- 7 minutes ago
- #cinemaonline
In a conservative village on Malaysias East Coast, lovers Jani and Melur face an unplanned pregnancy that pushes Jani into the drug trade to survive.
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#CinemaOnline
----------------
Visit https://www.cinema.com.my
Now showing in Malaysian cinemas: https://bit.ly/4nqzVYZ
Movies coming soon: https://bit.ly/4n3vyU6
----------------
Follow us on:
Dailymotion - https://www.dailymotion.com/CinemaOnline
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FunTranscript
00:09Okay, we go for take, silent and set, camera, audio roll.
00:121, take 1.
00:13Okay.
00:145, 3, 2, 1, action!
00:31Okay.
00:32Ready to go, let me go ahead and set.
00:34Okay.
00:35I don't know.
00:35How many of you?
00:36What?
00:37What?
00:38What?
00:39What?
00:39What?
00:40What?
00:40What?
00:42What?
00:43What?
00:44What?
00:44What?
00:45What?
00:47What?
00:54What?
00:55What?
00:57What?
01:17ORGAN PLAYS
01:43ORGAN PLAYS
02:25ORGAN PLAYS
02:35I thought.
02:38Why, why?
02:41I saw Roger in the waymay,
02:54I thought,
02:56but you don't think she uses me
02:58and how they want to deal with the problem and the problem.
03:08The observation of the bugger has already been long.
03:11When it was Terengganu, before it became a film,
03:14there was a reason for observation of the problem with the problem,
03:17the problem with the problem with the problem,
03:18the problem with the problem with the problem.
03:21It's already been there.
03:21I've already directed the film,
03:24several series,
03:25but I've never done a series for my country.
03:29Okay, 52, shot one, take one.
03:34If I look at the bugger's film,
03:36it's a big issue.
03:38Although, it's a tragedy of the basic film,
03:44but there are a lot of critical issues
03:47that are sensitive to this film.
03:50If the director is making the film very honest,
03:55although the issue is heavy or sensitive,
03:58we can see the truth.
03:59It's 450,000.
04:01It's 7,500,000.
04:02In a week.
04:03If you're older,
04:04you're able to have 3,500,000 for the problem.
04:07What is it?
04:07When I was in MSM,
04:10we were friends with many people
04:11and we knew that people were in MSM,
04:14but for me,
04:16the tragedy is that
04:16my friends in that time,
04:18most of them failed to stop
04:21from the damage of MSM,
04:22many of them were left,
04:24they were left,
04:25they were left,
04:26because they were left out
04:27from MSM to MSM,
04:29from MSM to MSM,
04:31to MSM,
04:31more advanced.
04:33When we saw the statistics of MSM,
04:35that's been happening today,
04:37for me,
04:38it's one thing that's really bad.
04:40and they lost all the details of the film.
04:42They had a real experience of me.
04:44It was like a friend.
04:45It was like a friend of mine,
04:47but because of
04:47because of
04:48taking off the ladder of krudg,
04:49that's the future of their past.
04:51The potential is.
04:52Potential.
04:52We were seeing people
04:54that had the potential
04:56feeling of judgment
04:57and being stressed.
04:59The execution of
05:00the Bugger & Drugs
05:02to consume,
05:03the detailing that
05:04in my life,
05:04we were able to learn
05:05through a film
05:06and YouTube from ADK
05:08and also to meet with people who are related to their dad.
05:12So we had to do a lot of research and
05:14tanya to people who have had
05:17because there's not much source online.
05:20So we went to meet people,
05:22to meet people from local
05:24and to try to replicate it back to it
05:26and to show what the feeling of their emotions
05:30when they were in the beginning.
05:39Back in 20 years ago,
05:40JT Buk Penambang ni
05:41macam satu pusat sumber ekonomi jugak.
05:44Dengan kepesatan ekonomi
05:46and kemodernan yang terjadi sekarang,
05:48people don't need Buk Penambang anymore.
05:50Buk Awang ni, dia pernah diselebrate
05:52dalam kehidupan dia.
