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Warning: major spoilers ahead! Join us as we count down the most brutal deaths that take place in a film's final scene! Our countdown includes the shocking finale of "The Mist," the anxiety-soaked ending of "Uncut Gems," Tony Montana's last stand in "Scarface," Logan's heartbreaking sacrifice, and more! Which of these devastating final deaths hit you the hardest? Let us know in the comments!
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00:00Welcome to WatchMojo, and today we're counting down our picks for the most brutal deaths that took place in a
00:05film's final scene.
00:06Expect major spoilers for every entry on this list.
00:09Because I envy your normal life.
00:11Put the gun down, baby.
00:11It seems that envy is my sin.
00:13Oh, what's in the box?
00:16Number 20. Stephanie and Charles Reyes. Final Destination Bloodlines.
00:21From the very first entry in the franchise, the Final Destination movies have been known for their brutal and often
00:27creative death scenes.
00:28That film proved that even if you cheat death, you are never truly safe, in a twist ending killing a
00:33character previously deemed safe.
00:36I told you you were next. Then it just skipped me. So who's next?
00:42The sixth entry similarly ends with siblings Stephanie and Charles thinking they have managed to escape death's design.
00:48Just as they realize they aren't safe at all, a Chekhov's gun in the form of a penny causes a
00:53train to derail.
00:54It careens towards them, obliterating a neighborhood in the process.
01:10Just as the pair believe they have escaped, logs fly free from the wreckage, crushing both, calling back one of
01:16the franchise's most iconic moments.
01:19Number 19. Amleth. The Northmen.
01:22Robert Eggers' film, based on an ancient Danish legend, keeps the brutality and bloodiness of the Viking tale of revenge,
01:28on which it is based.
01:37The death and destruction come to a head at the end of the film, when Prince Amleth meets his uncle,
01:42Fionne, for a final battle at a volcanic crater appropriately nicknamed the Gates of Hell.
01:47The pair arrive nude, each carrying nothing but a sword, shield, and the rage they feel.
01:53They spar, crisscrossing the lava-spewing landscape and acting savage violence on each other, emitting sounds of pure hatred while
02:00attempting to strike the killing blow.
02:02Finally, Amleth decapitates Fionne, but as he does, he's fatally stabbed through the chest.
02:08Dying as a warrior, he's taken to the Gates of Valhalla.
02:11We are safe.
02:21Now make your passage.
02:24Number 18. David Kessler. An American Werewolf in London.
02:29Darkly hilarious, this horror comedy proves how close laughter and terror can be.
02:33Despite warnings from the specter of his decomposing friend Jack, David ignores the idea that he is a werewolf who
02:39will slaughter all he comes across during a full moon.
02:42I'm a werewolf.
02:45A werewolf?
02:51Are you alright now?
02:53I don't know, I'll let you know the next full moon.
02:55In the film's final sequence, David, turned into a merciless killing machine, terrorizes the streets of London.
03:02Cornered by the police in an alley, for a brief moment, we think there may be hope when David's love
03:06interest, Alice, arrives.
03:08Despite her declaration of love, the beast lunges at her and is quickly gunned down.
03:14Please.
03:17Please let me help you.
03:24I love you, David.
03:25As Alice cries, David's now human body lays naked, and a smash cut to the credits starts with the cheekily
03:31upbeat song, Blue Moon.
03:33Number 17. Everyone. The Cabin in the Woods.
03:37A clever deconstruction of the slasher subgenre, Cabin in the Woods sees its protagonists plagued by trope movie monsters sent
03:43by an unseen group with unclear motivations.
03:46This we offer in humility and fear, for the blessed peace of your eternal slumber, as it ever was.
03:55As it ever was.
03:56The stereotypical last girl and stoner, Dana and Marty, unexpectedly survive, making their way into the organization's underground base.
04:03Reaching an ancient temple, they learn the truth.
04:06Their ritualistic sacrifice was meant to appease angry ancient gods.
04:10To prevent humanity being wiped out, Dana must kill Marty.
04:14The whole world, Marty?
04:15Is in your hands, Dana.
04:18For a moment, it seems like she will.
04:20But ultimately, the pair decide that a world built on sacrifice isn't really worth saving.
04:24The walls crumble around them, as the last shot of the film shows a vengeful deity's hand breaking through the
04:30surface of the earth.
04:31Number 16. Mr. Orange and Mr. White.
04:35Reservoir Dogs.
