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  • 9/10/2014
Not Rated | 1h 26min | Action, Comedy, Drama, Thriller | Video 15 May 2007

A modern-day Robin Hood, Linnea Chiang disguises herself as "The Minx" and robs major corporations by night. In her daytime life as a mild-mannered tobacconist, Linnea develops relationships with two men: Joe, a corrupt CEO, and Edgar, an idealistic reporter. What will she do if they discover her true identity?

Director: Michael Glover Smith

Writers: Vincent Francone, Michael Glover Smith

Stars: Mia Park, Sexy Vegan, Willie Daniels
Transcript
00:00:00I feel the deepest part of me awakening.
00:00:04It's the mace! Somebody stop her!
00:00:06It's the cell alive.
00:00:30Ah!
00:01:00I feel the deepest part of me awakening.
00:01:02It's the mace! Somebody stop her!
00:01:04It's the cell alive.
00:01:06It's the cell alive.
00:01:08It's the cell alive.
00:01:10It's the cell alive.
00:01:12It's the cell alive.
00:01:14It's the cell alive.
00:01:16It's the cell alive.
00:01:18It's the cell alive.
00:01:20It's the cell alive.
00:01:22It's the cell alive.
00:01:24It's the cell alive.
00:01:26It's the cell alive.
00:01:28It's the cell alive.
00:01:30It's the cell alive.
00:01:32It's the cell alive.
00:01:34It's the cell alive.
00:01:36It's the cell alive.
00:01:38It's the cell alive.
00:01:40It's the cell alive.
00:01:42It's the cell alive.
00:01:44It's the cell alive.
00:01:46It's the cell alive.
00:01:48It's the cell alive.
00:01:50It's the cell alive.
00:01:52It's the cell alive.
00:01:54It's the cell alive.
00:01:56It's the cell alive.
00:01:58It's the cell alive.
00:01:59It's the cell alive.
00:02:07It's the cell alive.
00:02:22House violent crime.
00:02:24targets were a combination of upscale Gold Coast residences and at least one
00:02:28corporate business. We'll now take you live to police headquarters where Chief
00:02:32Inspector Jim Petty is holding a press conference.
00:02:35This image was taken by the security cameras of the downtown offices of World
00:02:41Energy. Picture isn't very clear as you can see but we're releasing it anyway in
00:02:47the hopes that somebody might recognize something. We've established a toll-free
00:02:51hotline number 1-800-555-MINX again that's 1-800-555-M-I-N-X and of course
00:03:07call in if you saw the MINX or if you saw anything else suspicious last night
00:03:12your anonymity is guaranteed. Do you have any leads so far? Currently we've received
00:03:19hundreds of tips and we are sifting through the information and we will get
00:03:25back to you as we have more pertinent information to deliver. Does World Energy have anything to do with this? Was it an inside job?
00:03:33Now we are currently treating this as an outside job. I want to remind you people that Mr.
00:03:39Joseph Van Swick while he was investigated for corrupt business
00:03:44practices was never formally charged with anything. Right now neither Mr. Van
00:03:50Swick nor any employee of World Energy is a suspect at this time and right now
00:03:56that's all I can say about that. Is it true that she's an Arab? Is this part of a terrorist plot?
00:04:01Due to the sensitive nature of this case I'm afraid that's all I've got for you
00:04:07right now but I do want to encourage anybody that has any information that
00:04:12might move this investigation forward to come out and give us that information so
00:04:19I'm afraid that's all I've got for now thank you all very much. While it appears from the
00:04:26security camera image that the MINX is female Chief Chiappetti has said that because of the
00:04:31daring nature of some of her acrobatic feats it is possible that the MINX could be a man disguised as a woman.
00:05:42Thank you for coming. Whenever I have to call an emergency meeting
00:06:12like this you guys know there's gonna be bad news. Well this time gentlemen I've got bad news
00:06:24and good news. The bad news I suppose I don't even need to tell you fellas you were robbed last
00:06:34night and to answer your first question no I didn't have anything to do with it. I am
00:06:40however a big fan of whoever did. Of course we'll tell the insurance company we were taken for a
00:06:48lot more than we actually were. Vinny do you have our quarterly earnings report? Yes Mr. Vancevic.
00:07:02This what we actually made or what we're claiming we made? This is what we're claiming. Needs more
00:07:10cooking back to the kitchen with you. We'll have insurance investigators crawling over this place
00:07:15for the next couple days. Smitty get together with Vinny go over the books make sure there's
00:07:20no Edgar G Robinson snooping around where they shouldn't be got it? You can count on me Mr.
00:07:24Vancevic. Second order of business is security. What kind of two-bit operation do we have on our
00:07:34payroll? Security Unlimited I can assure you they're the best in the city. No they're not. I
00:07:39know the media is making this Minx character out to be some kind of a superhero but outside the
00:07:44comic books there are no superheroes. Fire the Security Unlimited and hire me somebody else I
00:07:51don't care where you have to go how much you have to pay. Import them from Jerusalem if you have to
00:07:56but get me a security company that can keep this place secure. Yes sir. This broad humiliated us
00:08:02and we can't afford to be humiliated. She somehow waltzed in here and emptied out her safe like she
00:08:08was making withdrawal from her fucking checking account. Now I want this cocksucker screwed down
00:08:13tighter than Fort Knox got it? Yes sir. We're lucky that all she was after was money. If she was
00:08:21trying to sniff out some creative arithmetic we've got some documents here that could send us all to
00:08:27Joliet for a permanent vacation. Do I make myself clear? Yes. The third order of business is finding
00:08:33out who this broad is. I don't expect the police will make any arrests anytime soon so I'd like to
00:08:39put a few guys on her table. Rollo pick your best guys for the job she's gonna strike again and when
00:08:45she does I want your guys there. You want her dead? I want to know her identity find out where she lives
00:08:53how she lives and why. Once they've got the goods on her report back to me. Then gentlemen we'll make our next move.
00:09:07Sir? You said you had some good news too? Oh yeah uh you sold my new secretary. Of course. Well I'm fucking her.
00:09:23Hi how's it going? All right and yourself? Can't complain. Beautiful ashtray. Is that Mech's computer? Yeah you can tell just by looking at it.
00:09:53Yeah my uh grandmother used to make them. No kidding? Really? She was an artist. She taught me to uh
00:10:01appreciate handmade things. Not many people do these days. Yeah tell me about it.
00:10:08So uh you're looking for anything specific tonight or are you just browsing?
00:10:12Well yeah maybe you can help. So you want to get something for my boss's birthday?
00:10:17Okay but uh he's a pipe smoker. I want to get him something nice. Maybe you could recommend a lighter.
00:10:24You know something nice that wouldn't break the bank. I know exactly what you're looking for.
00:10:41This is called the old boy. It's made out of solid chrome.
