- 11 years ago
3-Way Split (aka Atraco en la jungla) (1976)
90 min | Adventure, Crime
Tony Pintana, an art collector, and his wife are contacted by Martin, who is short on cash and proposes to rob a museum of a Indian golden mask that's worth 10 million dollar. When their attempt miserably fails, the museum decides to have the mask transported to a safer location. The three try their luck again and are successful this time. Chased by a policeman who isn't convinced they're innocent, the three will have a difficult time selling the mask on the black market...
Director: Gordon Hessler
Writers: Ricardo Ferrer, José Gutiérrez Maesso
Stars: Robert Vaughn, Simón Andreu, Katia Christine
90 min | Adventure, Crime
Tony Pintana, an art collector, and his wife are contacted by Martin, who is short on cash and proposes to rob a museum of a Indian golden mask that's worth 10 million dollar. When their attempt miserably fails, the museum decides to have the mask transported to a safer location. The three try their luck again and are successful this time. Chased by a policeman who isn't convinced they're innocent, the three will have a difficult time selling the mask on the black market...
Director: Gordon Hessler
Writers: Ricardo Ferrer, José Gutiérrez Maesso
Stars: Robert Vaughn, Simón Andreu, Katia Christine
Category
🎥
Short filmTranscript
00:00:3089, take four.
00:00:49Action.
00:00:55Okay, cut it.
00:01:00Not bad, Tony.
00:01:02Feel all right?
00:01:03Good, real good.
00:01:09May I present my wife, my new wife.
00:01:11Hello, how are you?
00:01:12Be careful how you handle that.
00:01:14That's better.
00:01:15I see you've been rummaging through South America again,
00:01:18Senor Vardiana.
00:01:19My dear Vardiana, as you know, I have two passions.
00:01:21One, I indulge by marrying fresh every five or six years.
00:01:25The other, I will never satisfy.
00:01:27My passion for art.
00:01:29And before I'm through, I will have the greatest collection of art in the world.
00:01:34Oh, now that's beautiful, Adriana.
00:01:40Oh, perhaps you'd be kind enough to put this into safety.
00:01:42Of course, I'd be glad to.
00:01:46Business seems to be as good as usual.
00:01:48Dining room business is always a good business.
00:01:55I'll be right with you, my dear.
00:01:59Well?
00:02:00You brought the necessary goods.
00:02:02Of course.
00:02:03Now what about it?
00:02:04I think something can be worked out.
00:02:07Does that mean it's arranged or not?
00:02:09It's all but arranged.
00:02:10Good, but you understand, Adriana, a man in my position, don't discretion.
00:02:15I suppose you're right.
00:02:17Good day, Inspector.
00:02:18I believe you know Senor Vardiana.
00:02:20Of course, and this must be La Senora Vardiana.
00:02:24This is Inspector Ramirez of the local police.
00:02:26My assistant.
00:02:27And what are you doing here at Honeymoon Hotel, Inspector Ramirez?
00:02:31Well, a retirement dinner for one of my colleagues.
00:02:33Nothing as romantic as yourself, I'm afraid, Senor Vardiana.
00:02:37Senora Vardiana, nice to see you again.
00:02:43What did he mean by that?
00:02:45It sounds as though he knows everything.
00:02:49That's your imagination, Senor Vardiana.
00:02:52The Inspector has a way of making everyone nervous.
00:02:55You sure you have got the right man to pull off this business?
00:03:00All the men I have in mind is smooth as silk.
00:03:14How do you like it?
00:03:16Superb job.
00:03:17Thank you, Mr. Martin, thank you.
00:03:21Excusez-moi, s'il vous plaît.
00:03:24Well, what did he say?
00:03:26He said it was a superb job.
00:03:29I'm talking about his bill.
00:03:30How could I possibly ask him for money?
00:03:31It's overdue.
00:03:37Can I have this repaired by Monday?
00:03:39What is wrong with it?
00:03:40The lining's torn.
00:03:42Mr. Martin, unfortunately there's a small matter of the bill.
00:03:47Of course, I'll send you a check.
00:03:49But I must have the money now.
00:03:56Gracias.
00:04:00I'm very sorry, Mr. Martin, but unfortunately I work for the bank and not for myself.
00:04:05This time I really must repossess your car.
00:04:08Your kind words, my dear friend, more than compensate for my momentary discomfort.
