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These villains traded their evil monologues for something far more entertaining! Join us as we count down our picks for the most memorable dance scenes performed by movie villains! From terrifying clowns to unhinged tech billionaires, these wicked moves prove that the best bad guys always know how to steal the spotlight. Which villain's dance had you both terrified and entertained?
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00:04Welcome to Ms. Mojo, and today we're counting down our picks for the movie villains who decided
00:09to trade in their evil monologues for a little rhythm.
00:16Number 20. Les Grossman's End Credits Dance, Tropic Thunder. Buried under heavy prosthetics,
00:22a bald cap, and aggressive chest hair, you'll find Tom Cruise as foul-mouthed studio mogul
00:27Les Grossman. While the main plot follows actors stranded in a jungle, Grossman is the real monster,
00:42a ruthless, money-obsessed executive who views human tragedy as a line item on a budget spreadsheet.
00:47This dance takes place during the end credits, serving as a victory lap for a man who literally
00:51values cash over human life. It brilliantly highlights his narcissistic ego. Even when
01:04the crisis is over, he still demands center stage, celebrating his ruthless dominance and menace.
01:10Apparently, surviving the jungle isn't enough. Les needs a dance solo.
01:20Number 19. The Noodle Dance, Bad Times at the El Royale. Billy Lee is a charismatic,
01:26Charles Manson-esque cult leader played with terrifying, barefooted confidence by Chris Hemsworth.
01:31She ain't yours.
01:33Rosie, are you mine?
01:35Of course.
01:40When he saunters into the El Royale Hotel to terrorize the remaining guests, he pauses to
01:45command the space entirely, just before unleashing cult-driven mayhem and showing the danger of
01:51toxic charisma.
01:59With a loose, uninhibited, bare-chested sway and side-shuffle across a hotel room floor,
02:04he moves with rhythmic, cultish confidence as he enjoys his noodles and soaks in his dangerous
02:10hype. He uses the dance to disarm his victims before they realize they're staring into the
02:14eyes of a monster. And the anticipation of knowing what's to come looms over the entire time.
02:20I want you two to pay real close attention to what happens next, okay? Keep it right up there
02:26in the front of your minds when I'm asking questions, looking for truthful answers, okay?
02:30Number 18. The Goblin King's Masquerade, Labyrinth.
02:34David Bowie as Jareth, the Goblin King, is an intoxicating magnetic force of nature who
02:39tempts young Sarah away from reality.
02:48This dance number occurs in the heart of his magical realm, serving as a psychological trap
02:53disguised as a grand party. It reveals the seductive nature of temptation itself.
03:08A surreal, dreamlike fantasy waltz sees Bowie maneuver through masquerade masks, attempting to disorient
03:15Sarah with impossible sleight of hand, while Bowie's very own As the World Falls Down plays.
03:19We are reminded that Jareth doesn't rule through fear or brute force, but through mesmerizing
03:24charisma, tricking his victims into losing track of time and purpose in his glittering maze.
03:40Number 17. Snake Dance, From Dusk Till Dawn.
03:44Behold cinema's ultimate PSA on why you should never, under any circumstances, drink in a sketchy
03:50bar on the southern border.
03:58Salma Hayek saunters onto the stage as Santanico Pandemonium, casually turning a dusty biker dive
04:03into her personal runway. Draped in a live, glittering python that deserves its own Oscar nomination,
04:09she serves up a hypnotic serpent dance that leaves every patron completely mesmerized and
04:13entirely forgetting they're hanging out with actual supernatural beings.
04:24Instead of running for the hills, these geniuses just sit back and enjoy the show until the fangs
04:28come out. Truly, nothing bonds a room quite like an ancient Mesoamerican blood cult floor show.
04:43Number 16. Phoenix Buchanan's Prison Finale, Haddington 2. Hugh Grant chewing every single
04:50piece of scenery as washed-up, egotistical actor Phoenix Buchanan is nothing short of legendary cinema.
04:56Listen to the rain on the roof go. Pet, petty, pat. Pet, petty, pat. Pet, petty, pat. Sit, kitty, cat.
05:02We won't get home for hours.