04:35After a diamond heist goes wrong, undercover cop Mr. Orange lays on the ground bleeding out as the rest of
04:41the crew arrives.
04:42The heist organizer, Joe, deduces Orange was the traitor, pointing his gun at the young man, leading to Orange's friend
04:49and mentor, Mr. White, to draw on Joe.
04:51Joe, you're making a terrible mistake I'm not going to let you make.
04:55Come on, guys.
04:56Nobody wants this.
04:57Joe's son Eddie then draws on White, and all three are locked in a tight Mexican standoff.
05:02Bullets fly, killing Joe and Eddie, and severely injuring White.
05:05As the older man cradles his friend's head, and the police are heard outside, Orange admits the truth.
05:11White lets out a wail of despair, pointing a gun at Orange's head.
05:15The cops burst in, and White shoots Orange, before being gunned down himself seconds later.
05:20Don't do it!
05:21Drop the gun, man!
05:22Don't drop the gun!
05:23Number 15. Rex.
05:25The Vanishing.
05:26After his girlfriend Saskia goes missing, Rex becomes more and more obsessed with uncovering her fate.
05:32I want to know what happened to my friend.
05:39After years of searching, alienating himself from those that still care about him,
05:43he finally comes face to face with her abductor, who offers a sinister choice.
05:47If Rex wants to know the truth about Saskia, he will have to experience it himself.
05:51Ultimately, his need to know the truth gets the better of him,
05:54and he drinks the laced coffee the kidnapper provided him.
05:57Rex wakes in a wooden box, buried underground, learning the horrific truth,
06:02but only by dying just as she did.
06:07Chillingly, the man behind it all goes back to his idyllic family life in the last shot of the film.
06:13Number 14. Diane Selwyn.
06:15Mulholland Drive.
06:16In true David Lynch style, Mulholland Drive has one of the most bizarre, disturbing,
06:21and open-to-interpretation endings of any film out there.
06:23Are you sure you want this?
06:31More than anything in this world.
06:33The dreamlike scene begins with an elderly couple from earlier in the film
06:37chasing Diane through her home as strobing lights flash.
06:40Diane's screams of terror, along with the eerie squirt from Angela Badalamenti,
06:44feels almost maddening.
06:46Both are quickly silenced as Diane grabs a gun and ends her own life,
06:50her body in the spot where a rotting corpse was previously seen.
06:53The abrupt violent end is surreal,
06:55and leaves viewers with a sense of whiplash as they exit the theater.
07:05Was what transpired a dream, a memory, some alternate reality,
07:10or something else altogether?
07:12Number 13. The Wild Bunch.
07:14The Wild Bunch.
07:15Shocking for the time in terms of its depictions of violence
07:18and the barbarous nature of its main characters,
07:21The Wild Bunch shocked audiences when it was released in 1969.
07:39This came to a head in the bloody climax of the film,
07:42where the titular gang of outlaws were drawn into a massive gunfight with the Mexican army.
07:46Beginning with one of their members' throats being slashed,
07:49in the ensuing bloodbath, dozens were gunned downed,
07:52some by a machine gun, or even blown up with dynamite.
07:55In the battle, all of the gang were killed,
07:57ultimately unable to adapt to a changing world,
08:00going out in a storm of bullets they knew they would never survive,
08:03making one final stand.
08:04Ain't like it used to be, but, uh, it'll do.
08:09Number 12. Paul Conroy.
08:11Buried.
08:12Set during the Iraq War,
08:14Buried takes place entirely in a coffin buried underground,
08:17featuring a single actor, Ryan Reynolds, on screen during its runtime.
08:20How did you end up in the coffin, sir?
08:22I was put here.
08:23In the coffin.
08:24Yes.
08:25Please.
08:26Help.
08:26Reynolds plays a truck driver.
08:28Paul, captured by terrorists,
08:30attempting to guide his would-be saviors to his location,
08:33despite not knowing that location himself.
08:35Just as all hope seems lost,
08:37the coffin filling with sand,
08:38and Paul quickly running out of air,
08:40Paul receives a call.
08:41Help is on the way.
08:42Paul's saviors frantically dig,
08:44but something is wrong.
08:45They are at the wrong spot.
08:47It is in his coffin,
08:48and the last shot of the film
08:50sees the box fill like the bottom of an hourglass,
08:52forever sealing his fate.
08:54I'm so sorry, Paul.
