00:03Ok, move.
00:08Imagine John Wayne, right?
00:11You can almost see the two guns on his side, pushing up on the saloon doors, the swinging doors, you
00:19know, that kind of movement.
00:24But if you're playing a woman, you stress the gentle curves of the body movement in a figure eight, right?
00:32The head moves in a figure eight, the shoulders move like a figure eight, the torso moves like a figure
00:42eight, and your steps move like a figure eight.
00:47If you're able to add all that as you move your whole body, the illusion of the feminine is created.
00:57Look at that.
00:58Kiss that shoulder.
00:59Kiss it.
01:02It's better with costumes.
01:06That's that, that's it.
01:10You want me to be a grandmother?
01:11Yeah.
01:21Alright, who's next?
01:24Awesome.
01:25Who's next?
01:26Missed by a nice Korean woman.
01:29Not a violin.
01:30No your, not a no-no.
01:31You're not a favorite kid.
01:31She hasn't ever got any numbers of people, right?
01:33She is so-so-so.
01:33No, no.
01:33No, no, no, no.
01:33Someone must have an angel.
01:33It's over-time, of course, she will.
01:33I won't be a baby.
01:34No, no.