05:06Even after his master plan to frame a polite Peruvian bear fails and he lands behind bars,
05:10his pride refuses to take a hit. This grand finale takes place right inside a maximum-security prison.
05:30A massive, joyful, Broadway-style song-and-dance extravaganza features an ensemble of hardened prison
05:35inmates in pink-striped uniforms, complete with jazz hands and high kicks.
05:39It cements his character arc as a vainglorious performer so completely consumed by showmanship
05:45that even a prison sentence is just another opportunity to demand a standing ovation.
05:49Well, at least he found a captive audience.
05:51Listen quick to the lovely rain.
06:00Sure, a prison full of dancing inmates is one way to secure a captive audience,
06:04but you can join ours by scanning the QR code on screen to jump onto Ms. Mojo's 24-7 live
06:09stream
06:10for non-stop pop culture fun.
06:12It seems I didn't need the West End after all.
06:17Just a captive audience.
06:19Number 15, I Got You Under My Skin, Gamer.
06:23Ken Castle is a tech billionaire who treats human lives like disposable avatars in a massive live-action
06:28deathmatch, and Michael C. Hall plays him with oily theatrical brilliance.
06:33I've got you under my skin.
06:39Near the climax, Castle forces everyone into a surreal, synchronized musical spectacle to demonstrate
06:44his absolute god-like control over human nervous systems.
06:47It's a full-blown, unsettling theatrical number featuring a sizable ensemble,
06:52while Castle gleefully sings along.
06:54I have tried so not to give in.
07:00I said to myself,
07:03this affair never would go so well.
07:06It tells us everything about his massive ego.
07:09He views himself as a divine conductor,
07:11reducing free will to a literal puppet show where people dance to his tune whether they
07:16want to or not.
07:17You just want your little sugar pie, I know.
07:20So don't do anything stupid.
07:22My house, my rules.
07:24Number 14, Buffalo Bill's Mirror Dance, The Silence of the Lambs.
07:28Jane Gumm, better known as Buffalo Bill, represents a completely different brand of screen villain.
07:40Quiet, deeply disturbed, and absorbed in his terrifying fixation.
07:44This infamous basement sequence takes place inside his world of warped self-perception,
07:48exposing the darkest core of his character.
07:50Profound, self-absorbed alienation mixed with utter detachment from reality.
08:01It's a chilling, solitary, uncoordinated strip dance in front of a video camera,
08:06tucking his clothes away while moving awkwardly, posing, and interacting with his own reflection.
08:11It's deeply unsettling because he isn't performing for an audience,
08:15but rather a distorted image of who he desperately wishes he was.
08:18The audience is just the camera and his delusion.
08:30Number 13, Party Man, Batman.
08:33Tim Burton's Gotham needed a Joker who was as genuinely fun as he was terrifyingly unhinged,
08:38and Jack Nicholson delivered in spades.
08:52Midway through the film, the Joker and his goons vandalize an art museum,
08:56destroying priceless classics while blasting Prince's funk tracks.
09:00Joker struts down museum aisles flanked by colorful dancers,
09:04joyfully grooving around the joint in a bright purple coat,
09:06and spray-painting masterpieces with chaotic, rhythm-driven flair.
09:19It's so joyous you forget this is a crime scene in the making rather than a party.
09:23More performance artists than common murderer,
09:25the Joker uses bloodshed purely as an excuse to mock high society
09:29and host a neon-soaked pop art show.
09:41Number 12, Singing in the Rain, A Clockwork Orange.
09:45This may be the ultimate cinematic subversion of joy.
09:48Alex and his gang break into a writer's home to commit a horrific home invasion.
09:51As Alex prepares to launch into his assault,
09:54he casually bursts into a classic Hollywood musical number.
09:57What a glorious feeling! I'm happy again!
10:02It's arguably one of the most chilling moments in cinematic history
10:05for how it weaponizes a beloved classic.
10:08Alex stomps around a living room like a nightmarish Gene Kelly,
10:11dancing gleefully while assaulting helpless homeowners
10:14and cheerfully mouthing along to the Golden Age Hollywood classic.
10:18Walk down the lane with a happy ring to ring!
10:23Alex clearly has zero separation between acclaimed culture and vile depravity.