08:56What is it?
08:56I'm sorry.
08:57What is it?
08:58It's Mark White.
09:00He brought us to Mark White.
09:03I'm sorry.
09:06I'm sorry.
09:07Number 11.
09:08Elizabeth Sparkle.
09:09The Substance.
09:11Once a Hollywood celebrity
09:12with her own star on the Walk of Fame,
09:14Elizabeth Sparkle's time in the sun has long passed.
09:17It's then that she discovers the substance,
09:19allowing her to create a young alter ego,
09:21Sue,
09:22with disastrous side effects.
09:23I'll see you next week.
09:28And in the meantime,
09:31take care of yourself.
09:33After a series of body horror antics,
09:35where the original Elizabeth is killed,
09:37Sue creates a second alter ego,
09:39a horrible hybrid monstrosity.
09:41Dubbed Monstro Elisa Sue,
09:43the pulsating hunchback of flesh
09:45contains both Sue and Elizabeth's faces.
09:47Things don't go well for Elisa Sue,
09:49who eventually explodes
09:50into a disgusting mass of blood and guts.
09:53The hung containing Elizabeth's face
09:55inches along Hollywood Boulevard,
09:56eventually finding her cracked star.
09:59What about you?
10:03You're irreplaceable!
10:08Smiling as she imagines her adoring fans,
10:10she melts into goo,
10:12before being swept away.
10:14Number 10.
10:15Paul Boehmer.
10:16All Quiet on the Western Front.
10:17Based on the classic novel,
10:19All Quiet on the Western Front
10:20is a harrowing tale of World War I,
10:22with the once idyllic young German man,
10:24Paul,
10:25witnessing atrocities
10:26and his friends' deaths.
10:27What are you waiting for,
10:28the trees?
10:30What are you waiting for?
10:31What are you waiting for?
10:32What are you waiting for?
10:33What are you waiting for?
10:34After years of bloodshed,
10:36an end is finally in sight,
10:37as a treaty to bring about
10:38the war's end is signed,
10:39going into effect
10:40at 11 in the morning.
10:41The world has one more cruel twist
10:43for Paul, however.
10:44A bitter German commander
10:45orders one last offensive
10:47to take place at 1045.
10:49In one last charge,
10:50Paul and his countrymen,
10:51whose lives are barely
10:52an afterthought
10:53for their superiors,
10:54rush in.
10:55With mere seconds left
10:56before the clock strikes 11,
10:58Paul is stabbed,
10:59succumbing to death
10:59as the world declares peace.
11:13Number 9.
11:14John Doe and Tracy Mills.
11:167.
11:17The young and optimistic
11:18David Mills
11:18is partnered with
11:19William Somerset
11:20when a sadistic killer
11:21begins committing
11:22horrific murders
11:23in accordance with
11:23each of the seven deadly sins.
11:26Honestly,
11:27have you ever seen
11:28anything like this?
11:32No.
11:33With two sins still
11:34unaccounted for,
11:35the murderer,
11:36only known as John Doe,
11:37reveals himself,
11:39leading them outside the city,
11:40promising to unveil
11:41the fates of wrath and envy.
11:43There,
11:44Doe reveals he was envy,
11:45as he desired Mills' life,
11:47and a box containing his wife,
11:49Tracy's head,
11:50is delivered.
11:51Devastated,
11:51Mills threatens to kill Doe,
11:53making him the embodiment of wrath
11:54and fulfilling Doe's plan.
11:56Become vengeance, David.
11:58Ah, she's alright,
11:59you tell me.
11:59Become wrath.
12:02Somerset begs him
12:03not to give Doe what he wants,
12:04but Mills,
12:05overcome by rage,
12:06shoots the murderer,
12:07ending the movie
12:08on an incredibly bleak note.
12:10Number 8.
12:11Tony Montana.
12:13Scarface.
12:14The end of this crime epic
12:15sees its protagonist
12:16surrounded by an army of enemies
12:18as he's on coke.
12:19Devoted to make one final stand,
12:21Tony Montana,
12:22played by Al Pacino
12:23at his scene-chewing best,
12:25begins to dispatch the assailants
12:26invading his mansion.
12:27Pulling out his rocket launcher,
12:29he speaks the now iconic line,
12:31Say hello to my little friend!
12:35Firing an explosive round.
12:37Coated in blood,
12:38both from himself
12:39and his attackers,
12:40he continues to stand,
12:41hurling insults at his foes.