00:04:13The car is yours.
00:04:15Thank you, thank you.
00:04:16I'll walk.
00:04:21Mr. Martin.
00:04:22Yes?
00:04:24Perhaps I can drop you someplace.
00:04:27How very kind of you.
00:04:31In fact, I have a few errands this afternoon.
00:04:33I've got to drop by the reception at the museum.
00:04:36If you don't mind waiting.
00:04:37Of course not.
00:05:00Tony, you okay?
00:05:01Yeah.
00:05:02That ball was great.
00:05:03I'm all right.
00:05:05How are you?
00:05:06Very well, and you?
00:05:07How's it going?
00:05:08How is it going?
00:05:10Oh, hi, dear Ann.
00:05:11You grow more beautiful every day.
00:05:14Keep talking.
00:05:16You're not making an enemy.
00:05:17We better go up, Tony.
00:05:18How's work?
00:05:19Our work is good.
00:05:20How's yours?
00:05:21Terrific.
00:05:22That means terrible.
00:05:25Ann, there's going to be a party tonight.
00:05:27Tony and you will be coming, of course.
00:05:29I thought they closed the house after your last party.
00:05:31As a matter of fact, they did.
00:05:33But this one is going to be on the yacht.
00:05:35And when do they take the yacht away?
00:05:37Tomorrow.
00:05:38Uh-huh.
00:05:39Sorry about that.
00:05:40You needn't be.
00:05:41As a matter of fact,
00:05:42a rather fantastic opportunity has presented itself.
00:05:46Well, Luis, I'd like to tell you something.
00:05:48I'm not into fantasy games, okay?
00:05:50Tony, this is different.
00:05:51No.
00:05:52Viva la diva.
00:05:53Not now, Luis.
00:05:54He's got to concentrate.
00:05:55That's the only way to stay alive in the species.
00:05:57And that's what you want?
00:05:58I want to be half as good as Tony.
00:05:59There's no other teacher in the world like him.
00:06:02A little more height for the top.
00:06:03More height?
00:06:04How about if I give you the top?
00:06:06That's not necessary.
00:06:07The next level's fine for me.
00:06:08No, no, no.
00:06:09I'll give you the top.
00:06:10That's almost high, Tony.
00:06:23It's four stories.
00:06:33Not too high for me.
00:06:35But it's 50 feet.
00:06:38It's too narrow.
00:06:39I'll never make it.
00:06:40Just tuck in quickly, and then drop straight down.
00:06:44Shoot it!
00:06:46OK.
00:06:50Let's shoot it.
00:08:09Cut.
00:08:40You OK, Tony?
00:08:45How do you feel?
00:08:47I thought you went too far out.
00:08:49Beat selling shoots.
00:09:09Is that one yours?
00:09:31At the moment.
00:09:32Put it on over there.
00:09:39Would you be so kind to fix us both a drink?
00:09:41Tanya, my love.
00:09:47You are early.
00:09:48Tanya.
00:09:50It's a fact.
00:09:53We know each other for a long time.
00:09:54And you are the one, the only one who can help me.
00:09:58My world's collapsing.
00:10:00Everything has been taken from me.
00:10:02Including me.
00:10:04I'm broke.
00:10:05I loan you every cent I have in the world.
00:10:09You see before you a man only millimeters away from a spectacular golden horizon.
00:10:14Give me one week, and you'll share it with me.
00:10:17And you see before you a woman, only millimeters from being cast in the street by her landlord.
00:10:23My house is yours.
00:10:25The house is locked and boarded.
00:10:27Well, then this very yacht is yours.
00:10:29And after it's taken away from you tomorrow?
00:10:37Poor Louis.
00:10:39Down to his last life.
00:10:46Tonight's party can be a turning point in my life.
00:10:50The beginning of a fortune.
00:10:52What do you want me to do?
00:10:59Get on the phone and line up your friends.
00:11:01The proper ambiance sees everything.
00:11:04And then?
00:11:05Then when you are through, join us for a drink.
00:11:08Join who for a drink?
00:11:12Do you remember Campbell?
00:11:30Okay.
00:11:31You wait here for me.
00:11:32I won't be long.
00:11:33Just a few minutes.
00:11:53Senor Quintana, one of my problems.
00:11:55Could I discuss a business matter with you?
00:11:57Of course.
00:11:58A trifling problem.
