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What would you sacrifice for fame and success? Sometimes, inspiration comes from the darkest places!

A Wicked Muse (2026) is a supernatural horror film about Michael, a struggling novelist desperate to revive his writing career. When he encounters a mysterious demonic presence, he is offered the inspiration he desperately needs to become a successful writer.

But his newfound creativity comes at a terrifying price. As the sinister force grows stronger and begins influencing his wife, Pacey, the couple discovers that making a deal with evil can have devastating consequences.

Some dreams are better left unfulfilled!

Movie Details:

Title: A Wicked Muse

Year: 2026

Genre: Supernatural Horror

Country: Canada

Language: English

Director: Dennis Alexander Nicholson, Nick Talon

Writer: Mark Brombacher

Cast: Mark Brombacher, Helene Robbie, Cassidy Lawson, Raíssa Souto

Runtime: 1 Hour 29 Minutes

IMDb Rating: 7.8/10

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Category

🎈
Fun
Transcript
00:00:28The End
00:00:31Frank, is everything okay?
00:00:35Why don't you tell me?
00:00:37How much have you had to drink?
00:00:40Not nearly enough.
00:00:42Your little Mexican boyfriend came by looking for you.
00:00:45You probably told him that I work Fridays, right?
00:00:49I don't know what the hell you're talking about, Frank.
00:00:51Daddy, please don't.
00:00:52Don't you lie to me, bitch.
00:00:54Just stop.
00:00:55Go to your room.
00:00:55Ow, Frank, let go of her.
00:00:57Don't you touch her, you son of a...
00:00:59What have you done?
00:01:01Your own daughter is afraid of you.
00:01:02Now she better be.
00:01:03I'm married to a worthless fucking whore.
00:01:06Bailey!
00:01:08Bailey, get back here!
00:01:12Oscar!
00:01:14Oscar, I need you!
00:01:19Oscar!
00:01:20Oscar, I need you, please!
00:01:25Oscar, please say something.
00:01:27I'm scared!
00:01:29I'm scared!
00:01:29Bailey, over here!
00:01:31Oscar?
00:01:33Oscar, please stop this!
00:01:36I'm right here.
00:01:37Oscar!
00:01:39Oscar.
00:01:40Oscar, I don't know what to do.
00:01:43You have to help me.
00:01:45Do you trust me, Bailey?
00:01:48I do.
00:01:52Remember, you asked for this.
00:01:56Daddy!
00:01:57Why are you running, Bailey?
00:01:59There's nothing for you there anymore.
00:02:13Bailey, stay back!
00:02:15Mommy?
00:02:15What's wrong?
00:02:16Baby, don't look!
00:02:17I...
00:02:18I didn't...
00:02:19I didn't mean to.
00:02:20No.
00:02:20I didn't mean to.
00:02:21I don't know what to do.
00:02:31I don't know what to do.
00:02:33I wentander, die mine différentes.
00:02:35I don't know what to do.
00:02:44I thought I was wrong.
00:02:47My mother is Dracula.
00:03:16Michael, Pacey.
00:03:19That's us. You must be Luke.
00:03:21Make some coffee.
00:03:22Fapers are inside unless you'd like to take a look around first.
00:03:27No need.
00:03:30I think we're ready to sign.
00:03:37Nice to meet you.
00:03:38Nice to meet you.
00:03:38Hi, how are you doing?
00:03:39Good, thank you.
00:03:41Alright, so you guys around?
00:03:43Just initial right here.
00:03:46I understand it's a big change moving out here.
00:03:48We're looking forward to the quiet.
00:03:50Perfect setting to get some writing done.
00:03:53I don't recall telling you that I'm a writer.
00:03:58Sorry, I don't want to make this awkward, but I'm a fan.
00:04:03Oh.
00:04:04Freshman Zane had a huge impact on me in college.
00:04:07Yeah, I've heard that before.
00:04:10You may not be able to tell, but I used to be super shy.
00:04:13Seeing how Zane approached life and the way he could effortlessly talk to women.
00:04:17I mean, it was game changing for me.
00:04:20So I just sign right here?
00:04:21I'm pretty sure Mike used a few of Zane's lines on me when we first started dating.
00:04:26Oh yeah?
00:04:30And how about you?
00:04:32Excuse me?
00:04:33What kind of work do you do?
00:04:34Oh, I used to be an ad exec.
00:04:37Not anymore.
00:04:38Well, sounds like you're both ready for a change of face, huh?
00:04:42That forest out there, is it all ours?
00:04:46Honestly, property lines are a bit of a cluster with neighboring estates.
00:04:50But basically we've got lots of land to run around.
00:04:53We?
00:04:54Oh yeah, I actually live two doors down from you.
00:04:57Oh.
00:04:59Looks like we're all done here.
00:05:02Welcome to the neighborhood.
00:05:09You know what?
00:05:10I can do some digging and I can figure out exactly how far your line goes.
00:05:14No rush.
00:05:16It'll give us a chance to talk about your new book.
00:05:20I don't really talk about my work.
00:05:22You'll just have to buy a copy like everyone else.
00:05:26Then maybe I'll swing by to get my copy signed by the author.
00:05:30Ha!
00:05:31Enjoy.
00:05:55Here.
00:05:56Let me get that.
00:05:57Here.
00:05:58Let me get that.
00:05:58Here.
00:05:59I?
00:06:15I'll take that, I'll throw it over.
00:06:16Thumbs up.
00:06:16What does that mean?
00:06:16Actually we?
00:06:16Here he comes.
00:06:16No.
00:06:17No.
00:06:19Never.
00:06:24It's worth it, right?
00:06:25Time to borrow it, right?
00:06:33Hard to believe this is all ours, isn't it?
00:06:36It's like a dream.
00:06:39But not your dream.
00:06:42I know how much you've given up for this, but I really needed it.
00:06:48You know, if I'm ever going to write anything.
00:06:53It's just going to take some time to adjust.
00:06:57It's just really quiet.
00:07:03Well, if you ever need anyone to make a little noise.
00:07:06Hey!
00:07:07Hey!
00:07:15I was thinking, once we've settled into the home and start writing, maybe we can try again.
00:07:26Really?
00:07:28That's great.
00:07:31I'm done grieving.
00:07:33I'm ready to be home.
00:07:56I'm going to bed.
00:07:58Are you sure you don't want to join me?
00:08:01I really got to break this story open.
00:08:05Otherwise, I'll never get any sleep.
00:08:08Okay.
00:08:11Night.
00:08:12Night.
00:08:14Night.
00:08:15Night.
00:08:16Night.
00:08:17Night.
00:08:23Night.
00:08:25Night.
00:08:33Night.
00:08:33Night.
00:08:34Night.
00:08:35Night.
00:08:36Night.
00:08:39Night.
00:08:42Night.
00:08:42Night.
00:08:42Night.
00:09:22Your muse is hungry.
00:09:24She demands sustenance.
00:09:27Oh, for God's sake.
00:09:29It's arrogance to think you can write a great story.
00:09:33Yeah, you got that right, baby.