12:43In his drug-fueled rage,
12:44he fails to notice
12:45an assassin creep up behind him.
12:47A shotgun blast
12:48at point-blank range
12:49ends his life,
12:50and his body tumbles
12:51over the edge,
12:52falling face-first
12:53into his decadent pull.
12:59Tony Montana might have coined
13:01one of the most
13:01hardcore movie quotes
13:02of all time,
13:03but where does he stand
13:04amongst Al Pacino's canon
13:05of incredible characters?
13:06Let's watch some of our
13:07biggest Pacino fans
13:08battle it out,
13:09Simply the Best style.
13:11It's not personal, Sonny.
13:13It's strictly business.
13:16Hello, and welcome
13:17to Simply the Best,
13:18the show where we debate
13:19the pop culture subjects
13:20we're most passionate about,
13:21but you choose the winner.
13:22I'm your moderator,
13:23Rebecca Brayton.
13:24Today's topic,
13:25most iconic Al Pacino character.
13:28Our debaters are
13:29Matt D on team Tony Montana
13:31versus Tori on team Frank Serpico
13:33versus Matt G on team Michael Corleone.
13:36Each debater will make their case,
13:38and then we'll leave
13:39the decision to you.
13:40So now I welcome our speakers
13:42into the arena.
13:43We flipped a coin,
13:44which Matt D has won,
13:46and he has chosen to speak first.
13:48So Matt,
13:48your 30 seconds starts now.
13:50Okay, Rebecca,
13:51this is the Al Pacino character
13:52that completely escapes
13:54the movie
13:54and became a pop culture language.
13:59Okay, in Scarface,
14:01Tony goes from Cuban immigrant
14:03to Miami kingpin,
14:05and Al Pacino's performance
14:07makes it unforgettable
14:08every step of the way.
14:11The suits,
14:12the accent,
14:13the lifestyle,
14:14the excess,
14:15the paranoia,
14:16the explosions,
14:17the literal ones as well.
14:19Listen,
14:20this is a character
14:21that if you've never seen the movie,
14:23you know who it is.
14:24He's merchandise,
14:25he's memes,
14:27he's a Halloween costume.
14:29The world
14:30is his.
14:31Say hello to my little friend!
14:37You want to play with us?
14:38Okay!
14:40Tori,
14:40tell us all about Frank Serpico.
14:42Listen,
14:43Michael Corleone,
14:44Tony Montana,
14:45of course,
14:45these are some of the most
14:46well-known characters
14:47in film history,
14:48but it's one thing
14:49to play an iconic fictional villain
14:51and another to depict
14:53a real-life hero.
14:54As Frank Serpico,
14:55Al Pacino gives us
14:56intensity with integrity.
14:58Through his performance,
14:59we connect with the true story
15:01of Serpico's fight
15:02against police corruption,
15:04which is as relevant now
15:05as it was in the 60s and 70s.
15:07But as a character,
15:08Pacino's Serpico is unforgettable.
15:10Even if you've never seen Serpico,
15:12just like Scarface,
15:13you can picture Pacino
15:14with the long hair,
15:15the scruffy beard,
15:16and the hat.
15:17Am I biased?
15:18Maybe.
15:19But I'm a Serpico,
15:20so that means
15:21I'm being honest.
15:23You know what they say,
15:24don't you?
15:26No, what did they say?
15:28If you love a man's garden,
15:30you gotta love the man.
15:32We love Nepo babies.
15:34Matt, tell us all about
15:35Michael Corleone.
15:36Are you related to Michael Corleone?
15:38I am not, unfortunately.
15:40Good to know.
15:42Sure, Michael Corleone
15:43gets three movies
15:44to cover his rise and fall
15:45in organized crime,
15:46but Pacino's commitment
15:48to the role is so phenomenal
15:49that Michael's journey
15:50would be just as impactful
15:52even if it happened in one movie.
15:54Thanks to his performance,
15:55Pacino defines our understanding
15:57of antiheroes
15:58as we watch Michael begin
15:59as a promising war hero
16:00whose idealism
16:01is slowly chipped away
16:03until he has no choice
16:04but to get involved
16:05in the family business.
16:06Along the way,
16:07Pacino brings his signature gravitas
16:09without letting any big swings
16:11affect the little nuances
16:12of his performance.
16:13He makes Michael someone
16:14you grow to hate
16:15even though you feel sorry for him,
16:17and that's what you'd want
16:18from one of the most iconic
16:19movie characters of all time.
