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Mohabbat Episode 11 [Eng Sub] Feroze Khan - Nawal Saeed - Shahvir Kadwani - Aina Asif | Pakistani Top Dramas

Mohabbat is an emotional family drama that explores the complexities of love, class differences, trust, and relationships. It reveals how pride, jealousy, and hidden intentions can challenge even the strongest bonds.

Yahya and Zarrar, the sons of Saleha Nizami and Jamal, belong to a wealthy and respected family. Yahya falls deeply in love with Asiya, a middle-class girl who works at his office. Despite their different backgrounds, their love grows stronger, but Saleha refuses to accept Asiya because of her social status.

Although Saleha agrees to move forward with the proposal, her hidden plan is to humiliate Asiya and her family. Unable to bear the humiliation, Asiya walks away from Yahya, leaving him convinced that she has betrayed him.

Meanwhile, Meherma struggles with problems in her personal life and proposes to her friend Zarrar to escape her difficult circumstances. Although their marriage begins as a practical decision, they gradually fall in love.

When Yahya learns the truth behind his separation from Asiya, his trust in his family is shattered. Yet when fate brings him and Asiya together again, hidden truths and unresolved pain continue to haunt their relationship.

Consumed by revenge, Asiya decides to challenge Saleha, creating conflicts that deeply affect the entire family, especially Meherma. As relationships begin to fall apart, Zarrar and Meherma leave the family home and face new struggles that test their love and resilience.
Can Zarrar and Meherma build a peaceful life together?
Will Yahya and Asiya forget the past and move forward together?
Will Zarrar ever be reunited with his family?

7th Sky Entertainment Presentation
Producers: Abdullah Kadwani & Asad Qureshi
Director: Asad Jabal
Writer: Shafia Khan


Cast:
Feroze Khan as Yahya
Nawal Saeed as Asiya
Aina Asif as Meherma
Shahvir Kadwani as Zarrar
Savera Nadeem as Saleha Nizami
Hiba Ali Khan as Fehmida
Hasan Ahmed as Hashim
Momin Durrani as Jamal
Zohreh Amir as Shiza
Haleema Ali as Joya