00:10:44It's got a tamper and it's specifically made for pipes. See the flame comes out at an angle.
00:10:54Here check it out. Very nice and uh how much is this one? 85 bucks.
00:11:06It's one of the most reliable lighters we carry and everyone who works here has got a version of it.
00:11:11Including you?
00:11:30I was glad I wasn't a smoker. That meant I didn't have a reason to go back there.
00:11:35I wanted to ask her out but what would be the point? It was naive to think that anything
00:11:40could come out of a chance meeting like that. Happy birthday Jeremy.
00:11:50This is terrific. Way too sad at an angle like that. I'm never gonna burn my fingers again.
00:11:57Thanks a lot Edgar. I thought you might like it. What do you know about the minks?
00:12:03Just what I read in the paper. In other words like everybody else in town nothing. Now dig this.
00:12:08Who is the minks? You know what the difference is between the Windy City Weekly and a daily rag like that?
00:12:16They ask questions we give answers. Would you believe that some people think I'm a stupid man?
00:12:22No not that many.
00:12:26I gotta love you. Take my mother for instance.
00:12:31God rest her soul. She came over from Ireland dirt poor or should I say potato poor.
00:12:38Now all she ever wanted for her kids was for them to have more than she ever had.
00:12:42When I started in this business I could have made a lot of money but what I brought to this
00:12:47business was knowing that there's something more important than money. Truth. The truth is a
00:12:53vanishing species and we gotta do what we can to keep it from going extinct. Now when I was a
00:12:57reporter I didn't want to do fluff pieces and now that I'm editor I'm sure as hell not gonna hire
00:13:03someone I'm not who does. Now when I need an important piece done something that calls for
00:13:08honest to god investigative journalism you're my go-to guy. You are my go-to guy. Of course.
00:13:18Good. So think minks.
00:13:22Okay let me get this straight. Mr. Mott. Mr. Lange. I've got a job for you. It's a very important job
00:13:31and a potentially dangerous one. It must be or we wouldn't be here. Yeah what else can you
00:13:38boast? Well fellas this one's a little different. You see Mr. Van Zwick wants you to find the minks.
00:13:49You want me to find the minks? I don't expect you to find out her literal identity.
00:13:56I expect you guys to ascertain her identity. Surely with that award-winning brain of yours
00:14:02you can bring me something. I mean the clues are all there all you gotta do is put them together
00:14:07tell me what kind of a person tell me why she does what she does. Always within the same two
00:14:15mile radius from downtown to the gold coast and always at night. What you need to do is anticipate
00:14:24her next move. I need you to get inside her head Edgar. In order to do that it's going to help to
00:14:29know where she's from. I don't care about her history her background all I care about is where
00:14:36she is and where she's going. I want you to follow her at a discrete distance just report back to me
00:14:43with her name her address and some photographs. Bring me the truth. Chairman I'm your man.
00:14:55I need you to be her man.
00:15:01Any questions? Nope. Give us a week and we'll have everything you need.
00:15:10That's my boys.
00:15:13Yeah you can use a little work. Edgar!
00:15:18Now then man what's up with you? I'm busting loose. I'm gonna go see a show you want to come?
00:15:23Oh man I don't know I got a new assignment today and uh. Oh yeah so Jeremy's riding you.
00:15:31And I walked by his office and he was going on about his dead grandmother again.
00:15:34I figured it was something big. Yeah well uh it's the minks.
00:15:40Oh. It's gonna be a challenge but uh. Hey. You know Jeremy. Come to the show. You know you need
00:15:47to take your mind off this. Nobody ever got anything done sitting on their thumbs. Who's playing?
00:15:58I actually bothered to read my column. You know this year's my critic's choice this month.
00:16:03She's a Chinese girl who does Irish folk songs and a new punk rock style.
00:16:08You should come see it. You'll like it. You'll love it.
00:16:13All right man. I swear this better be worth it. Hey no worries. She's the cat's pjs.
00:16:21She's on.
00:16:29Oh my god dude. I know her. I know her. I told you we'd be glad you came. Come on let's get a table.
00:17:38She said it never could be but she had a lover and he was all but seen. She said that she'd be
00:18:18and
00:18:38thank you.
00:18:48Mm-hmm.
00:18:53How'd you like the show tonight lads? Fantastic. Cremo. It was good. Can I get you another one?
00:19:00Yeah. Absolutely. Actually when you have a chance can you um you know send one over to Miss Linnea
00:19:06Chang from us? Sure. You're drunk. Oh god. There you go. Let's enjoy.
00:19:13Cheers. To the mix.
00:19:20You know I'm so glad that we came on tonight. I'm serious. Tonight has given me a whole new
00:19:30perspective. A new perspective on the mink story. Forget about work man. No I'm serious. Like
00:19:38it's weird.
00:19:43Thanks guys. What's up? Um hey why don't you sit here? Yeah please do. All right.
00:19:52Tonight I think I will.
00:19:55My name's Linnea. Oh I'm Edgar and uh this is Peyton. Hey Peyton. Nice meeting you. Yeah so uh
00:20:03mild mannered tobacco slinger by day, punk rocker by night. Yeah well you gotta do something to pay
00:20:09off. Edgar talked a lot that night. I found him charming. Maybe because he didn't seem to want
00:20:17anything from me other than just to talk. I had a good feeling about him. Listening to him I felt
00:20:25like I was watching some strange movie. I didn't know how to really feel about him until later
00:20:30but it was crazy how much I thought about him over the next few days.
00:20:34So I was hoping that maybe we could see each other again. Come here every Tuesday. No I mean
00:20:43now we are performing. On that note I gotta go shake hands with Shorty. Excuse me. Good luck with
00:20:49that. But um no I mean it's been working a lot lately and I never go out anymore and the only
00:20:57time I ever go out is with Peyton and I was thinking that you and I could you know get a drink
00:21:05or something.
00:21:11I don't normally do this
00:21:15but
00:21:16It's my phone number. Give me a call.
00:21:29So you really think she's gonna change her M.O.? M.O.? What the fuck is that?
00:21:36Notice Operandum. It's Latin. Yeah well you know I only speak English, dawg.
00:21:47Oh yeah, check it out. Asian, honey.
00:21:55Look, man. Stop checking out every chick that walks by. I need you to focus.
00:22:02All right, man. What makes you so sure that she's gonna strike in broad daylight this time?
00:22:08Look, she's only operated at night before but there's enough variation in the way that she
00:22:13operates for me to know it's only a matter of time before she changes precedent. Trust me on that.
00:22:22All right, man.
