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NewsTranscript
00:00In shooting, he doesn't do it like a couple of times.
00:04He doesn't do it like a couple of times.
00:05He's doing it like a couple of times.
00:08He doesn't do it like a couple of times.
00:15But he's doing it like an awesome job.
00:20After the interview, he's done it like an interview.
00:24He has some time to do it.
00:29I am a strong person, Sarajeevar.
00:34I am a strong person.
00:36We will have a good and good and bad.
00:38Next question.
00:40Sir, now you are at the peak of your time.
00:45Now you are at the peak of your time.
00:47Now you are at the peak of Nagarjuna.
00:49You are at the peak of Balakishnika.
00:53You are at the peak of your time.
00:54Actually, K-Wassu is a real person.
00:59I am practicing your time.
01:03What is your time as you are?
01:04Gotta be a child, what's happens, we are a child.
01:10So, when you show up at the peak of your time,
01:14you are not a child.
01:15Because of the peak of your time,
01:17you are as a child.
01:18I am not being a child,
01:18I am a child.
01:18I am winning the first of all.
01:20I am a student that has been a group of people.
01:31So, I am a student who is a group.
01:34He is a director.
01:37I am a student and I am a student.
01:40I am a student who is a student.
01:42So, I am a student who is a student.
01:45I am a student who is a student.
02:13I love my village because of this.
02:15I love my village.
02:17I love my village in Indian finance.
02:23Okay, okay.
02:25Okay.
02:25So, when I stop by the country, I get stuck using my drink for the staff.
02:32So, I got stuck.
02:33Okay.
02:34I'll just tell you where I am at.
02:37Nivas, that's how I was going to talk about Sankirth.
02:41This is a great show.
02:43After all, there was a big picture of the song,
02:48Bagudu Kavali, Kattasubara.
02:51I told you about that,
02:53Bagudu Kavali, Manchaliyan or Indian cinema,
02:56there was a group location,
02:59and there was a group location,
03:01and there was a group in Rallalong,
03:02and there was a group of people.
03:03So, they can't cancel.
03:06Because, when I was introduced to that cinema, they would have a titles, so they would have started.
03:17Do you have any experience of the star and the star?
03:21Yes, there is a hotel there, in the Supriya Hotel, in the front of the Pondy Bazar.
03:27He said that he's an educated person. He was a visitor.
03:36He said he is not a guy. He is not a guy.
03:40poi comes a guy in Tamil.
03:42He was a hero in Tamil.
03:44Suthakara was a hero.
03:46He was a hero in London.
03:48Rajendra Prasad, he was a man.
03:51He was a man.
03:52He was a man.
03:52He was a man.
03:53He was a man.
03:56He was a man.
03:57He was a man.
04:02He was a man.
04:03He was a man.
04:04He was a man.
04:06He was a man.
04:09He was a man.
04:10He was a man.
04:14He was a man.
04:17He was a man.
04:23He was a hero.
04:28Chamanadudhi Vashadhevarav.
04:30Mahmouda Shankar.
04:30It was an award-winning film of Minnanansi and Bengali director.
04:34His stint was Gautam Ghosh.
04:38He was not in the first film of Minnanansi.
04:41He was a family of Thalanggan.
04:45He was a director of Trangul.
04:50The second film of Minnanansi was a little Marxism, a little leftism.
04:54The second film of Minnanansi was a very important film.
04:59He was a very important film of Minnanansi,
05:01but he was a very important film of his life.
05:07He was a director of Gautam Ghosh.
05:12He was a very committed film of this film.
05:16He was an student like Bharat Jyankar, Vedukumar and Rudra Slther.
05:20They have the group that was& percent.
05:23His son very自 Are Syed
05:41Yes, but I think that's what I've been doing here.
05:47It's a feudalistic mentality.
05:52It's a feudalist mentality.
05:54It's an artist.
06:00You know this generation.
06:03You know what I'm talking about.
06:05You know what I'm talking about.
06:08I was able to do this on YouTube.
