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Sometimes, a single moment of cinematic brilliance can be found in the most unexpected of films. We're counting down the movie scenes that completely caught audiences off guard, from shocking horror to profound emotional depth.
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00:00Generally speaking, a great movie moment will be accompanied by other great movie moments,
00:06because it's rare for a filmmaker to strike gold in just a single sequence,
00:10all while the rest of the film is just sort of… there.
00:14Y'know, it's just… there.
00:17But there are absolutely times where a movie stumbles upon a single nugget of cinematic
00:22gold among all the other detritus, and sure as hell wants you to know about it.
00:28If you're watching WhatCulture and Heroid Movie Moments, that came out of nowhere.
00:33Murphy Gets Taken Apart
00:35Robocop 2014
00:382014's Robocop remake was largely dismissed by critics and fans of Paul Verhoeven's 1987
00:43masterpiece because it just felt like a toothless rehash that lacked the satirical bite of its
00:49predecessor while heavily toning down the violence, as per its restrictive PG-13 rating.
00:55And yeah, the fact that this happened like twice in the space of a single year,
00:59with Verhoeven's Total Recall also getting the remake treatment is beyond me.
01:04But there is a single scene that actually builds on the existential terror of the original concept,
01:11when the newly rebuilt Alex Murphy, here played by Joel Kinnaman,
01:15wakes up in the lab of Robocop creator Dr. Dennett Norton, played by Gary Oldman.
01:21Murphy's robotic chassis is promptly disassembled right in front of him,
01:25revealing that his only original body parts which survived the car bombing are his head,
01:30lungs, heart and hand. As you can probably understand, Murphy is incredibly disturbed
01:36by this revelation, and to make it even more unsettling for the audience to sit through,
01:41his organs are on full display throughout. Between all of this and Murphy's request for
01:46euthanasia being swiftly denied by Norton, the scene hammers home the viscerally horrifying
01:51nature of Murphy's resurrection, arguably even more effectively than Verhoeven's original.
01:56Arguably, the emphasis there is on arguably because the original film is a masterpiece,
02:01and the 2014 one just isn't, but it's a good scene.
02:04Karen opens the Joni Mitchell CD, Love Actually. Generally speaking,
02:09whatever adversity the characters in a Christmas movie go through, there's usually a heartwarming
02:14and uplifting ending. It is Christmas after all. However, there are exceptions to the rule.
02:20The majority of Love Actually's intertwining stories have this kind of happy conclusion,
02:25but not all of them. Chiwetel Ejiofor's Peter has his wife and best friend fall in love behind his back,
02:31while Emma Thompson's Karen finds out that her husband, played by Alan Rickman,
02:35has been cheating on her. It is the latter that is the worst of these, as the movie shows the
02:40exact moment she finds out the truth. Earlier, when Karen finds the expensive gold necklace Harry
02:45bought in his pocket, she naturally believes it's her Christmas present. When the big day comes and
02:51she opens her gift though, he has given her a Joni Mitchell CD. The incredibly expensive necklace
02:57obviously went to somebody else. As heartbreaking as that moment was, it's arguably outdone when
03:02Karen confronts her husband, tears streaming down her face. She essentially tells him she is going
03:07to carry on for the kids' sakes, even knowing that her life would be a little bit worse,
03:12before greeting her children with the biggest smile after their nativity play. It's a happy facade,
03:18and Emma Thompson's performance is so excellent that you can still see the pain hiding behind it.
03:23The eel scene. A cure for wellness. Whenever a film is branded as a psychological horror,
03:28it tends to put an audience on their guard for a disturbing experience. A cure for wellness
03:33deliver just that, and a little more to boot. The main character, Lockhart, is a young executive
03:38who is sent to a wellness center in the Swiss Alps to retrieve his company's CEO. There,
03:44he discovers that the center isn't quite what it seems, and becomes entangled in the unpleasant
03:48machinations of Dr. Heinrich Vollmer. Although the movie's tone is suitably creepy throughout,
03:54it takes a sharp veer into disturbing territory where Lockhart discovers the true nature of the
03:58center, medical experiments regarding eels that live in the local aquifer. Jason Isaacs delivers a
04:04brilliant monologue as he straps Lockhart to a device which enables him to pump eels directly into
04:09the young man's body, an act which produces a life-giving essence that he uses to maintain an
04:14unnaturally long lifespan, and it's enough to make almost anyone recoil in horror.
