- 22 minutes ago
CHARLIE CHAN THE BLACK CAMEL 1931 Warner Oland as CHARLIE CHAN - Full MYSTERY Movie
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00:00:00The End
00:00:37The End
00:01:16Oh, no. I couldn't possibly go out that far. I told you I...
00:01:21Cut!
00:01:30Oh, I'm sorry, Val. I'm frightfully tired.
00:01:34But, Sheila, we've been in Honolulu a week and haven't done two days' work.
00:01:38I know.
00:01:40I'll work as late as you wish tomorrow, but I can't go out now. Don't ask me, please.
00:01:46All right. Eight o'clock in the morning and don't be late.
00:01:48Oh, thanks, Val.
00:01:52You know what's really the matter with her, don't you? She has an engagement with that Alan Jane she met
00:01:57on the boat.
00:01:58Is she going to marry that guy?
00:02:00I don't know.
00:02:08What time did Tonoverro say to be there?
00:02:09Four o'clock.
00:02:10Oh, hurry up, Anna. Get me out of this.
00:02:20Hi, Julie.
00:02:22Hello there.
00:02:23Hello.
00:02:26Where's Sheila? In her dressing room?
00:02:27Yes.
00:02:28Hey, what's the idea? I haven't seen you yet today.
00:02:31No, you can't till I've seen Sheila.
00:02:33Oh, forget Sheila for a while.
00:02:35Take a moment to enjoy the palms of paradise.
00:02:38Save that gag for the tourists.
00:02:39I'm sick of the tourists. I want to sell Honolulu to you.
00:02:49Hello, Julie.
00:02:50What are you doing out here?
00:02:52I think I have a little surprise for you.
00:02:54Look.
00:03:01That's no surprise to me, dear. I sent for him.
00:03:04Sheila, all the way from Hollywood?
00:03:05Yes, all the way from Hollywood.
00:03:07I want his advice. I need him now more than I ever needed him in all my life.
00:03:11You mean about marrying Alan?
00:03:12Yes.
00:03:13Oh, darling, can't you even get married without asking Tonoverro?
00:03:16You simply don't like him, Julie.
00:03:17It isn't that.
00:03:19I'm afraid of him.
00:03:20Sometimes I think he has you completely under his influence.
00:03:22Oh, nonsense.
00:03:23He's never given me anything but the very best of advice.
00:03:25Julie!
00:03:27Julie!
00:03:27Is that that long, slim press agent of yours?
00:03:30Oh, he isn't the press agent, Sheila.
00:03:32He's the publicity director of the whole island and the Rotary Club and the Chamber of Commerce and everything.
00:03:37No, really.
00:03:38Well, you're not in love with him, are you?
00:03:40Oh, no. How could you say such a thing?
00:03:42Julie!
00:03:43Yes, Mr. Bradshaw. I'm coming.
00:03:48Darling, remember, you're having friends for dinner, so please don't let Tonoverro upset you.
00:03:52Promise me?
00:03:54You're a sweet child, Julie, but there are some things you know absolutely nothing about, and Tonoverro is one of
00:03:58them.
00:03:59Now, let's not talk about it anymore. You go home and worry about the dinner tonight.
00:04:03Can you see me now, sweetheart?
00:04:05Shh! Don't let Sheila hear you call me that.
00:04:08She's thinking pretty sudden for just one week.
00:04:09Well, she's only known Alan Jane's a week. Besides, what do I care about her?
00:04:14Well, I care. Things would have been pretty tough for me if it hadn't been for Sheila.
00:04:17Yeah, listen, I just thought of another swell slogan. Don't dream about a dream, own one.
00:04:21You and your slogan. What does that one mean?
00:04:23That one means you and a sweet little bungalow nestling under two mortgages.
00:04:27Jimmy!
00:04:35These are sad occasions, aren't they, Alan? Last ride.
00:04:38You know, Sheila, this doesn't have to be our last ride.
00:04:41But you're sailing at midnight.
00:04:42I know, and I want you to sail with me.
00:04:45What about my picture? I must finish that.
00:04:47Oh, never mind the picture. Let's get married this afternoon, and then we can talk about what we'll do.
00:04:54Darling, I don't even know that we can get married at all.
00:04:57But if we can, I promise to tell you tonight before you sail.
00:05:00But if you can tell me tonight, why can't you tell me now?
00:05:05There's a perfectly good reason.
00:05:08Look here. This appointment at the hotel.
00:05:12That hasn't anything to do with you of not marrying me, has it?
00:05:15It has a lot to do with it.