05:53Buk Penambang ni used to be anchor
05:55kepada masyarakat, kepada society
05:57di seberang takir, di duyung tu.
05:59Abang yang interested gila,
06:01saya telah dengar daripada Abang Arif punya perspektif
06:04untuk jalankan cerita ni.
06:05But first, aku dapat jadi orang terkenal.
06:07Before this, aku lost gila
06:09dengan karakter mainstream
06:11sehingga kan aku tak dapat jumpa balik base
06:13karakter aku sebagai Ami Hanava.
06:15So bila aku masuk baga,
06:16aku akan dapat Terengganu punya base karakter
06:18dan dapat rasa juga
06:19macam mana orang Terengganu
06:21yang doji life, orang kampung
06:23yang betul-betul faham tentang pergoda.
06:35Aku nak minta tolong.
06:37Tolong dia.
06:38Aku nak buah lebih.
06:41Aku nak pakai duit sikit.
06:46RM450.
06:47RM7,500 seminggu.
06:50Kamu kalau pandang,
06:52kamu boleh kurang kurang RM3,500 untuk atas itu.
06:56Kamu boleh kurang kurang RM3,500 untuk atas itu.
07:11Engkau bagai air yang jermin
07:17Di dalam gas yang bergerak
07:18Kita keluar dari sini
07:20tak ada orang lain boleh pisau kat kita
07:21mula.
07:22Itu dah masuk bagi.
07:23Do looking at us gem она
07:26Jangan kecil, aku tengokmu
07:29Aku bukan yang orang lagu ni, Yang Ni
07:32Kamu pada saja ni.
07:34Memang aku pegang.
07:35Ni ni ni ni.
07:36Ni ni ni ni.
07:37Boleh, boleh.
07:50Dulu belum mikir,
07:52habis sekolah saja.
07:52I don't want to leave at Kapoor.
07:56I want to go away from here.
08:24Pada bulan yang mengambal...
08:31Pada hati yang...
08:32Saya rasa kombination dia waktu itu adalah...
08:35...how to find a formula yang...
08:37...kita nak angkat Jani, Amir Anaf...
08:39...tapi berada dalam kalangan kelompok yang...
08:42...tidak begitu dikenali oleh masyarakat.
08:45Jani ni adalah seorang budak kampung yang...
08:47...kalau kita datang kampung, orang tak hirau pun pasal hidup dia.
08:50So dia hanya...
08:51...mengekalkan status quo untuk aku hidup.
08:54Dan hidup dia berpaksikan...
08:56...the first one adalah Melo...
08:57...jual pihak kuda dengan Pak Awang.
08:59Tapi lepas Melo kenal awak...
09:03...Melo rasa Melo berhadap semua benda ni.
09:05Melo ni, life dia simple.
09:07Pergi kerja, balik.
09:09Itu pun kalau jumpa Jani, jumpa Jani.
09:11Kalau tak...
09:12...biasa je.
09:13Dia tak ada...
09:14...macam anak-anak gadis lain yang...
09:16...pada waktu itu mungkin dah...
09:19...keluar...
09:19...lepak dengan kawan ke apa tak.
09:21Dia tak ada benda itu.
09:22Lain kali...
09:23...lepas kerja, terus balik rumah.
09:25Jangan ke merayak, merata rawa.
09:28Mereka tahu awak puang.
09:30Buat cara awak puang.
09:31Cerita dia simple lah.
09:32Cerita dia pasal base dia...
09:33...cinta Agung semua takut.
09:35Dia rasa best...
09:36...tapi pada masa yang sama...
09:38...lepas dah di-briefkan oleh Ari...
09:39...dia rasa macam berat.
09:40Sebab apa?
09:41Dia more tu pendalaman karakter.
09:42Tapi dekat luar...
09:43...kita pamerkan realisme.
09:46Ada hari yang Amir...
09:47...create satu backstory tu...
09:49...tali ni...
09:51...melur yang ikat.