04:19The split-screen tracking shot. The Green Hornet.
04:23Remember when Hollywood tried to make the Green Hornet a thing again, but with Seth Rogen in the
04:28lead? I do, and, um, yeah, let's just say that, um, attempts were made. Despite the occasional
04:35highlight performance-wise, the film came and went in a flash and was swiftly forgotten, largely because
04:42it watered down the personality of the source material into a generically glossy, early 2010s action
04:48film, which means lots of irreverent comedy and kick-ass adjacent malarkey. There is one scene,
04:55though, which is anything but generically glossy, and that's a mesmerizing mid-film sequence where
05:01villain Benjamin Chudnowski, a wasted Christoph Waltz, instructs his network of goons to hunt down
05:08the Green Hornet. The scene begins as a tracking shot following one henchman talking to several
05:13associates, but as they walk their separate ways, the screen suddenly starts dividing into boxes as
05:19it continues tracking each character, and splits into further boxes as more and more goons are
05:24introduced. The seamlessness with which these tracking shots are split apart is absolutely
05:29mind-boggling from a technical perspective, and so it's a little surprise that it proved quite the
05:34challenge for the film's VFX team. If you somehow manage to remember literally anything else about
05:40the Green Hornet, well, give yourself and your tack sharp memory a firm pat on the back.
05:45I'm trying to- there you go. Well done. That's kind of more of a head pat, but you deserve
05:51it.
05:51Raleigh commits suicide, would you rather? As something of a stark contrast to Love Actually,
05:57Would You Rather is a grim movie from start to finish. Shepard Lambric, a man with too much money and
06:02absolutely no regard for the lives of others, brings eight strangers to his house for a
06:07demented game of Would You Rather. Each player naturally had their own reasons for playing,
06:12even after the truly horrific nature of the game was established. One of the opening tasks,
06:16for example, saw a recovering alcoholic drink a bottle of scotch for $50,000. Such was the kind of
06:23money at stake. Brittany Snow's Iris played the game to earn money for her brother, Raleigh. More
06:28specifically, she played to earn money to cover his leukemia treatment, and if she won,
06:32Lambric promised to use his influence to find a bone marrow donor. In spite of having to eat meat
06:38as a vegetarian, being submerged underwater for two minutes while the players around her died,
06:43Iris persevered with her brother in mind and ultimately won the game. Hooray. After shooting
06:49Lucas dead, she was the only survivor. However, when Iris got home at the end of the movie,
06:54the weight of her brother's condition and the feeling of being a burden had gotten the better
06:58of him, he had committed suicide. Not only had Iris lost her brother, she had gone through an
07:04excruciatingly painful experience in which she had to kill people and was essentially tortured
07:09all for nothing. Yikes. Giving birth, Bird Box. Bird Box is a brilliantly disturbing movie on its
07:16premise alone, where the world is overrun by unseen entities that cause anyone who looks at them to
07:21commit intensely violent acts towards themselves and others. From the opening scene, we see Mallory
07:26with two young children attempting to survive the apocalypse while navigating the outside world
07:31blindfolded. Most of the story is explained through flashbacks, and we soon learn that the
07:35children were born after the entities appeared, as the following scene depicts a pregnant Mallory
07:40being checked over by a doctor shortly before the entities appear. Mallory soon befriends a group
07:45of other survivors, and together they remain safe in a large house. She meets another pregnant woman,
07:50Olympia, and the two soon go into labor together. Upon hearing the cries of the two newborn children,
07:55one of the newer additions to their group reveals himself to be, well, completely insane and exposes the
08:00occupants of the house to the entity. For a sickening moment it seems as though he will succeed in
08:06killing the infants, and it's only then that we realize just how abruptly this situation has developed
08:10and how upsetting it truly is. That line, you know the one. Spy Kids 2, The Island of Lost Dreams.
08:19Love it or hate it, and honestly I think you may need to question your life choices if you have
08:25the
08:25energy to hate Spy Kids. Spy Kids 2, The Island of Lost Dreams is hardly a movie anyone expects to
08:31get deep, even with that banger title. It is a Robert Rodriguez joint after all, and we love the guy,
08:37but he mainly just focuses on doing fun stuff than anything particularly thought provoking.