06:10I was able to tell you about the first time.
06:14Kautam Ghosh, Apanasin, Brahanasin, Sachijitrai.
06:19I was able to tell you about the latest.
06:22Rithuparana Ghosh.
06:23When you tell us about the names of the people in the Institute,
06:27they are also aware of it.
06:29This is not a must for the Institute.
06:31Now, I have to tell you about the truth.
06:33if you would like to see these characters,
06:37or if you would like to hear them,
06:38or if you would like to hear them,
06:40you would like to hear them.
06:41So you would like to hear the voice of this character,
06:44so you would like to hear it.
06:46How do you hear it?
06:47You're the first person who has heard it.
06:48This is the film of Kamalasan in the film.
06:52Then, Sujata, Kamalasan.
06:54As for Jaisotha, Kamalasan,
06:57Sarad Babu,
06:58he is the one who has heard it.
07:05If you have a dance program, you can do a dance program.
07:10If you do dance, you can do it.
07:15You can do it.
07:17You can do it.
07:19You can do it.
07:22You can do it.
07:23You can do it.
07:24You can do it.
07:25He is a great man.
07:32He is a real star maker in India.
07:36After Raj Kapoor.
07:38You can do it.
07:39You can do it.
07:40You can do it in India.
07:42You can do it.
07:44You can do it.
07:47I will be doing it in the same day.
07:54No, sir.
07:55You can do it here.
07:57You can do it.
08:01So, that is how Charanji was crafted and made.
08:07become you are a part of the business.
08:10It is called Tracer.
08:18Now there is a group.
08:21Here is a group.
08:23Here is a group.
08:24Here is a group.
08:26Where is it?
08:29NTR, Krishna, and the world period.
08:32It's a time and time and time.
08:33Krishna is a farm and a peak.
08:35He is also a film.
08:38He is a film.
08:40He is a film.
08:41He is a film.
08:42He is a film.
08:44He is a film.
08:47The fact and design are not that.
08:51If you look at the film,
08:52there is a film.
08:54The film is a film.
08:56If you look at the film,
08:57you will see the film.
09:00I had experience in Al-Samaal, in Madras, in Shrizaan Center, complex and multiplex, in Shrizaan Center.
09:10Shri-Dev is a film called Velakolam.
09:16Kodan Ramarad, Chadan Jeevi, Thani Hero and the other combination of a film.
09:20She was a production film.
09:22She was a production film.
09:23She was a production film.
09:25She was a shooting film.
09:33That was the first time.
09:36It was complex and she was in a road.
09:41She was shooting.
09:44She was shooting.
09:45She was shooting the map.
09:47And she was shooting.
09:49She was shooting.
09:50I was shooting a duck in the river.
09:55She was shooting on her.
09:56She was shooting.
09:56She was shooting.
09:59I was watching it.
10:01I was watching my video.
10:04I was watching it.
10:08I didn't know the video.
10:10I did not do anything with it.
10:13I was like, no, I don't think so.
10:17But I don't think I was told.
10:20I don't know.
10:23You have to say, I don't know what to do.
10:25I don't know what to do.
10:25It's my first time.
10:28I just think I have to say something wrong.
10:30I think I will.
10:31There was a lot of other artists.
10:35I was thinking about getting prank on me.
10:38I thought well, I would say,
10:40I was thinking about it.
10:40I was like, I was like, I was like, oh, I am going to get this.
10:43He's like, the producer is Sridevi?
10:45Sridevi.
10:46The director is like, the director,
10:48who is the director.
10:49All of them are the individual of Kavelson.
10:53In other people.
10:54The commercial producer is a director.
10:58That's why he was working with you.
11:12There is no dispute, there is no discussion.
11:24All the team are doing it for himself.
11:27All the tire is about it so he can do it work.
11:29I think the fact that he is weird and there are people,
11:35the gouache and the lusts you are.
11:40So, how do you feel?
11:41That's why we just saw the son of stuntman.
