00:00:00You
00:00:30You
00:01:00You
00:01:30You
00:02:00You
00:02:30You
00:02:32You
00:03:02You
00:03:32You
00:04:02You
00:04:33No bon dia colonel Mento.
00:04:34Dr. Rosario, you came to hire tenants in a slave market?
00:04:38Who am I?
00:04:40No, I want a cook.
00:04:42The old woman left, she was crazy.
00:04:44There at the bar I can only offer a drink, but nothing to drink.
00:04:48What decadence there, guys.
00:04:50Look, it's a strange place.
00:04:53If someone is looking for a man to kill another, he meets ten.
00:04:56But not a cook.
00:05:02Don't you like to smoke, Moreno?
00:05:24I don't despise you, sir. You'd better learn how to handle a gun.
00:05:42Thank you, my dear.
00:05:43You're welcome, my dear.
00:05:44Hey, is that your grandmother?
00:05:46No, sir.
00:05:48And you, what do you know how to do?
00:05:50A little bit of everything, sir.
00:05:52Do you know how to wash?
00:05:54For those who don't know, all you need is soap and water.
00:05:56And how do you cook?
00:05:58I even cook for the rich.
00:06:05Our handsome...
00:06:10Are you sure you know how to cook?
00:06:12You take me and you'll see.
00:06:14And how much do you want to earn?
00:06:16Whatever you want to pay.
00:06:22The World is in Conversation, binoculars.
00:06:34The ship has sinked.
00:06:36Damn it! They called the coachman.
00:06:38The ship has sinked.
00:06:40I ask for calm among the passengers.
00:06:42A man on the bow to launch the anchor.
00:06:44And another one in the conversation, waiting for instructions.
00:06:46And the other one on the port, waiting for instructions.
00:06:48What did you do?
00:06:50...waiting for instructions.
00:06:53A worthy falcon, promoter of progress.
00:06:58Imprisoned in the sands that hinder our development.
00:07:20...waiting for instructions.
00:07:50...waiting for instructions.
00:08:20...waiting for instructions.
00:08:38Dona Erminda!
00:08:39Dona Erminda!
00:08:41I'm here!
00:08:44Dona Erminda!
00:08:46Dona Erminda, come home for a moment. I need your help.
00:09:06Dona Erminda, this is my new cook.
00:09:16Yalla, yalla!
00:09:19I have to explain everything to her, because she doesn't know anything.
00:09:22Now, I have to go.
00:09:23But what's the hurry, Mr. Nasib?
00:09:25Colonel Jesuíno Mendoza killed Dona Sinazinha and Dr. Osmundo.
00:09:28But why?
00:09:29But what do you mean, why? He found them in bed.
00:09:31What...
00:09:32What could be the other reason?
00:09:34Because he was buried.
00:09:36Dona Sinazinha and Dr. Osmundo?
00:09:38Yes, yes, yes.
00:09:39My late husband told me so in the spiritual section.
00:09:42Dona Erminda, now I don't have time to listen to stories.
00:09:45With this weather, the bar will be full of people.
00:09:47And I'm going to have a maid.
00:09:49Explain everything to her.
00:09:50And you go and wash, because you're disgusting.
00:09:52See you later, Dona Erminda.
00:09:58Hey, girl.
00:09:59Where did you get so much dust?
00:10:01I was running away from the drought.
00:10:03It was for more than 40 days of travel.
00:10:05Welcome, my daughter.
00:10:13Good morning.
00:10:14Good morning.
00:10:19I have a message for you, Mr. Nasib.
00:10:21Colonel Ramiro sent me to tell you...
00:10:23...to take the bottle of the best Portuguese cognac to his house.
00:10:25I told you to take it.
00:10:27That was all I needed.
00:10:28The bottle!
00:10:32Maybe they want a city representative there.
00:10:34One who is not Colonel de Cacau.
00:10:36And why?
00:10:37To toast the murderer.
00:10:39Hello.
00:10:40I'll be right there, Nasib.
00:10:42Today this bar is going to do justice to the name.
00:10:44Yes, yes, it will, it will.
00:10:55Colonel Ramiro.
00:10:59Colonel.
00:11:04Colonel.
00:11:06Colonel.
00:11:09Thank you.
00:11:15Hey, man.
00:11:21He is a great man who washed his dirty hands with blood.
00:11:25And as a friend, as a father, as an understander...
00:11:28...he is the political leader of Jehovah's Witnesses.
00:11:30Go to your farm.
00:11:32Rest for a week or more if you want to...
00:11:34...because I know how much you are suffering.
00:11:36Then come back and introduce yourself to the judge.
00:11:38Don't worry, Dr. Maurício Carlos will defend you.
00:11:41And have my word committed...
00:11:43...in front of all the colonels here in the region...
00:11:46...that nothing will happen to you while I'm alive.
00:11:48Drink to your health, Colonel Jesus de Mendoza.
00:11:58They say she was naked, totally naked.
00:12:02Totally.
00:12:03All of her.
00:12:04The only thing she wore were black socks.
00:12:06Black?
00:12:07Black socks.
00:12:09Very thin.
00:12:11French!
00:12:12Have you ever thought what that is?
00:12:14It's the other side of the world.
00:12:16Go to work, easy.
00:12:17I heard that everything started in jail.
00:12:20In jail?
