International Novelty Orchestra - Only You
  • 11 years ago
This was an orchestra led by Nathaniel Shilkret (1889-1982), who was an American composer, conductor, clarinetist, pianist, business executive (A&R man), and music director (Victor, RKO and MGM). He was a child prodigy, touring the country; from his late teens to mid-twenties he was a clarinetist in the best New York music organizations. He joined the Victor Company around 1915, and soon was made manager of the department. In 1926 he became "director of light music." He made many thousands of recordings, possibly more than anyone in recording history. His son Arthur estimated the sales of these records was of the order of 50 million copies. He was the conductor of choice for many of Victor's innovative recordings. He conducted the first record made by the "electric method," as well as the first commercial Victor LP as early as 1931. He composed and arranged thousands of (classical and popular) pieces, and wrote several film scores. As for this great record, it was made in 1924. The lovely vocal is by Lewis James Lewis James (1892-1959), who was a vocalist and among the most active of recording artists in the United States from 1917 through much of the 1930s. He was a member of the The Shannon Four, The Revelers, and The Criterion Trio. He had many Top Ten hits during that time, including "My Baby Boy", "Till We Meet Again", "What'll I Do", and "Pal of My Cradle Days", among others. He recorded extensively as a soloist,duet partner, and quartet lead singer. His first recording with the Shannon Four (aka the Shannon Quartet) was the World War I chestnut, "All Aboard For Home Sweet Home." Like many of his colleagues, he proved exceedingly versatile in recording love ballads, hymns, children's songs, and the more sophisticated early jazz harmonies of the Revelers with whom he made several successful European tours. The Shannon Four, Revelers, Crescent Trio, and Merrymakers consisted mostly of the same singers, with occasional substitutes. His sweet melodic tenor is immortalized on Victor, Columbia, and Edison recordings, mostly from 1917 through 1927.
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