- 12 years ago
Horror / Thriller (1964) 84 minutes ~ Color
Original Title: ei donne per l'assassino
Italian thriller about a shadowy killer in black murdering fashion models through brutal methods.
Director: Mario Bava
Writers: Marcello Fondato (story), Giuseppe Barilla (collaboration), Mario Bava (collaboration)
Stars: Cameron Mitchell, Eva Bartok, Thomas Reiner
Original Title: ei donne per l'assassino
Italian thriller about a shadowy killer in black murdering fashion models through brutal methods.
Director: Mario Bava
Writers: Marcello Fondato (story), Giuseppe Barilla (collaboration), Mario Bava (collaboration)
Stars: Cameron Mitchell, Eva Bartok, Thomas Reiner
Category
🎥
Short filmTranscript
00:00:28The
00:02:27Why did you phone? Isabella might see us.
00:02:30Did you bring some?
00:02:31No.
00:02:33I can't stand it anymore.
00:02:36I can't stand it anymore.
00:02:38Be patient.
00:02:39When I'm through, we'll get some.
00:02:41How about Isabella?
00:02:44We had a quarrel.
00:02:47Damn her.
00:02:48She even took what I had.
00:02:50Try to hold out.
00:02:52We'll find some for sure.
00:02:54Please hold out.
00:02:55Please.
00:02:57Go now.
00:02:57Okay.
00:02:59Later.
00:03:00Okay.
00:03:01Goodbye.
00:03:02Goodbye.
00:03:08Bye.
00:03:12Bye.
00:03:16Bye.
00:03:19Bye.
00:03:21Bye.
00:03:25Bye.
00:03:30Bye.
00:03:39Isabella, your scarf.
00:03:41Thanks.
00:03:42Goodbye.
00:04:03Goodbye.
00:04:33Goodbye.
00:05:03Goodbye.
00:05:35Goodbye.
00:06:03Goodbye.
00:06:30The sign.
00:06:32Seems to have come off again.
00:06:34Want me to fix it?
00:06:36No.
00:06:37No, not today.
00:06:39You can do it tomorrow.
00:07:21You can do it tomorrow.
00:07:23You can do it tomorrow.
00:07:26You can do it tomorrow.
00:07:30It's all very well.
00:07:32The next time she does it, I'm going to fire her.
00:07:46Good night, madame.
00:07:47Good night.
00:07:49Good night.
00:07:50Nicole.
00:07:52Nicole.
00:07:52Look at this dress.
00:07:53I wish you'd take care of the things you wear tomorrow's the show.
00:07:56Now look at this.
00:07:57Yes, madame.
00:07:58I'm sorry.
00:07:58Yes, you are sorry, especially when it's time to leave.
00:08:00You have absolutely no mind for anything else.
00:08:05What does she expect?
00:08:06I'm not in mourning like her.
00:08:07Poor thing.
00:08:08She hasn't been the same since her husband died.
00:08:20You have to explode.
00:08:49How long were the lights?
00:08:51About ten minutes.
00:08:53How long has the girl worked for you?
00:08:56About two years.
00:08:59Well...
00:09:00What was she like?
00:09:03She was rather lively.
00:09:06Perhaps lacking discipline. Nothing seriously wrong with her.
00:09:10Did she have many friends?
00:09:13Well, Inspector, I'm afraid I can't be of much help to you.
00:09:17I suggest you ask the two girls who lived with her.
00:09:19Let's go.
00:09:19Let's go.
00:09:20Let's go.
00:09:23Let's go.
00:09:24Let's go.
00:09:24Let's go.
00:09:42Let's go.
00:09:51Let's go.
00:09:53Good morning.
00:09:54But we've already met.
00:09:56Haven't we?
00:09:58Oh.
00:09:59Oh, yes.
00:10:00Yes, I think so.
00:10:02After my husband's death.
00:10:05I remember.
00:10:06The car accident.
00:10:10You certainly can help me.
00:10:11You surely know everything about these girls.
00:10:15Inspector, I don't run a boarding school.
00:10:17When the girls finish here, they're free to go and do as they please.
00:10:22Well, um, I'll be in the studio.
00:10:25If you'll excuse me.
00:10:26Please.
00:10:50You say you went outside to repair the metal sign.
00:10:53At what time was it?
00:10:54About seven.
00:10:55Madame Christina complained that the noise got on her nerves.
00:10:58So I went out and I put up the sign again.
00:11:01But I came back inside at once.
00:11:02Mr. Marlin!
00:11:04I demand an explanation.
00:11:06I hardly put my foot inside the gate.
00:11:08When these two grabbed a hold of me.
00:11:10Ask Inspector.
00:11:11Inspector?
00:11:12Calm down and tell me why you're here.
00:11:14Allow me.
00:11:15My key wretched morale of Castle Frank.
00:11:17All right, all right.
00:11:17Now answer my question.
00:11:19He's here to see me.
00:11:20He's my fiancé.
00:11:24Why are you laughing?
00:11:25Because I live with him.
00:11:27Did you know Isabella?
00:11:30Isabella?
00:11:32You introduced me to her.