09:52And then...
09:52...and then Amir cerita...
09:54...dekat Arif.
09:54Arif tanya...
09:55...tu buat apa Amir?
09:56Tali tu sebab mana?
09:57Dia cakap lah...
09:58...tali ni melur ikat bang.
10:00Tarih pun cakap...
10:00...us...
10:01...Ijawab kot.
10:02Ikat mana?
10:03Dia tanya.
10:04Lalu kita pun jawab lah...
10:05...ikat jeti kot.
10:06Jeti Amir.
10:07Patah.
10:08Patah pun jadi tau.
10:13Pada Pak Wang ni dia...
10:15...dia rasa...
10:16...le ni tak ada orang lain dah tinggal.
10:18Tinggal dia sebut teh lah.
10:20Jadi waktu dia...
10:21...hari-hari kena gerak sama tu.
10:22Ayah Wang ni...
10:23...sangat kompleks.
10:24Seorang pelakon yang bagus.
10:26Dia tak boleh cakap banyak.
10:27Dia just bagi rasa je.
10:28Kerja kita untuk...
10:29...ambil rasa tu...
10:30...rasa balik...
10:30...dan campak balik rasa kita.
10:32Wahan Afisu ni dia...
10:33...bukan sahaja pelakon...
10:34...di dalam set bagar ni.
10:35Tapi dia juga...
10:36...pila lah.
10:37Dia kekuatan juga lah...
10:38...pada bagar ni.
10:39Mas...
10:39...dengan kehadiran dia tu...
10:40...kita dapat belajar kan.
10:42Benda yang baik...
10:43...dapat absorb daripada dia lah.
10:44Cakap macam tu je.
10:45Kita nanti kad tau.
10:46Haji...
10:48...secara...
10:49...generalnya dia ni...
10:50...abang-abang...
10:51...berada-berada si...
10:52...Jani ni lah.
10:53Patah-patah dia tu...
10:56...dia wallflower tau.
10:57Dia wallflower tau.
10:58Tapi dia...
10:59...against...
11:00...norms.
11:01Saya memang...
11:03...dah buat rasa lama...
11:04...dengan mereka bertiga ni.
11:06Apa cakap?
11:07Kami memang...
11:08...ada satu...
11:09...kimisri yang baik lah.
11:10Saya sebenarnya...
11:11...saya tak pernah dapat...
11:12...kimisri yang sebaik ni.
11:133...
11:13...2...
11:14...1...
11:15Aksi.
11:16Pocet ni dia nak...
11:17...yang paling kecil sekali...
11:18...permainan dia dekat dalam...
11:19...film Baga ni.
11:20Tapi bila dia...
11:21...meramok tu...
11:22...dia terus meramok yang...
11:23...terus besar terus.
11:28Bagi saya...
11:29...salah satu cabaran yang besar...
11:31...seorang pelakon adalah...
11:32...untuk melafazkan dialog.
11:33Untuk melafazkan dialog...
11:35...yang berkaitan dengan dialog...
11:38...kedairahan.
11:39Ataupun dialect.
11:40Tetapi saya bernasib baik kerana...
11:42...dia ramai kawan-kawan...
11:44...di sekeliling saya ni...
11:44...orang GANU.
11:45Jadi benda tu...
11:46...bundah nak adapt lagi pun...
11:47...GANU dengan Kelatan ni dekat-dekat lah.
12:05Pelakon kena bermain dalam bahasa...
12:07...dialek Terengganu.
12:08Kuala Terengganu lah.
12:09Kiranya Terengganu yang...
12:10...paling basic lah.
12:11Orang Terengganu semua tahu.
12:13Uh...
12:14...ni boleh buat ke tak ni kan.
12:15Saya takut juga.
12:16Awal-awal tu...
12:17...masa first time...
12:18...baca skip reading tu...
12:19...bunyi nebeng lah orang kata.
12:21Orang GANU kata bunyi nebeng.
12:22Ini tricky dia.
12:23Dia nampak senang.
