're going to miss all this, aren't you?
01:09:34What do you mean?
01:09:37Well, I've got to start thinking about going back.
01:09:42Why don't go?
01:09:46Well, I can't stay here.
01:09:49With Andrea, it wouldn't work.
01:09:51We really don't have any ties here.
01:09:54What about us?
01:09:58Us?
01:10:01Maybe first you would like to tell me about Andrea and you.
01:10:09You know?
01:10:12It's fairly obvious.
01:10:15That's all over.
01:10:19I wish I could believe you.
01:10:23It's just an arrangement, strictly business.
01:10:26With a little loving thrown in.
01:10:30I told you that's all over now.
01:10:33She doesn't matter to me.
01:10:36Is it over, Tony?
01:10:40I swear it.
01:10:43What about her?
01:10:47I don't care.
01:10:55You know, I've seen her destroy people.
01:10:58She hated my father so.
01:11:00Sometimes I'm even afraid of her.
01:11:03She won't destroy us.
01:11:07That's right, us.
01:11:09You and me.
01:11:12That sounds good.
01:11:16It is good.
01:11:20Well, Helene, you're all I've thought about since the moment I laid eyes on you.
01:11:27There's so much about me you don't know.
01:11:29I know enough.
01:11:32Well, then know this.
01:11:35Until I met you, I never thought I could feel this way.
01:11:41It's like, wow, a whole new world to me.
01:11:47Tony, I love you.
01:11:52I love you.
01:11:56I never thought I'd say those words and mean it.
01:11:59But I do.
01:12:02I really do.
01:12:07We can get married, Helene.
01:12:10When?
01:12:12Anytime you say, beautiful.
01:12:15Tonight.
01:12:17Okay.
01:12:18We'll go after my last show.
01:12:20Money isn't everything.
01:12:22You gotta be out of your skull.
01:12:25I auction off everything I own for money.
01:12:30Well, when you get ready to auction those off, call me.
01:12:36You couldn't afford them.
01:12:40What are you doing?
01:12:44I'm leaving, baby.
01:12:45I don't need this place anymore.
01:12:49I've called you, but you don't seem to be home.
01:12:52What are you doing?
01:12:56Tony, I've gotta talk to you.
01:12:59Yeah, what about?
01:13:01Us.
01:13:04Us.
01:13:07There's trouble, Tony.
01:13:10What kind of trouble?
01:13:14Do I have to spell it out for you?
01:13:21It's serious.
01:13:23Did you check with the doctor?
01:13:27Of course.
01:13:28What am I gonna do?
01:13:33Well, you know what to do, baby, huh?
01:13:36It's legal now.
01:13:37Just tell him you were raped, that's all.
01:13:40What kind of a thing is that to tell me?
01:13:43Look at what the hell do you want me to say?
01:13:47Look it, baby, you made a mistake, huh?
01:13:50You just made a mistake.
01:13:54Is that all you've got to say?
01:13:57Sally, find yourself a good doctor.
01:13:59I'll help you with some money.
01:14:01I don't need your money.
01:14:07Everything's gonna be all right, huh?
01:14:09I have to go away.
01:14:12Where to?
01:14:15On a trip.
01:14:18When are you coming back?
01:14:23Right away.
01:14:26Call me.
01:14:30Yeah, as soon as I get back.
01:14:32Call me, Tony.
01:14:35Yeah.
01:14:42Mrs. Trellis.
01:14:46Mrs. Tony Trellis.
01:14:51I love my new name.
01:14:57Sweet a friend giving a champagne.
01:15:00There's a bottle missing from the case.
01:15:03I wonder where it could be, huh?
01:15:34Happy?
01:15:36Mm-hmm.
01:15:43Stingy?
01:15:49Hey.
01:15:53Hey.
01:15:55That's not a regular signal.
01:15:58I know.
01:16:00What else they teach you in those fancy schools, huh?
01:16:10You do love me, don't you, Tony?
01:16:22♪
01:16:32♪
01:16:42♪
01:16:52♪
01:17:02♪
01:17:12♪
01:17:22Hello, Andrea.
01:17:29Tony?
01:17:32Is that you?
01:17:34What are you doing here?
01:17:36Where's Helene?
01:17:38Sleeping.
01:17:41Mother.
01:17:45You didn't.
01:17:47We were married last night in Tijuana.
01:17:50Why?
01:17:52I don't know.
01:17:54Why not?
01:17:56You certainly didn't waste any time, did you?
01:18:00Look, it's not what you think it is.
01:18:02No, of course not.
01:18:03I suppose you're going to tell me you love her.
01:18:06You won't believe it, but it's true.
01:18:08I imagine it must have been pretty easy to make her fall for you.
01:18:11I told you you wouldn't believe it.
01:18:13You're damn right I don't.
01:18:14I know you.
01:18:16All you're interested in is the money.
01:18:19Only now, Tony, there isn't any money.
01:18:23What do you mean?
01:18:24I mean you blew it.
01:18:26There's a stipulation in the will
01:18:28forbidding her to marry until she's 25.
01:18:31In the event she marries before then,
01:18:34she loses everything.
01:18:36I get it all.
01:18:38I'll take care of her myself.
01:18:40Would you mind telling me how?
01:18:42Well, there's the record.
01:18:43When it's released, I'll go from there.
01:18:45If, if, if it's released.
01:18:48You see, Tony, I'm still the dealer.
01:18:51Well, then you're dealing to an empty table, baby.
