- 6 days ago
Buzz — The Show That Talks!
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
Watch Buzz every saturday at 9 PM only on ARY Digital!
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
Watch Buzz every saturday at 9 PM only on ARY Digital!
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😹
FunTranscript
00:00My name is Hasan Chaudhary, and this is Buz, as you can see, today we are not in our set, but we are in a very important set.
00:18My name is Hasan Chaudhary, and this is Buz, and this is Buz, and this is Buz, and this is Buz, and this is Buz.
00:44But of course, Director Nadeem Beg is here, but we also have Saima Ji and Sajjal Ali.
00:52So we will try to take them a little while and take them a little while, and show you how a drama is going to shoot.
01:01And if I am not in the drama, we will also see how many cameras are going to shoot, which is so grand.
01:07So let's go set and tour. Follow me.
01:14Thank you very much.
01:16Thank you very much.
01:18First of all, you have welcomed us on your set, and you have given us a chance to thank you.
01:24Thank you very much.
01:26First of all, you have welcomed us on your set, and you have given us a chance to thank you.
01:38I am not a fan of the video.
01:40I am not a fan of the video.
01:42I am not a fan of the video.
01:44I am using a camera.
01:46It is actually a film camera.
01:48Really?
01:49Yeah.
01:50The film is made by the camera.
01:52And Salman, Razak, and his children, they show their magic.
01:59They show their magic.
02:01But sir, it will also be a magic.
02:03The camera will also be a magic.
02:05But the captain of the ship is the director.
02:07So when you saw this opening frame, we saw a beautiful drone shot.
02:13And I have noticed that you will appreciate me too.
02:17It will be a blue Prado and a green Prado.
02:20And from the blue Prado, it is a blue Prado.
02:23Asif Raza and Meera are under the blue Prado.
02:25And from the blue Prado, it is a blue Prado.
02:27And from the blue Prado, it is a blue Prado.
02:29This is the attention to detail.
02:31Sir, tell us about this.
02:32Because we see that lacking in other dramas.
02:34I think it is from imagination to bringing it to the reality.
02:41And we will hold this thought here.
02:43This time we will actually hold the thought.
02:47We will hold the thought.
02:48We will hold the thought.
02:49We will hold the thought.
02:50We will hold the thought.
02:51In the previous interview, Beg sir.
02:52He doesn't want to hold the thought.
02:53But now we will hold the thought.
02:54And you will show how to take the shots.
02:56How to take the shots.
02:57If you check it out, I am here.
03:04How to take the shot."
03:12We are ready.
03:13Ready.
03:14Ready.
03:15Go on, set.
03:16Go on, set.
03:25At the end of the day.
03:27Don't put it on stage for ten years.
03:29And put it on stage for 10 years.
03:33Can you tell us that at that time
03:35will change the behavior of the enemy?
03:37Or do you have to die for both of them?
03:40If you tell someone who will kill you,
03:45then your heart will kill you.
03:46I will cut my head
03:49or I will put it in a hurry
03:52to keep it in order to keep it.
03:54It's love for yourself.
03:58Don't give it to anyone.
04:01Ladies and gentlemen, I have with me
04:21What do I say to them?
04:23They are the most important to show the sun.
04:25They believe that if they start to show the sun,
04:29the sun will be the most important to show the sun.
04:33They will not be the most important to show the sun.
04:34The one and the only, the extremely talented, the extremely gorgeous Sajjal Ali.
04:40Assalamualaikum Sajjal.
04:41Waalikumsalam. Thank you so much.
04:42You have given such a beautiful intro.
04:44Where did you have? Did you say anything?
04:45No, I said something very much.
04:46I mean, I mean, I mean, you have heard our drama in our way.
04:50You have done some of it.
04:51I have learned something.
04:52I have said something that I don't understand.
04:56Sajjal, tell me this.
04:57Mashallah.
04:57You have done an illustrious career at a young age.
05:00And so many of you have done the drama, so many of you have done the work.
05:04You have written in your eyes on your eyes,
05:08which you have emoted from your eyes.
05:10Do you feel accomplished?
05:12Yes, you have done everything now.