00:11:33Didn't you?
00:11:35Yes, I can say I knew her.
00:11:37Only slightly, though.
00:11:38Only slightly.
00:11:49Well, you seem to be the only one who cares.
00:11:52They were close friends.
00:11:54The three of you lived together?
00:11:56Yes, me and Thierry.
00:11:57What was she like?
00:11:58Tell me who your friend went out with.
00:12:00I don't know.
00:12:01I don't know.
00:12:02Leave her alone.
00:12:03Everybody knows who Isabella's lover was.
00:12:06Who are you?
00:12:07Cecil Azar.
00:12:08I'm a dress designer.
00:12:09What about the other name?
00:12:11Which?
00:12:11The name of this lover?
00:12:13Faskarlo.
00:12:14Frank Scarlo.
00:12:14The antique dealer.
00:12:20Police.
00:12:21Tell me, where's Inspector?
00:12:22In there.
00:12:31Would you excuse me for a moment?
00:12:36They confirm.
00:12:38Drugs.
00:12:41I see.
00:12:42Yes, sir.
00:12:52So, what kind of a relationship was there with Isabella and you?
00:12:58We were just friends.
00:13:00Or lovers.
00:13:04Well, I hope it doesn't become scandalized if I tell you.
00:13:07I don't believe in permanent, exclusive relationships.
00:13:11I see.
00:13:12I see.
00:13:17Ever seen it before?
00:13:21No.
00:13:22I don't know.
00:13:24What is it?
00:13:26Cocaine.
00:13:28It was found in your friend Isabella's house.
00:13:33Isabella?
00:13:34You knew nothing about it?
00:13:36No.
00:13:38Never mind.
00:13:41However, I must ask you to remain at my disposal.
00:13:45I'll see you later.
00:14:00Turn around.
00:14:02All right.
00:14:03You can go.
00:14:04Hurry.
00:14:09Well, Cesar, what is it?
00:14:11This should have been worn by, by poor Isabella.
00:14:14Yes, of course.
00:14:14Who shall I give it to?
00:14:15Well, let me see.
00:14:17Oh, Peggy, look.
00:14:17Here.
00:14:18Please, no, not me.
00:14:19No, no, please.
00:14:19I saw that dress up.
00:14:19Oh, for heaven's sake, stop that.
00:14:21You're going to ruin your makeup.
00:14:23Greta, you model it.
00:14:24Oh, no.
00:14:25I don't think I should wear it.
00:14:26Look, don't be so silly.
00:14:27It carries bad luck, I'm sure.
00:14:28But, girl, someone's got to model it.
00:14:30I'll wear the dress.
00:14:31All right, now, come on.
00:14:32What a cynic.
00:14:34She doesn't believe in anything.
00:14:37That's all right.
00:14:37You can go.
00:14:40Listen.
00:14:46You can go.
00:14:52Stop it.
00:14:53This may be a lawyer.
00:14:55I'm gonna wear a nun.
00:14:56That's all right, you're gonna wear it.
00:14:57This may be a nun.
00:14:58You're not a nun.
00:14:58No, I'm not a nun.
00:14:58No, I'm not a nun.
00:15:00I'm not a nun.
00:15:01For the hour, when you're living in the morning,
00:15:02It's not a nun.
00:15:02You're not a nun.
00:15:05You're not a nun.
00:15:09You're not a nun.
00:15:14turn around walk all right wait there's something missing the brooch the brooch goes there we'll soon
00:15:28put it right where is it well it was Isabella's own wait a minute she kept it in one of
00:15:33the boxes
00:15:33let's look for it here it is
00:15:51hey look at this Isabella kept a diary
00:16:02this is a gold mine listen he's a man that awakens such deep feelings in me that afterwards I feel
00:16:09limp empty let me see I don't think we should come are you crazy this is hardly at the moment
00:16:18be off with you go on go on and change this you know should be handed to the police I
00:16:27found it
00:16:28if you don't mind I would like to give it to the police tomorrow as you wish
00:16:56so
00:17:02but
00:17:03you
00:17:03you
00:17:03you
00:17:03you
00:17:04you
00:17:17you
00:17:17you
00:17:18you
00:18:00Hello, Frank.
00:18:02Why haven't you come?
00:18:03I'm just leaving.
00:18:04But I don't feel well.
00:18:06I understand.
00:18:08Come out here.
00:18:09I've got some...
00:18:11Listen, Frank.
00:18:13I have found a diary.
00:18:15Isabella's diary.
00:18:16A diary?
00:18:18Who else knows?
00:18:20Everyone was looking.
00:18:22I didn't realize that there might be something about you in it.
00:18:25By the way, I said that I would give it to the police tomorrow.
00:18:29Good.
00:18:30That gives us time to look through it.
00:18:31I'll be right over.
00:18:34But you are terribly ill, Frank.
00:18:37Frank?
00:18:38Can you hear me?
00:18:40Nicole.
00:18:42I can hardly breathe.
00:18:43If you've got them, I'll feel better.
00:18:45Goodbye.
00:18:47Goodbye.
00:18:52Hurry up, girls.