10:28To him, musical theater and torture
10:30are entirely interchangeable forms of evening entertainment.
10:34But I'm singing!
10:36Just singing!
10:40In the rain...
10:42Number 11, Disco Swag Dance, Kung Fu Hustle.
10:45Before the Axe Gang turns a quiet neighborhood upside down in this action comedy,
10:49they introduce themselves through sheer style.
10:55This sequence happens early on,
10:57acting as a tonal fakeout
10:59that establishes how cool and terrifying these guys are.
11:02Instead of an exposition dump,
11:04director Stephen Chow uses synchronized choreography
11:06to show the gang's hostile takeover of the city streets.
11:19Led by a sharply dressed boss,
11:22suit-wearing mobsters line up on the pavement,
11:24moving rather suavely,
11:26shuffling their feet,
11:27and hitting retro moves to brassy beats
11:29along with their swinging axes.
11:31It says everything about Brother Sum and his accomplices.
11:33They treat extreme violence like a flashy showstopper
11:36without an ounce of human empathy.
11:46Number 10, Nox's Entrance, Charlie's Angels.
12:01Now this is an epic way to introduce an antagonist.
12:05In the 2000 film iteration of the franchise, Charlie's Angels,
12:08we meet Eric Nox,
12:09a genius software engineer
12:11who has invented a way to identify an individual
12:14through computer voice recognition.
12:15It's audio DNA.
12:17It makes it impossible to disguise or scramble a voice signal.
12:21The Angels are told that Nox has been kidnapped
12:23and that his program was stolen from him,
12:26which, as it turns out,
12:27is all a ruse orchestrated by Nox himself.
12:30Let me get this straight.
12:31You're a woman.
12:31Women have natural intuition,
12:33and you're a detective.
12:35And you had no idea
12:36that this was gonna happen.
12:37But aside from his well-crafted scheme,
12:40the man can get down.
12:42He has an awesome entrance scene involving a cigarette
12:44and some downright masterful steps.
12:46Who doesn't wish they could do a split that effortlessly?
12:49Even if villainy is the price to pay for some smooth moves.
12:53Revenge is fine.
12:54Number 9, Megan's Dance, Megan.
12:57This scene was so iconic,
12:59it took over TikTok months before Megan even hit theaters.
13:02When Megan is revealed,
13:04it's really important that we get big reactions.
13:08I don't want to see any blank faces.
13:10Don't be fooled by her stature, though.
13:12Megan can tear through people
13:13as effectively as she can tear up the dance floor.
13:16I just wanted to let you know
13:17we're in the middle of a tech rehearsal
13:19that's becoming a little problematic
13:20because we don't have a dog.
13:22Megan ended up being a fresh entry in the horror genre,
13:25and that was in no small part
13:27due to the unnerving
13:28and instantly recognizable title character
13:30in scenes like this.
13:32Megan?
13:36What are you doing?
13:38It doesn't matter what song it's set to.
13:40The blasé body rolls
13:41and perfectly executed acrobatics
13:44on her way to, spoiler alert,
13:46kill many,
13:47means that Megan's killer moves
13:48are recognizable
13:49even if you didn't see the film.
13:52Gonna get you good.
13:53You want it?
13:56It's a good day.
13:57Number 8, Robotnik's Dance,
13:59Sonic the Hedgehog.
14:00Let's be real.
14:02Jim Carrey absolutely carries
14:05every film he's in.
14:07This movie is no different,
14:08and especially not when he's a villain
14:11as iconic as Sonic the Hedgehog's
14:13Dr. Robotnik or Dr. Eggman.
14:15Are you in charge here?
14:16Yes, I am.
14:18Wrong.
14:19I'm in charge.
14:20Is major...
14:22I'm in charge.
14:23In this scene,
14:24Robotnik is testing the powers
14:26of Sonic's stray quill
14:27as he intends to use
14:29his electrical abilities
14:30for his own evil means.
14:31Despite his intentions,
14:33he looks like an absolute boss
14:35while running tests in the lab.
14:36Evil grows in the dark
14:39If the sun it never shines
14:45Evil grows in cracks and pores
14:48Don't lose in people's minds
14:52Carrie is a master of physical comedy,
14:55and adding this dance scene
14:56really brought the character
14:57to life for the screen.