00:11:59It's about my loan.
00:12:00Oh, I'm sorry.
00:12:01I'm afraid we can't extend it.
00:12:02I was thinking more in the nature of an additional loan.
00:12:05Impossible.
00:12:07Excuse me.
00:12:10Hello.
00:12:11See, I think it is marvelous.
00:12:12Oh, Inspector.
00:12:13Ah, Louis.
00:12:14You are here too.
00:12:15It is nice to see you.
00:12:16It's a pleasure for me.
00:12:17Well, keeping a professional eye out, I see.
00:12:20No, I am afraid it would take a superman to penetrate this room here.
00:12:23I come for the champagne and the charm of female companionship.
00:12:28You?
00:12:29Business.
00:12:30Oh, what else?
00:12:38Magnificent.
00:12:40Isn't it?
00:12:41Perhaps the most important thing the world has found
00:12:44since they found Tutankhamen's tomb.
00:12:46Lovely.
00:12:47Lovely.
00:12:48The golden mask of the Andes,
00:12:50valued at more than $10 million.
00:12:54Almost enough to cover all my debts.
00:12:56It's not just the gold.
00:12:58The diamonds.
00:12:59The rubies.
00:13:00The emeralds.
00:13:03The legacy of a civilization.
00:13:05A triumphant expression of primitive art at its highest level.
00:13:09And what a history.
00:13:11Inca slaves laboring across the Andes from Peru
00:13:15under the heavy lash of the Spanish conquistadors.
00:13:18Bearing with them shiploads of melted gold.
00:13:21Gold for Charles, emperor of Spain.
00:13:25By our incredible fortune,
00:13:27the golden mask of the Andes was left intact.
00:13:31How ironic that the greed of the conquistadors
00:13:34so often ended on the floor of the ocean.
00:13:37Well, the Incas claimed their gods traveled poorly
00:13:42in the other world.
00:13:48Perhaps they were right.
00:13:50What do you think, sir?
00:14:02Campo, let's go to San Bernardino now.
00:14:06But San Bernardino, it is on the other side of the city.
00:14:09A triumphant meeting.
00:14:10Pintana was crazy about the idea.
00:14:12We'll be drawing up papers by Monday.
00:14:14Senior Martin, I must report back to the bank with the car.
00:14:18Campo, some weeks ago we had a similar discussion.
00:14:21We worked out a compromise.
00:14:23Do you remember? Tania.
00:14:25I must report back to the bank.
00:14:28How about tomorrow morning?
00:14:30Tonight, they'll be Tania.
00:14:35San Bernardino, Campo.
00:14:48Come on.
00:15:18Come on.
00:15:48Come on.
00:16:12You're awful.
00:16:19Get lost.
00:16:24Fantastic, isn't she?
00:16:26Take away the body, the face, what do you got?
00:16:29My first wife.
00:16:44What do you want?
00:16:46What do you want?
00:16:48Well, since you asked.
00:17:00Luisa, are you out of your mind?
00:17:03Tony, listen to me.
00:17:06The world can be a club.
00:17:08Belong to this club and life can be yours.
00:17:10Luisa, would you do yourself a favor and borrow money?
00:17:13Sell snake oil, but forget about this.
00:17:16I'm a desperate man.
00:17:18Everything is closing in on me.
00:17:20Why don't you get yourself a job?
00:17:23A job?
00:17:24Oh, Tony.
00:17:26Luis, you got the wrong man.
00:17:29What have you got to lose?
00:17:34Yeah, I know.
00:17:38You look terrible in stripes anyway.
00:17:46You know what that crazy bastard Luis is trying to talk me into now?
00:17:50A robbery.
00:17:52A caper.
00:17:53That's plain stupid.
00:17:55That's what I told him.
00:17:58But you thought about it.
00:18:00For a minute.
00:18:02More like a second, actually.
00:18:05You know what?
00:18:07I don't know what you're talking about.
00:18:09I don't know what you're talking about.
00:18:13More like a second, actually.
00:18:16Annie.
00:18:19You know, there's a big difference in our ages.
00:18:22So what?
00:18:24Well, I think it's time we started thinking about it.
00:18:26Just because you were a little off yesterday?
00:18:29Well, I got to think about it.
00:18:32We had a fighter in America once named Joe Luis.
00:18:35Probably the best that ever lived.
00:18:38Instinctive.