00:05:17It's like you're a popular with these chickens.
00:05:21I want to.
00:05:31All for Mr. Tommy Bell, please.
00:05:36All for Mr. Tommy Bell, please.
00:05:41All for Mr. Tommy Bell, please.
00:05:46All for Mr. Tommy Bell, please.
00:05:52All for Mr. Tommy Bell, please.
00:05:57The Chinese merchant will see you at the desk, sir.
00:05:59Chinese merchant?
00:06:00Yes, sir.
00:06:01Strange.
00:06:04You will excuse me.
00:06:05Well, we'll see you later on.
00:06:13What case?
00:06:14No case.
00:06:15Just close.
00:06:16I'm pretending to be Chinese merchant.
00:06:19Do not mention police.
00:06:20Go away.
00:06:21You want me to investigate?
00:06:22Yes.
00:06:23Take streetcar.
00:06:24Go far away.
00:06:26Investigate there a long time.
00:06:27And remember, wages of stupidity is hunt for new job.
00:06:31Oh, I understand.
00:06:33Thank you so much.
00:06:38Have I pleasure of meeting Tanevero the Great, lifter of veils, peeker into mystery of future?
00:06:45Thank you, ma'am.
00:06:47Like shadow follows man, so fame has followed you from Hollywood.
00:06:52Thanks.
00:06:52And you are...
00:06:53Alas, mouse cannot cast shadow like elephant.
00:06:58Oh.
00:06:58I am humbly insignificant Chinese merchant assailed by many doubts.
00:07:03Chinese merchant.
00:07:05You have flattered me by calling me a lifter of veils.
00:07:08Allow me to lift yours.
00:07:10Uh, shall I say, Captain?
00:07:13No.
00:07:14No.
00:07:16Inspector Tan.
00:07:18Honolulu police.
00:07:20Your business with me?
00:07:21Uh, rumor announced you have been sightseeing in, uh, in, uh, Crystal Globe.
00:07:29Yes, but not professionally.
00:07:30Ah.
00:07:31Most happy.
00:07:32Because supernatural powers of fortune tellers make very bad smell in nostrils of Honolulu.
00:07:39Perhaps, after all, my psychic powers may not be any more supernatural than yours.
00:07:44We are both detectives.
00:07:46You look backward, I look forward.
00:07:49Possible.
00:07:50But it was not psychic powers told you I'm police officer.
00:07:54But, uh, pinholes of badge recently removed, huh?
00:07:58Quite right.
00:08:00Uh, such skill as yours should be at service of public.
00:08:05Are you flattered?
00:08:05No, no.
00:08:07Hollywood is famous furnisher of mysteries.
00:08:11Uh, cases amazingly interesting.
00:08:14Uh, any particular case?
00:08:15Ah, yes.
00:08:17Murder of handsome-faced actor Danny Mayo.
00:08:20Dead now, three years.
00:08:22Whole world asks questions.
00:08:25Police answer always saying nothing.
00:08:29Perhaps, uh, fortune teller could do better, eh?
00:08:34Oh, possibly.
00:08:34Yes.
00:08:36Always harder to keep murder secret than for egg to bounce on sidewalks.
00:08:41You will pardon me.
00:08:42I have an appointment.
00:08:42Eh?
00:08:43Not professional.
00:08:45Thank you so much.
00:08:56Goodbye, darling.
00:08:57I shan't be long.
00:08:58Come quite early for dinner before the others, will you?
00:09:00I'll be hours early.
00:09:01Goodbye.
00:09:02Goodbye.
00:09:02Goodbye.
00:09:27I'm in.
00:09:31Oh, Tanovero, what a relief to find you here.
00:09:35I knew I could depend on you.
00:09:36Always.
00:09:37Oh, I have so much to tell you.
00:09:39On the boat, I missed you.
00:09:40Great.
00:09:40Don't tell me.
00:09:42Let me tell you.
00:09:43You've helped me so many times.
00:09:45Do you think you can help me now?
00:09:46I simply must have...
00:09:47I try.
00:09:50Sit here.
00:10:08There we go.
00:10:09There's a big bus in it.
00:10:11Had to work.
00:10:14Here we go.
00:10:15You could see.
00:10:15...but I had to put one second toriet.
00:10:17...and I'm in a second toriet.
00:10:26...but I didn't have to put it on the car.
00:10:27...and I need to put the car on the car.
00:10:27...not I can get it.
00:10:28...and I'm still going to leave it.
00:10:29Now, look deep.
00:10:37Think.
00:10:39Think of the matter that troubles you.