00:18:53Greta, you're next.
00:18:56Everything all right, Marco?
00:18:58Yes, ma'am.
00:18:58Good.
00:19:04Well, Cesar, where have you been?
00:19:06Right here.
00:19:06Well, then send them in.
00:19:07Do I have to do everything myself?
00:19:15Nicole.
00:19:17You were wanted on the phone.
00:19:18Me?
00:19:18Yes, you.
00:19:24Hello?
00:19:25Hello?
00:19:26Is that you, Nicole?
00:19:27Yes.
00:19:28Who's speaking?
00:19:29Frank.
00:19:30I can't make it.
00:19:32I feel too bad.
00:19:33You come here, please.
00:19:35I feel like I'm suffocating.
00:19:36How can I come now?
00:19:40Well, I will do my best.
00:19:42I will come right away.
00:19:47All right, hurry up, hurry up.
00:19:51Frank feels bad.
00:19:51He needs me.
00:19:53I'll have to go over.
00:19:54I can't wait anymore.
00:19:55Please, lend me your car.
00:19:56How are you going to get away?
00:19:57We're right in the middle of a show.
00:19:58Who cares?
00:19:59Please give me your keys, but don't let anyone see you.
00:20:12Peggy, what are you doing?
00:20:14Nothing.
00:20:15I was looking for a handkerchief.
00:20:21Be careful.
00:20:22Bert will allow me to sit in the glove compartment right at the back.
00:20:24Sure.
00:20:26Cover me.
00:20:54I'll help you.
00:20:55Come here.
00:20:58Come here.
00:21:11Frank?
00:21:41I'm sorry.
00:22:04Frank?
00:22:06Frank?
00:22:11Frank?
00:22:26Frank?
00:22:27Frank?
00:22:30Frank?
00:23:08Frank?
00:23:10Frank?
00:23:16Frank?
00:23:25Frank?
00:23:28No!
00:24:16Stop!
00:24:18Stop!
00:24:19Stop!
00:24:26Stop!
00:24:59Help!
00:25:01Help!
00:25:03Help!
00:25:05Help!
00:25:09Come on.
00:25:41Come on.
00:26:05Come on.
00:26:53Come on.
00:26:53Have a good time, but don't come home too late.
00:26:54Good night, please.
00:26:55Good night.
00:27:02Peggy.
00:27:03Marco, why did you get out?
00:27:06I wanted to keep you company till Nicole gets in.
00:27:11Aren't you afraid in there alone?
00:27:14Well, to tell the truth, I'm awfully tired.
00:27:16I want to go to sleep right away.
00:27:18But don't you have to wait till...
00:27:20till Nicole brings the car back anyway?
00:27:24Please.
00:27:25All right.
00:27:26All right.
00:27:27Come on up.
00:27:28Thanks.
00:27:29I couldn't have gone off with an easy mind, knowing you were alone in this house.
00:27:55Oh, Clarice, you're still here.
00:27:58Good evening, Miss.
00:28:00Yes.
00:28:00Yes, I've just finished.
00:28:04Miss Nicole hasn't come home.
00:28:06No, she's gone to a party.
00:28:07She'll be home later.
00:28:08She's always mothering us.
00:28:11Well, I'll be running along.
00:28:12Oh, I left the dinner heating on the stove.
00:28:16Oh, if Miss Nicole wants that mess of hers, she only has to warm it up.
00:28:20Thank you, Clarice.
00:28:21Good night.
00:28:22See you tomorrow.
00:28:32Peggy.
00:28:34You just don't seem to understand.
00:28:37Of course I...
00:28:38Peggy.
00:28:38I'm tired of trying to make you understand.
00:28:42I've told you a thousand times.
00:28:45I've fallen in love with you.
00:28:48I don't care what happens.
00:28:51But...
00:28:51Calm down.
00:28:52Sit here.
00:29:04You see?
00:29:06I'm not well.
00:29:08I know I look like a fool.
00:29:11That's what makes me mad.
00:29:15I'm ill.
00:29:16And unlucky.
00:29:17Don't be like that.
00:29:18I understand you.
00:29:18I'm your friend.
00:29:19Come on, cheer up.
00:29:27I'll get yours.
00:29:29Don't touch it!
00:29:30Don't touch it!
00:29:31What's wrong?
00:29:32I just wanted cigarettes.
00:29:33What's wrong?
00:29:36I'll get the cigarette.
00:29:37You're just on tidy mag.
00:29:55Hello?
00:29:56Good evening, Miss Peggy.
00:29:57This is Inspector Sylvester.
00:29:59I have to ask you something about your car.
00:30:02Your car has been found abandoned.
00:30:04I want to know if it has been stolen.
00:30:07No, I lent it to my friend Nicole.
00:30:09Yes.
00:30:10Yes.
00:30:12She was in a hurry.
00:30:13A friend of hers called to say he felt ill.
00:30:15But has something happened?
00:30:17We better talk about this in person.
00:30:19I'll come over and see you right away.
00:30:22Very well.
00:30:22I'll be waiting.
00:30:24What's up?
00:30:25They found my car.
00:30:26But without Nicole.