00:09:35Great stories don't come from great writers.
00:09:37Great stories are gifted to the worthy.
00:09:45And the worthy.
00:09:48The worthy are willing to sacrifice.
00:09:52Now, how the hell do I find my muse?
00:09:55Your muse is knocking.
00:09:57All you have to do is let her in.
00:10:03Breathe.
00:10:05Surrender.
00:10:06Let yourself become a vessel for her story.
00:10:11What the hell?
00:10:24Hey!
00:10:25It's private property.
00:10:47Michael.
00:10:50Hey, what are you doing here?
00:10:55No.
00:10:55No, don't go in there!
00:10:58No.
00:11:00No, don't go in there!
00:11:12No, don't go out of there!
00:11:14Oh, no!
00:11:35Hello?
00:11:37Michael.
00:11:41No.
00:11:43I have a story to tell you.
00:11:46No, please.
00:11:50Just tell me what you want, Michael.
00:11:53What I want?
00:11:56Tell me.
00:11:59I want the greatest fucking story that the world has ever heard.
00:12:09And what will you give me for it?
00:12:15Anything.
00:12:16What do you think?
00:12:52Ugh.
00:13:21Please tell me you weren't up all night.
00:13:26Actually, I dozed off in my chair, but this morning I woke up with some inspiration.
00:13:32All work and no play.
00:13:35I don't know. I think I really got something here.
00:13:40Well, don't let me slow you down. I'll go brew up some coffee.
00:13:43Hey, coffee can wait.
00:14:05Want to share what this brilliant new book is about?
00:14:09Eh...
00:14:09What?
00:14:11I don't talk about my works in progress. It's bad luck.
00:14:14Bad luck? I never knew you to be superstitious.
00:14:17It's just when I'm onto something good, I get a little excited.
00:14:21Yeah, I can tell.
00:14:22When I get excited, I like to share.
00:14:24But when I explain it to people, they're never as excited as I am.
00:14:27And then they got all their little notes and their little fucking suggestions about how wonderful it could be.
00:14:32And by the time I'm done talking to them, I get all pissed off.
00:14:35Which is why I don't share my ideas with normies.
00:14:38Because when I explain it to them, it ends up sounding lame.
00:14:41And then I forget what a fucking wonderful idea it was in the first place.
00:14:44Are you calling me a normie?
00:14:47I mean it in the most complimentary way.
00:14:51I just don't want to let this genie out of the bottle.
00:14:54I've got a really good idea here and I just don't want to fuck it up.
00:15:01I made an appointment with the fertility clinic tomorrow afternoon.
00:15:06Oh, that's great.
00:15:08I'm going to need the car.
00:15:11You need me to come with?
00:15:13No, don't mind me. You can just stay here and ride.
00:15:19Bailey's sleeping.
00:15:20I don't care if she's sleeping. Let her hear me.
00:15:22What? Bailey, why don't you come down here?
00:15:25Shut up.
00:15:26You shut up.
00:15:27What kind of fucking mother are you?
00:15:28What kind of fucking mother are you?
00:15:30What kind of fucking mother are you?
00:15:30Please stop.
00:15:32Shut the fire up.
00:15:33Don't give anything.
00:15:36Please.
00:15:36Just make it stop.
00:15:39Don't worry, Bailey.
00:15:41I'm here.
00:15:42Everything's gonna be okay.
00:15:45Who are you?
00:15:49I'm Oscar.
00:15:56I can make it stop.
00:15:59I can make it stop.
00:16:01I can make it stop.
00:16:19I can make it stop.
00:16:19Our Father, who art in heaven, hallowed be thy name.
00:16:22Thy kingdom come, thy will be done on earth as it is in heaven.
00:16:26And give us this day our daily bread and forgive us our trespasses
00:16:28as we forgive those who trespass against us.
00:16:31And lead us not into temptation, but deliver us from the evil one.
00:16:39Bailey.
00:16:42You probably don't remember me.
00:16:44It's been a few years, but-
00:16:45Of course I remember you.
00:16:46Caleb.
00:16:47How have you been?
00:16:49I'm good.
00:16:50It's been a few years since church youth group.
00:16:51I just moved back this week, actually.
00:16:54You left to study computer science.
00:16:56Wow.
00:16:57Good memory.
00:16:59Yeah, I got a job unless we broke remotely so I moved back to be one of my parents more.
00:17:04Family was always important to you.
00:17:08You know, I drove by your old house last week.
00:17:11Just sold again.
00:17:12Looks like someone's moving in.
00:17:14Really?
00:17:19So, how are things going with your mom?
00:17:22She's good.
00:17:23I just visited her last month.
00:17:26She's hoping for parole in the spring.
00:17:29Well, it's really nice to see you from the face of Trish today.
00:17:34I'll, uh, uh, I'll see you next Sunday.
00:17:40See you later.
00:17:42Yeah.
00:17:58Megan?
00:17:59Pacey, it's so good to hear your voice.
00:18:02Is everything okay?
00:18:03Honestly, the office is such a shit show since you left.
00:18:07Nobody knows what they're doing.
00:18:08Please tell me you hate New Hampshire and are coming back to us.
00:18:11Come on.
00:18:12It can't be as bad as that.
00:18:13It's worse.
00:18:14Braddock completely fucked the Austrian deal.
00:18:17What?
00:18:18That was a slam dunk.
00:18:19I laid everything out for him before I left.
00:18:21Braddock ignored it.
00:18:22He went rogue and was making shit up on the fly.
00:18:25And when they pressed him for numbers, he just froze.
00:18:27What a jackass.
00:18:29It was brutal.
00:18:30All those weeks of work prepping, gone.
00:18:32He should have let you deliver it in numbers.
00:18:35There's no reasoning with him.
00:18:37He needs to be the center of attention.
00:18:39Well, you gotta learn how to manage him without bruising his ego or he will screw things up every single
00:18:45time.
00:18:46I always invented tasks just to keep him away from the client.
00:18:50That's just it.
00:18:52We needed Pacey Palmer in that room to keep Braddock under control and seal that deal.
00:18:56Come on.
00:18:58You guys don't really need me.
00:19:00You're already a legend around here among the new hires.
00:19:02Whenever we run into a problem, they ask us, what would Pacey do?
00:19:06Stop it.
00:19:07You're teasing me now.
00:19:09We miss you, Pacey.
00:19:10Things just aren't the same without you.
00:19:13Well, I'm needed even more here.
00:19:16Things have been really good.
00:19:19Well, if you ever change your mind, babe, the door is always open.
00:19:23You're a rock star.
00:19:25Hey, Megan.
00:19:26I have to run now.
00:19:28But it's been good catching up.
00:19:30Later, Pace.
00:19:31Bye.