00:10:47I have a very important decision to make. Now let's...
00:10:50Wait.
00:10:52I see a man, wealthy, attractive,
00:10:55who stands with him at the rail of a ship.
00:10:59He asks you a question.
00:11:02Something stops your answer.
00:11:05You love him.
00:11:07Oh, I do. I do love him, Canavero.
00:11:10I want to say yes.
00:11:12I want some happiness.
00:11:14I think I've earned a little...
00:11:15But you fear something.
00:11:17Perhaps something in the past.
00:11:20No. No.
00:11:21Yes.
00:11:22Yes.
00:11:24I see.
00:11:27I see.
00:11:29How long ago?
00:11:31Oh, it was something that happened three years ago in June.
00:11:36I see.
00:11:38Newspaper headlines.
00:11:40Around the startled world.
00:11:42Police courts.
00:11:43Investigations.
00:11:44Innocent names dishonored.
00:11:46Public officials disgraced.
00:11:48New silence.
00:11:49Oh, no. Stop, stop.
00:11:50I shouldn't have come.
00:11:51Tell me.
00:11:52No.
00:11:52I can't.
00:11:53I'm afraid.
00:11:54Now, will you tell me or must I tell you?
00:11:58Oh, please.
00:11:59Please.
00:12:00I see a dead man thumbed over a desk,
00:12:03alive with arm, hangs at his side.
00:12:05Danny Mayo.
00:12:06Oh, wait.
00:12:17I'll tell you.
00:12:22Look.
00:12:23Can anyone be out there?
00:12:29No.
00:12:31There is no one.
00:12:33Why?
00:12:35Oh.
00:12:36I had a feeling someone else was listening to us.
00:12:41No.
00:12:42We are absolutely alone.
00:12:49Goal.
00:12:56Well, I was in Danny Mayo's last three pictures.
00:13:03I fell madly in love with him.
00:13:08I was in his house that night.
00:13:10He was murdered.
00:13:20He was a very well.
00:13:20I don't know.
00:13:22He was in his house.
00:13:24He was able to come.
00:13:24He was in the house.
00:13:25He was a cold.
00:13:25He was very awesome.
00:13:25Oh, no.
00:13:27I'm a very nice nice.
00:13:28He was very nice.
00:13:28And he was just like, we were just getting a little bit over.
00:13:29Whoa, no.
00:13:29And so I can't tell you how you might need to come.
00:14:00Hello, darling.
00:14:01Hello.
00:14:03Sheila.
00:14:06You've been crying.
00:14:08What's happened?
00:14:09Oh, nothing.
00:14:10Can't you tell me?
00:14:11Is it something about Alan?
00:14:13Yes.
00:14:14I can't marry him, and I've got to tell him.
00:14:16Why can't you?
00:14:19Sheila, did Tanevera advise you not to...
00:14:21Oh, please, Julie, leave me alone.
00:14:23Sheila, pull yourself together, please.
00:14:26You know you want to look your best for the blues tonight.
00:14:28Yes, I know.
00:14:30I'll be all right, dear.
00:14:32Now you run along.
00:14:32I want to be alone.
00:14:34All right, darling.
00:14:35Jimmy and I are going for a swim.
00:14:54What do you want?
00:14:55Well, these flowers just came.
00:14:57They'll put them there.
00:15:05What's the matter with you?
00:15:09Nothing.
00:15:09I don't know.
00:15:10I don't know.
00:15:13I won't.
00:15:23So...
00:15:26I'm going to...
00:15:491-3-1-3, please.
00:15:53The Royal Theatre?
00:15:55I'd like to speak to Mr. Robert Feith.
00:15:57Yes, the actor.
00:16:04What's the matter, Alan?
00:16:06Nothing.
00:16:07Well, something's happened.
00:16:09You look as if you'd seen a ghost.
00:16:11You're not happy here, Anna.
00:16:13Let's leave.
00:16:14Go somewhere else.
00:16:16Oh, Jessup, please.
00:16:17We've settled all that,
00:16:18and you promised you wouldn't bring it up again.
00:16:21I don't want to hurt you, but I don't love you.
00:16:25But I love you, and you're in trouble.
00:16:28There isn't anything in the world I wouldn't do to help you.
00:16:34I have to wait for severe attains of the several thousand miles west.
00:16:38I'd like a word with you.
00:16:40Excuse me, please.
00:16:43What's the trouble?
00:16:44My name is James, Alan James.
00:16:46I want you to explain why you advised Sheila Fane not to marry me.
00:16:49Sorry, I never discuss what goes on in my readings.