11:44I used to sing a song at Ghetto in the theatre.
11:51I got a record of the theatre thinking and transferred to work.
11:52Every shooting place was canceled in the city.
11:58Then there was a Diagrettegar.
12:02Then there was a guy named Vijayagad.
12:09Vijayagad was called Alambayivar.
12:11He was a Diagrettegar.
12:13He was called a German.
12:18He was called an electrician.
12:21He was called a German.
12:24He was called an iron geyser.
12:26Then everyone closed.
12:28It was a Diagrettegar.
12:31So, he said that the business was done.
12:38He was the same.
12:40He was the same.
12:40But he was the same.
12:41He was the same person's новый year.
12:45That kind of guy killed you.
12:47There are always kidding.
12:47Look at that inside罪.
13:11That's not your truth.
13:11But for many years, who are the two years?
13:14Where are you planning to make a case?
13:16Yes, I agree.
13:18I tell people that are already here.
13:22They are running under the roof.
13:25They are running under the roof.
13:27They are all there.
13:29They are in the roof, and they are running under the roof.
13:33It is never there.
13:35That's why they have to talk about the roof.
13:37They are running under the roof.
13:39And when you do not go those people and you don't go to your hotel, you're going to go to
13:42camp.
13:43If you do not go there for the first time, there are no dominions.
13:46You're going to go to camp.
13:51You can have to go if you don't go somewhere.
13:52You say, if you do not try anything you can follow.
13:55So we did not give our 17th year,
13:59but they did not give us anything.
14:03So if you want us to I'm going to give 10th month,
14:35He is a great person, he is a great person.
14:38With the example of the great personality of that is another great person.
14:42One of them is that they can talk to other people.
14:46And they are aware of what they do.
14:48So they are part of the parallel,
14:51but they get there.
14:53Now when they come from at the last age,
14:54they have a lot of work at the table.
15:01There is a lot of effort. Basically, it is a lot of effort.
15:10Now, do you see anything in this area?
15:13There is a lot of effort.
15:15I have a separate room for two rooms.
15:22So, I will do it.
15:26So, I will do it.
15:28So, after the 7th of the day, I will go to the 30th of the day.
15:32Now, I will try this.
15:37There is a group.
15:38There is a group of people.
15:38There is a group of people who have their name.
15:40There are no groups.
15:43There is no groups of people.
15:45I would say, maybe you can't go to the school.
15:49I will be able to go to the school.
15:51I will be able to go to the school.
15:54There is an attempt to go to the school.
15:56Okay.
15:57So what happened?
15:58At all, it was a little bit hard at all.
16:00Yeah, a little bit West from last year.
16:03But it was great to be even if you reached the mountain and, what happened?
16:06Okay, that's correct.
16:11So, when you say that you年ed of a mountain, you know,
16:14we are able to experience it as a mountain.
16:15We can also experience it as a mountain.
16:17That is the essayer of a mountain.
16:20And then we get to the chat about this.
16:23What I said is that I was on the road in the VVG road.
16:28There was a portion of that house.
16:31A beautiful house.
16:32I was in the house and there was a beautiful house.
16:35There was a room.
16:37That's why I was talking about it.
16:41I was thinking about it.
16:43I was thinking about it.
16:43I was thinking about it in London.
16:47His wife is in office and then he's out here.
16:50We'll ask him about the question.
16:52He'll ask him about the question.
16:53I'm doing the question for this.
16:58He's learning this.
17:02My brother is teaching me about this.
17:05I'm learning how to teach you about the next cinema.
17:10I'm learning how to teach you about the next cinema.
17:11I'm learning how to teach you about it.
17:14I felt the same.
17:16So we got our book.
17:18We don't have any other producers.
17:21We don't have any other producers yet.
17:22We don't have any producers yet.
17:24We don't have any other producers yet.
17:26I was also a friend.
17:32I was a makeup man for that,
17:33I was a guy with that.
17:36I was a guy with that.
17:37I was a producer.
17:41I was a producer of both of them.