01:18:54Because I'll make it on my own.
01:18:57Don't make me laugh.
01:18:59I'll tell Helene about us.
01:19:01Save your breath.
01:19:02She already knows.
01:19:03Tony.
01:19:08Tony.
01:19:09Tony, it doesn't have to change between us.
01:19:14It's over, Andrea.
01:19:16While I was away, Tony, I, I did a lot of thinking.
01:19:20It's no use.
01:19:23Tony, you know I do feel something for you.
01:19:30It's too late.
01:19:32No, it's not.
01:19:37Andrea, go to sleep, huh, baby?
01:19:39Sleep it off.
01:19:40Helene and I are gonna be gone tomorrow anyway.
01:19:42I won't let you go.
01:19:44Tony, you can still take care of little orphan Annie
01:19:47and, and have me and, and everything.
01:19:50It's too late, Andrea.
01:19:53Big, strong man like you.
01:19:56How to be able to take care of two women simultaneously.
01:20:04Remember, Tony, I have the house and,
01:20:09and all the money.
01:20:14Everything.
01:20:17I don't need you anymore.
01:20:19You expect Helene to live on your salary?
01:20:22She's used to having money.
01:20:24She'll tire of you, mister.
01:20:26You just wait.
01:20:27You just wait.
01:20:28I'll chance it.
01:20:30Tony.
01:20:32I won't let you go.
01:20:35Tony.
01:20:39Tony.
01:20:40Tony, you said you liked me.
01:20:42You told me so.
01:20:44Please.
01:20:45I'm not interested.
01:20:46It was good enough before.
01:20:48Before the price was right.
01:20:52Pull it, baby.
01:20:53Tony.
01:20:54You'll find somebody else.
01:20:55I'm just not on the market anymore.
01:20:57Come here.
01:20:58I don't jump when you snap your fingers anymore.
01:21:00Tony.
01:21:01Tony.
01:21:09Anthony.
01:21:17Tony.
01:21:24Tony, I can't let you go.
01:21:27I killed Helene's mother.
01:21:30I let Martin die.
01:21:34And I'll kill you.
01:21:36Before I let you out of my life.
01:21:47No.
01:22:08Oh, my God.
01:22:16Oh, my God.
01:22:31I found her about six o'clock this morning.
01:22:34A bunch of kids skim diving.
01:22:37Yeah.
01:22:38Beautiful way to start the day.
01:22:41Mm-hmm.
01:22:43Mm-hmm.
01:22:45No, no.
01:22:46Uh-uh.
01:22:48Yeah.
01:22:50Yeah, we got positive ID.
01:22:52Mm-hmm.
01:22:56Yeah, the stepdaughter and a brand-new son-in-law.
01:23:00They didn't know she was home.
01:23:02Mm.
01:23:04She was out of town.
01:23:05They were down in Mexico getting married.
01:23:08Yeah.
01:23:10It checks out.
01:23:12Mm-hmm.
01:23:15Yeah.
01:23:18Well...
01:23:21Well, the coroner says that she was loaded with barbiturates and alcohol.
01:23:27It could be, Ed.
01:23:29Mm-hmm.
01:23:30Well, I found plenty of little reds in her medicine chest.
01:23:35And there's plenty of booze around the place.
01:23:38Mm-hmm.
01:23:40Well, here's how I see it.
01:23:45She came home.
01:23:48Yeah, she came home, had a few drinks too many.
01:23:51Took a few pills, likewise too many.
01:23:55Wandered out to the point.
01:23:57Slipped and fell over.
01:24:00Well, no, I can't be sure she slipped.
01:24:05Well, you cut the comedy, Ed.
01:24:07You know I didn't find any banana peels.
01:24:12Yeah.
01:24:14Suicide.
01:24:17No, no, no.
01:24:19No, nothing points to it.
01:24:22Ed.
01:24:24Ed, Ed.
01:24:26It's routine.
01:24:28It was an accident.
01:24:31Look, they're bringing her out now.
01:24:33I'll see you in about 20 minutes.
01:24:35Okay?
01:24:36What?
01:24:38Lunch?
01:24:40Are you kidding?
01:24:41I'm on a diet.
01:24:44I think it's a good idea, the two of you taking this trip.
01:24:48It'll do you both good.
01:24:53Why did it have to happen?
01:24:57If only she'd called me to pick her up at the airport.
01:25:01Don't blame yourself, Fran.
01:25:04I don't know what I'm gonna do with myself without her.
01:25:09Look, talking about it's not gonna help anybody, huh?
01:25:13I'll get it.
01:25:16Hello?
01:25:21What do you want?
01:25:24No, I can't.
01:25:25I'm leaving on a trip.
01:25:31All right, I'll see you in 15 minutes.
01:25:35Who was that?
01:25:37I gotta leave, baby.
01:25:39But you've got a plane to catch.
01:25:41Fran, take Elaine to the airport.
01:25:42Take a cab.
01:25:43I'll meet you there.
01:25:44Okay?
01:25:45Okay.
01:25:46Hey, where are you going?
01:25:48I'll see you at the airport, huh, baby?
01:25:54I love you.
01:26:11I love you, too.
01:26:19I love you, too.
01:26:28I love you, too.
01:26:34I love you, too.
01:26:40I love you, too.
01:26:46I love you, too.
01:26:53I love you, too.
01:26:59I love you, too.
01:27:05I love you, too.
01:27:11I love you, too.
01:27:17This is me.
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