00:12:21Yes.
00:12:22It's impossible to have an office, a house.
00:12:24It's very promiscuous.
00:12:26For bed, it's a step.
00:12:28Manifest.
00:12:29A false step.
00:12:31Well, they were wrapped up.
00:12:33When Jesus didn't come in, they didn't hear anything.
00:12:36Yeah.
00:12:37At this time, you don't hear anything.
00:12:39Well done.
00:12:40The colonel did justice.
00:12:42He did what any of us would do in a case like this.
00:12:45He worked as a good man.
00:12:47He wasn't born to be a bastard.
00:12:49And there's only one way to pull out the horns.
00:12:51At night, he forgets his morals...
00:12:54...to chase black girls under 14 years old.
00:12:57Mrs. Cinhazinha, who would have thought?
00:13:00She wouldn't leave the church.
00:13:01This business of frequenting the church...
00:13:03...is a problem.
00:13:04Yeah.
00:13:05A woman who lives tied up in a priest's skirt...
00:13:07...isn't a good sight.
00:13:09Especially in a priest's skirt.
00:13:11Look who's coming.
00:13:13Tonico Bastos.
00:13:15Look how serious he is...
00:13:17...with his elephant.
00:13:19Anyone who sees him like this...
00:13:21...can't imagine what he's like.
00:13:23He conquers the whole city.
00:13:25Mrs. Alves, if you catch him in bed with another...
00:13:28...he's capable of doing the same as colonel Gesino.
00:13:30Two bullets in each one.
00:13:32She's a good man for that.
00:13:33The only thing missing is a moustache.
00:13:39New banking agencies...
00:13:41...businesses...
00:13:43...newspapers...
00:13:44...the beach avenue...
00:13:46...new cocoa technicians...
00:13:48...even a new dancer you brought.
00:13:52But I'll tell you one thing.
00:13:54The most important thing...
00:13:56...is the arrival of the engineer.
00:13:58If he comes...
00:14:00...our candidacy is synonymous with victory.
00:14:03And who knows what he'll come up with.
00:14:05For me, this is a personal matter.
00:14:07And then they'll turn the tables...
00:14:09...and clean up the mess.
00:14:11In Rio, I got in touch...
00:14:12...with a Swedish shipping company.
00:14:14They're willing to establish a direct line to Ilhéus...
00:14:16...as soon as the mess gives way...
00:14:18...to a ship from a certain Calado.
00:14:20And when the first Swedish ship arrives...
00:14:23...it'll be the end of the coronel's power...
00:14:25...of the cold-blooded murderers.
00:14:27The money for the export will stay here...
00:14:29...and not with the port of Bahia anymore.
00:14:31Listen to what I tell you, Captain.
00:14:33Progress will come by the sea.
00:14:35And when that day comes...
00:14:37...it'll be the end of Ramiro Bastos in power.
00:14:40And the certainty that we won't have...
00:14:42...the reign of your son Tunico...
00:14:44...the beloved son.
00:14:47What a shame.
00:14:49What a shame.
00:14:51Last month, the whole city...
00:14:53...was after Dona Cinezinha...
00:14:55...asking the rain to stop the cocoa.
00:14:57Everyone walking barefoot.
00:15:03And now, look...
00:15:05...no visit, no flower...
00:15:07...no decent coffin.
00:15:09A bunch of losers.
00:15:14This girl is crazy.
00:15:16Look at her.
00:15:17She's different.
00:15:19If her father finds out, he'll be the devil.
00:15:22My colonel is not here.
00:15:24He went to his farm.
00:15:26I met him at the market...
00:15:49...and he told me...
00:15:51...that I was a fool...
00:15:53...and that I was a fool...
00:15:55...and that I was a fool...
00:15:57...and that I was a fool...
00:15:59...and that I was a fool...
00:16:01...and that I was a fool...
00:16:03...and that I was a fool...
00:16:05...and that I was a fool...
00:16:07...and that I was a fool...
00:16:09...and that I was a fool...
00:16:11...and that I was a fool...
00:16:13...and that I was a fool...
00:16:15...and that I was a fool...
00:16:18It's good.
00:16:31I think I'm much better.
00:16:33Give me a kiss.
00:16:36A little one.
00:16:47One more.
00:17:17The World Falcon.
00:17:34The World Falcon.
00:17:36Beyond progress, it brings fun.
00:17:38This ballerina here at the bar...
00:17:40...is a fabulous thing.
00:17:42Ah, doctor.
00:17:44Fun is also culture.
00:17:46Yes, doctor.
00:18:16Come on.
00:18:18Come on.
00:18:44What are you doing here?
00:18:46Why didn't you go to bed?
00:18:48The man didn't say anything.
00:18:51What man?
00:18:54You didn't say you wanted to go tomorrow.
00:19:00All right, now go to your room and sleep.
00:19:02We'll talk about it tomorrow, okay?
00:19:06Good night, sir.
00:19:11Wait a minute. What's your name?
00:19:14Gabriela.
00:19:29Today I want to be more beautiful than ever.
00:19:32All caprice is little.
00:19:37I've never seen you so worried.
00:19:40The two of them will have to go through here.
00:19:43Big things.
00:19:45There won't be anyone to accompany them.
00:19:47Yes, but all the men will be at the bar to watch.
00:19:50They'll be admiring me.