05:13What is it?
05:14No, no, no.
05:15There is always a space and margin to achieve whatever.
05:19There are many things that I haven't done.
05:22I don't know.
05:23There are many things that I have written in my eyes.
05:26I don't know.
05:27There are many things that I have written in my eyes.
05:29There are many writers that I have been talking about.
05:32I don't know.
05:33I don't want to say anything that many people are offended.
05:36But we need good writers.
05:39And more writers.
05:40I don't have to say anything that I have written in my eyes.
05:42And people will have seen it in my eyes.
05:47And as always,
05:48you have been taught.
05:50Everybody is really enjoying your performance.
05:52Just the sheer scale of this production,
05:55when we watch it on screen,
05:57you know, it feels like we're watching cinema being unfolded.
06:00But there is also that thing that Khalid Rehman Kumar Sahib's writing,
06:05their dialogues,
06:07they are difficult.
06:09In understanding and I am assuming that when you talk to actors,
06:13there are some challenges.
06:15So have you faced any difficulty memorizing these lines or doing these scenes?
06:20An experienced actor like you, Sajjal, did you face any challenges?
06:24Absolutely, absolutely.
06:26It happens and it should happen.
06:28I mean, why there is no such script that we don't have any challenge?
06:32Then there is no fun,
06:33if we are doing what we always talk about.
06:37But they have a different world.
06:41Khalil Sahib's script is a different world.
06:45I think it's challenging and fun to get to any actor.
06:51But in this script,
06:54Beg Sahib has tried to make a lot of things
06:56that they feel realistic.
06:59They also feel that they have listened to it.
07:03They have also heard these things.
07:05But of course,
07:06there is a difference in the world, Khalil Sahib.
07:09You and Saima Ji's on-screen dynamic,
07:14Bhatiji Ji and Phupo,
07:15people are really liking it.
07:17And I was watching you both today.
07:19We were watching it.
07:20We covered the moments for the audience.
07:22How has this experience been working with Saima Ji?
07:25It was amazing.
07:26It was amazing.
07:28There are some actors who give you a lot of space.
07:31I feel so relaxed as an actor with them.
07:35Because when I started working with them,
07:37you work with a lot of different actors.
07:41You are very comfortable with them.
07:43If you put effort without being comfortable,
07:45you have to pay attention to Saima Ji.
07:48He is a great artist.
07:51He is a great artist.
07:52It is not good to feel so much love.
07:54They seem to be putting flowers.
07:55People say to him,
07:57They are looking cute, pretty, gorgeous, etc.
08:00They are looking very beautiful.
08:02And if they have used it too much,
08:04they will also put flowers.
08:06I am glad that people are liking it.
08:17Because our dynamic was the same way.
08:21I wanted to like it.
08:23So he came.
08:24Great.
08:25But I was sitting with them,
08:28I didn't think that there was a camera.
08:30It is so annoying.
08:32It is so annoying.
08:33I mean, the way you are comfortable with each person,
08:36and you need a space.
08:39So I felt like I can be myself completely.
08:45And I felt like no one is there.
08:48No one is judging me.
08:49And I would say,
08:51I would say so many times,
08:52I would say so many times,
08:53and then I would say so many times.
08:55I would say so many times,
08:57and I would say so many times.
08:59So,
09:00but Allah,
09:02when she gives her
09:03to someone,
09:04then behind her,
09:05these things are great.
09:07It has been eight hours from the countryside,
09:09Puppo.
09:10When will I talk?
09:11Nine days.
09:13Nine days,
09:13then your mother and mother are there.
09:15So what will happen?
09:17What is your mother and mother to study?
09:19Mother changed the books.
09:21She asked her to say that,
09:22stop it.
09:23If there is a matter of practice,
09:24then it will be done.
09:26Why did she say that?
09:28It is not done, Puppo.
09:30I will not be able to do this, and I will not be able to do this in the men's lives, but I will be able to do it for the rest of us.
09:38You have to be able to do it? I have not seen it.
09:44I am a victim of my life. I will be able to do it. I will be able to do it.
09:50If your father is alive, I will be able to do it.