16:22Just when I thought I was out,
16:24they pull me back in.
16:27Let us know in the comments
16:28who your favorite
16:29Al Pacino character is.
16:30Now, let's get back into the list.
16:33Number 7.
16:34Ben.
16:34Night of the Living Dead.
16:36George Romero has largely
16:37been credited with popularizing
16:39the tropes that would come
16:39to define zombie films
16:41in this independent film,
16:42and a bleak ending
16:43was no exception.
16:44The cellar's the safest place.
16:46I'm telling you,
16:47they can't get in here.
16:48Following a group of survivors
16:49hunkering down in a farmhouse,
16:51the group is slowly picked off
16:52by the undead one by one.
16:54Finally,
16:55only one survivor remains,
16:56the stoic Ben,
16:57who escapes the ghouls
16:58by taking shelter in the cellar.
17:00Finally,
17:01an armed group arrives,
17:02taking out zombies,
17:04and Ben emerges seemingly saved.
17:06Rather than being his savior,
17:07however,
17:08the group is his undoing,
17:09mistaking him for a ghoul
17:10and shooting him dead.
17:12Good shot.
17:13Okay,
17:14he's dead.
17:14Let's go get him.
17:15That's another one for the fire.
17:17It's a sudden and cruel end
17:18for the one person
17:19that made it through.
17:21Number 6.
17:21Logan.
17:22Logan.
17:23Drawing inspiration
17:24from the comic
17:25Old Man Logan,
17:26as well as the classic
17:27Western film Shane,
17:29Logan followed a jaded
17:30and bitter Wolverine
17:31in a bleak future.
17:32But we took you in.
17:35I gave you a family.
17:38They're gone now.
17:39Logan.
17:42Logan.
17:45But it's you too.
17:46Over the course of the film,
17:48however,
17:48he begins to rediscover
17:49his humanity
17:50by protecting a group
17:51of young mutants,
17:52including his daughter,
17:53Laura.
17:54With his healing factor
17:55essentially gone,
17:56Logan defends the kids
17:57in a final confrontation
17:58where he is brutalized
18:00by his own clone
18:01and skewered
18:01by a tree branch.
18:03The scene serves
18:04as a perfect send-off
18:05to a character
18:05played by Hugh Jackman
18:06for almost two decades,
18:08passing the torch
18:09to the next generation.
18:10Seeing the formerly
18:11unkillable character
18:12cut to shreds
18:13and dying
18:13as Laura gives a eulogy
18:15is tragic
18:16yet moving.
18:17A man has to read
18:18what he is,
18:19Joey.
18:21Can't break them all.
18:26There's no living
18:27with the killing.
18:29There's no going back.
18:32Number five.
18:33Sergeant Neil Howey.
18:34The Wicker Man.
18:35Devout Christian
18:36police officer
18:37Howey becomes troubled
18:38when investigating
18:39the disappearance
18:40of a young girl
18:41in a remote pagan community
18:42in this folk horror classic.
18:43That's not May's daughter though.
18:49No, she's not May's.
18:51Then who is she?
18:52Seemingly a human sacrifice
18:54meant to bring back
18:55their crops,
18:56Howey appears to save
18:57the girl near the end
18:57of the film.
18:58In a cruel twist however,
19:00it's revealed that
19:00Howey was always
19:01the intended sacrifice
19:02and the villagers
19:03place him
19:04in a gigantic Wicker Man.
19:05The villagers sing
19:06a folk song
19:07and Howey recites a hymn
19:08as they burn him alive.
19:09It's brutal ending
19:10critiquing religious extremism.
19:13The Lord's my shepherd
19:17I'm not one
19:19He makes me down
19:25His howls of anguish
19:27along with the cries
19:28of the animals
19:29being sacrificed
19:29are even made
19:30all the more disturbing
19:31as the people outside
19:33joyously revel in song.
19:35Number four.
19:36Howard Ratner
19:37Uncut Gems
19:38One of the most
19:39anxiety-inducing movies
19:40ever made.
19:41Uncut Gems
19:42follows jeweler
19:42and gambler
19:43Howard Ratner
19:44as he makes
19:45one bad decision
19:45after another.
19:46I made a crazy risk
19:48a gamble
19:49and it's about
19:50to pay off.