00:19:45I'm not saying it's impossible, but in my experience, the chances of you conceiving aren't good.
00:19:57Are there any treatments?
00:20:00I mean, I can't just give up.
00:20:03Well, there are fertility treatments, but with the complications from your miscarriage, I don't see it happening for you.
00:20:15But there has to be something.
00:20:18My recommendation is for you to take some time to adjust, maybe a few months, and then if you still
00:20:25want to be a parent, you can look into adoption.
00:20:50Michael?
00:20:51Michael?
00:20:59Michael?
00:21:11Michael?
00:21:15Oh, you are here.
00:21:19Yeah?
00:21:22Um, I'm just gonna go take a nap.
00:21:27Well, you do what you gotta do.
00:21:30I'll just be down here, writing.
00:21:55What do you name it?
00:21:56Umm, I love it.
00:22:16What are you?
00:22:20Unh
00:22:21Yeah, yeah, yeah, yeah, yeah, yeah.
00:23:05Fuck!
00:23:35You've come back.
00:23:38I really need to finish my story.
00:23:41Shh, shh, shh, shh.
00:23:45Give you anything you want.
00:23:49I want.
00:23:52I want.
00:23:54I want.
00:23:55I want.
00:23:59No.
00:24:01Come on.
00:24:03I want.
00:24:04Come on.
00:24:14Come on.
00:24:17Come on.
00:24:37Oh, my God.
00:25:12Oh, my God.
00:25:29Oh, sorry.
00:25:31I didn't mean to creep up on you.
00:25:33What are you doing up?
00:25:35There's somebody out there.
00:25:36A girl.
00:25:45Are you sure?
00:25:46I don't see anyone out there.
00:25:48Oh, what happened?
00:25:51Oh, it's a bit of a can opener accident.
00:25:55I'm such an idiot.
00:26:04I didn't want to bother you while you were writing.
00:26:08I know how much you're going through.
00:26:12It's okay.
00:26:13You can talk to me.
00:26:15Well, I went to the doctor today.
00:26:18It's not looking good.
00:26:44It's not looking good.
00:26:53Did you talk to them about the carrots?
00:26:55Sorry, what was that?
00:26:57The carrots.
00:26:58You got rid of them.
00:27:01I know you don't like them, so I made sure to tell Spencer no carrots.
00:27:04Oh, carrots, they used to be different.
00:27:09Used to be bursting with flavor.
00:27:12Nowadays, they just taste like cardboard.
00:27:16Don't know what the hell they're doing with them.
00:27:18Well, if you ever find another carrot on your plate, I want you to call me right away.
00:27:22They'll have to deal with me.
00:27:30I knew your dad when he was a young boy.
00:27:33Did I ever tell you?
00:27:36No, I don't think you did.
00:27:40Nice, polite boy.
00:27:42A little quiet.
00:27:45He used to mow my lawn when he was in grade school.
00:27:48Wow.
00:27:49I had no idea.
00:27:50Hmm.
00:27:51That's before he got in with that other crowd.
00:27:55Pack of little shit disturbers.
00:28:00Halloween around 82.
00:28:03He and his friends decide they're going to have some fun slashing tires.
00:28:08Wow.
00:28:08Hmm.
00:28:11Little assholes.
00:28:13He got about two feet away from my Buick, and I chased him away with my baseball bat.
00:28:20I was so furious.
00:28:22I said to my wife, Catherine, nothing good is ever going to come out of that boy.
00:28:30Hmm.
00:28:32How wrong I was.
00:28:35He always knew how to make me laugh.
00:28:38Hmm.
00:28:42When he married your mom, I was so hopeful.
00:28:47I mean, that their luck would change.
00:28:50How about I get started on the rest of dinner?
00:28:51But that old farm, both of them changed.
00:28:59Mr. Cashley.
00:29:00Nothing good ever came out of that place.
00:29:05You could fix it up.
00:29:07You could throw some paint on it.
00:29:10But that place.
00:29:13I know.
00:29:18I know you know.
00:29:24Listen to me going on.
00:29:27No one needs to tell you a damn thing.
00:29:34How about I get started on dessert?
00:29:35No one needs to talk about it.
00:29:36Oh, no.
00:29:39No.
00:29:41Oh, my God.
00:30:19Avast, ye scoundrel.
00:30:21I demand ye face me.
00:30:23A duel?
00:30:25To the death.
00:30:26On guard.
00:30:30Ah, ah.
00:30:32You got me.
00:30:34Woe is me.
00:30:41I feel safe with you.
00:30:45Not like with my parents.
00:30:53You're allowed to hate them.
00:30:55You know?
00:31:00You're allowed to hate them.
00:31:13Heavenly Father, I repent all sin, the sin of wrath, the sin of anger, the sin of vengeance.
00:31:23Excuse me?
00:31:25Can I help you?
00:31:27I'm sorry, is this your property?
00:31:29It is.
00:31:30May I ask you what you're doing here?
00:31:32Hi, I'm Bailey.
00:31:34I used to live here as a little girl.
00:31:36Oh.
00:31:37I guess all the memories aren't good ones.
00:31:41I see.
00:31:42I guess I'm just trying to make my peace with it.
00:31:44I'm sorry for the intrusion.
00:31:46I see.
00:31:47I see.
00:31:47I see.
00:32:15So you're still not going to tell me about your story?
00:32:18Stop stirring up shit.
00:32:21Come on, babe. Just a hint.
00:32:25Okay. It's about a girl who wants everything.
00:32:29Ooh, I like it already.
00:32:31But if she doesn't know when to stop...
00:32:34And through the events of the story, she learns a valuable lesson.
00:32:39Actually, she doesn't learn a damn thing.
00:32:49I'm going to Texas.
00:32:52I'm leaving Sism.
00:32:54I'm going to Texas.
00:32:56I'm bending a spoon.
00:33:01I'm going to Texas.
00:33:10I'm going to Texas.
00:33:39I'm going to Texas.
00:33:52What the hell?
00:34:19Hello?
00:34:24Hello?
00:34:31Are you here all by yourself?
00:34:35No. I'm here with you.
00:34:39What are you doing here?
00:34:44Where else would I be?
00:34:46Oh, honey, I think you're lost.
00:34:49What's your name?
00:34:51It's Dakota, silly.
00:34:55Well, that's a beautiful name, Dakota.
00:34:57Of course it is.
00:34:59You gave it to me.
00:35:01What are you talking about?
00:35:03You gave me my name, mommy.
00:35:08No!
00:35:13Babe, you all right?
00:35:17Well, I think it's just an intense dream.
00:35:22Oh, yeah?
00:35:26Well, if someone ever gives you a hard time in one of your dreams again, just let me know.
00:35:32I'll kick his ass.
00:35:38Maya was not inclined to vengeful deeds.
00:35:46Maya was not inclined to vengeance.
00:35:54Predisposed.
00:35:56Maya was not predisposed.
00:36:02Nobody's going to give a fuck what Maya is predisposed to because nobody is going to read this mealy-mouthed
00:36:09crap.
00:36:10Fuck!
00:36:23There's no other building.
00:36:40When can you come visit, bae?
00:36:42Next Friday, for sure.
00:36:44God, I miss you.
00:36:46You get a chance to read that stuff I left you?