00:22:26My bad. Why the fuck not? Look, I've canvassed this area for the past 24 hours. While your
00:22:35black ass was making a 2 a.m booty call and shit, I had my nose to the grindstone
00:22:39conducting interviews and shit. Remember stories I tell you about homeless people
00:22:45unexpectedly coming into money? Yeah, sounds like some urban legend to me. Maybe, but if I'm right,
00:22:51this bitch figures herself to be some kind of Robin Hood. Not only is this thing smack dab
00:22:58in the middle of her territory, it's notorious for foreclosing on homes.
00:23:02Holy shit. All right, all right. You know what to do. Follow her at a discreet distance.
00:23:14Discretion is her fucking middle name, bitch.
00:23:16She lost her town to call, motherfucker. My bad. I'm sorry, man. Let's go.
00:23:39Should we follow her down there? I don't know. Drive around to the other side.
00:24:17Hey, that's the piece that you were checking out earlier.
00:24:37Man, I knew she was something special. Don't you ever go down me again.
00:24:42For once, your dick did something right.
00:25:12Linnea Chang.
00:25:31You owe me a coke, bitch.
00:25:38There she is. I don't believe it.
00:25:42Yes.
00:25:51I called you in here today for good reasons, Sergeant. Now, first off, I don't want you to
00:25:57tell anybody the reason I called you in here today until I tell you it's okay to do so.
00:26:01This is top secret stuff. Got it? Okay. I want you to pick out three or four guys.
00:26:09Three or four of your best officers. Guys that we can designate as the Minx Task Force.
00:26:16The Minx Task Force. The Minx Task Force. I'm happy to tell you that the reason that I want
00:26:22you to head this thing up is because we caught them breaking the case. I'm sure you're familiar
00:26:28with the America First Bank on Clark Street that got robbed the other day. We're not going to share
00:26:34this information with the press, but we happen to know that the Minx was responsible. This time,
00:26:40she fucked up. It's the first time she's ever stolen marked bills. Once she starts spreading
00:26:46those marked bills around, that's when your guys swoop into action. That's when we've got her by
00:26:53the ass. One of the first rules of law enforcement, always follow the money, right?
00:27:02We just pick up that money trail and it'll lead us right to the park.
00:27:08Everything all right, Sergeant Rallo?
00:27:15Yeah, I'll get right on it, Chief.
00:27:21What have you got for me? Very good news, sir. Mutton Lane did a bang-off job.
00:27:26Let's have it. Her name is Linnea Chang. She resides at 4621 North Damon. She works for the
00:27:33uptown tobacco shop on Wells in Old Town. She has no prior convictions or police record at all.
00:27:39Tobacco, huh? Nice. So the champion of the underdog is a cancer pusher.
00:27:46Okay, so what does this tell us? Sir? That she is not without some corruption.
00:27:52She makes a living on the misery and death of others, and she supplements it with a little
00:27:56grand larceny. I like her. Sir, apparently she doesn't keep any of the money that she steals.
00:28:01Do I look stupid? Well, our research has shown- I don't give a rat's ass. I don't buy that Robin
00:28:08Hood angle. Now, trust me, she's pocketing a percentage. I don't know. That's not what I-
00:28:13She certainly is a fetching piece of ass.
00:28:16And I've always had a thing for Asian women. I know, sir.
00:28:21Well, I've tried all the flavors, but I uh, I do like Asian women best.
00:28:27Besides, I do a lot of business in East Asia. Maybe she has a
00:28:36poor little family of rice eaters back in the old country, huh?
00:28:39So, what's the next step? Next step? Just offer her a job.
00:28:48Hey, how are you doing? Chief Chiapetti, Chicago Police Department.
00:28:53I'd like to ask you a few questions. Sure, how can I help you?
00:28:56Now, I want you to think long and hard. It's a very important question.
00:29:01Mm-hmm.
00:29:01I want you to think if you can remember anybody who might have been in this bar and spent this
00:29:06hundred dollar bill recently. Well, no, actually, though you mention it,
00:29:10see old Stabby over there, nursing a Scotch? He's been in it every day this week. He's paid his bar
00:29:15tab with a hundred dollar bill. I just thought an old relative had died or something, you know,
00:29:19but he hasn't done anything wrong, has he? It's a police business, ma'am.
00:29:23Well, I don't know if I can help you with that, but if you can help me with that,
00:29:27he hasn't done anything wrong, has he? It's a police business, ma'am.
00:29:39Chief Chiapetti, Chicago Police Department. I got a few questions for you.
00:29:57Okay, I believe you, Stabby. You want that water we talked about?
00:30:19Got any Scotch? No, we don't have any Scotch.
00:30:24Now, I'm going to send somebody in here to take your statement and then
00:30:28we're going to let you go, okay? Okay.
00:30:53What's the word, Chief? He says the money came from heaven,
00:30:57that he just woke up and there it was. Do you believe him?
00:31:01Well, I don't believe in an afterlife, Sergeant, but, uh, yeah, I honestly believe he doesn't know
00:31:06where the money came from. Besides, I don't think he could fit in that mink's outfit.
00:31:23Can I help you? Yeah, I hope so.
00:31:41I'm looking for something pretty specific. What do you have in mind?
00:31:47I don't know. I was thinking maybe something in a black vinyl costume perhaps.
00:31:53I think you've come to the wrong place. Have I?
00:32:08Now, here's a fine little piece. A bit overpriced though, don't you think?
00:32:15Customers are not allowed behind the counter. I suggest you step back.
00:32:21Sure thing, baby. I wouldn't want you to have to be physical. Something tells me I'd be outmatched.
00:32:25Of course, I can hold my own. I'm sure you do that often.
00:32:33Uh, tell you what, I'll take this lighter, but, uh, I'm not going to pay for it.
00:32:42You're not going to get it. The way I see it, this little lighter
00:32:45goes just a small way toward the paying of a rather sizable debt you owe me, my little minks.
00:32:54Is everything okay, Linnea? Everything's fine.
00:32:58Mr. Van Swick here was just getting ready to leave.
00:33:02I don't know what the fuck you're talking about. I think I do.
00:33:07If you'd like to see the proof for yourself, just stop by my office.
00:33:11120 North LaSalle, Suite 3000.
00:33:17You knew that, didn't you?
00:33:18Oh, it's hot.
00:33:40Gotcha, baby.
00:33:42You haven't got shit.
00:33:43Ah, my little minks. Have a seat.
00:33:46Uh, vodka?
00:33:48Get to the point.
00:33:49Scotch?
00:33:49What have you got to show me?
00:33:51All business. Shame.
00:33:57Have a look.
00:34:05I don't know. I feel my fellows failed to capture you accurately.
00:34:11I mean, that's you. Any idiot can see that, even the cops, and they're dumber than a box of rocks.
00:34:16But there's something about the you I'm seeing here now just doesn't resonate in these photos.
00:34:28Is it a vulnerability, perhaps?
00:34:35But don't worry, I'm not going to divulge your secret identity.
00:34:38I mean, just because you managed to waltz in here and rob me half blind doesn't mean I hold a grudge.