00:30:28My God, what could have happened?
00:30:29Is he coming here?
00:30:30Yes.
00:30:31He wants to talk to me.
00:30:34Then, I better leave.
00:30:36I don't want the police to find me here.
00:30:38Yes, it's best.
00:30:39No one knows you've been here.
00:30:41Yes.
00:30:42For me.
00:30:43And especially for you.
00:30:45Yes.
00:30:45I suppose so.
00:30:47I'll see you tomorrow.
00:30:48Tomorrow.
00:31:27October 16th.
00:31:28I caught Peggy trying to steal $1,000 from my purse.
00:31:31She began to cry and explained how much she needed it.
00:31:34She was pregnant and not able to face the scandal.
00:31:37I felt sorry and I loaned her the money.
00:31:39It means that tomorrow I will ask him for $2,000.
00:31:47There is no more than $2,000.
00:31:47I'll have to get back to $1,000.
00:31:48I'll have to get back to $1,000.
00:31:55I'll have to get back to $6,000.
00:31:59And I'll have to get back to $1,000.
00:32:25Oh, my God.
00:32:41Oh, my God.
00:33:23Oh, my God.
00:33:26Oh, my God.
00:33:41I burned it.
00:33:42I burned it.
00:33:43I burned it.
00:33:59I burned it.
00:34:00I burned it.
00:34:03I burned it.
00:34:08I burned it.
00:34:16I burned it.
00:34:26I burned it.
00:34:28I burned it.
00:34:31I burned it.
00:34:37I burned it.
00:34:39I burned it.
00:34:42I burned it.
00:34:55I burned it.
00:34:59I burned it.
00:35:27Miss Peggy.
00:35:36Miss Peggy.
00:36:08Miss Peggy.
00:36:47Miss Peggy.
00:36:49I must ask you to excuse me.
00:36:50There's no time to be visiting.
00:36:52But it's a rather urgent matter.
00:36:53Please, make yourself comfortable.
00:36:56Why did you come here?
00:36:59Charles, you may go, please.
00:37:11Well, then?
00:37:12A little while ago, I...
00:37:14I found Nicole lying in my shop.
00:37:17She's been murdered.
00:37:19Oh, my God.
00:37:22I'd gone to the salon to pick up Nicole.
00:37:26Remember?
00:37:27I met you there at the time.
00:37:30I looked for her everywhere, but I couldn't find her.
00:37:33Then I went back to my shop.
00:37:36And believe me, I...
00:37:37I've never seen such a mess.
00:37:39You'll pardon me.
00:37:40But why have you come here instead of calling the police?
00:37:45Nicole was my girlfriend.
00:37:48She was murdered in my shop.
00:37:50The police will be accusing me of it.
00:37:53That ain't an alibi.
00:37:55And you've got to help me.
00:37:57Me?
00:37:58What have I got to do with it?
00:38:00Me?
00:38:01You're just as much to blame for it as I am.
00:38:05We've got to tell the police that we're always together at the salon.
00:38:07Right to the end.
00:38:09I'll back you up.
00:38:11You do the same for me.
00:38:13It's best for both of us.
00:38:14But you're mad.
00:38:16The police have no reason to accuse me of anything.
00:38:19You're the one who's in trouble.
00:38:21You really could have killed her.
00:38:23No, no.
00:38:24Call the police at once.
00:38:25Or I'll have to.
00:38:27All right.
00:38:28Go right ahead.
00:38:29But don't forget to tell them about your bad debt.
00:38:31What debts?
00:38:32You signed IOUs to Isabella for a loan of several thousand dollars.
00:38:36And couldn't pay the money back.
00:38:39Is it true?
00:38:40Richard, you never told me.
00:38:41Is it true?
00:38:43My God.
00:38:44My God.
00:38:45You, my dear Marquis, don't have a single dollar to your name.
00:38:48You're absolutely flat.
00:38:50And afraid of a scandal.
00:38:51Well, which is a good enough reason for, for killing Isabella.
00:38:56At the same time, eliminating the possibilities of her diary being read by the police.
00:39:01Who knows?
00:39:02Perhaps, uh, the diary had the dates on which the payments were due.
00:39:06Don't lie, Richard.
00:39:07I told you, Nicole had found Isabella's diary.
00:39:10As you see, we sink or swim together, Mr. Morales.
00:39:14And, uh, if you don't want the police meddling around in your private affairs,
00:39:18I suggest you take my advice.
00:39:21I'll go back to my shop now and call the inspector.
00:39:25I'll tell him that we were always together.
00:39:28All right?
00:39:30Good evening.
00:39:54Good evening.
00:39:59Good evening.
00:40:02Good evening.
00:40:08Good evening.
00:40:10Good evening.
00:40:10Good evening.
00:40:10Good evening.
00:40:10Good evening.
00:40:10Good evening.
00:40:10Good evening.
00:40:10Good evening.
00:40:11Good evening.
00:40:11Good evening.
00:40:12Good evening.
00:40:12Good evening.
00:40:13Good evening.
00:40:13Good evening.
00:40:15Good evening.
00:40:17Good evening.