00:18:39Never had to think.
00:18:41I remember one time.
00:18:43Joe was the champ.
00:18:45Saw his opening.
00:18:47Charlie's left.
00:18:49The other guy went down.
00:18:51That's it.
00:18:53Except Joe knew he was on his way out.
00:18:58It was that time he had to think about the bunch.
00:19:01That was somebody else, Tony.
00:19:04That's everybody.
00:19:06Sooner or later.
00:19:11For you, it should be later.
00:19:13Much later.
00:19:1735-2, take one.
00:19:37Action!
00:19:39Cut!
00:19:50Action!
00:19:56Cut it!
00:19:59You all right?
00:20:01Yeah.
00:20:03I'd like to do another one, though, if you don't mind.
00:20:05Why?
00:20:07Well, I didn't see enough flame.
00:20:09I think you took off before you really caught fire.
00:20:11What the hell are you talking about?
00:20:13No problem.
00:20:29What's wrong, Tony?
00:20:31Hey, Tony.
00:20:33Don't sweat it. We'll pick it up tomorrow.
00:20:35Look, I don't need 24 hours to work up my nerve again.
00:20:37That's not what I meant.
00:20:39Why don't you just fake it and throw out a sandbag, huh?
00:20:42So we missed a shot. It's no big deal.
00:20:44What's all this spoon-feeding crap, huh?
00:20:46Why don't you just give me a wheelchair and a shawl?
00:20:48Tony, what...
00:20:50Tony, you're getting a little out of line.
00:20:52All they want to know from you is do we do it today or do we do it tomorrow?
00:20:55We'll do it when I'm ready and not before.
00:21:19Tony?
00:21:21Where are you going?
00:21:23I'm taking off, Ann.
00:21:29You didn't have to let me sleep.
00:21:32Wait a minute and I'll put something on and go with you.
00:21:34I've got something to do on my own.
00:21:37You're leaving?
00:21:39I'll pick up my stuff later.
00:21:41Why?
00:21:48It's that thing with Luis. You're going to do it, aren't you?
00:21:53It's time to make a move, kid.
00:21:57Tony, I want to come with you.
00:21:59No way.
00:22:01Not this time, Annie.
00:22:11Well, here he is.
00:22:13The man from the bank.
00:22:16Welcome aboard, Tony.
00:22:30This is a case, Luis. I didn't know this place was guarded like Fort Knox.
00:22:34The guards are no problem.
00:22:36I worked it out in detail.
00:22:38What are you planning to do, take them to the movies?
00:22:40Easy as pie.
00:22:42Ten million dollars.
00:22:44In retail or wholesale?
00:22:48They have the name of a gentleman.
00:22:50Apparently, he deals with this sort of merchandise.
00:22:56It's not going to be easy.
00:22:58You're under arrest, both of you.
00:23:01What the hell are you doing here?
00:23:03Joining up.
00:23:05What?
00:23:08Joining up.
00:23:11No, forget it.
00:23:13It's no good avoiding me.
00:23:18I'm sticking whether you like it or not.
00:23:20I'm in.
00:23:31Or shall I tell the nice gentleman what you have in mind?
00:23:38Welcome to the club.
00:23:40Welcome to the club.
00:24:07Beautiful, isn't it, sir?
00:24:09It is, but not for me.
00:24:11It's just a concrete jungle with potential thieves hiding behind all that beauty.
00:24:17It is time we took another look at the idol.
00:24:20To the museum.
00:24:40Ladies and gentlemen, the museum will be closing in five minutes.
00:24:44Thank you, it's almost closing time.
00:24:52Are you feeling all right?
00:24:54It's nothing, thank you, thank you.
00:24:57Excuse me, I'm a bit dizzy.
00:24:59Where could I get some water?
00:25:01Down, one flight to the left.
00:25:04Sir, can I help you?
00:25:06Oh, thanks, thank you.
00:25:37Ooh!
00:25:52Aah!
00:25:54Ooh!
00:26:08Hold it there!
00:26:17All right, get back in the building.
00:26:20Get back in the building.
00:26:22Last question, last question.
00:26:30Oh, hello there.
00:26:34Here.
00:26:36I almost got away with it, but it seems to be okay.
00:26:42Thanks to a remarkable act of courage, sir.
00:26:46We are very grateful.
00:26:47The mask, oh, thank God.