00:34:43But in order for me to show you this clemency, this gracious clemency,
00:34:51I'm going to need a little something from you.
00:34:54And I don't mean a cheap-ass $40 lighter.
00:34:58What do you want?
00:35:00We'll get to that.
00:35:03Now, there's something these photos aren't telling me.
00:35:06They don't tell the cops anything either, except that you're a stalker.
00:35:10What do you want?
00:35:13Motives.
00:35:15Why? Word on the street is you don't keep any of the money you steal,
00:35:19and quick glance at your apparel confirms that.
00:35:23What is it? A problem with immigration?
00:35:27Palms to be greased? What?
00:35:29I was born here. My parents are from Hong Kong.
00:35:33I meant no disrespect.
00:35:35You didn't try very hard.
00:35:37No, I'm afraid I didn't, did I, Linnea?
00:35:38Or do you prefer minks?
00:35:40What do you want?
00:35:41Come work for me.
00:35:42I haven't got a job.
00:35:44There are opportunities that you would not believe for a woman of your skills.
00:35:48Money to be made.
00:35:49Enough to get away to every bum in town, if that's what gets you off.
00:35:52What is it about Asian women?
00:35:54Is it the eyes? The hair?
00:35:56Light is the abyss?
00:35:58I don't pretend to know, but I have always,
00:36:02always been drawn to your kind.
00:36:05I just, you might even say I have a bit of a
00:36:10fetish.
00:36:12Okay.
00:36:35We can talk about this.
00:36:42You are so lucky that I am a good girl.
00:36:55You're already learning what turns me on, baby.
00:37:01Oh, now you can't be so stupid as to think that's the only copies.
00:37:05And the minute I walk out of here, you turn it over to the cops, right?
00:37:08No. I might give you a day or two to think things over.
00:37:13You see, there's something in you I've been looking for and never been able to find in a woman.
00:37:19Balls.
00:37:36That night was the first time I hadn't thought about Linnea in a long time,
00:37:39but she had a funny way of always turning up.
00:37:42Hi.
00:37:42Hi.
00:37:43How's it going?
00:37:44Either in my thoughts or right in front of my eyes.
00:37:46I'm sober, but I'll fix that in a second.
00:37:49You're under a lot of stress. Do you want to talk about it?
00:37:53Let me get a drink in me first and then I'll see how it feels.
00:37:56I felt pretty good, but that really wasn't saying much.
00:38:00I could feel the pressure coming in, closing in everywhere.
00:38:04It was time to either take control of the situation or totally disappear.
00:38:09She wears a costume, right?
00:38:11Yeah.
00:38:13People define who they are by their day jobs, but that's not who they really are.
00:38:19Maybe the Mix is just a down-to-earth girl who wants to play more than one role in this life,
00:38:25because she knows that in the end, death will strip us all of our costumes
00:38:31and make us completely equal in the grave.
00:38:34Hey, uh, excuse me.
00:38:36I don't mean to interrupt, but I was wondering if we could borrow your girlfriend for a couple of hours.
00:38:41I heard that Asian women are really submissive.
00:38:44My man, my man, um, I don't know if you see us having a conversation here,
00:38:48so if you could go back to the, uh, head of the bar, that'd be great.
00:38:53Yeah, that was really funny the first couple times I heard that, guys.
00:38:56Oh, now, wait a minute, wait a minute.
00:38:58If I give you the wrong impression, I don't mean anything sexual.
00:39:02She's talking to my buddy over here, but I had a sore back,
00:39:04and I thought if I had an Asian girl walk on it, it'd make me feel a whole lot better.
00:39:09I can guarantee by the time I got done with you, honey, you would feel a lot worse.
00:39:13Oh, are you gonna take that from her, Frank?
00:39:14Yeah, you can't take that from me, can you, Frank?
00:39:17Oh, well, why don't you just give me a try, and we'll see what happens.
00:39:21All right, guys, all right, you know what?
00:39:24I think you should take my friend's advice here and leave us alone.
00:39:27What? What you gonna do if we don't?
00:39:30You know, karate or something like that?
00:39:32No, just a little kung fu.
00:39:36Oh, I know a few things, too.
00:39:48Bring it on, baby, I'm ready for you.
00:39:52Bring it, Tom.
00:39:53I think you can take care of herself.
00:40:01Oh, oh, I'm so sorry, I'm really sorry, I'm really sorry.
00:40:18I never do that, I never, never, never do that.
00:40:21I just totally lost my head.
00:40:22I'm really sorry, all right?
00:40:28Nice tackle, by the way.
00:40:30Hey, I'm gonna come back and sue you.
00:40:32I'm gonna come back and sue this whole goddamn bar.
00:40:35Yeah.
00:40:35No, you're not.
00:40:36If you guys ever come back in here, I'll call the cops.
00:40:46Ladies, I've waited for someone like you to do that for years.
00:40:50This runs in the house.
00:40:52Cheers.
00:40:52Cheers.
00:40:52I felt like I could have written a whole novel that night with Linnea as my muse.
00:41:03Instead, I went home and wrote my story on the minks.
00:41:08I'm afraid it's real bad news, sir.
00:41:11But you should be glad I'm the one who's breaking it to you.
00:41:13If I didn't happen over here with the DA sat down at the station today,
00:41:16you wouldn't have found out till the cameras were in your face.
00:41:18Spit it the fuck out, Rolo, concisely.
00:41:21I plan to serve a warrant for your arrest in less than two weeks.
00:41:28I'm listening.
00:41:29It's Smitty and Vinnie.
00:41:32Hell, it's probably Bowles, too.
00:41:33The insurance company suspected what was going on after the robbery.
00:41:37Smitty was the first to crumble.
00:41:39They offered him a plea bargain.
00:41:40You know how that goes.
00:41:44They'll release you on bail.
00:41:45You'll be a free man until the trial.
00:41:47That won't be for at least a year, but
00:41:49they will take your passport.
00:41:52What do you say?
00:41:54If you want to run for it, you've got about ten days.
00:42:02I suppose I shouldn't be surprised.
00:42:04There's an old adage,
00:42:07when there are two, one will betray.
00:42:10I know more than two, so I suppose I'm lucky I lasted this long.
00:42:15What do you want to do?
00:42:18Book me airfare for Hong Kong.
00:42:27Two tickets.
00:42:28One for me.
00:42:30One for Linnea Chang.
00:42:45Oh, I'm loaded.
00:42:48Hope you're not reading my piece.
00:42:50Edgar.
00:42:53No, your crap smells better.
00:42:55Matter of fact,
00:43:00yeah, your piece on the Minx gets a gold star.
00:43:04I like the way you focused in on identity, role-playing, whatnot.
00:43:11Maybe a little bit postmodern for my taste,
00:43:13but I drew them out to tell you what to write.