14:59Gotta go fast?
15:00How about gotta go groove, baby?
15:03I just thought you might like a latte
15:05with steamed Austrian goat milk.
15:07What do I look like, an imbecile?
15:09Of course I want a latte.
15:11I love the way you make them!
15:12Number 7.
15:13Just the Two of Us
15:14Austin Powers
15:15The Spy Who Shagged Me
15:17Hit it!
15:18This is a very sensitive subject.
15:21Bill Withers and Grover Washington Jr.
15:24Try Dr. Evil and Mini-Me.
15:26In this second installment
15:27of the Austin Powers series,
15:29Dr. Evil receives a clone of himself
15:31who happens to be a fraction of his size.
15:34Together, he and the aptly named Mini-Me
15:36perform an unforgettable rap remix
15:38over the soulful classic
15:40Just the Two of Us.
15:41From the moment I heard Frau
15:42say I had a clone
15:43I knew that I'd be saved
15:45cause I'd never be alone
15:46An evil doctor shouldn't speak
15:47a lot about his feelings
15:48My hurt and my pain
15:50don't make me too appealing
15:51There are countless hilarious scenes
15:53and moments from the whole franchise,
15:54but this evil pair's song and dance
15:56is just impossible to watch
15:58without smiling.
15:59Like, seriously, it's a whole early 2000s music video
16:08Since this is a more recent film
16:11we're giving a spoiler warning for this entry
16:18If you've seen Morbius
16:20you'd likely agree
16:22that Matt Smith completely stole the show
16:24More specifically
16:25this scene was the undisputed gem
16:27of the entire film
16:37This interlude made such an impact
16:39that it even sparked a meme
16:40where the song that Smith's character
16:42Milo was dancing to
16:43was replaced with just about
16:45every other tune in existence
16:46This fun little number
16:48is honestly so much more
16:49than Milo celebrating
16:50It not only provided
16:52some much needed lightheartedness
16:54but it also hinted at
16:55Milo's newfound thirst for blood
17:06Number 5
17:07Stuck in the Middle with You
17:08Reservoir Dogs
17:09This song may be the last you ever hear
17:12That is, if you're Mr. Blonde's next victim
17:15It's my personal favorite
17:16This scene from Reservoir Dogs
17:18may feature a groovy little jig
17:20from Michael Matson's character
17:21but it is truly gruesome
17:23Mr. Blonde is a heartless
17:25stone-cold killer
17:26and the fact that he can
17:27boogie around to the
17:28Steeler's Wheel song
17:29before, well, you know
17:31what he does in this scene
17:31is next-level crazy
17:40However hard to watch
17:42this moment really paints
17:43the picture of Mr. Blonde's
17:44twistedness
17:45and adds a lot of character
17:46to what would otherwise
17:47be a straightforward
17:49gory scene
17:55Number 4
17:56The Stairs Dance
17:58Joker
18:09Don't lie
18:10You've tried to recreate this dance
18:12on your own set of stairs
18:13Even if you haven't watched
18:15Todd Phillips' rendition of Joker
18:16this would probably be the moment
18:18you've seen on social media
18:19Joaquin Phoenix played
18:21an excellent Joker
18:22and the entire film
18:23is a slow burn
18:25as we watch him transition
18:26from sad clown Arthur Fleck
18:27to our favorite
18:29grinning maniac killer
18:30For my whole life
18:32I didn't know
18:33if I even really existed
18:36but I do
18:39and people
18:40are starting
18:42to notice
18:43This moment is particularly
18:44notable as it signals
18:46that Fleck is forever gone
18:47and he has gone
18:49full Joker mode
18:50Just because his behavior
18:51is awful
18:52doesn't mean his dance moves are
19:01Hey Art
19:02We need to talk
19:04Number 3
19:05The Raincoat Scene
19:07American Psycho
19:08You like Huey Lewis
19:09on the news?
19:10Today's forecast
19:11calls for dance
19:12well
19:13and murder
19:13but that's not what
19:14we're focusing on right now
19:15Is that a raincoat?