00:26:52You have performed a magnificent service, sir.
00:26:56The museum will never forget what you have done.
00:26:58Thank you, thank you very much.
00:27:01It's safe.
00:27:02We all appreciate what you have done here today.
00:27:04They must have been the same Inca tribe
00:27:06that claims the idol is rightfully theirs by tradition.
00:27:09Thank you again.
00:27:11You are quite a brave man.
00:27:13I suppose there is some sort of reward, too.
00:27:16Take on five thieves.
00:27:18All by yourself.
00:27:21The armored car is actually carrying an empty steel case.
00:27:25A clever decoy masking the fact, forgive the pun,
00:27:28that the Golden Mask itself is being taken to the airport
00:27:31by Inspector Ramirez.
00:27:33At this very moment, in fact,
00:27:34an elaborate charade is being foisted on the public.
00:27:40It is with great satisfaction and pride
00:27:43that we witness today the beginning of the world tour
00:27:46of the Golden Mask of the Andes.
00:27:48The sharing of this great art treasure with the world
00:27:51will, I hope, help understanding of the history
00:27:54and the hardships endured by the Incas
00:27:56under the rule and slavery of the Spanish conquistadores.
00:27:59Thank you, ladies and gentlemen.
00:28:18Why are we stopping here, sir?
00:28:47To have dinner.
00:28:48Relax and enjoy the company, Sergeant.
00:28:51Whatever you say, sir.
00:28:57Ramirez is going to a lot of trouble.
00:28:59He's looking for a robbery.
00:29:01What he's not suspecting is the sophistication
00:29:03I am bringing into this little game.
00:29:05Believe me, Tony, he's going to be completely off guard.
00:29:09My sources are unimpeachable.
00:29:11When I tell you something, you can't count on it.
00:29:17You can't count on it.
00:29:47You can't count on it.
00:29:48You can't count on it.
00:30:17Hurry up.
00:30:47Hurry up.
00:31:17Relax, Sergeant.
00:31:37There is not a soul in this city, including our Inca friends,
00:31:40who knows about our precious cargo.
00:31:45I don't mean to be disrespectful, sir,
00:31:47but, well, I would have felt safer
00:31:50if the idol had been chipped by armored car.
00:31:53That is not disrespectful, Sergeant.
00:31:55As a matter of fact, it is a sensible observation,
00:31:58a logical one,
00:31:59but that is what I am counting on,
00:32:01the unexpected, the illogical.
00:32:03I can assure you, if there is an attempt made
00:32:05to steal the idol,
00:32:06it will be made against the armored car, not against us.
00:32:36Oh, you.
00:32:48Hey, why don't we have dinner later?
00:32:50We haven't eaten in two days.
00:32:51Oh, what's the difference?
00:32:53All right.
00:32:54Come on, that's a girl.
00:32:56I suppose you're right, but I'm not hungry, are you?
00:32:58I guess I'm not.
00:32:59Let's go back to bed.
00:33:01The idol will be perfectly safe while we are gone.
00:33:04Come, we will have a pleasant dinner
00:33:07and a bottle of wine,
00:33:09and then we will head for the airport.
00:33:11What do you say?
00:33:35I have a great idea.
00:33:37Let's go back to our room.
00:33:39We just came from our room, darling.
00:33:41Oh, I forgot something very important.
00:33:43No, you didn't.
00:33:44You're right.
00:33:45Let's go.
00:34:04Just a minute.
00:34:33Can I help you?
00:34:34I was just trying to open my door here.
00:34:41There you are, sir.
00:34:43I was just out for a stroll and...
00:34:44That's all right.
00:34:45I got my keys.
00:34:46Have a good rest, sir.
00:35:24Inspector.
00:35:25I thought you were out.
00:35:30Impossible.
00:35:31I was a fool.
00:35:42I was a fool.
00:36:03We go, sergeant.
00:36:04Don't talk so much, Alex.
00:36:54I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:37:22I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:37:47I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:38:15I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:38:42I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:39:10I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:39:38I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I
00:40:09Cluminose!
00:40:18Let's go, let's go, come on!
00:40:20Admit it, Tony, a triumph of planning!
00:40:42You got me, man!
00:40:50You know, Taker, can you see anything from up there?
00:40:53Not yet, nothing.
00:40:55Keep looking! We won't want to lose them!
00:40:58Meanwhile, we've got all the exit roads fucked up.