00:43:15We're different generations, and that's why I depend on you.
00:43:19Now, wait a minute, wait a minute.
00:43:20There's this part here.
00:43:23For everyone being equal in the grave.
00:43:26It's beautiful.
00:43:27That's terrific.
00:43:29Thought you might like that.
00:43:31You know, it seems as though you really got inside this girl's head.
00:43:34Now, whether you really did or not, it doesn't matter.
00:43:36It reads like you did.
00:43:38That's what's important.
00:43:39Well, I guess you could say I was inspired.
00:43:42This is so good, in fact, I want to turn it into a series.
00:43:47A series?
00:43:48You betcha.
00:43:51People are gonna eat this crap up, Edgar.
00:43:54This is what the other papers aren't giving them.
00:43:57They're just giving them the facts, man, the facts.
00:44:02Their Minx is just an abstraction that nobody cares anything at all about.
00:44:07We're giving them a Minx that they can relate to,
00:44:09a real flesh and blood human being.
00:44:13Segway, I have a great idea that's really gonna excite you.
00:44:18I'm all ears.
00:44:19Now that you're the official Minx reporter,
00:44:24I want you in your next column to extend that invitation to the Minx
00:44:30to attend our annual Halloween soiree.
00:44:35You fell off the wagon again, didn't you?
00:44:37Not a drop.
00:44:39But this is gonna be gangbusters, trust me.
00:44:43All right, and what if she doesn't show?
00:44:45Then we just sell a boatload of advertising to the business anchos who are gonna be there,
00:44:49and you can write an interesting angle on it.
00:44:51It's win-win.
00:44:54I think you're nuts.
00:44:57What?
00:44:58You're the boss.
00:45:00That's my boy.
00:45:02Now get to typing.
00:45:04Oh, um, okay.
00:45:06One thing, you know I've never been to a Halloween party before, right?
00:45:11Yeah, well, you got to.
00:45:12This year is part of your story.
00:45:13But I don't have to wear a costume, do I?
00:45:17Well, of course you do.
00:45:17I'm not gonna let you in if you don't.
00:45:19And send Peterson in here.
00:45:21Get this.
00:45:23It's Soda Pop, the fast track to democracy.
00:45:27Send that son of a bitch in here.
00:45:31I thought it was a good story.
00:45:34Hey, this is the Windy City Weekly, not the Galloping Gazette.
00:45:37Peterson!
00:45:50Jesus, Rollo, you almost gave me a heart attack.
00:45:53You know, Smitty, Mr. Van Zwift put all his faith and trust in you,
00:45:57and you had to go and betray him.
00:45:58What are you talking about?
00:46:00I overheard what the DA was saying down at the station.
00:46:03He said something about Mr. Van Zwift's imminent arrest,
00:46:06and then something else, about him offering you a plea bargain.
00:46:10I don't know what you're talking about, Rollo.
00:46:11I swear to God.
00:46:12You think I'm stupid?
00:46:13I'm a cop, you fucking moron.
00:46:15Did you think I wouldn't find out about something like this?
00:46:18It's not what you're thinking.
00:46:19Just let me explain.
00:46:19You want to testify against Mr. Van Zwift?
00:46:22You can testify against him in hell.
00:46:24Rollo, we're friends!
00:47:06So,
00:47:19hey, I'm so glad you haven't left yet.
00:47:38I was about to, I wasn't sure.
00:47:41I'm sorry, I'm bad that way.
00:47:43It's okay.
00:47:45So, uh, what do you want to do?
00:47:48Go for a walk.
00:47:49Let's do it.
00:48:19So,
00:48:46all right, how about this one?
00:48:48What is it?
00:48:49The third man.
00:48:51With Joseph Cotton, Orson Welles.
00:48:53Roger Seif, Citizen Kane.
00:48:54Exactly.
00:48:56Let's do it.
00:48:57Let's do it.
00:49:03You guys ready?
00:49:17Let's do it.
00:49:29Let's do it.
00:49:45Have a seat.
00:49:49I apologize for this.
00:49:50I don't want to entertain much.
00:49:51It's okay.
00:49:55Yeah, I mean, I didn't even pick up this week, so.
00:49:57Sorry, it's kind of a mess.
00:49:59Yeah, you should see my place if you want some clutter.
00:50:02I have a lot of stuff in your place.
00:50:04Honestly, it makes me feel like I should sell off a few things.
00:50:07Do you have a lot of furniture?
00:50:09No, not a lot of furniture.
00:50:11A lot of books, a lot of movies, posters, a lot of junk I can't get rid of.
00:50:19Well, it sounds like I could use some of the stuff here,
00:50:22but I feel like I'm wasting the space.
00:50:24I just don't have that decorative flair, I guess.
00:50:27But let me get us some glasses.
00:50:29Okay, let's see.
00:50:43Hey, how long have you been here?
00:50:47A while.
00:50:53Um, where'd you live before?
00:50:57Oh, here, there, you know, everywhere.
00:51:07Do you move often?
00:51:09Well, sometimes life just takes your places, you know.
00:51:17You ever, um, think about putting down some roots?
00:51:21What?
00:51:22You ever, uh, you know, think about putting down some roots?
00:51:27I do, I'm sure I will, eventually.
00:51:45Hey, I'm sorry, I just feel like crying.
00:51:49Don't worry, Edgar, I'll let you know when it gets too personal.
00:51:52I didn't mention it, but it was my favorite film.
00:51:54I'd seen it 30 or 40 times, knew every line.
00:51:57It was my go-to film.
00:52:00A good movie is like a dream.
00:52:02It's nice to get lost in once in a while,
00:52:04but it's only a temporary distraction.
00:52:09Well, um, did you like it?
00:52:11It was amazing.
00:52:14I'm glad.
00:52:16That scene in the sewers.
00:52:17I know, I know.
00:52:18I was like, oh my god, that was so good.
00:52:20That scene in the sewers.
00:52:21I know, it's great stuff, isn't it?
00:52:25You really like this film, huh?
00:52:27I do.
00:52:29You know, I like the whole message.
00:52:31What, that doing the right thing supersedes friendship?
00:52:35Maybe.
00:52:37That was interesting.
00:52:39Orson Welles was so heartless.
00:52:42That's how they usually, uh, you know, paint the bad guys in films.
00:52:46It's like the audience needs to believe that the person committing the crime
00:52:50is just so detached from reality.
00:52:53Well, it could be argued that the criminal is actually more in touch with the real truth.
00:52:58There are no universal truths.
00:52:59It's all subjective.
00:53:01It's different for everybody.
00:53:03Well, at least, um, Harry Lyon's character wasn't totally unlikable.
00:53:08No, but he didn't care about his girl when he almost killed his best friend.
00:53:13Like I said, you have to make them a little evil.