00:16:51You'll discuss this, all right, you cheap faker.
00:16:53Please, you're a public place.
00:16:54I don't care where we are.
00:16:55Aren't you being a bit silly, Mr. James?
00:16:58A thousand pardons.
00:17:00Assault and battery not permitted without license from Boxing Commission.
00:17:05Just hold it.
00:17:17Oh, I offended the young man quite unintentionally.
00:17:21By the way, Inspector, how do you plan to spend the evening?
00:17:24I attend Roderick Club banquet here at Hotel.
00:17:28Good.
00:17:28Then you'll be here for some time.
00:17:30Terribly possible.
00:17:31Very few after-dinner speeches equipped with self-stopper.
00:17:37I may have a very important message for you tonight.
00:17:40What message?
00:17:41Would you be surprised if I should ask you to arrest a murderer?
00:17:44No.
00:17:45All foxes come at last to first door.
00:17:49What murderer?
00:17:50No, I mustn't say too much.
00:17:53There is many a slip.
00:17:55You quench fire on my curiosity with a handful of straw.
00:18:04No clue.
00:18:05What?
00:18:06Took long ride on streetcar.
00:18:08Nothing.
00:18:09Kashimo, do me a favor.
00:18:11Yes.
00:18:12Spend more time hunting for nothing to do.
00:18:15No.
00:18:16No.
00:18:25I just thought of a small slogan for a dentist.
00:18:26How's this?
00:18:27The tooth, the whole tooth, and nothing but the tooth.
00:18:29Oh, Jimmy, that's terrible.
00:18:36Oh, Jimmy.
00:18:37We're going to be late.
00:18:37Come on.
00:18:38Oh, hurry up.
00:18:40Don't do it, Matthew.
00:18:42Come on.
00:18:43Come on.
00:18:44I need some help.
00:18:48Come on.
00:19:03Oh, Jimmy, isn't it sweet of those youngsters?
00:19:05Who are they?
00:19:06Some high school children who've come to Saturday, Sheila.
00:19:08Oh.
00:19:09Hurry up.
00:19:10Come on.
00:19:10We're going to be off in a little bit.
00:19:14Now, Jimmy, I'm waiting for you.
00:19:16Hello, Will.
00:19:17Keep going.
00:19:17Hello, Will.
00:19:17How are you there?
00:19:18How are you there?
00:19:18Come on.
00:19:18Sorry we're late, Rita.
00:19:20You must have had a hard time finding the water.
00:19:22That isn't very bad.
00:19:24A toast to our absent hostess, eh?
00:19:26Where's Sheila?
00:19:26Isn't she down yet?
00:19:27The old Hollywood complex.
00:19:29She's waiting to make a grand entrance.
00:19:32I think she's in the pavilion.
00:19:34Come on, Jimmy.
00:19:35Let's go.
00:19:35You bet.
00:19:37The last time we waited for Sheila's entrance was at Denny Mayo's, wasn't it?
00:19:40Now, see here, Van, if you're going to...
00:19:42Don't even breathe Denny's name.
00:19:43If you do, Wilkie will start throwing things.
00:19:47Well, Jane, why don't you join us?
00:19:50Well, thank you.
00:19:51I will.
00:19:53I'll hate to never.
00:19:54Come on, Sheila.
00:19:55The stage is all set.
00:19:57I'll do it in this corner.
00:20:03Don't.
00:20:04Don't go in there.
00:20:05Why not?
00:20:06What's the matter?
00:20:06Let's go back.
00:20:07Let me go.
00:20:08Don't.
00:20:09Julie.
00:20:11Sheila.
00:20:14Sheila!
00:20:20Speak to me.
00:20:23Jimmy!
00:20:26Come away from here.
00:20:29There's nothing we can do here.
00:20:32Wait.
00:20:33Take that emerald ring off her finger.
00:20:35But we mustn't do that.
00:20:36What for?
00:20:37Don't ask any questions.
00:20:38Take it quick before someone sees us.
00:20:39Oh, but, Julie, if you...
00:20:40Hurry, hurry.
00:20:41Give it to me.
00:20:43Oh.
00:20:45Oh.
00:20:54So the pompous hotel clerk says to me, you can't go upstairs without being announced.
00:20:59Is Mrs. Smith expecting you?
00:21:01And I said, listen, Mrs. Smith was expecting me before I was born.
00:21:05Mrs. Smith is my mother.
00:21:08Rita.
00:21:10I didn't find her.
00:21:11Look at Julie.
00:21:12What's happened?
00:21:25Sheila's dead.
00:21:26What did you say?