#Mohabbat
#FerozeKhan
#AinaAsif
#ShahvirKadwani
#Nawal Saeed

Category

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TV
Transcript
00:21It is necessary that the love of giving is too late.
00:26My mother is saying exactly right.
00:52I'm sorry.
01:02Sorry, Dad.
01:32Dad, there will never happen anything.
01:38You won't be afraid of anything.
01:52Ami?
02:01Ami?
02:04Ami, what's up for me?
02:05What's up for me?
02:06It's made an apple.
02:08Okay, I'll remind myself that I'm changing clothes.
02:12Take it yourself.
02:14I'll keep it in the kitchen.
02:16What do you mean?
02:18Who will you leave in the hostel?
02:20Your mother has given me another.
02:31Hostel?
02:33What do you mean?
02:36How did your test happen?
02:41My test?
02:45My...
02:47My test was good.
02:52What do you mean?
02:55What do you mean?
02:56What do you mean?
03:04Hostel is better.
03:06You have a better job.
03:07You've got a camera.
03:09You've got a camera for me.
03:09Ami, you need to get a camera.
03:11It's not a place.
03:13It's a place.
03:14My mom...
03:15You need a little independence.
03:17You need a little independence.
03:19What are you doing?
03:21What kind of stuff is this?
03:26Ami...
03:56What do you mean?
04:12What do you mean?
04:25Ami...
04:55What do you mean?
04:56What do you mean?
04:56What do you mean?
05:07What do you mean?
05:12What do you mean?
05:31What do you mean?
05:33What do you mean?
05:35What do you mean?
05:35Are you doing that?
05:37You're doing it.
05:41I'm saying,
05:42you're doing it.
05:42you're doing it.
05:46Yeah...
05:46I'm saying,
05:46if someone wants to take a child.
05:48Hey,
05:49I'll get a baby with us.
05:52Hey...
05:52My son is not emotionally unstable.
05:57The girl who doesn't understand our blood and our treatment of the age of 50 years in the age of
06:0350 years,
06:06the girl who is an unknowable girl, how will she be able to get her?
06:11Love is a disease.
06:15Love?
06:17You say that people never forget their first love, but then...
06:21What do you mean?
06:22Do you have any girl interested in it?
06:26Yes.
06:27Who was it? Who was it? Why didn't you tell me?
06:32There wasn't a chance.
06:33There wasn't a chance.
06:35Now tell me.
06:36Let's go.
06:37What did you do?
06:39What?
06:43You died?
06:45You should think about the name of her husband.
06:49When did this happen?
06:54It just happened.
07:00What are you thinking?
07:01Is it really such a bad father?
07:03Why didn't you look for children?
07:08You are a very good father.
07:13It's my strength that our children are so proud of.
07:17I didn't have so much effort to make children so proud of me.
07:20I didn't do it.
07:20I did it.
07:24I did it.
07:25I did it.
07:26Stop waiting.
07:27Everything will be fine.
07:27I didn't even know him.
07:28I used to know him and I kept�using him with her.
07:46The children were seen.
07:47I used to kill him.
07:56He was looking for a pig every day.
07:57Yes, I am.
07:58I want to see too.
08:03Will you see my Sultan?
08:05Yes, you see.
08:07I was telling you that I don't have the name of the drama.
08:10And you all know.
08:11No, I don't know. My mother showed me the drama.
08:14Why?
08:15Did you have to complain about it?
08:17No.
08:18My mother kept my name on the drama.
08:21Yes, you are telling me.
08:23She was also in Meherma.
08:26Wow, my brother.
08:27Are you all here?
08:29What did you explain to me?
08:31Your mother is better than her.
08:33Who is my mother?
08:35That's the one who is going on the drama.
08:37She is so hard to fight.
08:39Excuse me, Dad.
08:40What happened to me?
08:43What did you explain to me?
08:46What did you explain to me?
08:47You see that you are going on the drama.
08:51I will tell you one thing.
09:01You are impossible.
09:05You are impossible.
09:06Let's go.
09:08What do you mean?
09:10You are not doing this in my English.
09:13Yes?
09:15I have to keep the drama.
09:17Take it.
09:18Take it and put it in my arms.
09:20You are in the same way.
09:25Yes.
09:26Good.
09:26Check.
10:08What do you have to do with this?
10:10What do you have to do with this?
10:12Let's close the light.
10:17I told you before that...
10:20I don't want to give up to my brother.
10:36I don't know what to do, sit down.
10:43Baba, I'm going to shift the hostel.
10:45We'll come tomorrow.
10:47But Baba,
10:49Until there's no camera, you'll stay here.
10:51Do you want to go to the hostel?
10:52Do you want to go to the hostel?
10:55If you don't have to be so big, you'll be able to do it.
10:58There's no child as much as you don't.
11:04So do you wait for me to die and wait for yourself.
11:08And then you'll be able to do it.