08:42And yet, the spy comedy sequel comes swinging wildly out of left field with a brilliant cameo from Steve
08:48Buscemi as mad scientist Romero, who lets out a real noodle baker of a one liner so poetic
08:54you probably assume it was paraphrasing one of history's great philosophers.
08:59Romero asks the kids, quote,
09:01Do you think God stays in heaven because he too lives in fear of what he's created here on earth?
09:07It's just beautiful. A bafflingly thought provoking line for a family friendly action comedy,
09:13let alone spy kids of all things. I don't think viewers might spend the next few minutes of the movie
09:19thinking about it than the actual plot itself, which, um, I can't remember, really? There's monsters?
09:24And there's evil spy kids who aren't evil, but they're kind of a rival?
09:28And oh, also, hilariously, the quote often gets passed around online without any attribution,
09:34only for folks to be left completely shocked when they find out where it really came from.
09:38Cinema
09:40Ray's Death The Princess and the Frog
09:42The Princess and the Frog is one of the finest movies in Disney Animation's long history,
09:47with the music, the setting, and the characters all being outstanding, the latter even down to the
09:53tiniest firefly. From the moment he enters the film, Ray is an utter joy. Ray's a welcoming,
09:59happy bug who just has a knack for putting smiles on faces. Even when Anika Noni Rose's Tiana snaps at
10:04him
10:05and tells him his beloved Evangeline is a star a million miles away, and not a firefly for him to
10:10fall in love with, he forgives her instantly despite being hurt. It's easy to see then why
10:15his death was so damn upsetting. Firstly, Ray didn't deserve to die. He just wanted Tiana and
10:21Bruno Campos' Naveen to be happy together, even though he'd only known them for a short time,
10:26and trying to help them got him killed. Secondly, this is a Disney film, the good guys aren't supposed
10:31to die. It's impossible not to well up when Ray finally succumbs to injury thanks to Keith David's
10:37Doctor Facilier, but when he is reincarnated as a star and gets to spend eternity next to his
10:42beloved Evangeline? There's no stopping those tears, baby! What do you think's the saddest
10:47animation moment of all time? You let me know in the comment section down below.
10:51Baby in the Bathroom, Kingsman, The Secret Service. Kingsman is a recent example of how action and comedy
10:57can go so perfectly hand in hand, and while it's a remarkably entertaining watch, no one was quite
11:02expecting for it to be as disturbing as it was. There are a number of moments that could have been
11:07the focus for this entry, such as the scene where Gazelle slices Lancelot in half or the church
11:12massacre are particularly viable candidates, but possibly the most disturbing moment comes towards
11:17the film's climax, where Valentine's plan to turn the human race against one another begins to come
11:22to fruition. Realising the danger, Eggsy calls his mum to instruct her to lock her infant daughter
11:27in the bathroom and throw away the key. Confused, she does as he asks, and then the signal is triggered
11:33which sends the entire human race into a violent rage. While Eggsy fights to save the world, we watch
11:38helplessly as his mother picks up a cleaver and starts to hack away at the bathroom door with the
11:42intention of killing her young daughter, who is crying hysterically within. It's uncomfortable viewing,
11:48and it came out of absolutely nowhere, even if it did make perfect sense within the film's plot.
11:53Mickey Rourke's Monologue The Expendables
11:57When action hero team-up movie The Expendables was first announced, audiences quite understandably
12:02assumed it would be a gleefully silly, action-packed B-movie with virtually zero desire to be taken
12:08seriously. And while it is, for the most part, a watchable throwback romp that trains its focus
12:14firmly on the gory action, there is one scene that just comes out of nowhere and sticks out like a
12:21very sore but still much appreciated thumb at the end of the day. Midway through the movie,
12:27Expendables leader Barney Ross, played by Sly Stallone, meets up with his good bud Tool,
12:33played by Mickey Rourke, where they discuss an old mission they both undertook in Bosnia. Tool
12:38tells an absolutely haunting story where, during a massacre, he saw a woman on a bridge and knew
12:45she was about to jump, but did nothing to help her. Tool is clearly wracked with guilt about this as
12:51he
12:51spills his guts to Barney, and Rourke, who was fresh off an Oscar nomination for the wrestler,
12:56commits to the scene like he's gunning for another nod from the Academy. It's genuinely really quite
13:02brilliant. It's an absolute masterclass from Rourke and the only scene in the movie with any dramatic
13:08meat on it whatsoever, enough that even predominantly negative reviews of the Expendables singled it
13:13out as a clear highlight. To be clear, it doesn't fit the tone of the rest of the movie at
13:19all,
13:19but as a self-contained monologue about guilt and inaction, it's a home run.