00:19:54None of them talks to me, Gertrude.
00:19:57But the way they look at me...
00:20:00I know.
00:20:02I know that all beings want me.
00:20:06I like this.
00:20:09It's the thing I like the most in this world.
00:20:12It's the thing I like the most in this world.
00:20:33Whiskey, quick, come on!
00:20:36The bar is full of people and there's nothing to eat.
00:20:39It looks good.
00:20:41Cod roe.
00:20:46Good.
00:20:48This girl knows how to cook.
00:20:50And she's beautiful.
00:20:52When she laughs, she makes us laugh.
00:20:54This Gabriela.
00:21:05Look at Professor Josué.
00:21:07He's so dressed up.
00:21:09So dressed up that it looks like he's already got it.
00:21:12Didn't you read the poem he published today in the newspaper?
00:21:15Look here.
00:21:17Our love is eternal as eternity itself.
00:21:20More immortal than immortals.
00:21:22What a story.
00:21:24A zombie of love.
00:21:26A zombie of eternity.
00:21:28For me, this story of eternal love is just a woman's fault.
00:21:31I don't understand why no poet writes a poem about love.
00:21:35Such a beautiful thing.
00:21:39Hey, Mauricio, look here.
00:22:01As if even after death they would meet again.
00:22:05It's the blood of the oppressed, without a doubt.
00:22:09The blood of the oppressed.
00:22:35Dona Ciarzinha was related to the Zaca.
00:22:38She must have given the destiny of Ophelisa, her vocation for misfortune.
00:22:42But who is Ophelisa?
00:22:44An ancestor of mine.
00:22:46A fatal beauty who fell in love with D. Pedro II.
00:22:49She died of disgust for not having gone with him.
00:22:51To where?
00:22:52To bed, where she should be.
00:22:54To court.
00:22:56She didn't care if she was his lover.
00:22:58Let's lose sight of our glory.
00:23:00Colonel, your owner has arrived.
00:23:02Let's go.
00:23:08I don't excuse a married woman who forgets her duties,
00:23:11but it's also her husband's fault.
00:23:14Glory, dressed in that luxury, having the best and the best.
00:23:18Does Colonel Corellano spend like this with his wife?
00:23:21In my father's land, yes.
00:23:23A woman without shame ends up with a knife,
00:23:26slowly cut into pieces.
00:23:30What is this?
00:23:32Like this, in pieces?
00:23:34Yes, in pieces, starting from the tip of the fingers.
00:23:37What a horror!
00:23:38No, it's not a horror, Doctor.
00:23:40A woman who betrays her husband is a tramp, a whore.
00:23:44She doesn't deserve anything else.
00:23:46If I were married and my wife cheated on me,
00:23:49I'd chop her up.
00:23:51What about the lover?
00:23:53The one who despises the other is grabbed by strong men,
00:23:56those from the mountains.
00:23:58They open their legs, and like a sharp knife...
00:24:03Don't tell me that...
00:24:05Yes, castrated, but with a lot of art.
00:24:07Strange custom in Seville.
00:24:09Anyway, each people with their own use.
00:24:11It's the devil.
00:24:13Fiery as the Turks are, he must be very capricious.
00:24:18No, women don't show off like our friend here,
00:24:22who puts her tits on the window.
00:24:24A woman lives with her head down, her feet up.
00:24:54FOOTSTEPS
00:25:25FOOTSTEPS
00:25:45I... I came to bring this.
00:25:48It's not very important.
00:25:52I just got it.
00:26:09Beautiful.
00:26:15I stayed up waiting for the boy to say what he wanted for tomorrow.
00:26:20It's late, I came to sleep.
00:26:23It's because I worked so hard.
00:26:28Aren't you tired?
00:26:50MUSIC PLAYS
00:27:21BREATHING HEAVILY
00:27:27WOMAN SINGS
00:27:50MUSIC CONTINUES
00:28:20WOMAN SINGS
00:28:29MUSIC CONTINUES
00:28:50MUSIC CONTINUES
00:28:59WOMAN SINGS
00:29:01MUSIC STOPS
00:29:03Yeah.
00:29:05This newspaper needs to be more careful with words.
00:29:09Threats don't intimidate us.
00:29:12And they can't change the truth.
00:29:15The abandonment of the bar is a scandalous case.
00:29:18We've never done anything against the sand that obstructed our progress,
00:29:23that made the capital lose our profits, our blood.
00:29:26What's that, folks? Easy, easy.
00:29:29Turku, Turku.
00:29:31Has anyone marked the cross on the stone today?
00:29:34No, no, I don't think so.
00:29:36It looks more like a cemetery.
00:29:3845 days and nothing happened.
00:29:40Mundinho would do better sending us another dancer.
00:29:43Then we'd all be happy.
00:29:45Mundinho, when he promises, he keeps his word.
00:29:47Clóvis, you just have to be careful not to promise too much.
00:29:52And be even more careful with the words of that journalist he bought.
00:29:56Clóvis Costa has his own opinions.
00:29:58He's not a journalist like me.
00:30:00It's good that he pays attention to what he publishes.
00:30:02If not, Mundinho will have to buy a dog.
00:30:04What's that, folks? Easy, easy.
00:30:17Are you going to beat the girl, Araby?
00:30:28What are you doing here?
00:30:34I came to bring the boy's food.