00:41:00Don't worry, we'll spot him.
00:41:01The hell you're right.
00:41:12We have seen no sign of them yet, sir.
00:41:14Well, keep at it.
00:41:15We will, sir.
00:41:16Get back to your positions, men, and keep your eyes peeled.
00:41:42At ease.
00:41:54All right, there. Let's go.
00:41:55Off the car.
00:41:56All right. All right.
00:41:58Happy carrying the car.
00:42:05Documentation, por favor.
00:42:06Identification card.
00:42:10Gracias.
00:42:11Don't worry about it.
00:42:16What are you doing here?
00:42:18My friend, he's a tourist. I was showing him the view.
00:42:22You were on the mountain?
00:42:24Yeah, the mountains, yes.
00:42:26You like it?
00:42:28Okay.
00:42:30Here you are.
00:42:34See you.
00:42:36So long.
00:42:38All right.
00:43:00Oh, man!
00:43:30Hello, miss.
00:43:32What's up with the problem?
00:43:39I can't get it started. I don't know what's wrong.
00:43:45Would you take a look, please?
00:43:49I don't know what's wrong.
00:43:51I don't know what's wrong.
00:43:53I don't know what's wrong.
00:43:55I don't know what's wrong.
00:43:57I don't know what's wrong.
00:44:00It's a broken glass line.
00:44:05I was on my way to town. I'd really appreciate a ride.
00:44:08Sure thing. Why not?
00:44:10Lock your bag and let's go.
00:44:24This is real nice of you.
00:44:26Cigarette?
00:44:28Thanks.
00:44:59Cheers.
00:45:01Cheers.
00:45:07You should be along in a minute.
00:45:09Can you trust him?
00:45:11He's the most reliable man in this field.
00:45:13Which means he's the most dangerous, arrogant, ruthless bastard in Caracas.
00:45:18Would you excuse me for a minute?
00:45:32Tony.
00:45:34What's next?
00:45:37Next?
00:45:41I don't know.
00:45:43I don't know.
00:45:45What do you suppose?
00:45:50Well, after.
00:45:53We split.
00:45:56You see, I want to get out to pasture.
00:45:59No more broken bones.
00:46:01I'd like to buy a couple hundred acres someplace.
00:46:03Okay.
00:46:05Annie, that's not what you want.
00:46:12Well, everything is agreed on.
00:46:14It's a pleasure doing business with you.
00:46:19Goodbye.
00:46:24It's all set?
00:46:26Mr. Martin and I are just entering into a business relationship.
00:46:30How marvelous.
00:46:32You couldn't possibly have chosen a better partner.
00:46:37How ironic that after you risk your life,
00:46:41the mask should end up getting stolen again.
00:46:45Yeah, we were talking about that just a minute ago.
00:46:47Isn't that horrible?
00:46:48The work of fanatics.
00:46:50Made any progress, Inspector?
00:46:52A few leads.
00:46:53That is all.
00:46:55Nothing substantial.
00:46:57I apologize for your inconvenience, gentlemen.
00:47:01Inconvenience?
00:47:02The police.
00:47:03Checkpoint.
00:47:06Oh.
00:47:07Yes, Mr. Kiner and I were visiting a cattle ranch.
00:47:10Our first potential venture.
00:47:12Oh?
00:47:15And what did you decide?
00:47:20We haven't made up our minds yet.
00:47:24I see.
00:47:26Well, good luck.
00:47:30For your new partnership,
00:47:33Miss Morgan.
00:47:36Excellente.
00:47:38Excellente.
00:47:40Now, if you will excuse me.
00:47:42It's our pleasure.
00:47:50Goddammit, he knows something.
00:47:52Don't be ridiculous.
00:47:53Ramirez is the kind of man who can make anyone feel guilty.
00:47:56But then what's he doing here tonight?
00:47:58Policemen also eat in restaurants.
00:48:00Restaurants like this?
00:48:02Of course.
00:48:04Of course.
00:48:06You don't think he's paying, do you?
00:48:10Oh, come on.
00:48:12Now, will you stop worrying?
00:48:21You know, dancing a table away to make a living.
00:48:25My legs are getting shorter.
00:48:29Your legs are twin columns of consummate beauty, my pigeon.
00:48:35Please.
00:48:48Please.
00:48:53Where are you going?
00:48:55A small business discussion.