00:40:25You've got to believe me. I burned it.
00:40:27I tell you, I burned it.
00:40:29There was something in my private life that I meant to know about.
00:40:32You've got to believe me. I burned it.
00:40:41Please, believe me. I burned it.
00:40:44You've got to believe me. I burned it.
00:40:56I burned it.
00:41:03No!
00:41:04No!
00:41:05No!
00:41:07No!
00:41:08No!
00:41:09No!
00:41:10No!
00:41:11No!
00:41:12No!
00:41:16No!
00:41:31How do you think this girl got in here?
00:41:34She had a key.
00:41:36How come?
00:41:38I'd given it to her.
00:41:40She used to come and see me now and then.
00:41:41Her too.
00:41:44Inspector, please don't think that I...
00:41:46Nicole was the reason why I left Isabella.
00:41:49And how many other people had a key to your door?
00:41:52No one else.
00:41:53Except myself, naturally.
00:41:55Naturally.
00:42:02Did you take drugs with her too?
00:42:06What do you mean, Inspector?
00:42:07Come, come, come, Scarlo.
00:42:10Don't try to fool me.
00:42:13You've got the habit.
00:42:15It's written all over your face.
00:42:17If you like, I'll even tell you where you get the stuff.
00:42:21And, uh...
00:42:22As for the girls who...
00:42:24Who shall we say...
00:42:25Keep you company.
00:42:27They either try to get you to drop the habit like Isabella.
00:42:30Or join you in it like this one, for example.
00:42:34All right.
00:42:35Perhaps.
00:42:38But that doesn't make me a murderer.
00:42:40Besides I...
00:42:41I've got an alibi.
00:42:43I was with...
00:42:43I haven't asked you.
00:42:45For the time being.
00:42:47We'll go on with it later.
00:42:50When?
00:42:50In my office.
00:42:52Come along.
00:43:13Let's go.
00:43:32Is this Dwap?
00:43:33Yes.
00:43:34Are you sure?
00:43:35Oh, yes.
00:43:36Wait a minute.
00:43:37I wrote down the first number.
00:43:39Uh, 453. You can see.
00:43:44Did you see a man or a woman?
00:43:46A man, I am sure. He's dressed in black, but he seemed to not have a face.
00:43:52Perhaps he was wearing a mask.
00:43:54Perhaps. I don't know. I was distracted by the horn.
00:43:57Which horn?
00:43:58The horn of this car, Inspector. I know it. I've serviced it.
00:44:02It blew for a time, and then it stopped.
00:44:09Has this car got a burglar alarm, Sergeant?
00:44:19Yes, it's here. In the glove compartment.
00:44:23How long did it blow?
00:44:24I don't know. I told you.
00:44:27It wasn't for long.
00:44:28This long?
00:44:31Stop. Not longer than that.
00:44:33If you don't know where it is, it would take quite a while to find it.
00:44:38We've wasted enough time on this.
00:44:40Let's go to the office.
00:45:11Come in, please.
00:45:24Look at them carefully.
00:45:25Have you ever seen any of them in Miss Peggy's car?
00:45:28Good morning, Mr. Morland.
00:45:30Morning, Clarice.
00:45:31Have you seen him in the car?
00:45:32Certainly she's seen me before, in the car, on more than one occasion.
00:45:37What's so strange about that?
00:45:38And who said there was?
00:45:42Let's continue.
00:45:43Him. I've seen him in the car.
00:45:45Of course she's seen me.
00:45:46What does it prove?
00:45:48This is all so ridiculous.
00:45:50Be quiet.
00:45:52You didn't see only me, did you?
00:45:54Open your eyes, you idiot.
00:45:56Look at them.
00:45:58Haven't you ever seen them?
00:46:00Inspector, do you only want to know if I saw them in the car?
00:46:03Why?
00:46:06Because this gentleman came into the flat with Miss Peggy last night.
00:46:11We're beginning to see the light now.
00:46:14This swine.
00:46:15What are you getting at?
00:46:16You want to ruin me?
00:46:17I'll kill you.
00:46:18I'll kill you.
00:46:20Why don't you confess?
00:46:22Confess.
00:46:24Confess.
00:46:24You're the murderer.
00:46:26Inspector, look at his face.
00:46:28He hates women.
00:46:29Look at him.
00:46:29He's the killer, I tell you.
00:46:30He's the killer.
00:46:31He killed them all because he couldn't go with any of them.
00:46:35Why don't you tell the inspector that your wife left you for that very reason?
00:46:40My pills.
00:46:41My pills.
00:46:42My pills.
00:46:43It's great.
00:46:45Ah.
00:46:46Ah.
00:46:46Ah.
00:46:48Try to hold him still.
00:46:50He could hurt himself.
00:46:51Take him to the hospital.
00:46:52Ah.
00:46:54Ah.
00:46:56Ah.
00:47:00Didn't any of you know he was an epileptic?
00:47:02No, I didn't.
00:47:05You can go home now.
00:47:10Goodbye, please.
00:47:13I'm sorry, but I'm afraid I'll have to ask you to stay here, Mr. Moran.