00:30:38I think Moleza got sick and that's why he didn't show up.
00:30:41Did the boy get angry?
00:30:44No, no, no.
00:31:14Aren't you going to watch a movie with Dona Amanda?
00:31:34The house is ready.
00:31:35You still have time to come back for dinner.
00:31:38Yes, of course I'm going to the movies.
00:31:43Why don't you go to Dona Amanda's?
00:31:47You were born to be a good boy.
00:32:13My little baby, Gabriela.
00:32:21Tasty, Gabriela, isn't it?
00:32:42You're so beautiful.
00:33:03Do you think you're going to be beautiful all your life, Gabriela?
00:33:06If you don't enjoy it now, my daughter, later it's late.
00:33:09If you don't ask for anything, you're born, aren't you?
00:33:12Go to the movies with the lady, what else can I ask for?
00:33:14Anything, girl, anything you want, he'll give you.
00:33:17Look, if you know how to do it, do things the right way.
00:33:21Giving, denying.
00:33:24He just married you.
00:33:28Good afternoon, good afternoon.
00:33:33Good afternoon, Mr. Colonel.
00:33:35Do you think it's a shame for a woman like you to be a cook?
00:33:38Why?
00:33:40It spoils your hands.
00:33:42It's up to you to let go of the pot.
00:33:44If you want, I can take care of everything.
00:33:46A decent house, a maid, when it's open in the store.
00:33:50I liked the girl's print.
00:33:53I really enjoyed you, woman.
00:33:56So, what do you say to my proposal?
00:33:58I don't want it, Mr. Colonel.
00:34:00I don't miss anything here.
00:34:18Hey!
00:34:20Hey!
00:34:22Hey!
00:34:24Hey!
00:34:32Hey!
00:34:36Hey!
00:34:38Hey!
00:34:42Hey, hey, hey!
00:34:44Hey!
00:34:46Hey!
00:34:54I'll see you later.
00:35:09Oh, Gabriel.
00:35:14Mrs. Gabriela, how are you?
00:35:19Where were you?
00:35:21How are you, Mr. Nasib? Mr. Tonico?
00:35:23Gabriela?
00:35:24Go, go, go. You're going to help. Come on.
00:35:27Who's going to love me with Gabriela here?
00:35:29Come on, come on. You too.
00:35:37Ha! Queen of Kittuti!
00:35:39You'll still be mine.
00:35:41How?
00:35:42Cooking.
00:35:52What are you laughing at?
00:35:54Your worried face.
00:35:56You're in love, aren't you, son?
00:35:58Look, the only solution, you know what it is?
00:36:01Marriage. Marry her, sir.
00:36:04What you're saying is absurd.
00:36:08Marriage is done with a good girl,
00:36:11and a well-known, educated family.
00:36:13Conduct ready and urgent, above all.
00:36:16You, when you married Olga...
00:36:18I married Olga because she owned thousands of feet of cocoa.
00:36:22And property is an old passion of the Bastros family, that's why.
00:36:30Enough of this nonsense. It's absurd.
00:36:41Gabriela.
00:36:42Tocantins.
00:36:48Thank you.
00:37:06Oh, how cute.
00:37:08It's for you. He'll go with you.
00:37:11How nice. Two gifts at once. The girl is so good.
00:37:15Why two?
00:37:17I'd like the boy to bring it.
00:37:19He only comes home late at night.
00:37:30Bié, I want to tell you something.
00:37:33Tell me.
00:37:35Something that...
00:37:37doesn't please me, that worries me.
00:37:41Is the food bad? Is the clothes badly washed?
00:37:44No, no, that's not it.
00:37:49I don't want you to come to the bar.
00:37:51I'm only going to help, so the food doesn't get cold.
00:37:55I know that, but the French don't know.
00:37:58It's nice to be a cook in a bar, isn't it?
00:38:01Yes, that's right.
00:38:03Some say nothing, others complain.
00:38:07All right.
00:38:09Starting tomorrow, I'll come in through the back...
00:38:12just to take the boy's food.
00:38:15You like to come to the bar, don't you?
00:38:21All right, you can come.
00:38:23But you won't serve anymore, you'll stay behind the counter.
00:38:26Now you have to go.
00:38:28So early?
00:38:30Yes, yes. I couldn't even come.
00:38:33Come here.
00:38:37Come, come.
00:38:42Look, you love me, don't you?
00:38:46You're a handsome man, I like you very much.
00:38:50You know, it's not them who don't want you to go to the bar.
00:38:54It's me, because I'm jealous...
00:38:57that everyone talks to you, touches you.
00:39:00All they need is to hold you in front of me.
00:39:03It doesn't matter, I don't say anything.
00:39:05It's true, it's true that it doesn't matter.
00:39:09It's all right.
00:39:11It's all right.
00:39:35Wait for me.
00:39:38Wait for me.
00:39:41The engineer has arrived.
00:39:44The engineer has arrived.
00:39:47The engineer has arrived.
00:39:50The engineer has arrived.
00:40:05Welcome to Ilesa, engineer Romulo.
00:40:07Thank you very much.
00:40:09Do you know the captain?
00:40:11Your arrival is a historic milestone for our city.
00:40:23A toast to our engineer, Romulo Vieira.
00:40:27Cheers!
00:40:39Cheers!