13:24Sean and Philip's Heart to Heart, Sean of the Dead
13:26Egg the Wright's Cornetto trilogy made up of Sean of the Dead, Hot Fuzz and The World's End,
13:32earned its popularity for its comedy and wacky off-the-wall premises such as Zombies,
13:37murderous cults trying to win a village contest, and aliens taking over the world.
13:42However, all three movies are peppered with emotional moments too, one of the best being
13:46a conversation between Simon Pegg's Sean and Bill Nighy's Philip in Sean of the Dead,
13:51both heartwarming and heartbreaking at the same time. Throughout the film,
13:55Sean moans about his mum's partner Philip a lot. He's never liked him, and he's constantly
14:00telling people that he is not his actual dad. After Philip gets bitten and Sean and co are heading to
14:05the Winchester for safety, to the backdrop of Ed trying his best to hit as many zombies with the
14:10car as possible, Philip has a heart-to-heart with his stepson. It's genuinely emotional as he tells
14:15Sean that he has always loved him and only ever wanted what was best for him, which was to grow
14:20up strong with someone to look up to. Brings a tear to your eye, man. He quietly passes away as
14:25Sean cries for both Philip and the relationship they could have had, before soon attacking the rest
14:30of the people in the car, as the normality of the film's tone is quickly restored.
14:34The Boat Ride – Willy Wonka and the Chocolate Factory
14:37Willy Wonka and the Chocolate Factory is one of the most well-loved children movies ever made.
14:42Seeing impoverished Charlie Bucket win the opportunity to see the inside of Willy Wonka's
14:47Chocolate Factory, generations of us have watched in pure joy and wonder as the eccentric chocolatier
14:52reveals his candy land with its river of chocolate. And then comes the first mishap. Augustus Gloop,
14:59the obese German child, falls prey to his gluttony and is carried away by the Chocolate River. Wonka
15:04takes them on a lovely boat ride along the river and through a tunnel. Then, we were transfixed by
15:09the surreal acid trip scene that ensued. With Wonka reciting a poem in increasingly hysterical tones,
15:15flashes of worms crawling on an apparent corpse and a tarantula in the background all set to a
15:20dizzying array of flashing lights, this one totally came out of left field in more ways than one.
15:26The Guggenheim Shootout – The International
15:29But Ewan, I hear you say. What is The International? Well, it's a perfectly watchable and yet entirely
15:36forgettable action thriller that's actually rather light on the action for the most part.
15:41The bulk of the movie settles for brief bursts of violence while mostly focusing on its rather
15:46ho-hum conspiracy thriller plot, but then director Tom Tyquor serves up an absolute
15:52banger of an action set piece at the end of the second act. The scene, a gloriously well staged and
15:58chaotic shootout at New York's Guggenheim Museum, makes the absolute most of the Guggenheim's distinctive
16:04architectural design to ensure it sticks in your brain. But it's ultimately the only scene in the
16:10film just about anyone remembers over 15 years after The International's release. It's such a bombastic and
16:17well crafted sequence that it feels at the climax of the movie, but the story in fact carries on for
16:23another half hour or so, ending on a decidedly more pared down and less memorable note.
16:29Considering how frustratingly mannered and middle of the road the rest of the movie is,
16:34this insane action sequence feels totally at odds with the whole Enterprise, but maybe it's worth checking
16:40out for it just on its own. The scene is so good in fact that it just kind of sticks
16:45out like a sore
16:46thumb. I can't say I endorse watching The International, but for that one scene, hey,
16:51you might find it worth a rental. Bing Bong sacrifices himself inside out.
16:56Disney Pixar has, for almost 30 years, perfected a balance between family-friendly storytelling
17:02and the kind of emotional moments that could genuinely traumatise you.