11:10I'll be able to hear you.
11:13Hmm?
11:18No...
11:21No, no.
11:24No, no.
11:25No, no.
11:26No, no.
11:27No, no.
11:48You're just happy with your house.
11:51Whatever.
11:53Nothing.
11:54That's right.
11:56I don't want to go back and eat it.
11:59It's better to keep your house
11:59and only repaid your son's home.
12:08What are you talking about, Salma? She's a little child.
12:12She's not a child. In our house,
12:16the girl has married and married.
12:20She's married?
12:21Yes. She's married to me.
12:25She's married to me.
12:25She's married to me.
12:27Yes?
12:28Let's go.
12:29She's married too.
12:30What was it?
12:32What are you doing?
12:33What are you doing?
12:35How good is this?
12:37Everything will be set.
12:38It will not be done.
12:40Okay.
12:42And the judge and the judge,
12:44those who were,
12:45that's what?
12:45That's what?
12:48That's what?
12:49It was a glass of glass.
12:51If it's gone,
12:52it will be gone and we will not be able to do it.
12:56Yes.
12:58No.
12:58It's not a glass of glass.
13:01But when the eyes are broken,
13:04it will be removed from it.
13:08I've decided.
13:09If I meet a girl,
13:11if I meet a girl,
13:11if I meet a girl,
13:11I'll see myself.
13:12I'll see you.
13:12I'll see you.
13:23I'll see you.
13:26I'll see you.
13:28Dad, I don't want to do this tender.
13:31What?
13:32My plate is already full.
13:35And I don't want to over-pardon my tea.
13:38Oh.
13:39I'll see you.
13:41I'm sorry, Dad.
13:44I'm sorry, Dad.
13:44You can tell me that you have to know me.
13:47Just work, call us and coffee.
13:50I'll taste sugar.
13:56Hello.
13:57You have a black coffee and no sugar.
14:00Okay.
14:01Let's go.
14:05Sit down.
14:10What's your problem?
14:12What's your problem?
14:12Why do you think this?
14:13Dad, my team is already working on three projects.
14:16Go, man.
14:18Look at yourself.
14:19Why don't you sleep in time?
14:21Did you feel bad?
14:23I feel bad.
14:25In fact, I feel good
14:27that I feel bad.
14:28I feel bad.
14:31I can't compromise quality.
14:34Why are you giving me explanations?
14:36Don't do it.
14:38I was just thinking about the team.
14:41I'm thinking about you.
14:42What?
14:44Yeah, yeah.
14:46I've been doing business in this way
14:48so that you can understand the business page.
14:51It's not that you can go to the machine.
14:53What is your problem?
14:55Everything is something.
14:57And if you want more,
14:58I can give you more.
15:01Relax.
15:03In fact, I'm telling you
15:04that I'll leave vacations.
15:05Next, please go.
15:29I'm telling you
15:30I'll say that I'll say Ms. Asia to lead the team.
15:39Asia is on the cement side?
15:42I'll see that.
15:44Tell me about there's a party.
15:46Juned told me that you've occupied the farmhouse.
15:49That's the farewell of Faraz.
15:52Oh, so you'll have to go out soon?
15:57I don't want to go.
15:59It's a convinced problem.
16:02Come with you.
16:05Me?
16:06I hope there won't be any problems.
16:10Ma'am, but I won't go.
16:14Me?
16:15No.
16:17I just avoid social gatherings. I don't attract.
16:22I don't attract?
16:25Or...
16:27I want to tell you something.
16:32If you don't want to go to Jamal, then I understand that.
16:38But it's a private gathering. It's a private party.
16:45So...
16:46...
16:46...
16:47...
16:47...
16:47...
16:48...
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26:26...
26:27I don't think I'm comfortable with family.
26:30After all, everyone is family with family.
26:34Sorry?
26:35It's usually a lot of children.
26:38I have a family with family.
26:40Yes, but...
26:42I don't want to marry my husband.
26:45But in Pakistan, there's a lot of children in Pakistan.
26:49Only in Pakistan.
26:50There's a lot of children in the world.
26:56But the truth is that...
26:59The marriage...
27:02is only a responsibility.
27:05And I don't want to raise any responsibility.
27:08That's why.
27:13I mean, if you're comfortable.
27:15I don't want to raise any responsibility.
27:16What do you say about every annoying question?
27:20Only if you're comfortable in sharing.
27:23Seriously, tell me.
27:25Okay, let's ask another annoying question.
27:30Please, go ahead.
27:33You know, I don't know.
27:34Your mother has done so much,
27:35but...
27:36your mother has no action.
27:38They don't know.
27:40I don't know.
27:40What do you mean?
27:41What do you mean?
27:42That's what you don't know.
27:44I don't know.
27:44Please, you don't know.
27:46I don't know.
27:47I don't know.
27:49I don't know.
27:50So, why did you tell me that...
27:51She didn't know.
27:53I don't know what to do with my mother.
27:58You said that there is a desire to be married in Pakistan.