09:56If you are able to do it, I will not be able to do it.
09:58How important is it for us now to show these kinds of dynamics between two female characters
10:15on screen?
10:16I am sure that you have done a lot of stories, it is a very typical relationship, but it
10:23is a relationship of mother and daughter.
10:26How important is it to change that narrative and show that what you are in your family,
10:31what you are in your family, puppy, mamoo, they can be good.
10:34Yes, they can be good, I was very close to my puppy.
10:41But in every story, you don't have to be able to achieve any problem.
10:45Sometimes you have a fictional thing, you should enjoy it like that.
10:51People expect me to expect that at the end there will be a message.
10:58But sometimes it is not, you should be okay with that.
11:02I am absolutely okay with it.
11:04I am talking about the audience, but we have shown it, but it is not close to my mother,
11:11but she is very close to my mother.
11:13She is very close to my mother.
11:14She is very close to my mother.
11:16Yes, yes.
11:17Because my mother and puppy are still working together.
11:21What is your beauty routine, Sacha?
11:24What is your fitness routine?
11:25Routine?
11:26Do you have a beauty or a fitness routine?
11:28No, it doesn't happen, but I think we will not go to that, so it is better.
11:34Because I am a very lazy person.
11:37I started taking care of myself now.
11:40Okay.
11:41So, I am not going to go to your age, but I thought, let's go.
11:44Yes, I have said, let's go ahead too.
11:46I mean, it is not just that right now.
11:48But thank you so much.
11:49Okay, back to Manto then.
11:50When the initial teasers came, the trailers came, and people also started,
11:55saying that Humayun and Sajjal, how have they been cast together?
11:58But now, obviously, when the story is opening,
12:00you are actually playing his student.
12:03Yeah.
12:04Good morning, sir.
12:05Good morning.
12:06Sir, I have to talk with you.
12:08Sure.
12:09Say it.
12:10I don't have to understand that in my house.
12:12If I get an admission, let me get a degree.
12:15I believe in a student-teacher relationship.
12:18In that, you have to sacrifice a little bit.
12:20Sir, what is your part of your sacrifice?
12:23What is it?
12:24At that time, I will go to my house and eat food.
12:27What is this?
12:28Siraj Amrit Sari's daughter.
12:29I don't like her daughter.
12:31One number is scared and I don't like one number.
12:34This is Siraj Amrit Sari's daughter, right?
12:37Yes, she is Siraj Amrit Sari's daughter.
12:39Yes, she is.
12:40She is.
12:40She is.
12:41and she is.
12:42Oh, I don't have to take care of her.
12:42I don't need her.
12:43So, tell us about the work with Humayun, and obviously the audience begins to come instant reaction and feedback.
12:55No, no, how about that? Please tell us about that.
12:58Look, the audience needs to be instant feedback. People just talk.
13:04But yes, we need to unfold the story.
13:08Humayun was a great experience with Saheed. He is a delight to work with.
13:15Again, I didn't have to work with him before, but I was not scared.
13:26I'm scared of myself. I don't know if I can deliver that performance or what people expect from me.
13:35But...
13:36That's Sajjal already saying that she feels scared that she can deliver that performance or deliver that people expect.
13:43I'm always scared. And I think you should be scared. Not scared, but naturally nervousness.
13:49I don't feel comfortable with myself. I don't feel comfortable until 3-4 days.
13:54In every scene, every different process.
13:58Are you very self-critical?
13:59I am.
14:00Do you watch your stuff and say,
14:02I could have done a better job.
14:04I don't watch that.
14:05Because I live in a hurry.
14:07Which is a good thing also.
14:09Because as my mother used to pay attention to me,
14:12I would say,
14:13What did you do?
14:14How did you do this?
14:16How did you do this?
14:17How did you do this?
14:18That means,
14:19You have understood.
14:20Why did you not see your understanding here?
14:22So,
14:23Now,
14:24Because it is not.
14:25So,
14:26I didn't see anything like that before.
14:27So,
14:28I just saw my own things and said,
14:29I am not that bad.
14:30I am not that bad.
14:31I am not that bad.
14:32You are excellent.