00:36:49Honestly, bae, I just can't.
00:36:51Half the girls on my cell block are Christians.
00:36:53It's enough already.
00:36:55Mom, I'm afraid it's only a few pages.
00:36:57Look, you need to get on with your life.
00:37:00Meet some boys and maybe have a little fun while you're still young.
00:37:04That stuff that happened to Daddy, it's not over.
00:37:06Hey, listen.
00:37:08I'm the one that killed your Daddy.
00:37:09It was me, not some devil in the cornfield.
00:37:13Now just put all this nonsense away.
00:37:15I may be locked up, but there is no need for you to be.
00:37:19Okay, Mom.
00:37:20Now get some sleep.
00:37:21I'll talk to you tomorrow.
00:37:23Love you, bae.
00:37:24Love you, too.
00:37:25Bye.
00:37:35Take it easy.
00:37:41Hey, man.
00:37:42Can I get a chin in?
00:37:43As a matter of fact, barkeep, I think you can.
00:37:48What'll it be?
00:37:49I'll have a pint of Steiners.
00:37:53Steiners?
00:37:54Oh, shit.
00:37:56Sorry.
00:37:56Sometimes I forget I'm not in the city anymore.
00:37:59I'll have a pint of whatever swell the locals are drinking.
00:38:05I'll have whatever he's having.
00:38:09I'll have a pint of Beecher's.
00:38:12Beecher's?
00:38:13Holy crap.
00:38:14I don't even know they made that shit anymore.
00:38:16Would you like something else, then?
00:38:18No, no, no, no, no, no, no.
00:38:19Beecher's is fine.
00:38:20It's perfect, actually, for a place like this.
00:38:28You know, there's plenty of other bars to drink in if you don't like it here.
00:38:36It ain't got nothing to do with you, pal.
00:38:44Well, I think it does.
00:38:46Look, why don't you just relax?
00:38:48I'm just having a nice, quiet beer by myself, all right?
00:38:54You don't tell me to relax.
00:38:57Look, I don't want any trouble.
00:38:58Yeah, too late.
00:38:59Evan, look, you don't like our beer, why don't you just go across the street to Murray's
00:39:03and get him to pour you a pint of whatever New York pussy swill you drink.
00:39:09Look, I think we got off on the wrong foot.
00:39:11Why don't I just buy you a beer?
00:39:13I'm buying my own beer, soy boy.
00:39:14Hey, take it easy, take it easy.
00:39:15Whoa, Evan, Evan, Evan.
00:39:17What?
00:39:17This guy ain't worth it, trust me.
00:39:22This guy a friend of yours, this prick?
00:39:25Yeah, you could say that.
00:39:27Mike's new in town.
00:39:27A kind of fish out of water.
00:39:30Let's just cut him a break, huh?
00:39:34Okay.
00:39:36For you.
00:39:37Hey, no hard feelings, huh?
00:39:41I'll take a pint of Beatrice and my newfound friend here.
00:39:44Actually, make that two.
00:39:46I'll take him in back, Lloyd.
00:39:48Sounds good.
00:39:49See you later, kid.
00:39:54How the fuck did you do that?
00:39:55I got his mom a sweet deal on a townhouse.
00:40:00I owe you a drink.
00:40:02It's the least I can do.
00:40:04Hey, Lloyd, another one?
00:40:07So, how's the house treating?
00:40:10Oh.
00:40:11A little peace and quiet is just what the doctor ordered.
00:40:14So, your book is coming together, then?
00:40:17You're a pugnacious little pecker, aren't you?
00:40:21Hey, you gotta be a persistent pecker in my profession.
00:40:26Cheers.
00:40:33You know, all in all, this place isn't too bad.
00:40:38It gets pretty lively.
00:40:40These sleepy towns need a place to let loose, you know?
00:40:45Your first time here?
00:40:46Yeah.
00:40:47I've been chained to the desk the last three weeks, you know?
00:40:50So, the story's coming together, then?
00:40:54I don't know, man.
00:40:58Freshman Zane changed my life.
00:41:00Made me a household name, but...
00:41:03That was 15 years ago.
00:41:06And everything I've published since then hasn't amounted to shit.
00:41:11You're kidding.
00:41:12I love Moonlight Epic.
00:41:14It took some real risks the way it shifted narrative style.
00:41:17Oh, fuck off.
00:41:18It was terrible.
00:41:19My fans hated it.
00:41:21Critics hated it.
00:41:22Hell, even I knew it was a piece of shit before it hit the press.
00:41:25I get it.
00:41:26I get it.
00:41:29Freshman Zane was so fucking great.
00:41:33And everybody just wanted the next story to measure up.
00:41:36But, you know, then I started to think, maybe I only got one good story in me.
00:41:47You're right.
00:41:48I wanted to love it, but it didn't measure up.
00:41:53But this new book, this is like nothing I've ever written before.
00:42:00You think this is going to measure up to Zane?
00:42:03I'm saying, it's going to be better.
00:42:07Better than freshman Zane?
00:42:08Shh.
00:42:09Oh, man.
00:42:11You can't leave me hanging like this.
00:42:13Give me details.
00:42:14I told you, I don't fucking talk about my works in progress.
00:42:18Holy cow.
00:42:19I can't believe this.
00:42:26So what about you?
00:42:27Are you selling any more murder homes lately?
00:42:30Ha-ha.
00:42:31You really got a good deal on that property.
00:42:33But to be fair, that murder was 12 years ago.
00:42:40But it's not the only story.
00:42:45What?
00:42:47It's probably just a rumor, but the locals talk about another violent happening there back
00:42:52in the 50s.
00:42:54Huh.
00:42:57I don't have many details, but I could do some digging if you...
00:43:00No, no, no, no, no.
00:43:00Please don't.
00:43:02I can't have Pacey running around scared shitless.
00:43:05It's the last thing she needs.
00:43:07She's got too much on her plate.
00:43:08Wait, wait, wait.
00:43:09You mean you never told your wife about the murder?
00:43:13It was all laid out in the disclosure documents.
00:43:15Luke!
00:43:24Well, I certainly wouldn't want to upset Pacey.
00:43:30Why don't you tell me a little bit about this new book of yours?
00:43:35You know, you're a lot slimier than I gave you credit for.
00:43:41But this book, it's nothing like Freshman Zane.
00:43:47It's not like anything I've ever written before.
00:43:50Uh-huh.
00:43:52Female protagonist...
00:43:53Whoa, whoa, okay, that's new ground for a Michael Palmer book.
00:43:56And it has none of the sunny optimism of Freshman Zane.
00:44:00And this one is dark, sensual, opulent.
00:44:08Uh, okay.
00:44:11So what's it about?
00:44:12It's about hatred.
00:44:15Envy.
00:44:17Lust.
00:44:18Holy shit!
00:44:20I got chills.
00:44:22So what's the premise?
00:44:29You know, I think I gotta call Pacey right now.
00:44:32She told me to call...
00:44:33No, no, Michael.
00:44:34You gotta be kidding me.