28:03What do you mean?
28:04If you are married with love, you need respect and acceptance.
28:12If Prince is charming?
28:16Prince is charming.
28:17Even if you don't want to, it will go.
28:21But, without respect, girls don't have to be ashamed.
28:24Ah, that's true.
28:30Hello, Mama.
28:31Kabir.
28:32Is Asiya with you?
28:34Yes, she is with me.
28:35I'm going to drop her.
28:36Don't drop her.
28:37Go home.
28:38And take Asiya with you.
28:40What is Asiya?
28:42Is everything okay?
28:43There is nothing right here.
28:46Just come here.
28:47All right.
28:48Okay.
28:49Okay.
28:50All okay?
28:54Ah...
28:54Mama called at home.
28:56We have to go home.
28:58Me?
29:00Me?
29:01Yeah, she didn't talk about anything.
29:07Emergency.
29:08Let's see.
29:20What if the message is?
29:23Palette?
29:23You are able to...
29:24Mama is wrong with her.
29:25Mama is wrong with her.
29:28I have to go home.
29:29She has to be distracted.
29:30From the iPhone.
29:35Mama lost her.
29:36Mama ruined her.
29:38Mama lost her.
29:40Mama lost her.
29:41Mama lost her.
29:42Mama lost her.
29:43Mama lost her.
29:44Zarar?
29:48Do you want to go to college?
29:49Yes, I want to go.
29:51Why don't you sleep until now?
29:52I'm trying to take my brother. I don't know where he is.
29:57Brother, I won't take my phone with Zuhayb.
30:00Okay.
30:03What?
30:04I'm telling you, Brother, I won't take my phone with Zuhayb.
30:08Don't check.
30:09Don't do it.
30:10Don't think about it.
30:11We'll talk later.
30:12Okay.
30:18You didn't say that you had to take the airport for one hour.
30:22You can see, the flight was canceled at 11 o'clock.
30:27Ma'am, Kabir is asking when will you go?
30:30Tell him that I'm going to go.
30:32Okay.
30:34If he comes, he'll get a surprise.
30:36He'll get a surprise.
30:37Hmm.
30:39Anyways, you can tell me, what was your job?
31:04What was your job?
31:06What was your job?
31:06What was your job?
31:07I'm going to go back off with a stander.
31:08Okay.
31:09Okay.
31:10But...
31:11You're telling me this thing?
31:15That you'll get a stander.
31:18You've done a second number of companies.
31:21Okay.
31:22Yes.
31:24What do you want to do with this?
31:27Termination.
31:28Excuse me?
31:30Of course.
31:32Kabir has made a stander for this stander.
31:38I'm going back off with this stander.
31:39I'm going back off with this stander.
31:40And...
31:40You're going to terminate them.
31:45But...
31:46It's going to be more with him.
31:53This is Blanche Jack.
31:55You're going to have a salary.
32:05Why are you going to be like this?
32:09What about you?
32:12What is your deal with the verdad?
32:12Kabir has entered the same place,
32:14and then finish the same place
32:16what he wants.
32:17It won't give up anything like this.
32:17Kabir doesn't believe it.
32:24What do you need to do with this project?
32:31Asia?
32:33At that time?
32:45I'm going to go.
33:13I'm going to go.
33:18This is true, this is true
33:23I will not fool you
33:26This is true
33:28This is true
33:29This is true
33:57Oh, oh, oh, oh.
34:01Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
34:10oh, oh, oh.
34:10She wants us to take this tender and terminate you.
34:16She can go so much.
34:25Please tell me to drop me.
34:59Please tell me to drop me.
35:00Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
35:07Offer to.
35:08Mehold, uchi hai sir.
35:11I have hired you for winning this Tender, Ms. Aasiyah Mejid.
35:16I'm not going to see myself.
35:21Your message and file will be given to you.
35:44How much are you going to study?
35:45Why?
35:46You have to take a tuition?
35:48No, no, no.
35:49Why should I take a tuition for you?
35:53You are the same as you have a big idea.
35:56I think I have a big idea of my son.
35:58This is his job, right?
36:00In the morning, in the evening,
36:01in the college,
36:02in the morning,
36:03in the morning,
36:03in the morning,
36:06there is a lot of depreciation in this college.
36:08What does it increase?
36:10Depreciation.
36:11Hey, hey, hey.
36:11There is a brain of a car
36:13that will become a depression.
36:18Mr. Zidadi, I'll tell you something about it.
36:20You say English,
36:21you look very cute.
36:25Okay.
36:27Will you make tea?
36:29Will you get tea or not?
36:32I'll make tea,
36:33but I won't make tea.
36:35And put a little sugar in the morning,
36:37I'll make tea.
36:39I'll make tea.
36:42You did not make tea.
36:43I'll make tea.
36:44Okay.
36:44Yes, I'll make tea.
36:46Yes.
36:47I will make tea.
36:50Yes, I'll make tea.
37:15I don't care, I don't care.
37:32What am I saying?
37:34I'm saying that you can't do that.
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