17:06Neither the death of Arlo's father in The Good Dinosaur, Wally finally recognising Eve,
17:11nor the opening minutes of Up would be out of place on this list. However, it's hard to look past
17:16one moment in particular from inside out. Oh, you know the one. The entire premise deals with
17:22different emotions and how it's okay to feel different things. But who could have seen something
17:26quite so soul-destroying coming? As Amy Poehler's joy and Phyllis Smith's sadness were running around
17:32Riley's mind, trying to get back to HQ with her core memories, they ran into
17:36Richard Kind's Bing Bong, Riley's imaginary friend from when she was a kid. Of course,
17:41Bing Bong loved Riley and wanted what was best for her, which in one instance in the movie meant his
17:46own sacrifice. Bing Bong and Joy were stuck where memories eventually fade, and their song-powered
17:52rocket ship wasn't powerful enough to carry them both to safety. As they began to ascend out of the
17:57chasm, unbeknownst to Joy, Bing Bong jumped off to allow her to survive on her own. He knew he would
18:02be
18:02forgotten, but he made the sacrifice so that Joy could save Riley. Who knew that seeing an
18:07imaginary friend fade away into a forgotten memory could be so damn devastating?
18:12The Elevator Drive
18:152011's Drive is an unorthodox movie in many, many ways. For a start, its main character remains
18:20completely nameless, instead only referred to as Kid or Driver, even in the credits. Ryan Gosling is
18:27excellent in his portrayal of the driver, suitably enigmatic and oozing charisma as he becomes
18:32entangled in a bungled heist and attempts to evade the mafia. Drive is sleek and cool and for the most
18:37part understated, while that is until the elevator scene. On the run from the mobsters who are after
18:43the stolen cash that he has found himself in possession of, the driver and his neighbour get
18:47inside an elevator only to discover that a hitman has been sent to kill them and is waiting inside.
18:52Drawing Irene closer, the driver engages her in a passionate kiss, then quickly disarms the man
18:57and stomps him to death. While Drive has already displayed its fair share of violent action,
19:03this scene is disturbing in its intimacy, its brutality and its finality. One minute,
19:08three people are just sharing an elevator, and the next, one of them is dead, with boot
19:12prints on the bloody pulp that was his skull just moments before.
19:15The death of Gorr's daughter, Thor Love and Thunder
19:18Taika Waititi introduced himself to the Marvel Cinematic Universe with the universally beloved
19:23Thor Ragnarok. And though there were moments of quiet emotion and poignancy, Ragnarok was a comedy
19:29movie through and through. With Waititi's return for Thor Love and Thunder, the silliness factor was
19:34turned up more than a few notches, unfortunately to the movie's detriment. However, right out of the
19:39gate was a moment of pure sadness that brought forth floods of tears before the god of thunder even
19:44showed his face. The main villain of the film was Gorr the God Butcher, played by Christian Bale,
19:50called so because he swore to kill every living god. This was because of how he was treated by
19:55the gods he found after his daughter had passed away, when Gorr prayed for their help but was
20:00merely laughed at and mocked. The scene itself was truly heart-wrenching, as Gorr and his daughter
20:06struggled through the desert with no shelter from the blistering heat of the sun. Unable to continue,
20:11the poor girl went to sleep curled up with her father and never woke up. The scene immediately
20:16cut to Gorr hugging her grave in a moment that no one could have been ready for,
20:20even those who knew of the character's origins from the comics.
20:23Farewell to Leslie – Bridge to Terabithia
20:25Another family movie that threw in a scene possibly intended to scar children for life,
20:30Bridge to Terabithia is a fantasy drama about two young neighbours and their budding friendship.
20:35Both outcasts in their own respects, Jesse and Leslie create their own magical hideaway in the woods,
20:40a kingdom named Terabithia. There they spend their time exploring and imagining their adventures,
20:45and each of them learns how to deal with the difficulties they face in real life.
20:49One day, Jesse gets a phone call from his teacher, who offers him a one-on-one museum trip.
20:54Perhaps a little suspect, but that's not the disturbing part, and Jesse gladly accepts,
20:59despite having plans to play with Leslie. He returns and is told that Leslie drowned in a creek in the
21:04woods. What ensues is an absolutely heartbreaking, emotional journey of a young boy as he attempts to
21:09deal with the grief of losing his only friend and his guilt for not having been there. It's hard to
21:15watch, and even harder to understand who thought that this would be a good story to tell children.
