00:00So, Suma Garu, welcome to me, Rahul Sir.
00:06Me.
00:06I am.
00:07I am.
00:08Thank you very much.
00:16I am.
00:18I am.
00:19I am.
00:20I am.
00:22I am.
00:25I am.
00:28More than I am.
00:32I am.
00:34You are.
00:35But you don't need to do this.
00:39Can you help me?
00:41I am.
00:44In the shooting.
00:45See you.
00:46We had at least twice two days this scene.
00:49where we had to see an important scene here.
00:55The food is so yum.
00:59Normally, I have a diet and I have to eat food full.
01:05I have to eat it.
01:08There is only a serving of Rashi.
01:10I have to eat it.
01:11Let me tell you.
01:13Thanks, I am so proud of you.
01:15I am so proud of you.
01:18But it is too yum.
01:20The Sima food, Ragi Sankati, Palli Chattney and Sanakkayla Chattney.
01:26And here is the Telangana side of Palli Chattney.
01:28The other side is Sanakkayla Chattney.
01:30I am so proud of you.
01:31I am so proud of you.
01:34You can see Rahul, Rahul.
01:36I have to put it on a plate and put it on the plate.
01:38So I am so proud of you.
01:42Your problem is just getting better than Rahul.
01:43There is no cheating.
01:44You can start out as and put it on the plate.
01:48You should put it on the plate.
01:49I among them could kiss him.
01:51Yes.
01:52puedo test him.
01:54Same good times.neo
01:56ace That's such hard work. Snowinge
02:00do not work. If I
02:02don't make it even work, I have to try that. COUL,
02:06our team wins over all.
02:07Let's talk about it.
02:08Yes, let's talk about it.
02:08You are one of them.
02:12Generate?
02:14Generate.
02:15Let's talk about it.
02:21I don't know how to do it, okay?
02:26You too.
02:27What is it?
02:28He's doing so much.
02:29He's doing so much.
02:30Very nice.
02:31But he's doing so much.
02:33But he's doing so much.
02:33So, the部分.
02:34Because now he's the one who is the one who is the one who is the one who is the
02:39one who is the one.
02:40There moment no gap between this.
02:41There is a way there though.
02:44There's a way there.
02:452 by these.
02:46You either is seen there?
02:47That's true.
02:482 behind him.
02:503 behind him.
02:513 behind him.
02:524 behind his left hand.
02:521?
02:52If bridges are faster,
02:53o easilyires injuries can tire off.
02:57So where is more no?ибо
02:58Tenemos also an bass receiver such as it isß. Even
02:59weather-wise, it is the only reason why is this problem.
03:01If you want to experience this day, you definitely want to give a few fans here and give a few
03:06experience.
03:08We will 100% arrange like one tour of Nkanda. It is just not there.
03:13The first time I walked in, the first time I walked in,
03:19because one week later, Rahul invited us just to see the space and practice some stuff.
03:28That day when I walked in only, I was like, no, whenever we are shooting here,
03:33we will be able to do it.
03:35I mean, if you want to do it, everyone will be able to do it,
03:41when the whole set is decorated and all the villagers are there and stuff,
03:45it genuinely feels like...
03:48Real.
03:49We are living here.
03:50In the first time, it is the setting of 360 degrees.
03:53It is the setting of our ambience.
03:56They did a beautiful job of the authenticity and research of building set,
04:04even the costume work that went in.
04:07The whole look designing.
04:10Rahul, in the office research,
04:12there is a lot of detail on the board.
04:16If you do this, you will be able to do it.
04:18If you submit it, you will be able to do it.
04:20You will be able to do it.
04:23That is so cute.
04:25It is the public.
04:26Definitely.
04:26That is true.
04:27So you have made an idea for cinema,
04:30like there is an idea.
04:32It all starts with one thought.
04:34That is it.
04:35I was born during the summer party,
04:37in the summer,
04:38with my mother or my wife.
04:40And now,
04:41I could use the set,
04:42as I do,
04:43I will look to my mother's own design.
04:45As I have a bath and where they are,
04:47the bed,
04:48the bed.
04:49There is a bed.
04:49The bed, the bed,
04:49and the bed.
04:50All this roof is in the bed.
04:51There are stone houses left and front,
04:54and there is stone pm.
04:55Also, there are 100 pillars in the design.
05:00Even if you count, there are 100 pillars in the design.
05:06You also have 100 pillars in the design?
05:08Yes, this is a 100 pillar house design.
05:13I used to time travel.
05:15The city is in the city and the city is in the city.