17:42There is also a great director, a great director, a great director, a great director, a great director, an artistic
17:57director.
17:58I started learning the journey.
18:03I was not a college.
18:06I was not a kid.
18:07I was not a kid.
18:09I was a kid.
18:10I was a kid.
18:11I was a kid.
18:16I was not a kid.
18:18I was a kid.
18:20There was a kid.
18:24A kid and I was a kid named Pramila.
18:28He was a kid.
18:29A kid is related to his family or a kid.
18:31Right?
18:31He was there.
18:32He was a kid and he got a kid.
18:35He was a kid and he got to be one kid.
18:41He got a kid.
18:42I was busy when I was there.
18:50I was busy at that time.
19:12or a student.
19:15We did a picture of our lives.
19:17They came and came and came.
19:19And they came and came.
19:20They came from London and were they came.
19:23If you came, I came and came and came.
19:29So, what if we come and came here?
19:35We don't have to go.
19:38Look how cool I am.
19:47He is making it. He is making it. He is making it.
19:54Even when we are here in this project.
19:57He is making it as a place.
20:00This is the beginning.
20:01I said he is doing this in the complex.
20:03He is telling me how to do this.
20:07He is doing this right now?
20:08He knows he is a big star, but he is a big star.
20:20He is such a beautiful film, and you are such a big star.
20:30No.
20:32He was a producer.
20:35He is a producer and got lots of tops.
20:38So he invited me to make a film.
20:39He was at a show, and had a workout.
20:44He became a producer and had a kick-off.
20:48After that, at the stage, the theater required this.
20:52The film was amazing.
20:52Then I thought he didn't get it too much.
20:56He has a Award in the film.
20:57He also got ID code in Swainkurish.
21:01Sir, now in that time,
21:04Bigger Than Bacchan had the same sensation in the magazine.
21:11What did you do?
21:12Bigger Than Bacchan had the same sensation in the magazine.
21:19I don't know.
21:20I have to do the same thing.
21:24That's it.
21:26You are waiting for the same time?
21:28Yes, you are waiting for the same time.
21:29I didn't have to do the same thing.
21:30No one got the same time.
21:33He came to the same time.
21:34Bigger Than Bacchan had the same age as a commercial.
21:40So, his name is Minchinayiro.
21:42He was a very angry young man.
21:46His name is Aangry Young Man.
21:49He used the same whole thing.
21:51It used to be Bollywood.
21:54Finchett Raviraj is the first hit of the film,
21:57and he is the first hit of Gondarraja.
22:00The remake of Raviraj is the first hit of Raviraj.
22:09Raviraj is the first hit of Raviraj.
22:13But he is the first hit of Raviraj.
22:17He is the first hit of Raviraj.
22:19He is the first hit.
22:22He has been a three-year-old.
22:25He has also been a friend.
22:28I am a decent.
22:29He said he is the first hit of Raviraj.
22:31I think he didn't mean to be here in the Gowa festival,
22:36he is the first hit of Manol at the festival.
22:38Manol, he is the first hit of his race.
22:42He is the first hit of Mahatma.
22:46That was got Shandharpul Mahatma.
22:48So, if you don't have any other people, you can have a lot of people in the community.
22:57You can't understand that.
22:59Do you have any balance or anything else?
23:01Yes, but it is very important.
23:04If you look at the cinema, you have a lot of people.
23:07You have a lot of people.
23:08Yes, yes.
23:10If you look at it, then you have a lot of depth and depth, then you have a decline.
23:14I didn't know anything about it. I was a friend of mine, and I was a friend of mine.
23:23Then, I saw Munch Cinema.
23:27After that, I saw the power of Chiranjeeva.
23:30I saw the power of Chiranjeeva.
23:33I saw the commercial cinema.
23:40That's the best classic example.
23:43It was a small, cheap film, average cinema.
23:51It's a poetic t-shirt.
23:52It's where we got to go.
23:56There's no cinema at all.
23:58There's no TV.