00:41:09Cheers!
00:41:39I'm sorry.
00:41:51What? No answer?
00:41:54It's impossible.
00:41:56No explanation?
00:41:58It doesn't make any sense.
00:42:00When did I go wrong?
00:42:02Don't fight like that.
00:42:04There must be a reason.
00:42:06I don't know. She read it and told me to return it.
00:42:08You did very well.
00:42:10Thank you.
00:42:27Crazy.
00:42:29Insensitive.
00:42:31Who does she think she is?
00:42:33She's nothing but a whore.
00:42:35The daughter of a colonel.
00:42:37She doesn't respect others.
00:42:41She causes suffering like those who peel a banana.
00:42:48If I only knew how much I like him.
00:42:51This tired chest of mine is worth it.
00:42:56Perfect Alexandrines.
00:43:08THE END
00:43:19I'm worried.
00:43:21Maybe I'll score a point with the arrival of the engineer.
00:43:25Why don't you think about your life?
00:43:28You should be worried.
00:43:30About what?
00:43:32The judge has rented a beautiful house in Beco das Patas, Borboletas.
00:43:36For whom?
00:43:38Think about it.
00:43:40Where are the cakes?
00:43:42I don't know.
00:43:44Dona Gabriela wasn't at home.
00:43:50Tamiko.
00:43:52When you talk about marriage, are you serious?
00:43:55Of course I am.
00:43:57If it were me...
00:43:59I've thought about it.
00:44:01Have you made up your mind?
00:44:04She doesn't have any documents.
00:44:06She doesn't know when she was born.
00:44:08She doesn't know her mother's father's name.
00:44:10She doesn't know how old she is.
00:44:12I'm your friend.
00:44:14I'm also the owner of the banknotes.
00:44:16I'll give you fake documents.
00:44:18But it's not dangerous.
00:44:20It's not dangerous.
00:44:22The whole island was built on fake documents.
00:44:24Certificates of ownership.
00:44:26Hundreds and thousands of hectares.
00:44:28But there's one condition.
00:44:30What?
00:44:32You're already invited.
00:44:34Tamiko.
00:44:36You're my best friend.
00:44:45I came here just to tell you that...
00:44:48Well...
00:44:50I've made up my mind.
00:44:52I want to marry you.
00:44:54You don't have to be born.
00:44:56What do you mean?
00:44:59If you say yes, I'll say yes.
00:45:01But you don't have to.
00:45:03Then I'll say yes.
00:45:05I'll hire employees.
00:45:07I'll buy dresses.
00:45:09I want to have elegance.
00:45:11A new life.
00:45:13From now on, you'll sleep in Mrs. Linda's house.
00:45:16Why?
00:45:18Because now we're engaged.
00:45:20It's not good to sleep in the same house.
00:45:22The city talks, you know.
00:45:28I love you, Tamiko.
00:45:58Gabriela...
00:46:00Gabriela...
00:46:29Bravo!
00:46:31Thank you.
00:46:33Congratulations.
00:46:35Congratulations.
00:46:37Thank you.
00:46:39Thank you.
00:46:41Congratulations.
00:46:59Yes!
00:47:01Silence!
00:47:03Silence!
00:47:05Finally, Hels was executed.
00:47:07The Emperor's love for Ophelia...
00:47:09is revived by Gabriela Inácio.
00:47:19Look at your mouth in my mouth
00:47:24Look at your mouth in my mouth
00:47:29But who am I in this crazy life
00:47:35But a clown in your carnival
00:47:54But a clown in your carnival
00:48:24What's written there, Mr. Nasim?
00:48:50Speak softly, or I'll see that you don't know how to read.
00:48:53And don't call me Mr. Nasim.
00:48:55I'm your husband, and you're my wife, not my maid.
00:48:58Don't be angry, Mr. Nasim.
00:49:00But what was written there?
00:49:02I don't know, I don't remember.
00:49:04And don't talk with your mouth full.
00:49:19Thank you.
00:49:25Thank you.
00:49:28Thank you.
00:49:40Thank you.
00:49:49Good afternoon, Professor.
00:49:54What happened? So many people running from one side to the other.
00:49:59They set fire to the newspaper's edition.
00:50:02Bastos people.
00:50:04All because of that engineer Palermo.
00:50:06Which one? That one over there?
00:50:08The one who's talking to your girlfriend?
00:50:10My girlfriend?
00:50:12You're mistaken. Simple knowledge.
00:50:15Here in Ilhéus there's only one woman who makes me dream.
00:50:18Really? Can you tell me who she is?
00:50:21Can I tell you?
00:50:23Don't be shy.
00:50:33Let's go home!
00:50:44I heard you finished your studies at Barra.
00:50:47You sent a telegram asking to continue with your work.
00:50:51If it weren't for you, I wouldn't do that.
00:50:54You sent a telegram asking for a replacement.
00:50:57I didn't expect it to arrive.
00:51:00Do you know there's a plane in the morning?
00:51:09In the morning. That's the deadline.
00:51:17Tonico, do you know about the last one?
00:51:19Malvina, Colonel Melchi's daughter, ran away from the ship in the middle of the night.
00:51:23They say she went to meet with engineer Romulo.
00:51:25She didn't leave a letter, she didn't say goodbye to anyone, she left everything.
00:51:28Colonel Melchi was furious, he yelled at us all.