00:47:18You too, Mr. Lazar.
00:47:20What do you mean, stay here?
00:47:21I mean, I shall have warrants made out for your arrest.
00:47:25Uh, pardon me, Inspector.
00:47:27What exactly is the reason behind this?
00:47:33Miss Nicole's murderer had used Peggy's car on other occasions.
00:47:37That's why he knew exactly where the burglar alarm was hidden.
00:47:41Can I go now?
00:47:42And me?
00:47:43No.
00:47:44You both stay too.
00:47:46But that's ridiculous.
00:47:48I've got an alibi.
00:47:50The marquee has confirmed it.
00:47:51It's true.
00:47:52We were together.
00:47:54Oh, don't worry.
00:47:55I haven't forgotten it.
00:47:57You both were at his house till 11 o'clock, while Miss Nicole was murdered at 10.
00:48:01So what do you want with us?
00:48:03Well, when I called Miss Peggy to say that I had found her car,
00:48:08it was about 11.30.
00:48:11About 15 minutes later, I was at her apartment.
00:48:14She wasn't there.
00:48:16And her apartment had been ransacked.
00:48:18One could have killed her and hidden her body in the meantime.
00:48:22And as far as that goes, gentlemen, your alibi isn't really worth much.
00:48:43Nine o'clock.
00:49:01Why must we sit in the dark?
00:49:03As if we weren't scared enough already.
00:49:07Do what you want, but please try to keep calm.
00:49:09How are we supposed to keep calm?
00:49:12Doesn't what's happening bother you?
00:49:14I'm frightened, too.
00:49:16Don't think I'm not.
00:49:18But getting hysterical doesn't help.
00:49:22If only the men would come back.
00:49:24We're all women left alone.
00:49:32Hello?
00:49:34Oh, Mr. Molan at last.
00:49:36What happened?
00:49:40What?
00:49:44But...
00:49:46But how can they?
00:49:48I mean...
00:49:49I mean, I want grounds.
00:49:57I see.
00:50:00All right.
00:50:03All right.
00:50:06Of course.
00:50:08All right, don't worry.
00:50:11Goodbye.
00:50:21They are holding all five of them.
00:50:23But why?
00:50:26The police obviously think one of them is the murderer.
00:50:29I thought so.
00:50:33Madam?
00:50:35Please, can we go?
00:50:37Oh.
00:50:38Oh, yes, yes, go.
00:50:40Goodbye.
00:50:42Good night.
00:50:43Good night, madame.
00:50:47How I envy them.
00:50:49They live together.
00:50:49At least they keep each other company.
00:50:52I must go, madam.
00:50:54All right.
00:50:59Wait.
00:51:00Listen.
00:51:01Why don't you come home and sleep with me?
00:51:03What?
00:51:04I live a few yards from here.
00:51:05And you want me to come out into the countryside?
00:51:08Then I could come and stay at your place.
00:51:11No, I'm sorry.
00:51:12But I'd rather be alone.
00:51:14Anyway, you'd be even more afraid at my house.
00:51:17Aren't you afraid?
00:51:19Isabella and Peggy lived with you.
00:51:21Isabella's been killed and Peggy...
00:51:24Yes, I know.
00:51:26But I don't think anything would happen tonight.
00:51:30All the men are under arrest.
00:51:32And I'm sure the murderer is one of them.
00:51:39Goodbye, madame.
00:51:40Good night.
00:51:42Madame, I'm not going home.
00:51:44I'll sleep here.
00:51:46No, you won't, dear.
00:51:47You're going home just like the others.
00:51:49I'm all alone.
00:51:50I live out in the country, not here in town.
00:51:52Now, Greta, listen to me.
00:51:53Tomorrow we have a very hard day ahead of us.
00:51:56The show must go on, you know.
00:51:58Now, look.
00:52:00Isabella and Nicole were mixed up in some ugly business...
00:52:03that has nothing to do with the rest of us.
00:52:05So we have nothing to be afraid of.
00:52:07Do you understand?
00:52:08Go now.
00:52:10Don't worry.
00:52:12Good night, madame.
00:52:12Good night.
00:52:42Be careful.
00:52:51Good night.
00:52:51Good night.
00:52:52Good night.
00:53:04Good night.
00:53:06Good night.
00:53:07Good night.
00:53:07Good night.
00:53:07Good night.
00:53:07Good night.
00:53:07Good night.
00:53:07Good night.
00:53:08Good night.
00:53:09Good night.
00:53:12Good night.
00:53:24Oh, my God.
00:54:09Oh, my God.
00:54:19Oh, my God.
00:54:54Good evening, Miss.
00:54:55The Marquis rang to say he'd be detained in town by an engagement.
00:55:00I know.
00:55:01I'll dine alone.
00:55:02Immediately, Miss.
00:55:31I'll dine alone.
00:55:41I'll dine alone.
00:55:44I'll dine alone.
00:55:49I'll dine alone.
00:55:56Hello?
00:55:57Hello?
00:55:58Hello?
00:55:59Hello?
00:56:10Hello?
00:56:16Hello?
00:56:17Hello?
00:56:26Hello?