00:44:36This discussion isn't over.
00:44:42Tell me about the book.
00:44:48And when she gets to Panama, she discovers the house she purchased never even existed.
00:44:55So Hector scammed her?
00:44:57No, not Hector.
00:45:00Actually, wait a second.
00:45:03I'm not telling you anymore of my fucking story.
00:45:07All right, no more questions.
00:45:09Sorry.
00:45:11You know, I've dabbled in writing, too.
00:45:15Going way back to my grade school days.
00:45:18No kidding.
00:45:19Yeah.
00:45:20Um, I've written some short stories and even a play.
00:45:25But never a novel.
00:45:28Though I haven't a deal.
00:45:30You should go for it.
00:45:34Really?
00:45:34Yeah.
00:45:35Takes courage to write.
00:45:37Because the first thing you write is always going to be shit.
00:45:43But you gotta get past that if you're ever going to write anything great.
00:45:47And that, that takes balls.
00:45:52You see, most people can't handle criticism.
00:45:56And they just quit.
00:46:01You're right.
00:46:04So the first thing you wrote sucked.
00:46:06No.
00:46:07It was great.
00:46:08Because I'm Michael fucking Palmer.
00:46:16You know, I had this crazy idea.
00:46:19Maybe after this we could...
00:46:23Michael, please.
00:46:31Michael, are you all right?
00:46:35Yeah.
00:46:35Yeah, I'm fine.
00:46:37You look like something spooked you.
00:46:38Are you sure?
00:46:38Instead, I'm fine.
00:46:42I just gotta get the fuck out of here.
00:46:44I just gotta get the fuck out of here.
00:47:14So let's sleep.
00:47:15And then you're gonna finish your book.
00:47:19That's all you gotta do.
00:47:26Michael.
00:47:29Pacey?
00:47:31What are you doing here?
00:47:51I'm starting to think that you don't have it in you, Mike.
00:47:55What?
00:47:57How the fuck can you say that to me?
00:48:04Are you really the right man for the job?
00:48:10I can do this.
00:48:12I'm so close.
00:48:17Sometimes I think you're hurt is just not in it.
00:48:26I can do this.
00:48:30I can do this.
00:48:35What?
00:48:35Pacey?
00:48:36Michael, what are you doing in the tub?
00:48:39What happened?
00:48:41I just had a bad dream.
00:48:43Yeah, that can happen after going on a bander and you sleep one off in the tub.
00:48:47Yeah, I must have fallen in the tub when I...
00:48:53You know, this isn't the most comfortable place to spend the night.
00:48:58No, there's a nice, soft bed just upstairs.
00:49:02You're more than welcome to join me.
00:49:04I'll be right behind you.
00:49:08Pacey?
00:49:10Yeah?
00:49:12I love you.
00:49:20Michael, how's my favorite fucking client?
00:49:23It's one of my your favorite client, Barry.
00:49:25Wow, okay.
00:49:26It was very hurtful, Michael.
00:49:28Agents have hearts too, you know, all right?
00:49:31The last time we talked, you said, and I quote,
00:49:34don't ever call me again unless you have something I can sell.
00:49:38Yeah, I did say that.
00:49:39Yeah, I did, but I said it out of love.
00:49:42It's called motivation, baby.
00:49:45So?
00:49:46So.
00:49:47I sent you 113 pages.
00:49:50Uh-huh, yeah, you did.
00:49:52And you read it?
00:49:53I read it.
00:49:54I read it twice.
00:49:55I read it a third time sitting on my little toilet.
00:49:58I need to hear you say it, Barry.
00:50:00You hear me say it?
00:50:00Okay, well.
00:50:02It's the best fucking shit you've ever sent me, Michael.
00:50:05You happy?
00:50:06Hmm?
00:50:07I know it's my best work, but it's so much more than that, isn't it?
00:50:11Good fucking God.
00:50:12Okay.
00:50:13It's genius, Mike.
00:50:15It's fucking brilliant.
00:50:16You're the Jesus of writing, and I'm a little peasant boy that goes and fetches you water.
00:50:20Okay?
00:50:20You happy?
00:50:21It's a start.
00:50:22Jesus fucking Christ.
00:50:23You writers are the most fragile fucking egos of everyone, and I'm talking about fucking
00:50:27actors, too.
00:50:28Now listen up.
00:50:29Let's talk some business now, right?
00:50:31Now our little love fest is over.
00:50:33Fine.
00:50:34All right, so what you sent me is great.
00:50:37It's fucking amazing.
00:50:38I love it.
00:50:39It's not enough.
00:50:40I need at least 300 pages.
00:50:41At least.
00:50:42I'm giving you 400.
00:50:44Incredible.
00:50:44Fucking great.
00:50:45I can sell that.
00:50:46No fucking problem.
00:50:47Okay.
00:50:48Now one more thing.
00:50:49Now listen up, because I'm not fucking around this time.
00:50:52Okay?
00:50:53Don't take this the wrong way, because I know you people are like delicate little baby
00:50:56flowers.
00:50:57You people?
00:50:58I mean, writers, Michael.
00:50:59Jesus fucking Christ.
00:51:00Shut up and pay attention to me, okay?
00:51:01Out with a berry.
00:51:05I need an ending, Michael.
00:51:07What?
00:51:08I need a real ending, okay?
00:51:10Because what you've given me so far, it's a brilliant fucking setup.
00:51:14It's got me fucking hard as a rock, okay?
00:51:17This fucking hard.
00:51:18This fucking hard.
00:51:20I'm like a sweet virgin who's been promised the best fucking night of her life.
00:51:24Barry, if you're trying to make some kind of an analogy, can you hurry it along, please?
00:51:29Okay.
00:51:30You writers are all set up with no delivery, okay?
00:51:35So I'm not going to be able to sell this unless you give me an ending that's going to make
00:51:40my little toes curl, okay?
00:51:42I got your ending, Barry.
00:51:44It's right up here.
00:51:46You're just going to have to wait for it.
00:51:49We're going to make a lot of money, baby.
00:51:52I love you.
00:51:53Now get back to work.
00:52:24You're just going to make a lot of money.
00:52:33Whoa.
00:52:38Hey, Mom, can I get this? It's only six dollars.
00:52:41Sure, honey. Looks like fun.
00:52:44I'm sorry, I don't mean to overhear.
00:52:47Yes?
00:52:48That toy board your son wants, I don't think it's a good idea.
00:52:51Excuse me?
00:52:52It's a Ouija board. I mean, most people aren't aware of the dangers, but...
00:52:55I appreciate your concern, but frankly, it's none of your business what I buy from my child.
00:52:59So you're okay with your child talking to literal demons?
00:53:02My name is Tucker.
00:53:03Oh, my God. Are you seriously one of those born-again nutcases?
00:53:07Stop thumping your Bible and take your mints.
00:53:10Who do you think he's gonna be talking to on that board?
00:53:12Mmm, crazy lady. It's a game. I used to play it all the time as a kid.