14:35But,
14:36But again,
14:37You have to prove every time.
14:41You know,
14:42You are doing anything.
14:43So,
14:44So,
14:45You have to prove my own things.
14:46Sorry,
14:47Back to my own.
14:48No,
14:49No,
14:50No,
14:51No,
14:52No,
14:53No,
14:54No,
14:55No,
14:56No,
14:57No,
14:58No,
14:59No,
15:00No,
15:01No,
15:02No,
15:03No,
15:04No,
15:05No,
15:06No,
15:07No,
15:08No,
15:09No,
15:10No,
15:11No,
15:12God has given this great joy,
15:14But it's kind.
15:16His favorite thing is,
15:17He is very kind.
15:19We are very crying.
15:20There are numerous questions.
15:21But A little break
15:22When you go back,
15:24in Yisrael,
15:25Don't go anywhere.
15:33Friends,
15:33we are back and I have with me,
15:35the one and only
15:36Sarjal Ali.
15:36Without you giving us any spoilers,
15:39obviously,
15:40Where is this story headed?
15:42What are we to expect from it?
15:44Fireworks or like you know, is it kind of a slow paced intense drama?
15:49Is it too emotional?
15:51What can you tell us?
15:52But I want to tell you, it has everything.
15:54It has drama, emotions.
15:58Humor too. The fun thing is that...
16:02When I heard a story, I was like, ready, ready, ready.
16:05I mean, you are doing it and you know, it will be good.
16:09Humor, as you can see in the beginning of the episodes,
16:14basically, there is a whole issue.
16:18What the audience wants.
16:21I think.
16:22We are waiting for a story, as it unfolds, we are hooked to it.
16:25And now, obviously, you also have a lot of fans together with the drama.
16:30I will tell you the story, the story you are watching, I will also watch it.
16:36Because obviously, it has a lot of tracks also.
16:39There are a lot of actors, everyone has their own story.
16:41They are all connected.
16:44They are all connected.
16:45So, I have just done my work.
16:48Now, when we see them all together,
16:50I am actually excited to see it's not black or white.
16:56Is there like romance between you two?
16:59I don't know.
17:00What do you mean you don't know?
17:01I don't know.
17:02I don't know.
17:03Even I don't know.
17:04Actually, I don't know.
17:05You've shot it.
17:05I said, I don't know, I don't know.
17:07I mean, I'm not going to tell you.
17:09I don't know.
17:09But in the other hand, I thought, is it or not?
17:12At that time, I don't know really.
17:15I probably didn't have to do it.
17:17So, you're saying that there is no romantic connection?
17:21I'm not saying that.
17:22I'm not saying anything.
17:23I'm just saying, even I don't know.
17:25Let's go.
17:26That's interesting.
17:27I think that's good in curiosity.
17:29Actually, this is what it is.
17:31This is what it is.
17:32I think I'll give a little spoiler.
17:34Give, give, give, give.
17:35No, I mean, in the whole drama,
17:37I was just asking, is it or not?
17:40It's just, is it?
17:42Is it or not?
17:44And what is it?
17:47That's interesting.
17:48That's interesting.
17:49Sajal, we listen to this a lot.
17:52The things that we talk about.
17:53We have a little bit of the media.
17:55Whatever the big script, the big drama is going to be
17:58first, it will be offered to you.
17:59Is that true?
18:01Hamoshi, I haven't asked such a difficult question.
18:05All the major scripts, big scripts, first come to you.
18:07I don't know.
18:08I don't know.
18:09I don't know.
18:10I feel like three, four people are going to have.
18:13The producer says, you know, you are the only ones.
18:19Why am I asking this question?
18:20But I think I'm blessed with the scripts also.
18:23I've always gotten good things, different things.
18:28That's a different thing.
18:29I've never taken good things seriously.
18:33And I've never felt regret.
18:35I've never felt regret.
18:37But I'll just say that good things are always coming.
18:43Why I'm asking these questions?
18:45Because I want to know that Sajjal Ali is restricted when it comes to the choice of characters that are offered to you.
18:54You're reaching very limited to you.
18:57From childhood.
18:58I was a little better at childhood.