00:21:27She's been murdered.
00:21:28What are you saying?
00:21:29Where is she?
00:21:29She's out in the pavilion.
00:21:30Don't go out there.
00:21:31Don't anybody go out there.
00:21:33I'm going to notify the police.
00:21:39If any message, just come for me.
00:21:41I shall be back about 11.
00:21:42Very well.
00:21:43And tomorrow.
00:21:44Hello there, Inspector.
00:21:46Have you finished your dinner?
00:21:48No.
00:21:49I am rudely wrenched away by important business.
00:21:52Oh, that's interesting.
00:21:53Yes.
00:21:53Very interesting.
00:21:56Miss Sheila Payne was just now murdered in her home.
00:21:59Sheila?
00:22:01It's impossible.
00:22:03You were just now on your way to her house?
00:22:05Yes, of course.
00:22:07You will honor me by riding with me?
00:22:09Oh, certainly.
00:22:14She always came to me with her troubles.
00:22:17This afternoon she confessed to me she had been mad in love with Denimeo.
00:22:22She was in his house the night he died.
00:22:24He saw him killed and never dared to tell because it would have wrecked her career.
00:22:30Why did she suddenly change mind about keeping secrets?
00:22:33Because she had fallen in love with James and hesitated to marry him.
00:22:36And perhaps drag him through unpleasant publicity later.
00:22:39Did she name murderer?
00:22:41No, but she did tell me.
00:22:43He was at this moment in Honolulu.
00:22:46I'm certain she would have revealed his name tonight.
00:22:50She was murdered because she knew who killed Denimeo.
00:22:56Possible motive.
00:22:58May I ask your continued assistance?
00:23:03Sometimes very difficult to pick up pumpkin with one finger.
00:23:09Had you been driving long?
00:23:12No.
00:23:13At first I'm a pretty bad driver.
00:23:15But now me and the road turn corner at the same time.
00:23:27Stabbed to heart.
00:23:36Orchids torn from dress.
00:23:42Crushed angrily under feet.
00:23:55Pin is missing.
00:23:58Evidence of a struggle.
00:24:01Possibly.
00:24:10The wrist watch is smashed.
00:24:14That establishes the time of the murder.
00:24:18Maybe.
00:24:42There are two corners.
00:24:47And what?
00:24:48No, no, no!
00:24:51No, no!
00:24:53No, no, no!
00:24:55No, no!
00:24:57No, no!
00:24:59Fresh footprints.
00:25:04Most unfashionable hole in one shoe.
00:25:10fortune could not have smiled on owner but it's important that the motive after all was robbery
00:25:16have you changed mind about motive not at all i merely suggest we should keep our minds open
00:25:22yes excellent idea
00:25:27this is a confounded outrage this jap has locked all the doors on us look here you can't hold us
00:25:34prisoners yes ken orders oh i'll have this chinese detective crawl off the force for this this is
00:25:41exceptional occasion mr bellew there is all saying death is a black camel that kneels unbidden at
00:25:51every gate tonight black camel has knelt here please forgive overzealous assistant
00:25:59miss fain asked me to give you this as soon as you came oh thank you please this may give
00:26:04information we seek
00:26:16what's that light
00:26:37overwhelmed with regrets
00:26:41important part of letter seems to be absent
00:26:44search everyone why man clever enough to do that trick too clever to keep letter on person
00:27:06i am not in mood tonight for turning other cheek but will return assault with compound battery
00:27:27you are butler
00:27:30when did you last see miss fain about a quarter of eight when she came downstairs to meet mr
00:27:36james did you notice anything peculiar in her behavior not this evening but some other time
00:27:43this morning i found her crying in her room over a man's photograph
00:27:46ah
00:27:47kashimo
00:27:50yes
00:27:51go to miss fain's room
00:27:54look for
00:27:55man's photograph
00:27:57you will show him please
00:28:00just a moment jesse
00:28:02inspector if you don't mind i'd like to
00:28:03you are
00:28:04i lived with miss fain she took care of me
00:28:07i was with miss o'neill inspector
00:28:08we were in swimming when
00:28:10when it happened
00:28:12what jewelry did she wear tonight
00:28:14just a wristwatch and some bracelets
00:28:17oh and a diamond pin that i fastened her orchids with
00:28:20the missing pin
00:28:23orchids
00:28:24from who
00:28:25they were from her ex-husband
00:28:27ah
00:28:28an ex-husband
00:28:30yes
00:28:30i should like to see him