00:53:16Why does that not surprise me?
00:53:20You know, it's wackos like you who are okay with kids shooting guns, but get freaked out over a piece
00:53:26of cardboard.
00:53:26Okay, I'm sorry if I came off as rude, but if you just listened for a minute, that is not
00:53:31a toy, and your son's gonna be in real danger.
00:53:33Well, I didn't ask for your opinion.
00:53:35Now, why don't you go to the abortion clinic and protest like the rest of those Jesus freaks?
00:53:42Can you believe that?
00:53:43You need to keep your son away from that satanic piece of shit.
00:53:46I'm buying it, and you can't do a damn thing to stop me.
00:53:50Whatever.
00:53:52Psycho bitch.
00:53:55What the hell are you doing?
00:53:56Actually, I decided that I'm gonna buy this for myself.
00:53:59Hey, Mom, she took my board!
00:54:07No one can mess with that piece of crap again.
00:54:11Okay.
00:54:22Oh, what's that?
00:54:23What?
00:54:24No, you got something.
00:54:26What?
00:54:26No, no, sorry.
00:54:27It's like it's right back here.
00:54:28It's like...
00:54:28No!
00:54:30Shit.
00:54:31Where did you get that?
00:54:32I got it.
00:54:34Those are teenagers.
00:54:35Up to no good.
00:54:37You're such a badass.
00:54:38Yeah, but you like the bad boys.
00:54:46You know, one of those kids actually thought I was a cop.
00:54:50I don't blame them.
00:54:53Seriously?
00:54:54I'm not a narc.
00:54:56If I sit down.
00:55:02Oh, that's it.
00:55:03That's the shit.
00:55:05This place is changing me.
00:55:07It's like...
00:55:08Changing you?
00:55:09How?
00:55:10Changing me for the better, I mean.
00:55:12It's like...
00:55:14Making me more...
00:55:16Myself.
00:55:18Far out.
00:55:21Listen, though.
00:55:22I know you know what I'm talking about.
00:55:26This place is different.
00:55:28No, I know.
00:55:29I know exactly what you mean.
00:55:31And when it comes to my writing,
00:55:33that's when the words start to flow.
00:55:36It's almost like someone else
00:55:38is doing the writing for me.
00:55:40Isn't that fucking crazy?
00:55:44So you're saying your writing got better
00:55:46because of this place?
00:55:48You can have whatever you want, Pacey.
00:55:51You just gotta tune in to the right frequency.
00:55:56Okay.
00:55:58I will.
00:56:01Cool.
00:56:17Mommy.
00:56:19Dakota?
00:56:20Mommy.
00:56:21You came for me, Mommy.
00:56:23What's wrong, baby?
00:56:25Are you hurt?
00:56:27I'm scared.
00:56:29Don't leave me, Mommy.
00:56:30Mommy.
00:56:31Mom's home.
00:56:32I need you.
00:56:34Baby?
00:56:35Mommy.
00:56:37Please.
00:56:50Hey, hey, hey, hey.
00:56:52It's okay.
00:56:53It's okay.
00:56:54It's okay.
00:56:55I got you.
00:56:55I got you.
00:56:56I got you.
00:56:56It's okay.
00:56:57It's okay.
00:57:00It's okay.
00:57:02It's okay.
00:57:03I got you.
00:57:06I got you.
00:57:25You probably think I'm crazy.
00:57:29You're not crazy.
00:57:30You're just scared.
00:57:33I was scared at first, too, but that's because I was fighting it.
00:57:38You just gotta trust that what's happening to you is something good.
00:57:43Good?
00:57:44What do you mean, good?
00:57:46Sounds crazy coming out of my own mouth, but things just got better for me.
00:57:53Well, I stopped questioning it.
00:57:56And I let it in.
00:58:09Well, I stopped questioning it.
00:58:12And I let it in.
00:58:13You know what?
00:58:13You're not.
00:58:13I'm sorry.
00:58:23You were too scared to me.
00:58:23Okay.
00:59:04Dakota?
00:59:11It's me.
00:59:12It's mommy.
00:59:14Mommy.
00:59:16Don't be afraid.
00:59:17I'm ready.
00:59:19I'm ready to be your mom.
00:59:24Dakota, mommy.
00:59:28I'm afraid.
00:59:30Mommy, please, take me home.
00:59:36Things just got better when I stopped questioning it and let it in.
00:59:53No, no, no.
01:00:16Pacey?
01:00:39Pacey, how did you, what are you doing up?
01:00:43I missed you.
01:00:44I missed you.
01:00:45What?
01:00:46You were right.
01:00:49That was rag about.
01:01:04I missed you.
01:01:07You loved me.
01:01:21I missed you.
01:01:23You didn't get what I didn't get.
01:01:39Hey, Sporty.
01:01:41Sporty?
01:01:42No one's called me that since we were little.
01:01:44You used to kick everyone's butt at ping pong.
01:01:46You definitely were the jock and church with fruit.
01:01:48And you were the brains.
01:01:52I was just thinking about to return this book that borrowed from Pastor Sam.
01:01:56I didn't expect to see you here.
01:01:58Yeah, I was just asking for a little help.
01:02:04Yeah, well, you're definitely in the right place.
01:02:08Is there anything you want me to pray for?
01:02:12Just strength.
01:02:16Got it.
01:02:19Hey, so I'm having a little get-together at my house tomorrow night.
01:02:25Nothing huge, just a few friends.
01:02:30Um, I'd love it if he came as my guest.
01:02:32Bailey!
01:02:37Caleb, that sounds nice.
01:02:41But...
01:02:43I'll just see you at church on Sunday, okay?
01:02:45Wow.
01:03:04Hello.
01:03:04Mikey boy!
01:03:05Mikey boy, what's happened, buddy?
01:03:07To what do I owe this distinct pleasure, oh, beloved agent of mine?
01:03:11Okay, I'm going to cut to the chase, Michael.
01:03:14You always do.
01:03:14Yeah, so these new pages you sent me, they are fine.
01:03:20They're fine.
01:03:21But.
01:03:21But.
01:03:22They're kind of feeding into this incessant paranoia that I already have about you.
01:03:27Because I know you.
01:03:28I know you like a father and like a son.
01:03:31And I know you don't have a fucking ending to this fucking story.
01:03:34Barry, come on.
01:03:35I see where the plot is going, all right?
01:03:38You're asking 100 million intriguing fucking questions that we're all dying to know the
01:03:43fucking answer to, but you're going to give me a bullshit fucking ending.
01:03:48You want me to spoil the ending?
01:03:49Because I can do that.
01:03:50I can tell you the fucking ending right now, Barry.
01:03:52No, I do not want you to do that.
01:03:54Please do not do that.
01:03:55Then what do you want?
01:04:00I want you to promise me you can give me an ending, but I can fucking sell, okay?
01:04:06Because I cannot sell this unless-
01:04:08Fuck off, Barry.
01:04:09I got writing to do.
01:04:10And don't call me again unless you actually got something to say.
01:04:13Hey, asshole.
01:04:29I really need a fucking ending.
01:04:37The ending is right here, Michael.
01:04:39Where?
01:04:42Right here.
01:04:44I'm just here to help you set it free.