21:20Caretaker's Murder – The Longest Yard
21:22Recent years have seen Adam Sandler show off his acting chops with the likes of Hustle and uncut gems,
21:28in a way far removed from his typical comedic styling. However, this was something he already did
21:33way back in 2005 with The Longest Yard, in which he played Paul Crew, an incarcerated former NFL
21:39quarterback forced to put together a team of convicts to play the prison guards in a pre-season
21:44warm-up game. It's a fun movie, and Sandler puts in a strong performance, but undoubtedly the
21:50heart and soul of both the film and the team Crew put together was Chris Rock's caretaker.
21:55No one particularly liked Paul Crew, thanks to his history of cheating in the NFL,
21:59and so the likeability factor came solely down to Caretaker. He was universally loved,
22:05which is why his death was such a hard pill to swallow. It was Crew himself who was targeted by
22:09an inmate spy of the wardens, but he was Caretaker who wandered into the wrong cell at the wrong
22:14time and was killed by a radio rigged with explosives. Not only did his murder come out of
22:19nowhere, it couldn't have happened to someone less deserving. The Bug Scene – King Kong
22:24The story of King Kong is one that everyone is familiar with, at least the part where the giant
22:29ape climbs the Empire State Building and swats around at the aircraft. 2005's King Kong was an
22:34excellent retelling of that old classic, with an impressive cast and a well-written story.
22:39After reaching Skull Island, the expeditions soon encounter the native tribe, who plan on
22:43sacrificing leading Lady Anne to Kong. Then they encounter several dinosaurs, and finally,
22:48after falling into a ravine, a ton of insects. But these aren't just your average mosquitoes,
22:53though. These are huge dog-sized grasshopper-type beasts, intent on swarming the humans. While the
22:59crew do their best to fight off the horde of giant bugs, colossal leeches appear and begin eating crew
23:04members whole, and then, just to top the scene off, an enormous claw appears from a crack in the cliff
23:10and snatches a grown man away into the dark. While the Skull Island scenes of King Kong mostly played
23:15out like a horror movie, this scene arrived without warning and had her skin crawling before we even knew
23:20what was going on. It is grim." Dominic's body is found, The Banshees of Inner Sharon.
23:25The Banshees of Inner Sharon was one of the most well-received movies of 2022,
23:29and rightly received four Oscar nominations in the acting categories.
23:33Colin Farrell, Brendan Gleeson and Kerry Condon were all outstanding for Martin McDonagh,
23:38but it was Barry Keoghan who gave arguably the best performance of his entire career.
23:42Even in a film as bleak as this one, his Dominic was a truly tragic character. He was beaten by
23:48his
23:48father. He was let down by Padraic, the closest thing he had to a strong male role model, and
23:53he was knocked back by Siobhan when he professed his love for her. This scene itself was tough to watch.
23:58Though she let him down as gently as she could, Dominic saw his dreams dashed,
24:03and this was the last that was seen of him on screen alive. All that was mentioned of him after
24:07was in Padraic's letter to his sister, in which he says they found the young man's body in the lake.
24:12It is a big ol' gut punch, only made worse by the realisation that Padraic's assumption that he
24:17slipped and fell isn't as likely as him jumping in the fallout of his talk with Siobhan.
24:22Jojo discovers his mother, Jojo Rabbit. While he may be widely regarded for his eccentric style
24:27and unique, often silly humour, Taika Waititi manages to appear on this list yet again.
24:33This time it's not a villain swearing revenge on the gods of the world, but instead a small boy
24:38in Nazi Germany. If you look at Jojo Rabbit as a comedy about Jojo himself, a member of the Hitler
24:44youth whose imaginary friend is Adolf Hitler, played by Waititi, it's bordering on ridiculous,
24:49really. However, if you look at it as a story about a German woman, Scarlett Johansson's Rosie
24:53Betzler, risking her life to give a Jewish girl sanctuary in Nazi Germany, it becomes a lot more
24:59serious. There is a good balance between these two tones throughout, but that doesn't stop one of the
25:04most harrowing images in recent cinematic memory from coming completely out of the blue.
25:08As Jojo is innocently walking through the town square, distracted by a butterfly, he suddenly,
25:14and without any warning whatsoever, comes across his mother hanging. The image of her shoes dangling
25:19at his head height, with her child tying her laces as she had shown him, and grasping at his mother's
25:25legs, is seared into the mind of anyone who has seen it. It was some properly devastating stuff this,
25:30and I am still not over it.
25:32AVERAGE
25:32A
25:32A