- 6 minutes ago
শুকুৰবাৰে ৰাজ্যৰ প্ৰতিটো ছবিগৃহতে মুক্তি লাভ কৰিব নতুন অসমীয়া ছবি ‘ডিফলু’ । বৰলুইত প্ৰডাকচন'ৰ বেনাৰত আৰু জেকিবৰ প্ৰযোজনাৰে নিৰ্মিত ছবিখন পৰিচালনা কৰিছে নেকিবে ।
Category
🗞
NewsTranscript
00:00Hello, I am the person who will be known as the 5th grade in the 18th grade.
00:05In October, I will be recognized as the 18th grade school.
00:11Today we will be the first year of 2020.
00:14The second year of 2020 will be the first year of 2020.
00:17We will be the first year of 2020.
00:27Thank you very much.
00:41I will ask you a question.
00:44The defaults are new.
00:46All of you know, the defaults are new.
00:49There are new ones, new ones, new ones, new ones, new ones, new ones.
00:56So, these new ones are new ones, new ones, new ones, new ones.
01:11So, these new ones are new.
01:16So, these new ones are new.
01:29I want to remind you of the new ones.
01:33The new ones are now new.
01:36This new one is seen in the world.
01:45They are now new.
01:46this new one is new.
01:50This new one old one is new.
01:51So, these new ones are new.
01:54For the children, they will see new ones.
01:56I don't know the ones I will see, the ones I will see.
02:01I really like them.
02:01I know the ones I have seen in the world.
02:02what was your question for?
02:04I did work this microfinance company.
02:08This is a great job.
02:09I am just a great job,
02:12because I need a microfinance company,
02:18I give it a great job-in-chief of this business,
02:22and we need to keep the business in business,
02:26It is extremely important to me.
02:28I would like to say that one day our life is important.
02:33I do not know how much the life has been.
02:34I have to say that the financial situation is very important.
02:40It is not a matter of time.
02:41I have been very much laughing and I cannot get the right hand.
02:46I am very hungry when I don't have to live in my family.
02:50I had to go eat in my family.
02:51It has been difficult to do with the health of the city because there is no doubt about health.
02:58Do not have a lot of education, do not have a lot of the education, also do not have a
03:02lot of education,
03:03and I am thinking about the challenges we have to hear about.
03:06Then we have no question during school but not only do not do not have the place.
03:10I am very proud to have this project and be proud to be in this project.
03:23I am very proud to be proud to be here.
03:26What is your opinion about it?
03:28What is Upik Gota?
03:59Is it horrible as well?
04:00Not bad if it was your série, but look after'res in the film,
04:03have to enjoy and enjoy it in four hours.
04:21안녕하세요.
04:23My name is Loraesu, oh my god, my god, my god.
04:28My god, my god, my god.
04:32I love it.
04:33I love it.
04:35It's my god.
04:37I have a TV series which can be a producer.
04:45I'm doing a music video.
04:47And I'm a member of the production manager of Nikib Daevoli production.
04:55He was a production manager of Nikib Daevoli.
04:58So, I don't know if I'm casting a casting.
05:01I don't know if I'm doing that.
05:02So, I'm very happy to be doing that.
05:07I'm doing Nikib Daevoli.
05:09I'm doing well.
05:10I played a lot of the characters before I got into the cinema, so I was very happy to play
05:16it.
05:17Because I got a lot of my films to shoot.
05:21I did a lot of the moments that I played in the cinema, I liked it.
05:28I played a lot of the cinema and I played a lot of the characters.
05:31I played a lot of the actors, I played a lot of the characters.
05:37So I have been published by a lot of YA, but I would like to say that I would like
05:45to acknowledge a lot of cinema.
05:46Do you think it would be more important to your opinion?
05:49Why do you think that's not about it?
05:50Well, that's why everybody thinks of us, I think that's why the feminist is being played.
05:56But so far, like all of these, the most important movies.
06:02I think that many people think of me, but that's why I don't like that.
06:07...
06:07...
06:08...
06:08...
06:09...
06:10and I think it's a good thing.
06:12It's a good thing.
06:13I don't want to say anything.
06:16This is my own way.
06:20I know that it's a good thing.