00:51:31Poor thing, he was devastated.
00:51:33Salve, Nassimi.
00:51:35Get me a cognac.
00:51:37Certainly, Colonel.
00:51:48Look at that, Turk.
00:51:50I hope this cognac is Portuguese, not the mixed one you serve.
00:51:54The cognac is good, Colonel.
00:51:56You can drink it without fear.
00:51:58I'm not a Turk, I'm Italian.
00:52:01From Bahia Arabi, Edimã and Neapolitan.
00:52:04I thought it was the same thing.
00:52:06No, it's not the same thing.
00:52:13Professor, another one.
00:52:15No, thank you, Nassimi.
00:52:45Thank you.
00:53:16Oh, I'm going to make my movie.
00:53:19I forgot, the evil girl.
00:53:21I already forgot.
00:53:23Did you like your glory?
00:53:25I loved it.
00:53:27I loved it.
00:53:29Look,
00:53:31a house like this,
00:53:33with luxury,
00:53:35I can't offer it to you.
00:53:37I'm a modest teacher, with a winning streak.
00:53:41But love,
00:53:43love I can.
00:53:45The two of us,
00:53:47walking arm in arm on the street,
00:53:50facing this hypocritical society,
00:53:53living in my little room over the cinema,
00:53:56poor, but full of love.
00:53:59Oh, no, no, no, my son.
00:54:01It can't be like that.
00:54:03I want love and comfort.
00:54:05My man and my colonel.
00:54:07I already know enough misery.
00:54:10I don't like her, not even a little.
00:54:12If you want, it will have to be like this,
00:54:15hidden,
00:54:17and very well hidden.
00:54:19If the old man finds out, I'm lost.
00:54:22All care is little.
00:54:42I wanted to give you something.
00:54:44Something you'd wear to remember me every day.
00:54:47But I can't buy it, and I don't trust you.
00:54:50Buy me a pair of shoes.
00:54:52Don't say no.
00:54:54I'm asking you.
00:55:00Buy me a pair of shoes.
00:55:02Don't say no.
00:55:04I'm asking you.
00:55:06Buy me a pair of shoes.
00:55:08As soon as you walk,
00:55:10you think you're stepping on me.
00:55:13As soon as you walk,
00:55:15you think you're stepping on me.
00:55:35Well, colonel, with your support, the election is decided.
00:55:38The votes of Itabuna end the political career of colonel Ramiro Bastos.
00:55:41It's a shame.
00:55:43Colonel Ramiro is a great man,
00:55:45but his time has passed and he doesn't want to see it.
00:55:47It's true.
00:55:49Please.
00:55:52Good evening, colonel.
00:55:54Good evening.
00:55:56There is a curiosity.
00:55:58What exactly made you decide to support my candidacy?
00:56:01I always knew the right time to change.
00:56:11I'm sorry.
00:56:33The bastard is here.
00:56:35Let's find him and I'll take care of it.
00:56:42The bastard is here.
00:56:45Let's find him and I'll take care of it.
00:56:48Let's go.
00:57:11Let's go.
00:57:41What are you doing here?
00:57:45You're bleeding.
00:57:47I shot a man.
00:57:49It was the colonel.
00:57:51Why did you shoot him? What did he do to you?
00:57:53He did nothing to me. It was colonel Melk and the other major.
00:57:56Gabriela, you need to help me.
00:57:58Look for colonel Melk. He must be at the other major's house.
00:58:01Colonel Ramiro?
00:58:03Yes.
00:58:05He says I'm sorry, but I need your help.
00:58:07Go now.
00:58:09Go.
00:58:26What are you looking for?
00:58:28I want to talk to colonel Melk.
00:58:30He went home.
00:58:31I want to talk to colonel Ramiro.
00:58:33It's Fagundes. He's hiding at home.
00:58:35Wait here.
00:58:39Wait here.
00:58:48Gabriela.
00:58:50Mr. Tonico.
00:58:52It's Fagundes. He's hiding at home.
00:58:54He's wounded. He needs help.
00:58:56He'll be fine, Gabriela.
00:58:58Let's go in. Does Nassib know?
00:59:00No, he doesn't. He was sleeping.
00:59:02Great. We won't tell him anything.
00:59:04It's best if he doesn't know.
00:59:06Let's go in, please.
00:59:10You didn't know.
00:59:12You saved the city from a big fire.
00:59:14That's even better.
00:59:18Colonel, I have to go.
00:59:20Don't worry.
00:59:22Tonico, you and Olga will take Gabriela to the police station.
00:59:24But it's late, father. Olga is sleeping.
00:59:26Then wake her up.
00:59:28And call my comrade Melk and comrade Amancio.
00:59:30I want them both dealing with this.
00:59:32And this time, no mistakes.
00:59:34Gabriela.
00:59:36My gratitude.
00:59:39Excuse me, father.
00:59:41Be right back, Colonel.
00:59:43Let's go.
01:00:05Ineus is taken by the Jebusites of Tabuna.
01:00:07And Colonel of the Jaguars is wounded.
01:00:09If they find out who shot Colonel of the Jaguars...
01:00:11and make him talk...
01:00:13Colonel Ramiro will put his men in the salt...
01:00:15and it will be the war of cocoa.
01:00:17No, don't worry.