00:28:32he's playing at the royal theater alfon
00:28:34alfon
00:28:35thank you so much
00:28:38miss fain wore
00:28:39other jewelry tonight
00:28:41no
00:28:42nothing else
00:28:43i think you're mistaken miss julie
00:28:45she also wore her large emerald ring
00:28:51you are positive
00:28:52yes sir
00:28:53that points again to the robbery motive
00:29:15do you have to do all this
00:29:18wooders
00:29:23that'll be all miss dixon
00:29:25thank you so much
00:29:27this is very interesting
00:29:29mr bellew
00:29:30you
00:29:31your wife
00:29:32mr van horn
00:29:33and miss dixon
00:29:35were all in hollywood then
00:29:37when denny mayor was murdered
00:29:38you all knew him well
00:29:40now just a minute mr
00:29:42too soon or whatever your name is
00:29:43i want to remind you
00:29:45that we're concerned here with the
00:29:46sheila fain murder
00:29:47and not the denny mayor scandal
00:29:49and if you want to keep us here i suggest
00:29:51you can find your investigations
00:29:52to what we are here for
00:29:54nevertheless
00:29:54i believe the two cases are connected
00:29:57you are here in this picture with miss fain
00:29:59and you were a friend of denny mayor
00:30:01i deny that i was never his friend
00:30:02you were a guest in his home many times
00:30:05eating his food and drinking his liquors
00:30:07yet you say you were not his friend
00:30:09how do you account for that
00:30:10well that's an old hollywood custom
00:30:12and what is it your business if he was
00:30:14i'm with you van horn
00:30:15let's stand pat and answer no more questions
00:30:17that's a go
00:30:18no more answers
00:30:19you are all suspects
00:30:24clue
00:30:26thank you kashimo
00:30:29look for
00:30:30footprints
00:30:31on the window of pavilion
00:30:33may need man
00:30:38i'll tell you something you ought to know teacher
00:30:40if you let us go home
00:30:42do please
00:30:42i saw a man in a heavy overcoat
00:30:45he was running from the pavilion
00:30:46and he had a red streak across his shirt front
00:30:49that was probably blood
00:30:52oh so
00:30:53man here tonight
00:30:54we have not seen
00:30:55oh an overcoat on a hot night like this
00:30:58a big what
00:30:59that's right my dear
00:31:00you stick to your story
00:31:01only why not make it a good one
00:31:07inspector
00:31:07yes you need a lie detector
00:31:10lie detector
00:31:11yes it's an invention that detects instantly when anyone is telling a lie
00:31:15oh i see
00:31:16you mean a wife
00:31:18i have one
00:31:25do you know whose photograph
00:31:27this is
00:31:29no i don't
00:31:30but maybe i could tell if you put them all together
00:31:35look here inspector
00:31:36i haven't time to sit around the chinese picture puzzles
00:31:39my ship sails at midnight
00:31:40you are rejected suitor
00:31:42but i've given you an airtight alibi
00:31:43sorry but alibi have habit of disappearing like hole in water
00:31:54oh
00:31:55is she my
00:31:56you are zebra
00:31:57zebra what do you mean
00:31:59sport model jackass
00:32:01yes
00:32:01but clue clue man on beach
00:32:03get
00:32:04you mean get out
00:32:05no get man
00:32:16thank you
00:32:31part of photograph
00:32:32seem absent
00:32:35must be very important
00:32:37small
00:32:37very important
00:32:41must be very important
00:32:42must be very important
00:32:43very important
00:32:43c tham
00:32:45may not be
00:32:47mean
00:33:09So sorry, Cook announced a strike.
00:33:12No dinner, too late.
00:33:15But those who wish coffee can have in dining room.
00:33:18We'll suggest everybody partake.
00:33:20It will make answering questions easier.
00:33:23Even bagpipe will not speak when stomach is empty.
00:33:28Oh, I don't think I care for any baby.
00:33:31Oh, come on, dear.
00:33:32Fuck you, come on.
00:33:33Breathe.
00:33:34Oh, I guess I will.
00:33:42Oh, there's a man I saw.
00:33:52Please, pardon my attire.
00:33:54I was being a French ambassador, and I came just as I left the stage,
00:33:58the moment I got your message.
00:34:01You are former husband of Sheila Fane?
00:34:04Yes, I am Robert Fyfe.
00:34:06When was last time you saw a former wife?
00:34:10Seven years ago, in New York.
00:34:12Is that truth?
00:34:14Very last time?
00:34:15Of course.
00:34:17Strange.
00:34:19Tonight, Honorable Lady saw you running from pavilion,
00:34:23even mistaking red ribbon on shirt for blood.