24:00There's a lot of TV.
24:02There's a lot of TV on TV.
24:07There's a lot of TV.
24:09I'm still going to get the film to get the film.
24:13Do you have any related to this movie?
24:18I mean he was a very young girl.
24:22He was also a romantic hero.
24:24So he had a little crack.
24:26He was a father, and he was a father.
24:28So he was a father.
24:35He was a little crack.
24:36He said he was a director.
24:40He said he'd be an actor.
24:41He said he'd be an actor.
24:45I would say that he would be an actor.
24:47He'd never have given the episode 8.
24:51They could have given him a character.
24:53No, no.
24:53Sir, there's a lot of love stories.
24:56There's such a lot of blackbodies.
24:57I think my mother is very handsome.
25:00She's a mother who's in jazz.
25:02She used to be a girl.
25:05She used to be very beautiful.
25:08She was very beautiful.
25:09He was in front of us and he was in front of us.
25:11I was in front of her friend.
25:12She was in front of us.
25:13She was in front of us.
25:14She was in front of us.
25:28That's why you're a rebel, you're a silent rebel.
25:35That's why you're trying to strike.
25:38I've been told a lot about it.
25:39You're trying to strike.
25:42Deccan Chronicle.
25:44You're trying to fight.
25:49You're trying to fight.
25:51You're trying to fight.
25:53You're trying to fight.
25:55You're trying to fight.
25:59To be honest, they're struggling.
26:00You're like a big star.
26:03It was an observer to them.
26:06When you just have a publication,
26:09we came in the book show.
26:14It was a controversy on the paper.
26:16When I was looking at the report,
26:18it did a review.
26:20Is it a wheel?
26:22Deccan Chronicle.
26:23You are a Deccan Chronicle.
26:24Who is the Deccan Chronicle?
26:26Abba, Sothegaren.
26:28Sothegaren.
26:29Did you see that?
26:29Yes, he was pictures.
26:33You could see that.
26:35Did he see it.
26:36He was the same.
26:36He was the same.
26:38He was the same.
26:39He was the same.
26:40He was the same.
26:40So he was the same.
26:45That's right.
26:46But, this is not great, I am not a fan of my paper.
26:53No, I am not a fan of my paper.
26:56A fan of my paper is not a fan of my paper, but I am not a fan of my
27:05paper.
27:05That is a fan of my paper.
27:09If there is a fan of stills in the film,
27:11He was able to get a photograph in his function.
27:16He was surprised.
27:18He was able to attack him as much as he attacked him.
27:26He was able to attack him as well.
27:29He was able to attack him as well.
27:45Because he did not do anything, he did not do anything.
27:49He did not do anything, he did not do nothing.
27:52Like there to be a fan following and then he did not do anything.
27:55When the boss gets there, he would ask that.
27:56so much.
27:59And it was better than anything.
28:00That would be different.
28:02Because of it.
28:02There is a lot of cinema,
28:03such stories,
28:04or other,
28:04that was in the home.
28:08I don't think.
28:09But that was spread.
28:11Yes, the character used it as a real person.
28:15It used to be a serious experience of it.
28:17I did not think of that.
28:18In the majority of other people,
28:21it should have been made of bad images.
28:24They also have some questions, but they ask them to have questions?
28:26Definitely.
28:27They are saying it's not the only way they are going to start it.
28:31Even in order of a matter I never have to read it too.
28:37They are just kind of in terms of things.
28:37If you are speaking to this, I will be able to get excited.
28:40How do you feel?
28:41You are about to come to this place.
28:43Where are you who will have any questions?
28:46We can come to this class.
28:47I will get on the other hand.
28:48That will come to the next is the reaction.
28:50The reaction happens.
28:51Yes, that is the reaction.
28:54Saying that, I was wrong.
28:57My poor, my son.
29:03I am emotional to my baby.
29:07My Maori tried to test it with a revolver.
29:09If I am old, I'll try to get this.
29:13I'm not worried about that.
29:14That is my brother.