00:53:16So, do you think that a person who commits a crime has to be so cold and removed?
00:53:24No.
00:53:27I really don't.
00:53:28Me either.
00:53:30Anyway, it's just a movie.
00:53:32I really loved it.
00:53:34I was so frazzled earlier today, and I couldn't have pictured a better evening.
00:53:40This is exactly what I needed.
00:53:43Well, um, I should probably get going.
00:53:46Wanker, please.
00:53:48If I wanted you to go, I would have asked you.
00:53:50Nicely.
00:53:52But I would ask you.
00:53:56I like your hair.
00:53:58But I think it looks good a little messy.
00:54:02And I like you, too.
00:54:04I think you need to loosen up a little bit.
00:54:07Um, do I do that?
00:54:09Um, do I do that?
00:54:22That wasn't so bad, was it?
00:54:25No, um, I like you, too.
00:54:27It's just that I don't know how to act when I'm around you.
00:54:32Tonight we won't worry about any other personas.
00:54:35We're just going to be ourselves.
00:54:37Other personas?
00:54:40Cigar, pusher, writer.
00:54:45Singer.
00:54:50Crusher of frat boys.
00:54:55Tonight, let's just dispense with our masks.
00:54:57And we're just going to be who we are.
00:55:00Sounds good.
00:55:08Okay.
00:55:32Just so I can know what you really look like.
00:55:37Okay.
00:55:49Hendricks, again, Peyton.
00:55:52You can't do the same thing two years in a row.
00:55:55Three, sir.
00:55:57Is that you in there, Edgar?
00:55:58Yes, it is.
00:56:00A ghost.
00:56:01The most unoriginal costume known to man.
00:56:04I should have known you'd figure out a way to weasel out of it.
00:56:07You guys having a good time?
00:56:09Yes, sir.
00:56:09Yeah, you really know how to throw a party.
00:56:11It ain't the Mardi Gras, but I try.
00:56:14Edgar, you enjoying yourself under there?
00:56:18Definitely.
00:56:19Good.
00:56:20You deserve it.
00:56:21Great job on the minx piece.
00:56:24Thanks.
00:56:24Well, we'll see if she shows, right?
00:56:26I'll sure show.
00:56:28And besides, give these people enough vino, it won't matter.
00:56:34See you guys later.
00:56:34Hey, what the hell are you supposed to be?
00:56:40A gangster.
00:56:42That's rich, Waldo.
00:56:43You look more like a used car salesman.
00:56:46So, uh, where are our fellas?
00:56:50Don't worry, sir.
00:56:51They're here.
00:56:51They're just deep undercover.
00:56:56Man, what'd I tell you?
00:56:57I knew there'd be no black people here.
00:57:00When you're right, you right.
00:57:03I'm always right, mother fucker.
00:57:05I told you I was right.
00:57:06Give those two a raise.
00:57:21And to it.
00:57:22Glad to see you could make it.
00:57:24I trust you didn't have any problem finding the place?
00:57:26Well, it's a pilsen, but I came anyway.
00:57:28This humble peasant appreciates it.
00:57:32We're gonna be popping open some beautiful champagne at midnight.
00:57:36In the meantime, there's food and drink.
00:57:38Help yourself to anything you see.
00:57:39How about Marilyn Monroe over there?
00:57:41You mean my daughter?
00:57:44Yeah.
00:57:45How about her?
00:57:48Settle down.
00:57:49Don't get your leotard in a twist.
00:57:52I'll have a stoli martini, painfully dry, a single olive,
00:57:56green, stuffed with blue cheese.
00:58:02He'll kiss my ass and come back for seconds
00:58:04if he thinks I'll throw his paper some cash.
00:58:07Fucking prick!
00:58:10One of you guys got to take a piss.
00:58:12Yeah, I probably could.
00:58:13I've been drinking for a couple hours, and I could take a sip.
00:58:15Good.
00:58:16Take this and get me a sample.
00:58:20You want your column off the back page,
00:58:22you want your column off the back page?
00:58:26Yeah.
00:58:27Then goddammit, fill it up!
00:58:30Here?
00:58:31Josh!
00:58:43Holy shit!
00:58:44It's the minx!
00:58:46Hold it right there, little girl!
00:58:48What's all this fuss about?
00:58:52It's just me.
00:58:54It's the minx, right?
00:59:01You guys know her?
00:59:02Of course.
00:59:04If you guys think this is a joke, it's not very funny.
00:59:09Nice costume.
00:59:10Thanks.
00:59:11Where'd you get it?
00:59:12I saw it around town, so I thought I'd pick it up.
00:59:15You could have fooled me.
00:59:16Well, I don't want you to be disappointed,
00:59:18because the minx didn't accept your invitation.
00:59:20Hey, she's singing a song!
00:59:23Yeah, sing us a song, Linnea!
00:59:25So, this is Linnea Chen.
00:59:28I'm Jeremy.
00:59:29Good to meet you.
00:59:30Nice to meet you, too.
00:59:32You certainly liven things up.
00:59:35Why don't you sing a song?
00:59:37This crowded, rip-roaring, drunk, failed mother.
00:59:42Well, I don't have my guitar,
00:59:43but I can sing something a cappella.
00:59:46Beautiful.
00:59:53Shh.
01:00:05My name is Jock Stewart.
01:00:07I'm a canny gunman and a roving young fellow I've been.
01:00:13So be easy and free when you're drinking with me.
01:00:18I'm a man you don't meet every day.
01:00:21So fill up your glasses with bourbon and wine.
01:00:25Whatever the price, I'll pay.
01:00:28So be easy and free when you're drinking with me.
01:00:33I'm a man you don't meet every day.
01:00:36I took out my dog and him.
01:00:39I did shoot all down in the county Kilgare.
01:00:44So be easy and free when you're drinking with me.
01:00:48I'm a man you don't meet every day.
01:01:10I want you, Lanaire, I want you.
01:01:13I see you know Van Zwick?
01:01:16Who is he?
01:01:17He's the customer in my store.
01:01:19Payton, where's that drink?
01:01:21I was hoping I could recruit you tonight, Lanaire.
01:01:32I don't know, Mr. Van Zwick.
01:01:35Pretty out of shape.
01:01:38I don't know if you guys would be able to hear me.
01:01:41I don't know if you guys would be able to pass the bill.
01:01:44I doubt that.
01:01:45I doubt that very much.
01:01:49Excuse me, I need to say this next dance with my boyfriend.
01:01:52Sure, but think over what we talked about.
01:01:56Chance to enlist?
01:01:57You're out of choice.
01:02:09So what was that all about?
01:02:57So what was that all about?
01:03:27So what was that all about?
01:03:57So
01:04:28what
01:04:35Sorry, we're closed.
01:04:37I've got a tobacco emergency.
01:04:41What do you want?