12:25Tapi bila nak cakap balik tu...
12:26...dia lain.
12:28Adih orang Besut kan.
12:29Kalau you all...
12:31...tak familiar...
12:32...Besut adalah satu negara...
12:33...yang sudah merdeka dari Kelantan...
12:35...dari Terengganu.
12:37Besut ni adalah sebahagian dari Terengganu.
12:39Tapi kebanyakan orang di Besut ni...
12:41...yang dah bercakap dalam dialect Kelantan.
12:43Jadi kita nak tunjuk juga...
12:44...yang Terengganu ni...
12:45...bukan bercakap dalam satu dialect sahaja.
12:47Di Terengganu ni banyak dialect.
12:49Sebab di Hulu Terengganu...
12:50...ada dialect yang berbeza.
12:51Di Kuala Terengganu ada dialect berbeza.
12:52Di Besut ada dialect yang berbeza.
12:54Kita pergi kropok ke Damah Kapu Cina...
12:56...Damah Banak.
12:57Orang lepas pada tuak ni...
12:59...kayang pun ni.
13:01Kau asal ni...
13:03...hmm...
13:03...dia relaks ke kamu.
13:05Ayah Wanah datang ke saya...
13:06...macam baguslah awak ni, Arief.
13:08Kenapa pula ayah?
13:09Awak nampak bakat orang...
13:11...daripada luar macam tu je.
13:12Huh, tu.
13:13Budak tu.
13:13Dia ingat...
13:14...Ajir tu, Cik Adria tu...
13:15...kita...
13:16...randomly ambil yang nak suruh dia berlaku.
13:18That impression tu lah...
13:19...yang saya rasa...
13:20...satu kepuasan juga...
13:21...in a way kepada saya...
13:22...yang macam...
13:22...cari formula asamble lakonan tu...
13:24...yang...
13:24...tak begitu dikenali.
13:26Amir...
13:26...boleh ada kat situ...
13:27...and...
13:29...beradapt...
13:29...and asimilasi dengan mereka...
13:30...dan ke depan juga.
13:32Film ni...
13:33...korang kena tengok.
13:34Sebab cerita ni memang...
13:35...orang cakap...
13:36...rasa kat hati lah.
13:37Haa...
13:37...babkan tolong gaduh rasa kat hati.
13:39Haa...
13:39...rasa terlalu.
13:40Okey, tengok bagar.
13:41For Defenders ni...
13:43...brief kita kepada mereka adalah...
13:45...kita nak...
13:46...benda...
13:47...fighting dalam bagar ni...
13:48...tak terasa terlalu...
13:49...technikal...
13:50...and juga...
13:51...macam petak ke petak...
13:52...punye fight.
13:53Kita nak dia rasa macam...
13:54...raw.
13:55Ni lah kalau orang bergaduh...
13:56...kita tengok kat viral video...
13:57...ni lah bergaduh dia.
14:06Ada yang cakap...
14:07...meh...
14:08...buang skill yang kau ada...
14:10...before this...
14:10...this is a raw...
14:11...punye koreografi.
14:12Kau je bagi nampak...
14:13...yang kau pandai fight.
14:14Walaupun fight dia raw...
14:15...imbangar kita cakap...
14:16...tak nak dia ada bunga-bunga...
14:17...macam dia ni ada...
14:18...silat ke apa.
14:19...sebab semua penyangak lah ni...
14:20...dan cerita ni kan...
14:21...semua karakter...
14:22...hero penyangak...
14:23...penyangak pun penyangak kan...
14:24...semua...
14:25...semua orang rough...
14:26...basis...
14:27...straight fight kan...
14:28...apis...
14:29...semasa...
14:30...tinggut tak?
14:34Pembang...
14:36Let's do it!
14:54We will give you the blocking.
14:56Basically, I can see one petrol car.
14:59From the help, they will run and run.
15:02So, remember back to the corner,
15:03who is going to do it?
15:05And then, plan with my boss.
15:073, 2, 1, action!