29:15Even though that guy is in the wrong place?
29:21They're very good at that.
29:24At 14 million, it's been a village.
29:26Where are we?
29:27It's not a village.
29:29It's not a village.
29:31It's a village.
29:32There's a village.
29:37It's a village.
29:38There's one village.
29:39There's a village.
29:43I know that there's a village in a village.
29:46And based on that village,
29:47you may find it.
29:47Because there you can pay for it.
29:50They have to sell you.
29:52They can buy it.
29:53So, if you have your money, you don't have any money.
29:56That is an option.
30:06If you have your money, you can't pay for it.
30:17He was a very strong communist.
30:22He was a real communist.
30:29He was a very strong communist.
30:33But his father was not the same as the history of his father.
30:36That's why he said that.
30:40He said that he had a lot of money.
30:42He said that 90% of the money.
30:44He said that he had a little point.
30:46He said that he had a system.
30:50He said that he had a lot of money.
30:55He said that he had a lot of money.
31:04I said that one of us is the result of his father.
31:05We can't do that.
31:08When you come to him, He said he had a lot of money.
31:12He had a lot of money.
31:16They knew that he had a lot of money.
31:20He said that he had a lot of money.
31:22He had a lot of money.
31:24He said that he had a lot of money.
31:31They were very good.
31:33But they were very good.
31:35What's your name?
31:38They are very good.
31:41Because of him only.
31:47So, we would have to start with the cards, equations, and the other ones.
31:55He was kind of a .
31:58He was who he was.
32:02He also got to go, I would see him.
32:07He was a pure, legend communist.
32:13He wasn't used to say that exactly.
32:18He did not believe Stalin was a guy.
32:20is the hidden one's natural.
32:26God is the dirhman.
32:28This is all the thinkers.
32:53I am a Christian, but I am proud to be a Hindu.
32:59I am a Christian, but I am a Christian.
33:19When I am a Christian, I am a Christian.
33:26I am a Christian.
33:33I am going to ask the names of the names of the names of the names of the names of
33:38the names.
33:39I am going to ask a question, I am going to ask a question, you know what I am going
33:44to say.
33:47So, this is different different.
33:50It is a dictatorship of democracy.
33:56This is the beautiful democratic the largest country in the world.
33:59It is a democratic country.
34:03I saw a movie called Cockroach called Kichurall, Kichurall, Nightbirds, and a group called Kichurall.
34:18There is a lot of youth unrest, and there is a lot of youth unrest.
34:25The cinema started in the beginning of the year.
34:3010 plus 2 plus 3 is equal to frustration and unemployment.
34:34That's why I was interested in the interview.
34:38I was interested in the interview.
34:42That's why I was interested in cinema.
34:48Because you have been advanced in 30 years.
34:51I was an advanced director in the Indian Times of India.
34:54He was a tough type of director.
34:59Even if you can see that, you can get thehat of it.
35:02We can improve it.
35:05The location is also improved.
35:07The people say how to tell their parents different things.
35:11They say you are a son of a son.
35:14If you take him to him, we will sweep him to his back.
35:18Sir, you could do something about a final meeting.
35:21Who is your next Megastar?
35:24Then you should also have a big star?
35:25There is a lot of people who know about YouTube.
35:31He is a mega director of this film.
35:36What's wrong with Raj Bolli?
35:41He is a normal film and he is a flopper.
35:44He is a great film and he is a great film.
35:47He is a great film and he is a great film.
35:53One of the things we have to do is to get God to which God has been thankful for.
36:02We know that in each of the people who have always been given the institution,
36:08how to do every year and the other.
36:12And our future will be open in the next state and respond to what happens.
36:29But he is very handsome. He is also very handsome.
36:36Why did you getfen?
36:37Yes, good week.
36:38I was looking at the theater, which was theillard of the way and I remember the industry and I got
36:44a lead.
36:46So, I thought, how did I get there?
36:51Then, I really liked the industry as part of the story.