00:34:26Can you explain?
00:34:29Yes, I can explain.
00:34:33May I speak to you privately, Inspector?
00:34:38Please.
00:34:41I'll look at the chairs.
00:34:42Are you sure?
00:34:43Are you sure?
00:34:44Are you sure?
00:34:48Sure.
00:34:49And now, Mr. Fyfe?
00:34:51Did you know Miss Fane, Inspector?
00:34:53I had not pleasure.
00:34:55She was a remarkable girl, a flame with light.
00:34:58No other woman ever meant anything after Sheila left me.
00:35:01I understand.
00:35:03When I heard she was in Honolulu, I sent her flowers with a message.
00:35:07The moment she got them, she called me on the telephone.
00:35:10I was at the theater.
00:35:12Apparently dressed and ready for your role?
00:35:15Quite right.
00:35:15I came as quickly as possible.
00:35:18And you reached here when?
00:35:20Five minutes before eight.
00:35:22Sheila met me on the lawn and went to the pavilion.
00:35:24I was nervous about the time.
00:35:26That's why I know exactly.
00:35:28And then?
00:35:30Then she asked me if I still cared for her.
00:35:34I told her I adore her.
00:35:36I took her in my arms.
00:35:39We kissed.
00:35:43Then I told her I would return after the show was over and hurried away.
00:35:47It was then four minutes past eight.
00:35:49I checked it carefully because I was late.
00:35:51And at what time did you arrive back in theater?
00:35:55Five minutes late.
00:35:57The stage manager spoke to me about it.
00:35:59I see.
00:36:00Those few minutes with Sheila may prove embarrassing to me.
00:36:05But I saw her again before she died.
00:36:09I am not sorry.
00:36:12And it's late, Inspector.
00:36:13And it occurred to me you might need some stimulant yourself.
00:36:16Thank you so much.
00:36:17Remain, please.
00:36:18Mr. Fyfe?
00:36:19No, thank you.
00:36:25You want this, boy?
00:36:26You can't arrest a man for nothing.
00:36:28Yes, Ken.
00:36:29Clue!
00:36:38Clue!
00:36:39Clue?
00:36:41Same shoes?
00:36:43Who are you?
00:36:45The name might be Smith.
00:36:47Might also be Jones.
00:36:49I prefer Smith.
00:36:50Look!
00:36:50Clue in pocket!
00:36:53Temple Bruns Medal.
00:36:56Third prize.
00:36:59Landscape in oil.
00:37:01Pennsylvania Academy of Arts.
00:37:05I see I shall have to confess.
00:37:07I see I shall have to confess.
00:37:07Yes, I'm a painter.
00:37:10Oh.
00:37:11Good evening, ladies and gentlemen.
00:37:14How do you do?
00:37:15May I inconvenience you, Mr. Smith?
00:37:18Oh, thanks.
00:37:21Oh, please.
00:37:24Were you on the beach tonight?
00:37:27If you found my footprints, I dare say I was.
00:37:30A shocking bad pair of shoes, aren't they?
00:37:33What time were you on the beach?
00:37:35My friend, you embarrass me.
00:37:39If you will take a stroll down a certain street in this city, you will see my watch hanging
00:37:43in a pawn shop window.
00:37:45I often look at it myself.
00:37:47No matter.
00:37:48You were on beach.
00:37:50I was.
00:37:50It's my temporary hotel.
00:37:52But tonight when I got here, there was a light in the pavilion.
00:37:55And I heard voices inside.
00:37:58Voices?
00:37:59Whose voices?
00:38:00A man's and a woman's.
00:38:02I peeked in and got a good look at the man.
00:38:06There he is.
00:38:07Because that's the fellow.
00:38:08I haven't seen a ribbon like that since our ambassador invited me to dinner in Paris.
00:38:12You know, it was the most interesting.
00:38:13You heard the conversation?
00:38:16Yes.
00:38:17They were talking fast.
00:38:18What about?
00:38:21Well, I heard her tell him.
00:38:23Drop it!
00:38:30I can put an end to this investigation.
00:38:33I killed Schiller.
00:38:34What's that you say?
00:38:35Please!
00:38:36What is?
00:38:38You killed Schiller Payne?
00:38:40I did.
00:38:41For what reason?
00:38:44Wanted her to come back to me.
00:38:46I begged and pleaded with her.
00:38:48She wouldn't listen.
00:38:49She laughed at me.
00:38:50She drove me to it.
00:38:52She made me kill her.
00:38:53There you are.
00:38:55There you are.
00:38:55That clears me.