19:01Now the conditions are a little bad.
19:03Why do you feel like this?
19:05Because after doing so much work, you have to be excited.
19:11You have to do this, you have to do it, you have to do it, you have to do it, you have to do it.
19:13You have to do it every kind of emotion.
19:15When you have to do it on the screen, you are always enjoying it.
19:19And it's new for you.
19:21Like the first project that I had done, it's the scene of crying.
19:23So I thought, how will I cry?
19:26I can cry on the screen.
19:28But when I cried, I thought, I can cry, I can cry, I can cry, I can cry.
19:33You know, those things that...
19:34Because I always try to be convinced on the screen, basically.
19:41I can perform close to reality, like I'm talking about.
19:45Sometimes the camera is on, so my hands are naturally active,
19:49and you get conscious of it.
19:51So...
19:53But I thought that you are very naturally crying.
19:55I was telling you, like off screen, we were talking about that scene,
20:00where when you go to the college, you just started crying?
20:06Yeah, I mean, I'm an actor, that's what my job is.
20:09I have to...
20:10I mean, convince people.
20:12Whatever I am doing, naturally, my process is what I am doing.
20:16You know?
20:17But I have to convince people.
20:19And I should be doing that.
20:20If I am not doing it, I mean, why am I doing it?
20:23What are the challenges you face as an actor?
20:27Now, I think there are a lot of challenges.
20:31Already, people are talking about so many challenges.
20:35No, no, I'm personally talking about that as an actor,
20:38that when you take on a script,
20:40like you are saying that,
20:41the first time when an emotion is portrayed,
20:44you know, the second time or the third time,
20:47an actor must think, yeah, how do I do it differently?
20:49How do I take a variation?
20:51In that regard...
20:52If there is one thing,
20:54then everyone will come to that kind of thing.
20:57And that kind of thing, because people are watching,
21:00so again, I think I have always been lucky.
21:03You choose at one time.
21:05You should choose.
21:06Because I am always lucky,
21:09whatever that is,
21:11I am not able to answer to that kind of thing.
21:14The most interesting thing was that
21:16I could say,
21:18You can say,
21:19You've done that and you just did that.
21:20You've done it,
21:21You've done it,
21:22You did it,
21:23You've done it,
21:24You've done it,
21:26You've done it,
21:27You've done it.
21:28You've done it.
21:29There were all characters already.
21:33You've done it.
21:34Like the writer wrote it,
21:35it's not just it.
21:36It's not just the problem.
21:38I didn't have to put some effort in that way.
21:41Obviously, it's always a teamwork, writer, actor, director.
21:44I think you're giving way too much credit to other people and not taking any yourself.
21:47I'm a good guy, basically.
21:50This is a very next level of humility.
21:52Where you've said that he's already written well, it's just done, you don't have to put effort.
21:55But don't you think that it should be like that?
21:57No, Sajjal, I've seen enough of your work to know that there is a lot that you bring to the table.
22:02There is a lot that you bring to the character that perhaps any other actor wouldn't have.
22:06And, you know, it's just splendid the way that you take on a character and with every character you become a different version of yourself that we see on screen.
22:17And every time you leave everyone impressed.
22:19I mean, I mean, tell me about it.
22:21There is some other name in the country.
22:23Even your critics also believe that as an actor.
22:28Thank you so much.
22:30But there are a lot of projects that I have recently done.
22:37Why did I do it?
22:39Why did I do it?
22:41I mean...
22:42Okay.
22:43There wasn't much margin for me to play.
22:47So basically what drives you for a character is,
22:49is that what is the challenge for me?
22:51The challenge is it.
22:52Exactly.
22:53What kind of character would be your dream character?
22:54What kind of character would be your dream character?
23:08I mean, I think that I am a normal person.
23:10But there are nuances that I have written on paper.
23:15I don't need to put effort on it.
23:18For me, I need to do an effort.
23:20I need to do a normal person.
23:23I think that there are many shades in life.
23:25When you have a shade-less character that is straight.
23:30Because no person's life is straight.
23:33So, our inspiration is like a person.
23:37And you should have good observations as an actor.