01:04:48I'm just not convinced you want it badly enough, Michael.
01:04:53If you do, then give me what I want.
01:05:06Hello, Luke.
01:05:08Yeah, everything's fine.
01:05:11Um, yeah, that sounds cool.
01:05:17Why don't you head over right now?
01:05:19So that's actually good news for the two of you.
01:05:22That is it.
01:05:23Well, yeah, it means the entire length of the creek passes through your property.
01:05:27I was under the impression it was part of the neighboring estate.
01:05:30Well, that's cool.
01:05:32I got a creek.
01:05:33You know, I actually went through these woods.
01:05:36I didn't know there was any creek at all.
01:05:38It's just past the...
01:05:40Oh, jeez.
01:05:42Well, don't...
01:06:10I've got a grandfather.
01:06:12No, no, no.
01:06:14Please, please.
01:06:24Again.
01:06:27Again.
01:07:04So you mentioned some bad memories here in this house?
01:07:09Yes. Growing up, my parents fought a lot, so I would escape into the corn, the only place
01:07:15that I felt safe. I'm sorry. It's okay. I'm not here to talk about my past trauma. I've
01:07:22been delivered from all of that. I'm here for you. For me.
01:07:27Hey, babe. I just thought... Oh! Sorry, I didn't realize you had company.
01:07:32Michael, this is Bailey. She used to live here in this house a long, long time ago.
01:07:37Pleasure to meet you, Bailey.
01:07:38Likewise. It's a very lovely home.
01:07:44Well, I'll stop bothering the two of you. I've got some writing to do.
01:07:48Of course. He's writing a novel.
01:07:52That's so exciting.
01:07:57So, you had something to tell me?
01:08:01This place. Have you noticed anything unsettling?
01:08:07What do you mean?
01:08:12Okay, so why don't you just come out with it then?
01:08:15Um, don't indulge it. He will promise you everything, but it's just not worth it.
01:08:22He? Who's he?
01:08:23Or she. It can appear as anything. Okay? You just can't believe his lies.
01:08:28I'm sorry, Bailey. I don't know what you're talking about.
01:08:31Okay. He appeared to me as a young boy in the corn right out there.
01:08:35He became my friend, and when my parents would fight, he told me he could make it all stop.
01:08:39A young boy told you he could stop your parents from fighting?
01:08:44He called himself Oscar. He appeared to me as a young boy, but he could appear to you as anything,
01:08:50whatever you deeply desire.
01:08:52So, you're saying that this is some kind of supernatural being?
01:08:57In the cornfield?
01:08:59James chapter 4, verse 7.
01:09:02To submit yourselves then to God, resist the devil, and he will flee from you.
01:09:05Okay, please, Bailey. I'm really not religious.
01:09:09Just don't give him a foothold.
01:09:12Okay, he will promise you the world, but he's the father of all lies.
01:09:15I'm agnostic. I don't want to offend you or anything, but I'm not comfortable with this.
01:09:21One day, okay, it got really, really bad, and I ran out to go find him, and I begged him
01:09:29to make it stop, and my mom took a knife, and she just...
01:09:42Dear God. God had nothing to do with this.
01:09:49I actually think I'm going to get started on dinner now. Will you be joining us, Bailey?
01:09:54Actually, I think I better get going.
01:09:57So soon?
01:09:59Here's my address, just in case you want to stop by and, you know, talk about anything.
01:10:08I will.
01:10:31Here.
01:10:33Here.
01:10:37Here.
01:10:55Honey, do you have a moment?
01:10:59Yeah, sure.
01:10:59What's up?
01:11:02I just did a pregnancy test.
01:11:06Okay.
01:11:09I'm pregnant.
01:11:13What?
01:11:15God.
01:11:16Oh, my God.
01:11:18Oh, my God.
01:11:20Oh, my God.
01:11:22Oh, my God.
01:11:38Oh, my God.
01:11:43Oh, my God.
01:11:53I need to get some rest.
01:11:58He's here.
01:12:01He's here for you.
01:12:41Whoa, whoa, whoa, whoa, whoa, whoa, whoa.
01:12:44Pacey, it's all right, it's all right, calm down, calm down.
01:12:47It's okay, I'm here, I'm here, I'm here.
01:12:50What happens?
01:12:52I couldn't, I couldn't move, and he's...
01:12:56What?
01:13:01I just need to get out of here.
01:13:03This place, it's too much.
01:13:05This place, this place is fine.
01:13:08You just had a dream, all right?
01:13:11I promise everything's gonna be okay.
01:13:14Okay.
01:13:15Are you gonna stay awake with me?
01:13:19Of course I will.
01:13:22Come on.
01:13:38I can't believe it.
01:13:40You're pregnant.
01:13:42I know.
01:13:44I am not wrong very often, but I'm really glad I am this time.
01:13:49I, I can't explain it, but I guess it doesn't matter now, does it?
01:13:54No.
01:13:55I'm going to prescribe a few prenatal meds just to be safe.
01:14:06Um, I've been having some sleep issues.
01:14:11Okay.
01:14:13I wake and I can't move.
01:14:17I see things and I hear...
01:14:21Sounds like classic sleep paralysis.
01:14:23It's nothing to worry about.
01:14:24I mean, I can't move.
01:14:27And the things that I see, it's beyond...
01:14:31That's normal.
01:14:32There's been a lot of research on the topic.
01:14:34The things that you think you're seeing are akin to a waking dream.
01:14:41But why is this happening to me now?
01:14:44A lot of things can trigger sleep paralysis.
01:14:47Stress, your recent move, even your pregnancy.
01:14:52I'm going to prescribe a sleep aid for you as well.
01:14:54Uh huh.
01:15:10Fuck off, Barry.
01:15:24Fuck it!
01:15:27Michael, I need an ending.
01:15:30Where's my ending, Michael?
01:15:41Hey, babe.
01:15:43Oh, hey.
01:15:45You look exhausted.
01:15:47How'd it go?
01:15:49Everything's great.
01:15:50I just need to rest and take you to AC.
01:15:53That should be your only priority right now, okay?
01:15:57She gave me something to help me sleep.
01:16:00I think I'm just going to take a few of these and pass out for the night.
01:16:03Hmm.
01:16:04Exhausted.
01:16:06Well, you don't have to worry about me at all.
01:16:08I'm probably going to be up all night writing anyway.
01:16:10Really?
01:16:11I was getting worried about you.
01:16:13The story's coming back.
01:16:15Well, it sure is.
01:16:16Something fierce.
01:16:36Michael?
01:16:36Hey, Bailey.
01:16:37Look, I'm really sorry to bother you about this, but...
01:16:40It's Pacey.
01:16:42She's...
01:16:42She's inconsolable.
01:16:44And she says she really needs your help.
01:16:46What's going on?
01:16:47She's been having these episodes lately where she sees things late at night.