36:51I didn't know about the industry in that story as a teenager.
36:55Then I got a black man on YouTube.
37:00Kari, sir, how did you get it?
37:01He never sees a girl, girl, girl, girl.
37:06He never sees a girl, he never sees a girl.
37:10But that's fair.
37:12When he gets asked for a Oscar, he's a girl.
37:17That's true.
37:19This is also an image of Priyanka.
37:21Who?
37:23M9's story.
37:25So this is a girl.
37:25No, he was in a city, he was in a city and he was in a city.
37:29He was in a city, he was in a city, he was in a city.
37:32He was on Hollywood, Vijay Ahmed, Anand Ahmed, and He was in a city,
37:36tennis players.
37:38One day he was on a city.
37:40Let's talk about the topic.
37:43Now, the mega-star, Aluajun Nadu, Prama Sanadu, Ram Charan Nadu,
37:48NTR, Narum, Aijbaugh.
37:50Next Generation.
37:51They are the best.
37:52Actually, in the second one, a Shaho said that he was a good actor.
38:01Radha Shem.
38:02He did a movie movie.
38:04He said that he was not a good actor.
38:08He was a troll.
38:10Now he said that.
38:13He-Man, he-Man, he-Man, he-Man, he-Man, he-Man.
38:18He said that he was a good actor.
38:19He had to do a cinema in a movie.
38:23If he had three movies, he would be a physical movie.
38:29He would say that he would go to the trailer.
38:35He would say that he would go to the trailer.
38:36He would say that he would go to the trailer.
38:41It was the first trailer.
38:44What kind of trailer is that?
38:47You tell me, it's an avipra.
38:49So that's the reason it's bad.
38:52When it comes to the last trailer, it's a bit about the film.
38:56When it comes to the film, it comes to the film.
39:00It's a great movie.
39:01That's cool.
39:02There were a few films in cinema.
39:05The trailer is not too bad.
39:09Now the trailer is better.
39:10They are very good.
39:12But they don't have to go to the theater.
39:14Yes.
39:15They don't have to go to the theater.
39:17You are the only one in the theater.
39:18I know how to go to the theater.
39:20We do film shows.
39:22You can go to the drivuli, IMAX, major...
39:27They can double conscience.
39:28They can do it.
39:28They can do it.
39:30They can do it.
39:34should not have any language.
39:35As for you, a lot of things are related.
39:38By all means Raj Manly, he's a business man and got him.
39:44That is how he learned which was the familiarity beats the contempt.
39:48If you look at a lot of things, you'll go to the dorm house and love it.
39:51It was the last music.
39:57If you were young, you'd trust me when I was young from God.
40:00It is almost the same age, and now it will be a good day.
40:05You don't understand what the hell is going on.
40:09If someone is告ial killing him, the person thinks he will be in the snow.
40:17How are you?
40:21Sir, the topic is diverting.
40:22No, you are diverting.
40:26The巨大的.
40:27The next megastar is not the same thing, but the next megastar is not the same thing.
40:37In Hindi, there are other IPs, Muslims, and Muslims.
40:43The Indian film industry is not the same thing.
40:49Yes, so we have to go with double song.
40:53However, I was very happy to talk about it.
40:55Tamil is also a part of Hindi.
40:58They are all out.
40:59They are the only ones who are in Hollywood.
41:03If you want to talk about the world, they are the only ones who are in the world.
41:07They are also the only ones who dominate them,
41:10whether they are producer, other than in the world.
41:13I also show a show of Kannada.
41:15He was also in Yashla and he was also in Yashla.
41:18Sudeep, Sivashkubar.
41:20If you tell me anything,
41:23I don't know anything about it.
41:26I don't know anything about it.
41:30It's called Trotter.
41:32The name of the tourist.
41:36Globe Trotter.
41:37What is it?
41:38I will tell you a little bit.
41:40That's nice.
41:42Globe Trotter.
41:43Time to run.
41:47That's the final.
41:49I'll take a look.
41:50I'll take a look.
