00:00Who do you know right now that's dangerous?
00:02I remember my agent, she was saying,
00:04well, they all kill each other at the end,
00:06and, you know, there's no money,
00:08and nobody's ever heard of this Quentin guy.
00:12Eight movies, all of them, are very successful.
00:15The resonance of this cinema is to push you.
00:20Our 90s auteur indie cinema,
00:23the equivalent of the French New Wave.
00:28Everyone is standing in the Quentin Tarantino line to work.
00:30I don't care who they are.
00:33And we had this meeting,
00:34and he seemed like kind of an overzealous geek,
00:36but guess what?
00:37He had the talent to back it up.
00:40The greatest fight any two women ever had in a movie,
00:43and yet their femininity never went away for a second.
00:47He didn't want to do the dancing.
00:49And he wrote the part that John Travolta played for Michael.
00:53Michael didn't do it.
00:53Well, they're brilliant screenplays.
00:55There's nothing having to sell those to pay your rent.
00:59This is how we've used the world.
01:01Quentin comes in, and he goes,
01:03well, I don't really trust Kristoff to kill you,
01:05so I'm going to do it myself.
01:07And I was just like, well, at least if I die,
01:10it's Quentin Tarantino who killed me today.
01:14He didn't change history.
01:16He's doing exactly the quintessential task
01:20of what storytelling is all about.
01:22What if?
01:24There's no dishonesty in anything that he writes
01:26or how people talk, feel, or speak.
01:28You're in your hole!
01:31You up in it, son of a...
01:33I was Quentin different from other directors.
01:35I never fear that my joy is going to be cut off.
01:38That was fun!
01:43He's got his tent.
01:44He'll do other stuff.
01:45He's not going to fade out.
01:46I think he needs to live to 150 just so he can accomplish whatever he wants to accomplish.
01:52He's not going to be 100 what does.
01:52He� Fantino.
01:52Fear Phud 10,
01:52Either way or me,
01:53or anybody else downs,
01:53Oh!
01:54Oh!
01:55Oh!
01:55Oh!
01:56Oh!
01:56Oh!
01:56Oh!