19:51Getting deeper
19:51and deeper in debt
19:52to his loan shark
19:53Arno
19:54Howard places
19:55an absurdly large
19:56and unlikely bet
19:56on a basketball game.
19:58When Arno tries
19:59to cancel it
19:59Howard locks him
20:00and his goons
20:01and his goons
20:01in a glass safe
20:02then finally
20:03things start
20:04to turn around
20:04thanks to a stone
20:05Howard lent
20:06to Kevin Garnett.
20:07This is the beauty
20:08of betting
20:08This is the beauty
20:10of betting
20:10you know?
20:11Finally triumphant
20:12a smiling
20:13and laughing
20:13Howard
20:14sets his captives
20:15free.
20:16The movie only
20:16lets the audience
20:17feel jubilation
20:18for a moment
20:18before one of the
20:19goons shoots Howard
20:20the mirrored ceiling
20:21reflecting the bullet
20:22wound in his head.
20:23Number three.
20:24Randall McMurphy
20:25One Flew Over the Cuckoo's Nest
20:27During his time
20:28at a mental institution
20:29Randall McMurphy
20:30forms bonds
20:31with many of the
20:32facility's patients
20:33none more so
20:34than the tall
20:34and seemingly silent
20:36Native American
20:36nicknamed Chief
20:37who he plans to escape with.
20:39Let's get out of here.
20:42Out.
20:48Canada.
20:51Canada.
20:52We won't be there
20:53before these
20:54son of a bitches
20:54know what hit
20:55him.
20:56McMurphy's free-spirited
20:57nature brings joy
20:58into his new
20:59friend's lives
20:59but also puts him
21:00at odds
21:01with the tyrannical
21:02Nurse Ratched
21:02who eventually
21:03has McMurphy
21:04lobotomized.
21:05The last scene
21:06in the movie
21:06sees Chief
21:06finding him in bed
21:08that vibrant
21:08spark of life
21:09literally cut out
21:10of him.
21:11You're coming
21:11with me.
21:19Chief then
21:20commits an act
21:21that's both brutal
21:22but also merciful
21:23smothering his friend
21:24with a pillow.
21:25In the last moments
21:26Chief escapes
21:27taking the adventurous
21:28spirit of McMurphy
21:29with him.
21:30Number 2
21:31Bonnie Parker
21:32and Clyde Barrow
21:33Bonnie and Clyde
21:34Even though the deaths
21:35of real life gangsters
21:36Bonnie and Clyde
21:37were well known
21:38when the movie
21:38was released
21:39their bloody end
21:40was still shocking
21:40to see on the big screen.
21:41glad it's Jane
21:44time to go home now.
21:47Transgressive
21:47in a number of ways
21:48it's likely that
21:49many of the brutal
21:50endings on this list
21:51would not even exist
21:52at all
21:52if it were not
21:52for Bonnie and Clyde
21:53which pushed film violence
21:55far past
21:55what it had been prior.
22:03the scene is a particularly
22:04idyllic roadside stop
22:06quickly interrupted
22:07by the deaths
22:07of its main characters
22:08torn apart by a hill
22:10of bullets coming
22:10from unseen attackers.
22:13Before we continue
22:14be sure to check out
22:15WatchMojo's 24 hour
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22:22Are you not entertained?
22:25Number 1
22:26Billy and the Survivors
22:27The Mist
22:28Played by nightmarish
22:30monsters concealed
22:31by a mysterious mist
22:32a group of survivors
22:33take shelter
22:34in a supermarket.
22:35Everybody just stay put
22:36okay
22:37just stay inside the store.
22:39The Lovecraftian horror
22:40slowly pick them off
22:41and in the end
22:42the group has been
22:42reduced to five.
22:44Among them
22:44is the central character
22:45David
22:46and his son Billy.
22:47Not wanting Billy
22:48and the others
22:49to experience any more pain
22:50David uses his last
22:51four bullets
22:52in an act of mercy.
22:53What truly makes
22:54this seem brutal however
22:55isn't that moment
22:56but what directly follows.
22:58David stumbles
22:59into the mist
23:00expecting to be killed
23:01but a tank emerges
23:02from the fog
23:03followed by a truck
23:04of survivors.
23:05The mist clears
23:06the day is saved
23:07and David screams
23:08in agony
23:09broken by the needless
23:10act he just
23:11committed.
23:20Which did
23:21instead of film's
23:21finale hit you
23:22hardest?
23:23Let us know
23:23in the comments.
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