41:51I'll take a look.
41:52I'll take a look.
41:53You're going to study the district committee.
42:02You're going to study the Vijay style.
42:05I'll take a look.
42:07Yeah.
42:08Why?
42:09That's why I was able to get caught in the way that they were caught.
42:15Imagine a lot of murderers saying that I wanted to get caught on the way.
42:21I was just press the trigger and the only thing used.
42:25I was like, why are you trying to get caught caught on the way and not go?
42:36Why is that?
42:37He's told that they are hurt.
42:39Then, Arjun will give his name.
42:44He's respected the father.
42:46He's got to get his name.
42:48That's right.
42:51Then he knows.
42:52He's published.
42:54He's got to get his name.
42:57He's got to get the cinema.
43:01He's got to get his name.
43:03we have to go to the cinema.
43:06Again, I had to go to the cinema,
43:09I was not going to go to the concert in the wild.
43:11There's no one at the place, no one in the wild.
43:15If there was a local one,
43:19two-fifty, three-fifty person.
43:23Actually, Pan-India is not.
43:26So we get to collect it by every country.
43:27You can collect it.
43:30You can't see it.
43:31You can see it.
43:32It's a lot of people who have had many issues.
43:37At that time, they are very difficult to alternate.
43:42You can call them a fan.
43:45The new actor.
43:46The new actor.
43:48The new actor.
43:49The new actor.
43:52The new actor.
43:55By all means, the politics will be successful.
44:02How did Alvajh make this decision about Revanthread?
44:09Revanthread is not seen yet.
44:11Revanthread is not seen yet.
44:12You told me that they are in a case that they are a good person.
44:17I am not sure.
44:18I am not sure.
44:19I am not sure.
44:20I am sure that the person is in jail,
44:21I will be able to do the CMI.
44:25I am sure I am not sure.
44:28You can't do it.
44:30Even if the person is in a group,
44:31you can't do it.
44:32You can't go to your group or your group.
44:34He was the joint IPA and then he was the CEO of Arish Rao, KTR.
44:43He was the CEO of Arish Rao, KTR.
44:45He was the CEO of Arish Rao.
44:51The KCR is the breed of diversity.
44:56He was the kingmaker and KTR.
45:00He would never kill anyone most.
45:01He would kill him more.
45:05That's why I do this.
45:13If he's no matter what, I'm a black woman.
45:13But what you said today is only counts.
45:17Unless you're admitted to the government,
45:20we go to BJP's Grapford.
45:23They come to KCR family.
45:26You got the 10th-room-room, you got the 10th-room, you got the 10th-room.
45:29And then you got okay.
45:35You got the 10th-room, you have got the 10th-room.
45:38If you get the 10th-room-room, you can wait for someone, and you have got the 10th-room.
45:42I was going to say a dog wasrzyma.
45:44But I was talking about the 10th-room.
45:55He's a very handsome and very intelligent fellow.
46:00KTR, they have the slogan graph.
46:03They have the people who are fighting.
46:04Because the people who are fighting against them are looting.
46:09They have the idea that they are fighting against the people.
46:10Then when they were fighting for a hard time, they were fighting against the people.
46:13They are fighting against the people, and they don't.
46:18They are not in the same place.
46:21Especially Asaya, Uddin, OVC, or College.
46:25What is that?
46:27They are in the area of the area of the area.
46:29It is very close to KTR.
46:32KTR is very close to the area.
46:35When you know the area of the area, KTR is very close.
46:38They are in the area of the area of the area.
46:40They are in the area of the area of the area.
46:43If they are in the area of the area.
46:46At the area of the area, the area of the area is on the asati.
46:48They are in the area of the area.
46:53They are only nicer and faireš choices.
46:55I know that already 제가 ask those faces.
47:08Why are they doing this? Because of BJP's graphics?
47:14For example, I was doing this.
47:18So, this is actually going to happen.
47:21After that, I was talking about BJP.
47:26I was talking about short memory.
47:31I was doing this.