06:21I think that it's a good thing.
06:23It's a good thing.
06:24It's a good thing.
06:26It's a good thing.
06:28This is a good thing.
06:32I would like to thank you.
06:35Sabi Khunath, Sitra Grhankari, Phumikato, Othi Guruttapurna. Sabi Khunath, aapunni, kennerore aagborai nitshi le, paa bivhinath harnaar ektra challenge ho
06:47fes koirbo laga hoi. Kiko hai prachamnath?
06:50Well, I've been in this area and I've been in the area of the Nekib Dhalapath, and I've been in
07:00the area of Nekib Dhalapath.
07:02I've been in the area of Nekib Dhalapath and is very simple.
07:11It's very simple and very simple.
07:16It's very simple.
07:17So, I had a good friend, and I knew how simple I could do it, and I felt like I
07:23was able to do it.
07:24And in my opinion, it was very important.
07:28My father was in my hands.
07:31So, I didn't know how much I could do it.
07:34So, after that, I was in my hands.
07:37So, this is a memory.
07:39So, my team worked hard.
07:40So, the protection member, the position and the position of the team, I have a lot of
07:47the development of this team.
07:49I have seen that you have seen that you have seen Zubin as well as shooting at Zubin.
07:59You have seen that you have seen a lot of people who have seen a lot of people who have
08:02seen
08:02shooting at Zubin as well.
08:08so I would like to talk about music, but I would like to learn more about the music.
08:14So, when I was told, I was talking about the music,
08:24I didn't say the music, but I didn't know it.
08:31I didn't know it, but the music was very young.
08:34So, what did you say about Zubindar?
08:40Zubindar has a question about how many of you have heard about it.
08:45Because it's a duet, it's a duet.
08:50So, Zubindar has a duet recorded in Zubindar.
09:07So, I don't know how many of you have heard about it.
09:16So, I know that when we were in our cinema, Zubindar is a duet.
09:20I'm not a female singer, so I'm not a duet.
09:23So, I don't know how many of you have heard about it.
09:27I can't approach that, but I can't really enjoy it.
09:31And, in 2020, when we were shooting in Arambha, we were in the film in 2021.
09:36And, in 2021, we had a duet in Gaiatari Hazaruk because of Gaiatari Hazaruk.
09:42In the Zubindar's film, there was a duet in 525,
09:46but in Gaiatari Hazaruk, we got a duet in 2016.
09:48And, in the film in Gaiatari Hazaruk, we have a duet in Gaiatari Hazaruk.
09:52And, Zubindar's film in our dutra.
09:55And, that's a little bit more interesting,
09:56that we have a logo, the logo, the cinema, and the logo.
09:59The logo's name is Jubinder's voice.
10:02We have a logo, so that's what's the voice.
10:05The cinema is very, very easy to make it.
10:09If you're the artist, you'll see that Jubinder's voice is very good.
10:11We have a lot of good good good.
10:14Because if you're the artist, you'll see that cinema is a little bit.
10:18This is our film, so I will be the next film.
10:23So that's what we have done.
10:25Jubinder, why don't you tell me about this?
10:29So, I was a very good actor.
10:33What about casting?
10:37I am a teacher.
10:40I was a teacher.
10:40I was a teacher.
10:43I was a teacher.
10:44I was a teacher.
10:45I was a teacher.
10:48I feel like it's in the direction of the film.
10:50But still, I am still asleep in the cinema.
10:54So, I am comin' with that like.
11:00So, I will do the casting.
11:05I have seen that Ohriannachia will be asleep.
11:08the middle part is asleep.
11:09the Raidu is asleep.
11:11I was studying I have got a medical emergency.
11:15So, it's bad for people to see that.
11:17They have to be bad for people.
11:19They have to be bad for people.
11:21We are trying to do the casting.
11:23And, if we are making those castings,
11:25we don't know how to do this.
11:27We are trying to do the casting.
11:28We have marketplaces,
11:30the majority of the people of Natun,
11:32Rajiv Dwari, Kani Khanath,
11:34Jotishmanbara,
11:35we do the same generation.
11:39Purnu, Mazor, Natun,
11:41and the people of Tukhulpi,
11:42there are many generations.