00:48:57You mean something like a job?
00:48:59Definitely not.
00:49:05Don't wait up for me, darling.
00:49:06I'll be late.
00:49:15He's not coming.
00:49:16Don't be so impatient.
00:49:17It's almost five o'clock in the morning.
00:49:19He said he'd get here by two.
00:49:21People here don't live by the clock, Ann.
00:49:23Three hours late is three hours late anywhere in the world.
00:49:26Oh, don't be so American.
00:49:28Give him another ten minutes.
00:49:31Which is when this place closes.
00:49:34All right.
00:49:58Where's Mora?
00:49:59Two million dollars is a lot of bread.
00:50:01We had trouble raising it.
00:50:03And you?
00:50:04I'm ready.
00:50:05Let's go.
00:50:07No tricks.
00:50:09Ask him.
00:50:12Okay, I guess I'll take your word for it.
00:50:33Go get it.
00:51:04Looks like we're finally moving.
00:51:06Yeah.
00:51:29I wonder what's taking so long.
00:51:31That's what I was wondering.
00:51:38You don't suppose he's the type who runs off every time he gets his hands on two million dollars?
00:52:01Hey, where are you going?
00:52:21What about our deal?
00:52:23If you think we're doing business right here and now, you're crazy, Buster.
00:52:28Hey, come back here.
00:52:29Where are you going?
00:52:31I don't know.
00:52:54What the hell happened?
00:52:56I was...
00:52:58Looks like Louise is onto us.
00:52:59Anne was right.
00:53:02Where is she?
00:53:11Where's the girl who was with me?
00:53:21Come on, Louise!
00:53:28Anne!
00:53:31Annie
00:53:49What's this
00:53:51Spanish we handle by what's it mean? It's the name of a shantytown. What's that mean?
00:54:05That's it what's it Tony it's a ransom sign
00:54:08They want us to bring the mask to tell by in exchange for an Tony
00:54:11You can't be serious the moment we give the mask for and they'll kill us all of us
00:54:17We've got to be brave mostly and
00:54:21Tony
00:54:51I
00:55:12Amulet belongs to him
00:55:21I
00:55:51I
00:56:21I
00:56:51I
00:57:21I
00:57:51I
00:58:21I
00:58:23I
00:58:50Take it easy kid
00:58:53I
00:59:23I
00:59:53I
01:00:23I
01:00:45Sir the report on the Land Rover. Hmm. Apparently there's some sort of a crazy chase taking place downtown a
01:00:52A
01:00:52Chase involving our Inca friends if he's possible the patrol car that called in mentioned Indians going in one of the cars
01:01:00What sector Chaka Ito going west?
01:01:21We're losing them
01:01:23We're losing them from now on it's simple
01:01:53I contact Mora we made the switch
01:01:57And take off
01:01:59Take off. Where are you idiot?
01:02:01Well, the police are looking for a speeding Land Rover a traffic violation not us
01:02:23I
01:02:54Say of course, it'll be safe Mora. Ah, we haven't got a problem in the world
01:03:07What right now who is the police
01:03:13Listen I'll see you at the bottom station of the aerial railway
01:03:18Yeah
01:03:20Teleferic driver
01:03:50I
01:03:58Hurry up hurry
01:04:10Hurry if you want to make hundred dollars, that's more than a week. I seem to be a bit short. Do you have any money?
01:04:20We're gonna have to do it right this time. Okay, we don't have all day now get back to your starting positions and come in a lot faster this time. What are you waiting for? Go on. Get going. Let's try one. Got the right seat number. Yep. Fine. Roll them
01:04:51Beat 53 take two
01:04:59Okay
01:05:13Who called a taxi I'm trying to direct a picture here
01:05:20I
01:05:28Have you got money it's all right here take three, okay
01:05:50Hey
01:05:58Hey you hey come back here, where do you think you are going don't you?