23:42That you have to do something or something.
23:44You have to do something inside.
23:46But every time you scan your mind,
23:48what will you do?
23:50What will you do?
23:51Because what will you do?
23:52What will you do?
23:53What will you do?
23:54What will you do?
23:55What will you do?
23:56I have to do it.
23:57So, in every character,
23:58I don't have to do it.
24:00For me, there is a challenge as a script.
24:03It is so interesting.
24:04MashaAllah,
24:05you have done so many diverse characters.
24:07That for you,
24:08a simpler character is what you want to do.
24:11You have done this.
24:13You have done that.
24:14You have done that.
24:15There is so much diversity that you have already done.
24:18Now, you feel like you are a real character.
24:21You have done that.
24:22What are your expectations of Manto?
24:24What are your expectations of Manto?
24:25The expectations are good.
24:27I mean,
24:28I would want it to be that people like this.
24:32I am watching Manto as the audience.
24:35So,
24:36I think it's a good thing.
24:37I think it's going two episodes in a week.
24:39But,
24:40it's a mix of everything.
24:41It has,
24:42like I have told you,
24:43it has every emotion.
24:45Where the audience will feel like,
24:47this will be expected.
24:49Because,
24:50you know,
24:51when you perform,
24:52I thought,
24:53this is how I am going to perform now in this scene.
24:57And,
24:58I would say,
24:59no,
25:00that's what you have to do.
25:01You know,
25:02it's your inner process.
25:04So,
25:05when you change the direction of the director,
25:08then,
25:09I think,
25:10it's a little surprise for the audience.
25:13Are you a director's actor?
25:15I think I am.
25:16But,
25:17if someone doesn't have a good direction,
25:19then,
25:20I will become a director.
25:22I will become a director.
25:24Before you go on set,
25:25if someone has a director,
25:27you will obviously read the script.
25:30What is your process?
25:31Like,
25:32do you think about it?
25:33Do you like start,
25:34we listen to method acting,
25:36people start walking like that character.
25:38They start spending time with themselves.
25:40They try to become that character.
25:41Or,
25:42you just go on set and then,
25:43boom,
25:44that director comes.
25:46I have done this job now.
25:48How?
25:49Just,
25:50I have done this job.
25:52I have done this job.
25:53I have done this job.
25:54I have done this job.
25:55But,
25:56I think,
25:57it's high time,
25:58I should start doing method acting.
26:00Because,
26:01it will be a new thing.
26:03I mean,
26:04if I do this every time,
26:05I just do it.
26:06No,
26:07it should not be that.
26:08It should not be that.
26:09It should not be that.
26:10You can face a challenge,
26:12you can face a challenge,
26:14when you give yourself a challenge.
26:16So,
26:17obviously,
26:18our characters,
26:19is,
26:20to be honest,
26:21in the beginning,
26:22it will be that.
26:23But,
26:24the good laugh,
26:25probably,
26:26I have played.
26:27Now,
26:28I am very mean.
26:30I am very mean.
26:31But,
26:32people also say,
26:33you cry differently every time.
26:34Okay?
26:35Is this happening?
26:36Yes,
26:37I have also said,
26:38every time you cry differently.
26:40I don't even know what you do.
26:42You have never seen your work?
26:43You have never seen your work?
26:45No,
26:46I don't know.
26:47But,
26:48I was doing a project,
26:49I was doing the first thing.
26:52So,
26:53I was crying.
26:54I was crying.
26:55I was crying.
26:56I was crying.
26:57I was crying.
26:58I was crying.
26:59So,
27:00my director said,
27:01when I was crying,
27:02people say,
27:03you are crying.
27:04And all that.
27:05So,
27:06I thought,
27:07I was crying.
27:08I thought,
27:09how will God be crying?
27:10Because,
27:11I will cry differently.
27:12How will I act differently?
27:14I thought,
27:15you are crying differently,
27:16like you had been crying in the last time.
27:18So,
27:19these are the people,
27:20who are fighting for the day.
27:22And,
27:23I have to bring a director to my own.
27:26Or,
27:27what are you saying?
27:29I was saying,
27:30who was the memorable character or performance?