11:47Sobhi Khonath, Aapuna Surritrohutu-bi khlajih dhe paoli.
11:50Surritrohutu-maai ez oan hickhaak.
11:54Mananai jie
11:56gyanwaroko lukke pohaa bohulu hickha tako e boli bhoot sestha kore.
12:00Sohle bole sestha korej.
12:01Dodhi skool loe na hai, maakok blackmailing kori je apuna application kohan moe likhi ne du.
12:06Dodhi apuna lorak muri skool loe noo pothae.
12:08Ba godhli khe konbaba gyanwar lorakak dhodhi koheje
12:11moito gite Eta calldeo tahdi su tuk Kailhe muri skool lehi bhi.
12:14So this is the process that we have to do with Hikok, Pohok, Ghanok, Agwaijok
12:19and the more character is not the same.
12:23It's not the same thing, it's not the same thing.
12:25It's not the same thing, but it's not the same thing.
12:27Thank you very much.
12:29And this is how you work with these people.
12:33What is it?
12:35How do you work with these people?
12:38How do you work with these people?
12:41How do you work with these people?
12:43What about it?
12:46It's not the same thing.
12:46We worked with the first time in Hikok.
12:50How do you work with the first time in Hikok?
12:51Even in Hikok we had a few days before.
12:55But this one was the only one from the last couple of years.
12:58So this one is the only one from my own.
13:03So this is the only one from the last couple of years.
13:05So we discussed that in Hikokok,
13:20Thank you very much.
13:38I was told that the story was a serial for someone who was a good one.
13:43I was told that this story was a good one.
13:45I was told that the story was a good one for my home.
13:49So, he asked me what to explain to me.
13:51On this one, he would be made out of the lead character in my family.
13:56He would say that he was just a jail.
13:58He would say that I was a serial.
14:02Who would say that I was a serial, drugs,
14:06I don't know if you have drugs, you will pull the police and you get to go.
14:09That's what I was doing.
14:10I could still shoot for 1-2 days in cinema.
14:15I was watching this movie,
14:17and if I was watching this movie, I'd be watching this movie,
14:20so I'm watching this movie for 25-25 episodes.
14:23I have seen this movie with RISE.
14:24I don't want to see it in the movie,
14:25but I've never seen the movie in cinema.
14:29I've never seen this movie,
14:33but I've never seen this movie.
14:36I can't do the stars, but I feel like you are brave.
14:40And we present in shooting and homage.
14:42How long did you play with your director?
14:46Why did the director work look like this?
14:50Director of the work was a good season and the situation was noteworthy.
14:55And it was somehow advanced.
14:59Because it was like a beautiful relationship,
15:02So it was really different.
15:04So to me I felt like I'm punctual,
15:08I feel like I'm a little bit,
15:10But what do we do when the film does notaribe.
15:13I don't know what that means,
15:15but I don't feel like I'm a person.
15:16So I would have done cinema and parecer it's a cost-opener.
15:21So I feel like the cycle takes a lot,
15:24I feel like the water is low
15:24I feel like the cycle is low.
15:27So we have something that I feel like I need a battery,
15:29but we're not able to drive the vehicle.
15:31I don't think it's like that.
15:32So, I was told that I dont want to make aدة down.
15:36I was told that there was a lot of problems in the area, but I felt there was chaos.
15:42I had no idea.
15:46They have to think that something was bad.
15:51I was told that they would be so sick to have done everything on their own.
16:00and we were there a lot of people who were very busy
16:05and we were going to get to the police and we were coming to the police
16:08and we were going to guide us
16:11and we were going to be back to the police, who were going to get to the police?
16:16Yes, you were in the police, have you been in the police?
16:22How did you get to the police?
16:22Yes, I know that shooting, I was in the police,
16:27and the police, they said,
16:31I would like to thank you for supporting us.
16:37This year, in August, we have been talking about this year.
16:41We have been talking about this year.
16:45This year is October.
16:48But we have seen this year.
16:51It's not seen, it's in our own hands.
16:55But we haven't had a lot of time.
16:59We've caused many problems.
17:03And we've had some problems you've been getting all the time,
17:05but people have never had a lot of time.
17:11What do you want us to answer?