01:04:44My boys tell me that you've been spending a lot of time with that pet Mexican of yours.
01:04:49Hey, did you hear the one about the Mexican guy with two dicks?
01:04:54Called one Jose, the other Jose B.
01:04:57Oh, you don't know when to give up, do you?
01:05:02Persistence, Lanaire, is the fuel of achievement.
01:05:09I'm leaving the country.
01:05:13There is a God.
01:05:15There is a God.
01:05:21May police plan on serving me with a warrant tomorrow.
01:05:28Of course, I'll be on a slow boat to China by then.
01:05:31What are they arresting you for?
01:05:37Theft, accountancy fraud, insider trading, just a bunch of everyday business stuff.
01:05:42I'm really sorry to hear that, Joe.
01:05:46I really am.
01:05:48Hey, you called me Joe.
01:05:55What do you want?
01:05:57Why don't you let me in?
01:05:58We can talk about it.
01:06:00Brevity is the soul of wit, Joe.
01:06:02Whatever you have to say, you spit it out right here and right now.
01:06:07Come with me.
01:06:12Assuming I don't go.
01:06:15I'm sorry?
01:06:16Assuming I don't go.
01:06:25I do a lot of business in Hong Kong.
01:06:29With my sphere of influence with the local authorities, I can guarantee we will never be extradited.
01:06:35Besides, you might want to see the land of your ancestors.
01:06:39What do you mean?
01:06:42We won't get extradited, Joe.
01:06:45Well, the minks is who they're really going to be after.
01:06:49Yeah, I'm small potatoes next to a big media star like you.
01:06:55And what if I don't go?
01:06:59They'll arrest you here.
01:07:03I'll see to it.
01:07:04Okay, give me a few hours to think about it.
01:07:10They're going to try to serve the papers at 9 a.m.
01:07:12Plane leaves at 7.30.
01:07:15Don't bother to pack.
01:07:16Look, we'll buy everything we need there.
01:07:20So, uh, bring the vinyl number.
01:07:25Joe, it's me.
01:07:27All right, I'm in.
01:07:29Meet me in the morning.
01:07:31And you better come along because I don't trust those goons of yours.
01:07:345 a.m., Rockefeller Chapel, 57th and Woodlawn.
01:07:37Don't be good.
01:07:42I know when I was in here the other night,
01:07:46seemed like I was all business.
01:07:49But the fact is, uh, you were very distracting to me.
01:07:54Really?
01:07:57Being a cop, you know, I'm not the type to...
01:08:00You're a cop, you know, I'm a cop.
01:08:03I'm a cop.
01:08:05I'm a cop.
01:08:06I'm a cop.
01:08:07I'm a cop.
01:08:07I'm a cop.
01:08:08I'm a cop.
01:08:08I'm a cop.
01:08:09I'm a cop.
01:08:09I'm a cop.
01:08:10I'm a cop.
01:08:11I'm a cop.
01:08:11It's like being two different people.
01:08:14When you're on duty, you know, you can't afford to show too much of yourself.
01:08:20The fact is, a cop needs a good partner, both on and off the job.
01:08:27Most people are afraid of cops.
01:08:29Finding a woman who isn't afraid of a cop with the odd hours and skinny paychecks.
01:08:38That doesn't really matter.
01:08:39What they're really looking for is just someone to treat them right.
01:08:43Well, uh...
01:08:47Would I qualify as being not so ugly as you would go out with me?
01:08:51Chief Schepetti, are you there?
01:08:54Damn, I knew I should have kept this thing in the car.
01:08:57Schepetti here, go ahead.
01:08:59We've got another woman on the line claiming to be the mink.
01:09:03Well, take her name and put her number in the database, just like everybody else.
01:09:07The fifth one said that she arrived in Vancouver state last week.
01:09:11Shit.
01:09:11Uh, keep her on the line.
01:09:13I'll be in the car in five seconds.
01:09:15Gotta go.
01:09:17Hey, Chief, you're not so ugly.
01:09:20I'll be back.
01:09:23Heard back from her, Rollo.
01:09:25She's gonna go with me.
01:09:28But I do need one last favor from you.
01:09:33Right, Joe.
01:09:35Rockefeller Chapel.
01:09:36430.
01:09:38We'll be there.
01:09:40Mr. Mott, I'm gonna need your services tonight.
01:09:52What the fuck?
01:09:54Oh, Jesus.
01:09:59What are you doing here?
01:10:01What time is it?
01:10:02It's really late, I'm sorry.
01:10:04Oh, I'm really sorry I had to come see you.
01:10:13Oh, uh, excuse my place.
01:10:15You know I haven't had a lot of time lately.
01:10:17Oh, it's fine, it's fine.
01:10:19Can I get you something to drink?
01:10:20No, I'm okay, thanks.
01:10:23So, were you gonna tell me you're the minks or are you just gonna continue lying to me?
01:10:28No, I came here to tell you.
01:10:31I mean, I guess I'll have to believe you.
01:10:35How did you know?
01:10:36Who else comes to my window in the middle of the night?
01:10:41I don't get it.
01:10:43Why do you do it?
01:10:45I don't know.
01:10:47I don't know.
01:10:49I can't explain it.
01:10:51It's like when, when I put that suit on,
01:10:57I feel the deepest part of me awakening.
01:11:01I feel so alive.
01:11:05That is all.
01:11:08You can't do this.
01:11:09Yeah.
01:11:12You have to turn yourself in.
01:11:13It's the only thing to do.
01:11:15No, I don't.
01:11:17There's an out.
01:11:18I have an option.
01:11:20What kind of option?
01:11:21I have an out.
01:11:24I want you to come with me.
01:11:26Where?
01:11:27Out of the country.
01:11:28Out of the country where?
01:11:29It doesn't matter.
01:11:30It's not important.
01:11:32What is important is that I want you to come with me.
01:11:37I don't, I don't get this.
01:11:39I always thought that I was into you more than you were into me.
01:11:45I guess I keep quiet about things I'm most excited about.
01:11:55What kind of life could we lead?
01:11:56It's like you'd always be on the run
01:11:58and the only time we'd ever be able to see each other
01:12:00is when you decided to come through my window.
01:12:02No, it wouldn't be like that.
01:12:04Are you sure?
01:12:05Because I'm not, Linnea.
01:12:09I know you think you know what you're doing.
01:12:12But it's not a, you can't live that way.
01:12:16Just turn yourself in.
01:12:21You'll wait for me?
01:12:26You're worth waiting for.
01:12:28But we don't have the way we can go right now.
01:12:30Let's just go.
01:12:31Come with me.
01:12:31Come on, we can make this happen.
01:12:32Come with me.
01:12:33Let's go.
01:12:34I can't.
01:12:35Neither can you.
01:12:39Just turn yourself in and I will marry you the second you're released.