27:35I think,
27:37Orang Reza.
27:39Orang Reza?
27:40Orang Reza?
27:41There was a play,
27:42Sanata.
27:43Yeah.
27:44A.R.Y.
27:45But,
27:46I think,
27:47it was a very dark play.
27:49It was a very dark play.
27:51Kashif Nisar,
27:52my first play,
27:53Saji Gul
27:54wrote.
27:55For me,
27:56I played two characters.
27:57It was very challenging.
27:58I did good,
27:59bad,
28:00I didn't know.
28:01But,
28:02Guzare like,
28:03I played.
28:04I played.
28:05Very humble.
28:06Very humble.
28:07I played Saba Kamar.
28:08So,
28:09I was not at that point.
28:11And,
28:12she was also.
28:13So,
28:14I think,
28:15I played another play.
28:16It's called,
28:17The Pink Shirt.
28:18Yeah.
28:19It was written by Beagle.
28:20Yes.
28:21Kashif Nisar has directed.
28:22Yes.
28:23I don't know if he will come.
28:24But,
28:25That's for me.
28:26That's for me.
28:27That's for me.
28:28That's for me.
28:29That's for me.
28:31That's for me.
28:32That's for me.
28:33That's for me.
28:34Yes.
28:35That's for me.
28:36That's for me.
28:37It seemed very interesting.
28:38But,
28:39I've never seen it.
28:40What can you confirm about the coming projects?
28:42The coming projects,
28:43because I don't have a channel,
28:44I don't want to talk about it.
28:46That's for me.
28:47That's for me.
28:48You're doing one project.
28:49We're taking the name of Ameer Gilani.
28:51Are you doing a project with Farhan Saeed,
28:53or not?
28:54That's for me.
28:56You never know.
28:57That's for me.
28:58That's for me.
28:59That's for me.
29:00That's for me.
29:01That's for me.
29:02Let's see.
29:03So,
29:04that's for me.
29:05That's for me.
29:06That's for me.
29:07That's for me.
29:08That's for me.
29:09That's for me.
29:10That's for me.
29:11That's for me.
29:12That's for me.
29:13That's for me.
29:14That's for me.
29:15That's for me.
29:16That's for me.
29:17So, is it that project?
29:18I don't think so.
29:20I don't think so.
29:21That's for me.
29:22That's for me.
29:23That's for me.
29:24That's for me.
29:25That's for me.
29:26That's for me.
29:27No, if it's part two, then I don't think it's the same.
29:30You can talk about any other project.
29:32Okay.
29:33So, if you're hypothetically, if you're doing a project with Harhan, then you're the director
29:38Kasim Ali Murid?
29:39I don't know.
29:40You don't know?
29:41I don't know.
29:42You don't know?
29:43I don't know.
29:44I don't know.
29:45I don't know.
29:46If I've done it, then I don't know.
29:47If I've done it, then I don't know.
29:48If I've done it.
29:49But now you're not confirming it.
29:50That's why Sajal Ali Pakistan is the top actress.
29:51As you can see on his face, you'll never read it.
29:54That's why they're doing this project.
29:57They're not doing this project.
29:58They've listened to this script.
30:00They've read this script.
30:01They've read this script.
30:02Sajal, thank you so much for giving us time.
30:05We're on your set.
30:06We're on your shoot.
30:07We've done you.
30:08We've done you.
30:09But you're not done.
30:10And you've answered all my questions so patiently.
30:13I'm so grateful to you.
30:15And I hope that you're doing such a great job.
30:19And if I may say so, please understand that you're such a great actress.
30:26Please, please understand that you're such a great actress.
30:28How do I convince you?
30:30You are the best that we have in the country.
30:33So please, don't think about this thing.
30:35I don't know if I've done it.
30:36I don't know if the script is good.
30:38But I have to say that you have a lot of contribution to all the characters that you do.
30:45Thank you so much.
30:46And I hope that you'll give us the opportunity very soon.
30:48We'll give you the opportunity.
30:49We'll give you the opportunity.
30:50Absolutely.
30:51Very soon.
30:53I wish you all the very best.
31:17
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