01:06:06Starting positions
01:06:20I
01:06:50I
01:07:20I
01:07:46Can you say my nose in contra most a key para celebrar la boda de la senorita
01:07:50Guadalupe que contra a matrimonio con el general Pancho Villa muy valiente
01:07:58Where's the idol
01:08:01In the prop box
01:08:06Idiot
01:08:20You
01:08:30In nomine Patri filio et espiritu santo
01:08:43Silencio silencio silencio silencio
01:08:47Silencio
01:09:17I
01:09:47I
01:10:13Know what
01:10:17We'll call Maura Mara
01:10:26No wonder the horses wouldn't go down sure this thing's safe perfectly safe why isn't the slide well, unfortunately, it's been condemned
01:10:47I
01:11:18I
01:11:34Give me it. I want to see the idol first
01:11:47I
01:11:53Okay
01:11:57Well, the money's yours
01:12:00You happy now, yeah, I'm very happy
01:12:04Can you take us into the city no afraid not I got to run
01:12:17I
01:12:19My friend will give you a hundred bucks if you drive us to the harbor in a hurry sure thing keep it to him. Thanks
01:12:49I
01:13:20To heading west on Coast Road following speeder
01:13:38Job 22 close contact excellent now, don't lose them
01:13:45Whatever you do, okay out you go
01:13:50You
01:14:12Car 22 to central we got the taxi driver that was speeding on the Coast Road the three people that were with him disappeared
01:14:17You stupid ignorant idiots
01:14:23You follow us to the harbour
01:14:27Oh
01:14:49Don't you cry for me
01:14:57I
01:15:04Can imagine the face of Ramirez when he finds out that we were not in the taxi
01:15:09I thought you said the bank had repossessed the boat
01:15:12For this we must thank Tanya
01:15:15Remind me to send her a postcard
01:15:17You just saved yourself a stamp Louise
01:15:22Tanya darling what a surprise
01:15:28But we were to meet in Barbados the separation was too painful
01:15:33Naturally, I'm happy to see you. Oh
01:15:36How clever?
01:15:37Trouble is I have nothing. I mean I can only offer you poverty
01:15:44Struggle if you want to be dropped off at Bonaire Island, I would be the first to understand
01:15:58You
01:16:09It's a police
01:16:27I
01:16:57If you do not cooperate you risk being fired upon
01:17:06To and shut down your engine
01:17:27Oh
01:17:42Forgive the intrusions in your Martine ladies and gentlemen nice day. I
01:17:50Officially protest this outrage Ramirez we are beyond the 12-mile limit
01:17:56So
01:17:58What's it going to be we don't have it
01:18:07No trace of the master, but we did find these
01:18:26I
01:18:31Suspect you have been so busy running you have not even counted your money yet
01:18:36What is our position a little over 12 miles out, sir?
01:18:41That puts us in international water, that's right, sir
01:18:53Justice is important
01:18:55But the return of the golden mask is even more important
01:19:06As a matter of fact, I did hear a rumor about this man Mora
01:19:11Go on
01:19:12Well, they say he keeps a private aircraft on a farm in Camarilla
01:19:17Is that so?
01:19:20They say
01:19:21He's planning to leave the country tomorrow morning on a trip to New York interesting
01:19:33Once again forgive the intrusion
01:19:51Ha ha
01:20:02More eyes a cook he belongs in prison
01:20:13Magnificent Adrian I'm forever in your debt not at all two million dollars is payment enough
01:20:20We take that you are under arrest
01:20:28Do not look surprised by Danian we caught your conspirators senior Mora less than an hour ago. He told us everything we take that
01:20:45Deliver this to the airport sergeant
01:20:49You
01:21:01Well
01:21:03That does not quite finish the matter does it's in your what could you possibly mean inspector
01:21:11You know what I mean you were in this thing with Padena in you have the money
01:21:19I don't know what you're talking about
01:21:21Don't take me for a fool senora
01:21:24Must I lower myself to police persuasion?
01:21:49I
01:22:09Just had a thought let me tell you about it. I don't want to hear about
01:22:13Come on man, let me tell you then tell what I have a map in detail of a museum in Rio
01:22:20You know what you can do with that map. Don't you Louise?
01:22:24There's no harm in listening. Let me tell you what a challenge or get it your walls
01:22:28No windows the latest in electronic equipment
01:22:31Think about it the excitement of it the fun of it
01:22:36Oh, well
01:22:39I am very sorry Adriana, but I'm afraid I shall have to be leaving you very soon. I
01:22:45Have been informed that some dastardly thieves are on their way to Rio to commit the robbery
01:22:51Dear Adriana, you have to understand that this is a wonderful
01:22:57Opportunity to carry off another caper and fatten our bank account
01:23:02Well, I guess
01:23:04Rio
01:23:06Papapapa
01:23:36I
01:24:06You
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