01:12:44I promise.
01:12:47I used to speak another language
01:12:49and for the longest time I could only speak that language in my dreams.
01:12:55But I think I'm ready to speak it again.
01:12:57What language did you speak?
01:13:04What I'm trying to say is that I don't get over things easily.
01:13:08No matter what happens, I'll never forget you.
01:13:15I'm never going to see you again, am I?
01:13:17No, probably not.
01:13:28There's just no way to say goodbye.
01:13:33Come here.
01:13:57Rebecca?
01:14:16Betty here.
01:14:17Go ahead.
01:14:18She's on the line again.
01:14:19She wants to speak with you personally.
01:14:21Well, pass her through, damn it.
01:14:23Well, hello there, Chief.
01:14:25We finally meet.
01:14:26Yeah, why don't we meet face to face?
01:14:29Where are you?
01:14:30I'm ready to turn myself in, but I want to do it on my terms.
01:14:33I want you to be there and nobody else.
01:14:36Rockefeller Chapel, 5 a.m.
01:14:38Got it.
01:14:45What the fuck?
01:14:47Most Mexicans are Catholic, aren't they?
01:14:50Yeah, I guess.
01:14:52Good, because we're taking your ass to church.
01:14:56Good morning, Linnea.
01:15:12You're here early.
01:15:15Of course, so am I.
01:15:18I was wondering about this odd choice of meeting place.
01:15:26Are you a religious person?
01:15:33Some of my business associates in Hong Kong, what they call triads,
01:15:41lean heavily toward Buddhist mysticism.
01:15:47Now, I've tried studying those Eastern religions and philosophies,
01:15:54but found I just couldn't do it.
01:16:04I'm just not temperamentally suited for it, you know what I mean?
01:16:12I grew up masturbating to Marilyn Monroe.
01:16:15My kind of culture just somehow doesn't jive with karma, reincarnation.
01:16:29Oh, you're in costume.
01:16:36Don't you think that might be a little indiscreet trying to get through security at O'Hare?
01:16:44Speaking of which, I've got the tickets right here, so we're all set to go.
01:16:53I'm not coming with you, Joe.
01:16:56I figured you'd say that.
01:16:59But Linnea, I wasn't stupid enough to think you'd come with me out of fear of being arrested.
01:17:06That wouldn't intimidate you.
01:17:07That's why I had to have another card up my sleeve.
01:17:11Boys!
01:17:18See, on the other hand, I figured you'd be more easily persuaded
01:17:22if you thought I was going to put a bullet into the brain of your Latin lover here.
01:17:27Was I right?
01:17:30So was Ron Linnea.
01:17:33We did end up seeing each other again.
01:17:35We did end up seeing each other again.
01:17:37I figured you'd pull something like this, Joe.
01:17:40That's why I had to have a card up my sleeve, too.
01:17:43Chief!
01:17:46Don't do anything stupid.
01:17:47Just put the gun down nice and easy, boys.
01:17:51Damn.
01:17:55So you raised the stakes.
01:18:00Unwise, Linnea.
01:18:02Oh, very unwise.
01:18:06Planning on skipping town, were you, Joe?
01:18:09I got a trip for you.
01:18:11I got a one-way ticket.
01:18:12Only this one-way ticket.
01:18:13I am leaving Township, Eddie.
01:18:16Only I prefer to arrange my own accommodations.
01:18:19That's why I had to have an ace in the hole.
01:18:22Rollo!
01:18:23Sorry, Chief.
01:18:24I'm going to have to ask you to put the gun down.
01:18:27Sergeant Rollo!
01:18:28No fucking way!
01:18:29Right, so, Chief.
01:18:31So it seems the cards are all mine.
01:18:36Now, this can end in a number of ways.
01:18:38We can have ourselves a nice little bloodbath like in the old movies.
01:18:43Or we can all walk out of here like this.
01:18:49But in order for that to happen,
01:18:52some of us need to put down our guns and walk away.
01:18:58Guess who gets to keep theirs?
01:19:00Don't be stupid, Van Swick.
01:19:02There's no way out of this.
01:19:04How blind you must be not to see who has the upper hand in this situation!
01:19:11You can't be that stupid even if you are a cop.
01:19:15Only you're smart enough to count to three.
01:19:19Because on three, my man shoots.
01:19:25One.
01:19:31Two.
01:19:32Three.
01:19:40Don't touch that gun, Sergeant.
01:19:43Fuck a bunch of this bullshit!
01:19:45Yeah, I got a weird little Chinese bitch.
01:19:48Hold it right there, boys!
01:19:49Don't move!
01:19:50Chief, look out!
01:20:01Fuck!
01:20:08How'd you do it, Raulo, you idiot?
01:20:14Raulo, Raulo, you poor bastard.
01:20:18Faithful to the end.
01:20:20You're right, Giovanni.
01:20:21He wasn't everything.
01:20:24He's my great hero.
01:20:26Saving my life now.
01:20:28I can't let you just walk away.
01:20:30You're gonna have to come along with me also.
01:20:50She sure knows how to make a guy feel small, doesn't she?
01:20:55Who is she?
01:20:56And where'd she learn to fight like that?
01:21:00She learned to protect herself.
01:21:04Ticket.
01:21:05I should have fucking known.
01:21:08What's that, Joe?
01:21:10Nothing.
01:21:15Watch the hair, Chief Eddie.
01:21:27Edgar!
01:21:28Can't pass it, dude.
01:21:30Neither, man.
01:21:33Actually, you know what?
01:21:34There's a lot going on, but I'm really not gonna get into it.
01:21:38Yeah?
01:21:39Well, I guess it's about a girl, huh?
01:21:43Of course, man.
01:21:44It's, uh, it's Linnea.
01:21:51You know, uh, you know she left the country?
01:21:52What?
01:21:53Yeah.
01:21:54Where'd she go?
01:21:55I don't know.
01:21:56She wanted me to go with her.
01:21:58I actually thought about it, but...
01:22:00Yeah?
01:22:03I don't know.
01:22:04It's a long story, man.
01:22:05Well, at least you'll always have Chicago.
01:22:08Guess so, man.
01:22:10Guess so.
01:22:14Hey, you know what?
01:22:15It's like they say in baseball.
01:22:17Sometimes you win, sometimes you lose.
01:22:20Sometimes it fucking rains.
01:22:24But, um, I guess no one goes through life without, uh,
01:22:27the proverbial one who got away, right?
01:22:30Women.
01:22:31Women.
01:22:34I just wonder where she is now.
01:22:39What's that bitch gonna do in Hong Kong?
01:22:58Oh, hi, Hong Hong.
01:22:59She's like, don't worry, I'll come tonight.
01:23:27So
01:23:57so
01:24:27so
01:24:57so
01:25:27so
01:25:43so
01:25:57so
01:26:06you

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