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The Gods - 1969 - To Samuel A Son (full album)

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The Gods were an English group founded in 1965. The original bandmembers included Mick Taylor (later with John Mayall's Bluesbreakers and the Rolling Stones), Brian Glascock, and his brother John (later with Jethro Tull), future Uriah Heep keyboardist Ken Hensley, and Joe Konas.
Taylor, Glascock and Glascock were schoolmates from Hatfield and had been playing together as The Juniors (or The Strangers), a band they formed in 1962. Also part of this band were Malcolm Collins and Alan Shacklock. They eventually signed with EMI / Columbia Records. Their first 7" single (Columbia DB7339) appeared in 1964 ("There's a Pretty Girl"/"Pocket Size"). In 1965, the line-up changed. Mick Taylor continued to play guitar and teamed up with Hensley (organ/vocals). They also added Konas (guitar/vocals) and changed their name to "The Gods".
In 1966, The Gods opened for Cream at the Starlite Ballroom in Wembley, London. A single (Come On Down To My Boat Baby/Garage Man) was recorded in early 1967 on Polydor Records. At this point the line-up included Mick Taylor, Ken Hensley, John Glascock, Joe Konas and Lee Kerslake.
In May 1967, Mick Taylor got a call from John Mayall who was looking for a new guitarist to replace Peter Green. When Taylor joined the Bluesbreakers, he left behind a faltering bluesband. The band sought to revive their fortunes on the club/college circuit. They relocated to London and secured a residency at The Marquee. John Glascock (bass) was replaced by Paul Newton in June 1967 and then by Greg Lake. Greg Lake left in the Summer of 1968 to join King Crimson. The band had to re-group again and John Glascock was asked to return.
With John Glascock back in the fold they recorded a couple of progressive rock albums and a few singles. Of their singles, "Hey! Bulldog", The Beatles track, is their best known, and both sides have been included on the compilation album, The Great British Psychedelic Trip Vol. 3. The band played an amalgam of psychedelia and progressivism. Tracks like "Towards The Skies" and "Time And Eternity" from their 1968 album Genesis are full of heavy ploughing Hammond organ and distorted guitar riffs and Ken Hensley's unique and rather dramatic vocals add a further dimension.
Most of The Gods' material is fairly typical late 1960s pop/rock, epitomised by songs like "Radio Show" and "Yes I Cry". There are shades of Vanilla Fudge on their cover of West Side Story extract "Maria". On a few tracks like "Candlelight" and "Real Love Guaranteed" there is an inkling of the heavier sound Hensley and Kerslake would propagate in their next venture, Uriah Heep.

Credits
Bass, Vocals – Brian Glascock
Drums, Vocals – Lee Kerslake
Guitar, Vocals – Joe Konas
Keyboards, Vocals – Ken Hensley

http://en.wikipedia.org/wiki/The_Gods_%28band%29

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