01:16:53I...
01:16:53I don't know.
01:16:54I've been saying that maybe it's just stress, but it's only getting more and more intense.
01:16:57And then...
01:16:58I woke up last night and she was gone and I found her running around the cornfield in a panic.
01:17:05The cornfield?
01:17:06It's all so stupid.
01:17:08She refuses to see a doctor about it.
01:17:11Where's she now?
01:17:12She's at home.
01:17:14She says that you're the only one who can help her.
01:17:48I'm just going to go check on Pacey.
01:17:50I'll be right back.
01:18:09Pacey's gone.
01:18:10What?
01:18:11She's gone?
01:18:12I don't know.
01:18:13I guess she ran out again.
01:18:14I gotta go find her.
01:18:21Pacey!
01:18:24Pacey, you out here?
01:18:34I think I'm gonna go check out the woods.
01:18:37Listen, you should hang back here in case Pacey comes back to the house, right?
01:19:04The girl!
01:19:05She's here!
01:19:09You promised me an ending!
01:19:10I did.
01:19:13My ending.
01:19:15I need it.
01:19:17The accountant.
01:19:19The one staying in the chalet.
01:19:23What about him?
01:19:24He loses all his money to his sister.
01:19:28His sister?
01:19:29She's not even-
01:19:31She's not even-
01:19:31Shhh.
01:19:33His sister's the one who killed Lucas.
01:19:42Oh, that's perfect!
01:19:44I can't believe I missed it.
01:19:46It's logical and the audience will never see it coming.
01:19:50But how do I resolve-
01:19:51Shit!
01:19:55I want the girl.
01:19:57Heavenly Father, please pour out your spirit and rescue your daughter Pacey from this nightmare.
01:20:02I know she's not a believer, but please.
01:20:05Bailey.
01:20:07Bailey, you have to get out of here.
01:20:09Bailey, go!
01:20:10No!
01:20:18Bailey.
01:20:18No.
01:20:19Please, just tear me out.
01:20:21I won't hurt you.
01:20:23Just leave her alone.
01:20:24Leave who alone?
01:20:26Pacey, just- just leave her.
01:20:28If Pacey is safe, it's you that I want.
01:20:32It's always been you.
01:20:33You-
01:20:34Just stay away from me!
01:20:35Why did you run away from me, Bailey?
01:20:38Your awful parents, they never understood you the way I did.
01:20:43Stop, please just stop.
01:20:45Oh, I made it stop.
01:20:47But you- you promised me you'd stay.
01:20:50You have no claim on me.
01:20:53Oh, but I do have a claim on you, Bailey.
01:20:57You made me a promise, remember?
01:21:00You swore it.
01:21:01No.
01:21:03It was a blood oath.
01:21:06I have broken all bonds and oaths through the blood of Jesus Christ.
01:21:11I command you to leave.
01:21:13Who are you to command me?
01:21:15I have broken all bonds and oaths through the blood of Jesus Christ.
01:21:21I command you to leave.
01:21:22You think just by shouting his name I'm gonna run and flee?
01:21:26I know his name, and he knows mine.
01:21:30In the name of Jesus Christ, I command you to leave.
01:21:35Why'd you lie in the name?
01:21:35In the name of Jesus Christ, I command you to leave.
01:21:39In the name of Jesus Christ-
01:21:44Michael.
01:21:47Good.
01:22:02I can't.
01:22:04I can't.
01:22:04Yes, you can, Michael.
01:22:07Do this for me.
01:22:09And I'll give you 20 more books.
01:22:13Each one better than the last.
01:22:16Please.
01:22:21Michael!
01:22:25Michael, what are you doing?
01:22:27Casey.
01:22:29Just go back inside, okay?
01:22:31I've got this.
01:22:34Just turn around and go back inside, okay?
01:22:37Michael.
01:22:38Just put it down.
01:22:40Casey, don't act like you're all innocent in this.
01:22:42You know exactly what's going on.
01:22:44You felt it too.
01:22:46His power.
01:22:47It's magnificent.
01:22:49Michael.
01:22:50Just put it away.
01:22:52You can stop this.
01:22:54I could.
01:22:56But I won't.
01:22:57I've come too far.
01:22:59And so have you.
01:23:01You've got to be strong right now.
01:23:03You're so close.
01:23:04We're not pissed.
01:23:06We can't.
01:23:08What about our child, huh?
01:23:10What about my book?
01:23:12I can take it all away, Michael.
01:23:15Your book.
01:23:17All your success.
01:23:19But I can take away your perfect little innocent child.
01:23:22No.
01:23:24No, he lies.
01:23:25He can't create life, only destroy it.
01:23:29I'm gonna end this once and for all, okay?
01:23:31For both of us.
01:23:33Casey, just walk away.
01:23:35I want you to see this.
01:23:37The child in you is from God.
01:23:38It's not from him.
01:24:07I'm sorry.
01:24:11I'm sorry.
01:24:12What do you believe?
01:24:24What do you believe?
01:24:25What do you believe?
01:24:31What do you believe?
01:24:35What do you believe?
01:24:39You're missing out here.
01:24:40There he is.
01:24:41Mr. New York Times bestseller.
01:24:44Hi, Barry.
01:24:44You're gorgeous.
01:24:45You know what?
01:24:46I'm glad you're here.
01:24:47You're going to want to hear this, too.
01:24:48How was the meeting?
01:24:50Meetings, Michael.
01:24:51Multiple meetings.
01:24:52Okay, meetings.
01:24:53Which means multiple offers.
01:24:56So?
01:24:57It's a bidding war for the movie rights.
01:24:59People on all sides of me, bloodbath, okay?
01:25:02I'm covered in blood, but you know what?
01:25:04I don't mind because you know what it means?
01:25:06It means big money for you, Michael.
01:25:09Big fucking money.
01:25:10Big money for all of us.
01:25:11You mean?
01:25:12Mr. and Mrs. Palmer?
01:25:13We're going to Hollywood, baby!
01:25:16I'll send you all the details tonight.
01:25:18Don't worry about that shit.
01:25:19But for right now, as your agent,
01:25:20I'm ordering you to pop that goddamn champagne
01:25:24and celebrate with that beautiful wife of yours.
01:25:26Okay?
01:25:27Thanks, Mary.
01:25:28Catch you guys later.
01:25:33It's my turn to look after Dakota.
01:25:35Stay in my clothes.
01:25:39Shh, be there.
01:25:43Shh.
01:25:45Shh.
01:25:49Shh.
01:25:52Shh.
01:25:54Shh.
01:27:25I'm going to Texas
01:27:27I'm bending a spoon
01:27:32I'm going to Texas
01:27:41I'm going to Texas
01:27:47I'm going to Houston
01:27:50She'll meet me there
01:27:52I'm going to Houston
01:27:54Forget all my cares
01:27:59I'm going to Texas
01:28:08I'm going to Texas
01:28:39I'm going to Texas
01:28:46I'm going to Texas
01:28:51I'm going to Texas
01:29:11I'm going to Texas
01:29:11I'm going to Texas
01:29:11I'm going to Texas
01:29:11I'm going to Texas
01:29:12I'm going to Texas
01:29:12I'm going to Texas

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