01:00:19This never leads to anything.
01:00:21I don't know.
01:00:23Colonel Ramiro is just a brave, tough man.
01:00:25Who's going to shoot him?
01:00:39Let's go.
01:00:41Let's go.
01:01:07Has Senasibi arrived?
01:01:09One day, full of confusion.
01:01:13Tonight we'll sleep in a barrel full of gunpowder.
01:01:17Is it really Senasibi?
01:01:19No, don't worry.
01:01:33Come.
01:01:35Come closer.
01:01:39No, no.
01:01:43But if Senasibi wants it, I want it too.
01:01:45I always want it.
01:01:51You don't even care.
01:01:53What do I care, Senasibi?
01:01:55I arrive and it's as if I didn't arrive.
01:01:59Do you need anything?
01:02:01Do you need to eat? Do you want a mango juice?
01:02:03What juice?
01:02:05The affection is over.
01:02:07Before, you were the one who loved me.
01:02:09Senasibi always gets tired.
01:02:11I don't know if he wants me.
01:02:13I can't help it.
01:02:15What are you saying?
01:02:17I can get tired, but for certain things I'm always ready.
01:02:19I'm not an old man.
01:02:21When Senasibi calls me with his finger,
01:02:23I'm always close.
01:02:25When he wants me...
01:02:27It's something else.
01:02:29Before, you were a burning fire,
01:02:31a furious wind.
01:02:33Now you're a breeze.
01:02:37Senasibi doesn't like my taste anymore.
01:02:41Are you sick of me?
01:02:43No, I like you very much.
01:02:45And without you, I can't live.
01:03:07I love you.
01:03:17I love you.
01:03:29I love you.
01:03:37Come here!
01:03:39Come here, Gabriela!
01:03:57Gabriela, enough!
01:03:59Let's get out of here!
01:04:01Stop it!
01:04:03Oh, my God!
01:04:07Oh, my God!
01:04:21Senasibi,
01:04:23there's something you won't believe.
01:04:25Twisca is an artist now.
01:04:31He's an artist.
01:04:33He's going to work in the circus.
01:04:35He's really going to be an artist.
01:04:47Senasibi, are you sick?
01:04:51Yes, I'm dead tired.
01:04:53And you're sleepy.
01:04:55A lot of people stayed at the bar until now.
01:04:57The captain, the doctor.
01:05:01Senasibi, come here!
01:05:03Senasibi, come with me.
01:05:05We're going to see Twisca at the circus.
01:05:07No, not Thursday.
01:05:09Thursday we're going to a conference.
01:05:11A what, Senasibi?
01:05:13A conference.
01:05:15There's a poet, a doctor,
01:05:17who says some poems that you should see.
01:05:19Magnificent.
01:05:21I have a conference on Thursday in the city hall.
01:05:23I bought two tickets.
01:05:25For me and for you.
01:05:27What's a conference like?
01:05:29It's a fine thing.
01:05:31It's for children.
01:05:33What's there, Senasibi?
01:05:35Dance, music?
01:05:39You have to learn a lot, Bia.
01:05:43I'll explain everything.
01:05:45Pay attention.
01:05:47There's a man, a doctor, a poet.
01:05:49He says something.
01:05:51What does he say?
01:05:53Anything.
01:05:55He talks about tears,
01:05:57about nostalgia.
01:05:59He talks,
01:06:01and we listen.
01:06:03He talks, and we listen.
01:06:05Yes.
01:06:07And then?
01:06:09And then, when he's done, we clap.
01:06:11He talks about beautiful things,
01:06:13very important,
01:06:15and even difficult to understand.
01:06:19Senasibi, the doctor talks, we listen and understand.
01:06:21And you say it's more beautiful
01:06:23than the cinema, than the circus.
01:06:25You're going to excuse me, Senasibi.
01:06:27Senasibi, you're an educated man.
01:06:29It can't be better than the circus.
01:06:31Bia, you have to understand.
01:06:33I've told you a thousand times.
01:06:35You're no longer a maid.
01:06:37You're Mrs. Sard.
01:06:39You see?
01:06:41The best society in the world goes to the conference.
01:06:43We can't miss this opportunity
01:06:45to go to a vulgar thing like the circus.
01:06:49If Senasibi can't go to the circus, why?
01:06:51Why not?
01:06:53I don't understand.
01:06:55If he can't go, fine.
01:06:57You say I'll be sad.
01:06:59I even promised him I'd cry.
01:07:01But if he can't,
01:07:03I'll clap for myself and Senasibi.
01:07:05No, you clap for the poet.
01:07:13Senasibi,
01:07:15let me go to the circus.
01:07:17I'll go to the conference hall.
01:07:19There's no conference every day.
01:07:21Not even in the circus.
01:07:23It's worse for the circus.
01:07:25It's worse for the circus.
01:07:39She's going to the hall.
01:07:47Look at Berthold.
01:07:49He's like a kid out there.
01:07:51And suddenly
01:07:53he has to go to a conference.
01:07:57Tonight will be in Leo's history.
01:08:01One moment.
01:08:05Dad.
01:08:17Mrs. Gabriela, what a surprise.
01:08:23What a surprise.
01:08:39Such a sweet and sincere figure
01:08:41suffered in the deafening dawn
01:08:45and on the other side of the balcony
01:08:47the emperor's black beards.