00:56:31Hello?
00:56:41Hello?
00:56:44Hello?
00:56:45Hello?
00:56:51Hello?
00:56:54Hello?
00:56:58Hello?
00:57:02Hello?
00:57:13Hello?
00:57:20Hello?
00:57:22Hello?
00:57:22Hello?
00:57:22Hello?
00:57:26Hello?
00:57:27Hello?
00:57:27Hello?
00:57:37Hello?
00:57:46Hello?
00:58:04Hello?
00:58:06Hello?
00:58:07Hello?
00:58:08Hello?
00:58:09Hello?
00:58:10Hello?
00:58:28Hello?
00:58:29Hello?
00:58:33Hello?
00:58:41Hello?
00:58:42Hello?
00:58:47Hello?
00:58:49Hello?
00:58:49Hello?
00:59:05Hello?
00:59:10Hello?
00:59:12Hello?
00:59:13Hello?
00:59:13Hello?
00:59:24Hello?
00:59:26Hello?
00:59:27Hello?
00:59:28Hello?
00:59:36Hello?
00:59:37Hello?
00:59:49Hello?
01:01:14Look at how the murderer tortured her.
01:01:16He must have used a red-hot poker.
01:01:19He must have been a madman.
01:01:20Or a sex maniac and a homicidal fury.
01:01:23Against beautiful women.
01:01:25Yes.
01:01:26Perhaps the sight of beauty makes him lose control of himself and kill.
01:01:31We'll have to start all over again.
01:01:35Excuse me, sir.
01:01:36If you want to see the footprints we found in the garden, we're ready now.
01:01:48Let's look at those footprints.
01:01:50The killer drove up to here.
01:01:51The footprints show that he started here, got out, and walked up the embankment to the farm.
01:01:57They match the footprints we found in Morland's villa.
01:01:59Are you sure?
01:02:00Absolutely.
01:02:01We have the proof in the plaster cast.
01:02:13I could have sworn that the murderer was one of the five suspects we have.
01:02:18Do we have to let them go?
01:02:19Of course.
01:02:21This time they've got a really foolproof alibi.
01:02:25I gave it to them.
01:02:28Morrell, Richard.
01:02:29That's me.
01:02:30You want to check it?
01:02:31Of course I'll check it.
01:02:37Max Morland.
01:03:18You want to check it?
01:03:20You want to check it?
01:03:22You want to check it?
01:04:01Yes, come in.
01:04:04Mr. Morland, I would like to speak to you for a moment.
01:04:07Yes, darling, come in.
01:04:15Mr. Morland, I'm a calm person.
01:04:17I'm not nervous.
01:04:19But the thought that a sex maniac is prowling around your fashion house,
01:04:23yes, well, I don't like it.
01:04:25I'd like to take a short holiday.
01:04:29I have already booked a flight to Paris for tomorrow.
01:04:32To Paris?
01:04:34Very well, Tilda.
01:04:36By the way, you still live with the Countess?
01:04:39Yes, why?
01:04:41Oh, nothing.
01:04:42Except a short while ago when the Count was alive.
01:04:45I visited there frequently.
01:04:47Lovely place.
01:04:48You know, from the terrace, you can see all of Rome.
01:04:52Yes, I'd rather see the roof of Paris at the moment.
01:04:54I understand.
01:04:55Have a nice time.
01:04:56Bye-bye.
01:04:57Goodbye.
01:05:01Bye-bye.
01:05:02Bye-bye.
01:05:10Bye-bye.
01:05:13Bye-bye.
01:05:14Bye-bye.
01:05:16Bye-bye.
01:05:17Bye-bye.
01:05:18Bye-bye.
01:05:18Bye-bye.
01:05:18Bye-bye.
01:05:19Bye-bye.
01:05:21Bye-bye.
01:05:23Bye-bye.
01:05:25Bye-bye.
01:05:27Bye-bye.
01:06:35I burned Peggy's clothes.
01:06:38There's nothing left to show that she was here.
01:06:41Then I had to do something else.
01:06:43I had to get her out of here.
01:06:45To give you an alibi.
01:06:47And then I killed Greta.
01:06:50Perfect.
01:06:52Perfectly awful.
01:06:55I don't know how I did it.
01:06:57As if it wasn't bad enough to find Isabella in the wardrobe.
01:07:02Oh, I nearly fainted.
01:07:05I wanted to tell you about it, but I couldn't.
01:07:08By the way, how did you manage to carry Peggy to Morell's farm?
01:07:14Well, I... I didn't...
01:07:18I somehow got her into the car.
01:07:21And Greta did the rest.
01:07:23Why did you pick on Greta?
01:07:25Well, uh...
01:07:26She was alone in the house, that's why.
01:07:31Well done.
01:07:34The police think it's the work of a sex maniac.
01:07:45First, second, third, fourth.
01:07:50Stop it.
01:07:55Oh, darling, darling, what's the matter?
01:07:59Kiss me.
01:08:12What's the matter, darling?
01:08:15What a mess.
01:08:16All because of that idiot.
01:08:18That witch, Isabella, the black man.
01:08:23Money she wanted.