15:10Let's go!
15:11Let's go!
15:13Let's go!
15:14Let's go!
15:15Let's go!
15:19Tech Z is very interesting.
15:23He has visual and he has a feeling.
15:26I'm very interested in how Amal Arif
15:29to communicate with Tech Z.
15:30Tech Z is...
15:32Anggut, anggut, anggut, anggut, anggut, anggut.
15:34You cakap sikit, sikit, sikit, sikit.
15:35Sudah.
15:36Lepas tu, dia datang ke aku.
15:37Janie, you mind je apa you mind.
15:39I ikut you.
15:40So, benda tu...
15:41Acting tu akan datang naturally.
15:43Dalam visual.
15:44We want to make people feel like
15:47that people are following Amal.
15:49They are following Janie.
15:50If Janie is playing,
15:52we are watching Janie's playing.
15:54So, with Tech Z,
15:55we can feel like
15:57the voyeurism aspect of the cinematography
16:00is very raw and very rich.
16:02I feel like it's true.
16:03It's like...
16:05It's like...
16:05It's like...
16:05It's like...
16:06It's like...
16:06It's like...
16:07It's like...
16:07It's like...
16:08It's like...
16:22It's like...
16:23He knows...
16:24It's like...
16:25He wants to go.
16:31It's like...
16:32It's like...
16:32It's like...
16:32It's a little tough...
16:33It's not a roughene.
16:35It's a roughene.
16:36But I did manage to find it.
16:38It's not a roughene.
16:41It's not a roughene.
16:42I feel like...
16:43It's like....
16:43It's one of the first film I made...
16:45It's like...
16:45It's the end of my self.
16:46It's because it's asal-usul.
16:48It's my step.
16:49It's my main experience where I live.
16:51I grew up and grew up.
16:52In my water, there's a lot of confusion that I've heard.
16:55There's a lot of confusion.
16:57There's also a lot of love for my husband.
17:00I'm going to hold it.
17:02I'll lose my money.
17:04I'm going to lose my money.
17:05It's a wrap for Ayah Wan Hanabi Su.
17:08For the last one!
17:15To cut the debt into the debt, it's important.
17:19It's small but it's small.
17:21So, it's important.
17:22I think it's one of many directors,
17:26one of the most rare,
17:29who can easily understand what I'm doing.
17:32It's like it has eyes in my mind.
17:36It's the detail of its story.
17:38What is the story of its story?
17:40What is the story of its character?
17:41What is the color of its character?
17:43If the character is like this,
17:45it doesn't have to be like this.
17:46If it's small, it has to be small.
17:49It has to be relieved.
17:50It's the key blood of its character.
17:52It's the key blood of its character.
17:53It's the key blood of its character.
18:11It's the key blood of its character.
18:15It's the key blood of its character.
18:45It's the key blood of its character.
19:15It's the key blood of its character.
19:45It's the key blood of its character.
19:48It's the key blood of its character.
20:15It's the key blood of its character.
20:18It's the key blood of its character.
20:45It's the key blood of its character.
20:57It's the key blood of its character.
21:14I want to ask you to help.
21:16Help me.
21:17I want to spend more money.
21:19I want to spend more money.
21:24$450,000.
21:26$7,500 in a week.
21:28If you want to spend more money,
21:30you can spend less than $3,500 in a month.
21:34Don't forget.
21:35Don't eat too much.
21:49Don't forget that
21:55We don't want to quit.
21:57We're out here.
21:58Don't want to buy a car at us.
22:00That's why...
22:05If I saw you,
22:07I'm not a person you,
22:10you're not a person I have.
22:11You hold on.
22:12I hold on.
22:13Here, here, here.
22:15Go, go.
22:17I don't know what that means.
22:20I am afraid to leave this place.
22:22I think I wouldn't have to do it.
22:25I think I wouldn't have to do it anymore.
22:28You did not know what I thought.
22:30After school, I have to leave at the airport.
22:34You don't have to leave it.
22:36I want to leave it from here.