19:17Yes it is
19:18This famous scene
19:20shows us the brutal end
19:21of Paul Allen
19:22at the hands
19:22of our main character
19:23Patrick Bateman
19:24but of course
19:25not before he gets
19:27in a jazzy little two-step
19:28to Huey Lewis in the news
19:29Bateman is completely
19:31out of his mind
19:32as the title implies
19:33and decides to kill Allen
19:34for securing a dinner reservation
19:36that he could not
19:37It kind of makes sense
19:38that someone as evil as him
19:40could justify a dance break
19:41before committing
19:42such a gruesome act
19:43Did you know
19:44I'm utterly insane?
19:45Number 2
19:45Pennywise's Dance
19:47It
19:47Step right up
19:48Beverly
19:48Step right up
19:50Come change
19:52Come pose
19:53You laugh
19:54You cry
19:55You cheer
19:56You die
19:57This adaptation
19:59of Stephen King's
20:01It features a spooky
20:02performance from Pennywise
20:03Who knew that
20:04interdimensional spirits
20:05disguised as evil clowns
20:07had some sweet moves?
20:08Okay well
20:08sweet might not be
20:10the right adjective
20:15After Pennywise
20:17kidnaps Beverly
20:17and brings her down
20:18to its lair
20:19It attempts to keep her around
20:20by showing her
20:21that it's a fun
20:22dancing clown
20:23and gets to stepping
20:24The dead-eyed stare
20:25paired with the
20:26willy-nilly flailing
20:27of its arms
20:28is total nightmare fuel
20:40Pennywise then opens
20:41its mouth
20:41showing Beverly
20:42the deadlights inside
20:44Talk about a
20:45show-stopping finale
20:46Before we unveil
20:47our top pick
20:48here are some
20:49honorable mentions
20:49Martin Axe's
20:50meat locker groove
20:51Bloodshot
20:52Toby Kebbell plays
20:53an unhinged
20:54dancing corporate villain
20:55cruelly torturing
20:56Vin Diesel
21:03Evil X Dance-Off
21:05Scott Pilgrim
21:06versus the world
21:07Punky rhythm-driven
21:08fight dancing
21:09turns video game
21:09chaos into an
21:10absolute musical genius
21:26Rasputin's Cossack
21:28combat dance
21:28The King's Man
21:29Lethal martial arts
21:31disguised as
21:31traditional Soviet
21:32folk dancing
21:33with maximum style
21:48Before we continue
21:49check out this single
21:51from Current
21:51EDM Transformed
21:53Check out the full track
21:55and album below
22:02Number 1
22:03Tearing up the dance floor
22:04Ex Machina
22:05I told you
22:06you're wasting your time
22:07talking to her
22:09However, you would not
22:10be wasting your time
22:13if you were
22:14dancing with her
22:15Nothing screams
22:16psychological thriller
22:17like an intricately
22:18choreographed routine
22:19This scene comes out
22:21of the blue
22:21in this sci-fi film
22:22when Oscar Isaac's
22:23character Nathan
22:24refuses to be more
22:25transparent about
22:26his true intentions
22:26What were you doing
22:28with Ava?
22:28What?
22:30You tore up
22:31her picture
22:32I'm gonna tear up
22:33the f***ing dance floor
22:34instead of answering
22:36questions
22:36he grabs his
22:38attendant Kyoko
22:38and hits the dance floor
22:39Their perfect
22:40synchronicity
22:41is super unsettling
22:43especially knowing
22:44what sinister plans
22:45are yet to come
22:46Spoiler alert
22:47the performance
22:48definitely foreshadows
22:49the reveal that Kyoko
22:50is actually a robot
22:51Say what you will
22:52about any of these
22:53villains
22:53but seeing them dance
22:55somehow makes them
22:56both scarier
22:56and more lovable
22:57at the same time
22:59Come on Caleb
23:02You're with your fingers
23:03to the bone
23:06Why are you getting
23:09Which movie villains
23:11do you think
23:11are the most wickedly
23:13talented dancers?
23:14Let us know
23:14in the comments
23:15how to do it
23:15and let us know
23:15how to do it
23:15and let us know
23:16and let us know
23:17how to do it
23:18and let us know
23:18and let us know
23:18how to do it
23:18and let us know
23:19and let us know
23:19and let us know
23:20and let us know