05:22I have come across history.
05:31I felt it's an amazing combination to tell a story to the world.
05:35That's where it started.
05:36Yeah.
05:37And generally, we have Britishers,
05:40as well as we are in the city,
05:42Swatantra Samarayod,
05:43as well as we are in the city.
05:45But in the city,
05:46there is more than that about the culture of those days.
05:50Correct.
05:51Exactly.
05:52In this case,
05:53we are working with Madras family.
05:55There are 30 people in the city.
05:57So, in the city,
05:59we have experienced every state.
06:01Every ancestors used to have gone through this.
06:04And in the city,
06:05there are many other people.
06:06So, it's a relevance to everyone.
06:09So, if you have a plan,
06:10complete life,
06:11and all of them,
06:12and in that time,
06:13there are also British people.
06:14There are also some food.
06:15There are also some time.
06:16Correct.
06:17And we have no time for years.
06:19It's not.
06:21But people learn how to live with it.
06:24And you can't understand.
06:25But in that situation,
06:26we will see that.
06:29We are not yet to see this story.
06:31So,
06:31for the first time,
06:32in a mainstream cinema,
06:33we are telling
06:34this hidden history to the world.
06:36Through this beautiful setup of
06:39Ranabali and Jayamma.
06:40That is the most important.
06:42Andi.
06:42In this case,
06:43it's a good story.
06:44It's a good story.
06:45I don't know.
06:48I don't know.
06:48I don't know.
06:49I don't know.
06:50I don't know.
06:50I don't know.
06:53I don't know.
06:55I don't know.
06:56I don't know.
06:57I don't know.
06:59I don't know.
06:59I don't know.
07:00I don't know.
07:00I don't know.
07:00Equal date.
07:01Even though.
07:04You were good at history.
07:05Terrible.
07:06I was good.
07:07I was decently good.
07:08How is it?
07:08I like.
07:09I love history.
07:10And there was this one point.
07:13Ranabali shoot started.
07:15But the other one.
07:21So he was obsessed.
07:23He was obsessed.
07:24So at some point.
07:25He was full history man.
07:27And it was his research.
07:29I had a lot of interest.
07:33And the destiny of the universe.
07:38Strangely, just like four or five months before Rahul came to me with the script.
07:43I started listening to Rahul.
07:44to a podcast called Empire.
07:47Empire and Spotify
07:48Anita, Anand, William, Darryl
07:50and the whole
07:53East India Company
07:55Indian history
07:56I cover many topics
07:58Most of my knowledge
08:01on our history
08:03during the
08:04British rule and all
08:06I have 5%
08:09I have only
08:125%
08:14I have only
08:16some movement of Gandhikar
08:18Salt, Dandi
08:20No Cooperation Movement
08:22Some bits
08:24I don't have much information
08:27and I was like
08:28I don't have any time in school
08:29then you realise that
08:32my syllabus
08:34I have to say
08:36Britishers
08:39curate
08:40this syllabus
08:42this is not
08:44syllabus that was created by us
08:45and they did it very smartly
08:48because
08:49they want to control their image in history
08:51100 years later
08:53I have to say
08:55that is why
08:58that is why so many of our Indian heroes
09:00that is why
09:00that is why
09:02there are many incidents
09:04in their perspective
09:05and in their perspective
09:06so through this podcast
09:08I was listening to all this
09:10and I was in a very
09:12you know
09:13your mother
09:13can't tell everyone
09:14can't tell everyone
09:16can't tell everyone
09:18the history
09:18correctly
09:19at that time
09:19Rahul
09:20this is exactly
09:24I was looking for something
09:25I was texting
09:26on to directors also
09:27saying
09:28let's make something on this
09:30I feel like
09:31going on a rampage
09:32and massacring
09:33some Britishers
09:34and I was like
09:35I know
09:36I know
09:36Rahul
09:36then I was like
09:38this famine
09:39is about the
09:40Bengal famine
09:41in the same time
09:42we are asking
09:44a question
09:44that famine
09:45almost all
09:47now
09:48we'll have some seasons
09:51where it will grow
09:52next year
09:53is
09:53you think
09:54how old
09:54do you think
09:57but
09:58a year
10:00crop
10:01has no
10:02since
10:03government
10:04is
10:05distribute
10:06or
10:06people
10:06are
10:07paid
10:08but
10:09there is
10:12They are kings ever.
10:14They have food distribution, food distribution, and balance.
10:21Britishers, mainly, which is the crux of the story is,
10:25that they don't have a year, they don't have a year,
10:29they have farmers, they have a lot of grain, they have taxation.