01:08:25Money, money, too much money.
01:08:27She should have realized when she found out about...
01:08:31That my husband's death wasn't an accident.
01:08:36That it was dangerous and unwise to ask for that money.
01:08:40But no, no, no.
01:08:42The more that we would give her, the more she wanted.
01:08:48She asked for it, she did.
01:08:50She was on top of this.
01:08:52Too hard, my darling.
01:08:54She squeezed too hard.
01:08:55Mmm.
01:08:56And the diary.
01:08:58That damn diary.
01:09:00If it hadn't been for that damn diary.
01:09:09It is done now.
01:09:11And we have nothing to worry about, my darling.
01:09:14Nothing to worry about.
01:09:16No, you're wrong.
01:09:17You're wrong.
01:09:18We'll never have any peace.
01:09:21Until we've given the police their murderer.
01:09:24Peace?
01:09:25Ha, ha, ha.
01:09:27Chris, listen to me.
01:09:29We'll never get away with it.
01:09:31Unless they find the maniac they're looking for.
01:09:34Never.
01:09:35Until they do, they'll keep their eye on us.
01:09:37You must remember, all the victims worked for us.
01:09:41But while they have no evidence against us,
01:09:43the whole thing is blown sky high.
01:09:45The press, the scandal, the salon being closed down.
01:09:49We've got to find a way out.
01:09:54What are we going to do?
01:09:58I know, darling.
01:09:59We're going to fly to the moon.
01:10:06We've got to act again, one more time.
01:10:09You've got to do it.
01:10:14Oh, no.
01:10:15Yes.
01:10:16I'm still being shadowed.
01:10:18Now, don't worry, darling.
01:10:19We'll find an alibi for you.
01:10:21Now, don't worry.
01:10:23Oh, no, Max, no.
01:10:25You can't ask me to do anything like that.
01:10:27I can't do it.
01:10:28I can't do it, you know.
01:10:29You've done it before.
01:10:32I've done it before.
01:10:34I've done it before, but that was different, you know.
01:10:36Because you were in danger, I had to do it.
01:10:38Do it because, unless I hadn't done it,
01:10:42everything would have been lost forever.
01:10:46Only my love for you gave me the strength.
01:10:50But it was horrible.
01:10:54Horrible!
01:10:59Now, listen to me, you little idiot.
01:11:02Listen.
01:11:04There's more danger now than even before.
01:11:07More!
01:11:09If you don't listen to me, everything,
01:11:13this horrible nightmare, everything,
01:11:16useless, useless!
01:11:18Useless!
01:11:56I have no clue how toças up after me.
01:11:56I walk along.
01:11:58I need it.
01:12:02It's a bizarreence.
01:12:07What one do you think,
01:19:45Are you...
01:19:46Are you surprised to see me alive, Max, my love?
01:19:49Sure.
01:19:52Your plan was ingenious.
01:20:02The sharp awning...
01:20:06...broke my fall.
01:20:09Please.
01:20:11Silence.
01:20:14I know what you planned to say.
01:20:16That you didn't do it.
01:20:17But I know you did.
01:20:19I know you did.
01:20:20Because you knew that I would be passing by the ledge if there was any danger, remember?
01:20:25Remember you told me to?
01:20:27You told me to?
01:20:31Oh, please.
01:20:32You must listen to me.
01:20:33You must listen.
01:20:37Yes.
01:20:39Yes.
01:20:39Yes, you had an ingenious plan.
01:20:41If the police found my body, everything would have been dissolved.
01:20:46Everything.
01:20:47And you would have been free.
01:20:49Now I understand why we had to get married.
01:20:53In secret.
01:20:54In such a hurry.
01:20:56You were so much in love.
01:20:58So much in love.
01:21:00Yes.
01:21:01But with my house.
01:21:02The apartment.
01:21:04The salon.
01:21:05The money.
01:21:06You loved everything I had.
01:21:09Everything.
01:21:15But me.
01:21:16Chris, listen to me.
01:21:18You're wrong, my darling.
01:21:20I want you.
01:21:23I love you.
01:21:26It's been a terrible shock for you, my darling.
01:21:29Terrible.
01:21:32Christina, I love you.
01:21:35To you, it was an accident.
01:21:37Trust me.
01:21:38Very soon, my darling.
01:21:41We'll go away.
01:21:42Together.
01:21:43Just the two of us.
01:21:45Like we always planned.
01:22:12To you, it's actually me.
01:22:16Well, thank you.
01:22:16I'm sorry.
01:22:16Bye, I love you.
01:22:17Nobody had a connection.
01:22:18I love you, I love you.
01:22:18But you have to be a good guy.
01:22:18To me, I love you.
01:22:18You just love you.
01:22:20I love you.
01:22:23I love you.
01:22:23I love you.
01:22:24You love you.
01:22:24I love you.
01:22:25I love you.
01:22:29I love you, I love you.
01:22:31Oh, my God.
01:23:01Police.
01:23:03I want...
01:23:05I want inspector.
01:23:29I want inspector.
01:23:47I want inspector.
01:23:58The End
01:24:29The End
Comments