17:13We have written a lot of comments about how many people have developed a gap in the U.S.
17:22But this is a problem. It's a problem. It's been a problem in 2012.
17:27Our U.S. has become a problem in the U.S.
17:30The problem is that our U.S. has become a problem in the U.S.
17:35It's been a problem. It's been a problem in the U.S.
17:37so our work is full of problems.
17:41So from the time to time, there are gaps in this gap.
17:45After that, there are gaps in the gap.
17:48So, we have 9 months in the gap.
17:50So, in the next month, there are already lines.
17:54But if we have time to time, there are gaps in the gap.
17:56So, the purpose is to the producer and the other people.
18:03Because, sometimes, there is a lot of people involved in the director, actor, or finance, producer.
18:09Sometimes, there is a lot of people who are involved in the film, and they will be released.
18:19So, we don't have to worry about it.
18:23We don't have to worry about it.
18:26I mean, it's not that much of a lot of cinema, but it's not that much of a lot of
18:32cinema.
18:32It's a lot of work, and it's a lot of work.
18:37So, that's what I wanted to say.
18:40The first thing I thought was that the last thing was a lot of work.
18:45Yes, because there is a problem with the financials and financials, so it is very difficult for us to think
18:54about it.
18:56There is a problem with this problem.
19:00It is very difficult for us to think about it.
19:06But what can we do with this problem?
19:09What is the difference?
19:10The difference between the difference between the city and city halls
19:14There are many bands in cinema
19:18But there is no hall
19:21Then there are these halls
19:22These halls are not like this
19:25These halls, people, and the society
19:26These halls are the same
19:27So, there are 74 halls
19:31The maximum of 7 hall
19:35And there is a minimum of 7 halls
19:37And the maximum of 7 halls
19:39We are in the same room.
19:41The problem is that single screen is in the hall.
19:45There are many halls.
19:47It's multiple halls.
19:49But our audience is not in the same room.
19:51All the audience is in the same room as the single screen.
19:55This single screen is in the same room.
19:59Every single screen is in the same room.
20:00The second inch is in the same room.
20:04Most of the same cinematic is in the same room as the same.
20:07But there is a lot of fun in Rungyar Hall.
20:09We are very proud of the people who are in the community.
20:16But we have to deal with this and we have to deal with it.
20:20Do you have to ask the audience about the audience outside?
20:25Yes, I can't answer the audience.
20:30And the reason is that I have a little bit more of a lot of people that I have to
20:36write to the people of Delhi, the Pune, the Bangalore
20:38So that is why I have to write this, so that's why it's important
20:44So what is your concern about the people of the world?
20:47What do you think about this?
20:49We've been talking about the people of the country
20:54Today I've been talking about the people of the Bangalore and Delhi
20:58And our production is absolutely in the digital world
21:01I have been the only ones in the past, I have made a movie
21:04I have been the only one to be able to watch the movie
21:06But we have to take the movies
21:08and there are only I can watch the movies
21:11all the days of this movie
21:13not to be in time
21:16We have to see that's a very deep movie
21:18We cannot even have our own films
21:20These films are the same
21:22and the whole looks are the same
21:26I will see the stories from the film and I will see the stories.
21:31It's the story of the world and the stories from the film,
21:37So it will relate to the stories from what the stories are related to the film and the stories of
21:45the film.
21:47How much of you is doing the film, what is your question?
21:52What is your question?
21:53If you have seen the cinema, I don't think I am doing cinema.
21:58So, if you have seen the first film, I will see the first film.
22:04If you have seen the first film, I will see the film as well.
22:10What is your question?
22:13I am very interested in the film.
22:16This is our support, and we will be able to support our cinema.
22:22Thank you, Dr. Hoag.
22:24The default is a very difficult cinema.
22:26We know that we have our own films,
22:30but we know that we have our own films.
22:31We know that we have our own films.
22:35We know that this cinema is our own films.
22:37We know that we have our own films.
22:40That's right.
22:41I am Dr. Hoag.
22:43I am Dr. Hoag.
22:44You can see this film,
22:45as in October.
22:46We will be able to support our silent film,
22:50and remain silent in the commentator.
22:54This film is a great reminder for today's video.