10:34The grain has tons and tons of it.
10:39thousands of tons of the country.
10:42Here, there is some official, during the Bengal Famine especially,
10:50where some Britishers here are only telling Winston Churchill,
10:57they are telling him that it is becoming a, it is becoming like a genocide,
11:01where people are just dying, it is very dangerous.
11:05They are also interesting in history, one of the Britishers is a hero.
11:10Winston Churchill.
11:11Yeah, Winston Churchill.
11:12But he had one hate towards Indians.
11:18If you don't live in the country, you don't live in the country.
11:22If you don't live in the country, you don't live in the country,
11:25you don't live in the country, you don't live in the country.
11:27That is the communication.
11:29And they would talk like, we don't live in rabbits,
11:33we don't have any problem.
11:35It will have desensitivity and no empathy kind of thing.
11:41So that was like, that was one driving force.
11:44But then, how Rahul put it in this beautiful world of Seema.
11:51So, Rahul, Seema, Ayasa,
11:54I think I am a chadwina.
11:57Chadwukunna.
11:57Ten years of my life.
11:58So, it was fun.
12:00They enjoyed it and enjoyed it.
12:04The kind of people there, I think,
12:07because of the terrain, because of the food,
12:09the onion, it is very cold.
12:10That means, it is very difficult to get into it.
12:15And the people in the world,
12:18they are different.
12:20Some of the things that through the,
12:23I already saw this,
12:25my friend, my friend,
12:25you can talk to me.
12:27You can talk to me in this volume.
12:29You can talk to me.
12:31You can talk to me.
12:32Normally, you can talk to me.
12:35I was like,
12:36first time in Hyderabad,
12:38I was like,
12:39I'm not wrong.
12:41And the language is rough.
12:44I don't know.
12:46But,
12:47I was like,
12:48close friend of my aunt,
12:50I was like,
12:51I'm going to go to my mom's family.
12:54I'm afraid of my aunt.
12:58I'm going to go to my eye contact.
12:59I'm not going to go to my eye.
13:00I'm going to go to my eye.
13:02I'm going to go to my eye.
13:04And I'm thinking,
13:06I'm going to go to my eye.
13:09I'm going to go to my eye.
13:11I'm going to go to my eye.
13:12I'm going to go to my eye.
13:12My volume is scary.
13:14So, the people and the culture.
13:16India has such a beautiful culture.
13:19All that when he packaged it,
13:22it was just like amazing.
13:24I was like...
13:24You can tell me how to go to my eye.
13:26Yes, I can tell you.
13:27And it feels like a blessing for an actor to get a role like this in a world like this
13:34that is researched so well to tell our story in such a nice, massy way, playing a seaman in every
13:45place.
13:46Singhanamala Bobbili Ranabali.
13:48Singhanamala Bobbili Ranabali.
13:50So, I knew that it's going to be very challenging.
13:56Well, you knew that it is going to be challenging.
13:59Yeah.
13:59But, you expect that it's going to be a challenge.
14:02Why, you never thought that would be there.
14:06But, oh my god, this I didn't expect.
14:09Straight away, I was prepared for an immediate challenge.
14:13I was prepared for the horse.
14:19There are trained horses like thoroughbreds.
14:23Yeah.
14:24They, generationally, there is a lot of breeding.
14:28We have a lot of authenticity.
14:31In India, there are many horses.
14:35They are wild horses.
14:38They are stallions.
14:40They are stallions.
14:41And, they are wild.
14:43So, it's very hard to control them.
14:46Inka, he doesn't want to use a dupe horse, dummy horse, nothing.
14:51Same brown horse, Inka would give you a horse,
14:53a horse and a horse.
14:55That's right.
14:57That's right.
14:57That's right.
14:58That's right.
14:59They bought two horses.
15:00So, I knew that I had to get extremely comfortable riding a wild horse.
15:04And, because there are, there is action on it.
15:07There are scenes, dialogue.
15:09And, the horse is like my, very close.
15:11Close, yeah.
15:12It knows me.
15:13We know each other so well.
15:14It's like my best friend.
15:15It's like my dialogue.
15:16There is a dialogue.
15:16There is a song.
15:18There is a song.
15:20So, that's right.
15:21So, that's right.
15:22I mentally prepared.
15:23I think four or five months.
15:26Parallel in a kingdom shoot.
15:28Every six months.
15:30We would train.
15:31They would be bought exactly the horse.
15:34In the cinema.
15:36That's right.
15:37That's right.