01:08:49Gracious in the reclined window
01:08:51the phoenix,
01:08:53when it shone
01:08:55to the cries
01:08:57to the cries
01:08:59to the cries,
01:09:01Dr. Agileu.
01:09:03Excuse me.
01:09:05Gracious in the reclined window
01:09:07the phoenix,
01:09:09when it shone
01:09:11to the cries
01:09:13to the cries,
01:09:15impoverished,
01:09:17waiting,
01:09:19resigned,
01:09:21for that which the heart
01:09:23did not give it.
01:09:25O phoenix,
01:09:27O sweet figure,
01:09:29if it were late,
01:09:31if it were night,
01:09:33if it were raining,
01:09:35if it were sunning,
01:09:37if it were singing,
01:09:39this love so full of pain.
01:09:41O phoenix,
01:09:43and Leo pays homage
01:09:45if it were time to return.
01:09:47It was I who would love you.
01:09:55You were the most beautiful of the night.
01:09:59Now I have to go to the bar.
01:10:45O phoenix,
01:10:47O phoenix,
01:10:49O phoenix,
01:10:51O phoenix,
01:10:53O phoenix,
01:10:55O phoenix,
01:10:57O phoenix.
01:11:15O phoenix,
01:11:17O phoenix,
01:11:19O phoenix,
01:11:21O phoenix,
01:11:23O phoenix.
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01:23:03Do you want to watch a movie?
01:23:05Wait a minute.
01:23:07I have to go to the bathroom.
01:23:33I'll be right back.
01:24:03I'll be right back.
01:24:33Gabriela
01:24:35Gabriela
01:24:37Gabriela
01:24:39Gabriela
01:24:41Gabriela
01:24:43Gabriela
01:24:45Gabriela
01:24:47Gabriela
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01:25:01Gabriela
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01:25:15Gabriela
01:25:17Gabriela
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01:25:21Gabriela
01:25:23Gabriela
01:25:25Gabriela
01:25:27Gabriela
01:25:29Gabriela
01:25:31Gabriela
01:25:33Gabriela
01:25:35Gabriela
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01:25:39Gabriela
01:25:41Gabriela
01:25:43Gabriela
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01:25:49Gabriela
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01:26:27Gabriela
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01:26:35Gabriela
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01:27:01Gabriela
01:27:03Gabriela
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01:27:07Gabriela
01:27:09Gabriela
01:27:11Gabriela
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01:27:15Gabriela
01:27:17Gabriela
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01:27:21Gabriela
01:27:23Gabriela
01:27:25Gabriela
01:27:27Gabriela
01:27:29Gabriela
01:27:31Gabriela
01:27:33Gabriela
01:27:35Gabriela
01:27:37Gabriela
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01:27:41Gabriela
01:27:43Gabriela
01:27:45Gabriela
01:27:47Gabriela
01:27:49Gabriela
01:27:51Gabriela
01:27:53Gabriela
01:28:05Gabriela
01:28:07Gabriela
01:28:09Didn't I tell you in this very room that I'd open the bar with a Swedish waiter?
01:28:12You did and you kept your word.
01:28:14And the excuse, doctor? Do we have it ready?
01:28:17Great.
01:28:18We've waited several decades for this day.
01:28:22Today is the beginning of a new era.
01:28:25The new replaces the old.
01:28:26The promise of reaching a forgotten place.
01:28:29Captain.
01:28:30Communicate with the ship immediately.
01:28:32Tell them to tighten the entrance.
01:28:33Yes, sir.
01:28:34This ship can't pass the bar today at all.
01:28:39Yes, sir.
01:29:09May our Lord Jesus Christ, Father of Mercy,
01:29:13and God of all consolation,
01:29:16console us in all our moments.
01:29:19Amen.
01:29:40May our Lord Jesus Christ, Father of Mercy,
01:29:43and God of all consolation,
01:29:47console us in all our moments.
01:29:51Amen.
01:29:58Mr. Nassim! Mr. Nassim!
01:30:00It's over!
01:30:03It's over!
01:30:04What's over?
01:30:05The trial.
01:30:06Mr. Nassim and Mrs. Mendoza were sentenced, Mr. Nassim.
01:30:09Sentenced for the love of Mrs. Senhazinha.
01:30:36Finally!
01:30:38With your new and modern port,
01:30:41the city of São Jorge de Ilhéus is now linked to the world.
01:30:45Mr. Mundinho.
01:30:46And why don't you say
01:30:48to the most modern and important people in Brazil
01:30:51that I'm a cyborg,
01:30:53that I already had a chosen man,
01:30:55and I just got out of prison?
01:30:57I never understood much of these political things.
01:31:00Me and Father Ramiro Batis killed,
01:31:02escaped from prison,
01:31:04and we died many times together.
01:31:07And a friend like that, I don't take for nothing.
01:31:10But now it's all over.
01:31:12He's dead.
01:31:13You can only count on my support.
01:31:15Thank you, Colonel Amâncio.
01:31:17And they won't be the first, by any chance,
01:31:19these Nordics, these Normands.
01:31:22Or for a round of poker in the bar, Mr. Nassim.
01:31:29Yeah, it looks like things won't change much,
01:31:32but everything will be the same as before.
01:31:34The same, but different.
01:33:32Oh, my God.
01:34:03Mmm.
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