00:38:56I want to get that boat.
00:38:57I want to get away from here.
00:38:58Impossible.
00:38:59But I've got to go.
00:39:00Can't you understand?
00:39:01Do you realize what it means to remain here listening to this talk about the girl I'd hope to marry?
00:39:05Very sorry, Mr. James, but you cannot leave at present.
00:39:15You say you left here four minutes past eight?
00:39:19Yes, I did.
00:39:20You had already killed Schiller Payne and were back at theater 20 minutes past eight?
00:39:25Yes, I told you all that.
00:39:27But you have witnessed.
00:39:28Yes.
00:39:29Yet, at 8.12, Schiller Payne was seen alive and well.
00:39:35If you arrived back at theater at 8.20, it could not be possible for you to be here at
00:39:428.12.
00:39:44The journey takes 15 minutes.
00:39:46How do you know Miss Payne was alive at that time?
00:39:49Chinese cook, Wang, talked with the deceased lady at 8.12 about lateness of dinner.
00:39:58Of all persons in this room, you are only one who could not have committed murder.
00:40:05Do you mean to say you're going to hold us all?
00:40:07No, no, no.
00:40:09You may go.
00:40:10But you cannot leave Ireland without permission of police.
00:40:16You are all under unhappy suspicion.
00:40:19What rot?
00:40:20We can't all be guilty.
00:40:21Your theory is full of holes.
00:40:22It won't hold water.
00:40:23Sponge is full of holes.
00:40:25Sponge holds water.
00:40:27Oh, come on, Richard.
00:40:28Thanks for the pleasant evening.
00:40:30If I were a dose of poison, I'd give myself to you.
00:40:35Thank you so much.
00:40:39Gentlemen, you are two biggest liars in Honolulu.
00:40:47You may also go.
00:40:49I shall know where to find you when I want to.
00:40:51Of course.
00:40:52My address is Sandy Spot, Annie Beach, Honolulu.
00:41:03Why did you let Smith and Fyfe go?
00:41:06Between them, they hold a secret.
00:41:08The way to find Rabbit's residence is to turn Rabbit loose and watch.
00:41:38The murderer's name.
00:41:41Look.
00:41:53Always happens.
00:41:55When conscience tries to speak, telephone out of order.
00:42:09I know how fond you were of Sheila.
00:42:12But you're making a mistake.
00:42:13You're keeping something from Inspector Chan that you ought to tell him.
00:42:17What makes you say that?
00:42:18Well, I know you are.
00:42:19Well, I'm not.
00:42:20You don't know anything of the sort.
00:42:22How dare you say that?
00:42:28What about that emerald ring?
00:42:29The ring?
00:42:31Well, what about it?
00:42:32You had it on your finger.
00:42:33When Inspector Chan asked Anna about it, I saw you turn the stone so it wouldn't be seen.
00:42:38Where is it now?
00:42:39I haven't got it.
00:42:40I don't know anything about it.
00:42:41And I wish you'd please go home.
00:42:43Why?
00:42:44Because I'm tired.
00:42:45Very tired.
00:42:47All right.
00:42:47I'll go.
00:42:48But I'm coming back here tomorrow.
00:42:50This is the time in your life when you need advice from a good, sensible person.
00:42:54I know it, Jimmy.
00:42:55All right, then.
00:42:56I'll give it to you.
00:43:09The prodigal returns.
00:43:12Oh, darling.
00:43:15I knew you'd come back.
00:43:16Where have you been?
00:43:18There's no time for that, my lady.
00:43:19I'm selling a picture.
00:43:22Wonderful.
00:43:23And you can buy me new dresses and beads and bracelets and everything.
00:43:27Well, well, a few.
00:43:28Oh, and what picture?
00:43:30Yours.
00:43:31The one I gave you.
00:43:32Oh, no, no.
00:43:33You wouldn't take that away from me.
00:43:35I'll paint you another one.
00:43:36I'll paint you another one tomorrow.
00:43:38But how do you know he will like it?
00:43:39He'll buy it whether he likes it or not, to keep me from talking.
00:43:49What do you mean, coming to my hotel?
00:43:51I knew you'd want to see me.
00:43:53I didn't want to see you in a public place?
00:43:54A hotel where everybody knows me?
00:43:56You should have a better sense.
00:43:57I'm sorry, but you know it's pretty important.
00:43:59Come over here.
00:44:00All right.
00:44:07I wish you wouldn't talk like that.
00:44:09I assure you, it isn't blackmail.
00:44:11It's merely that I thought you might welcome the opportunity of becoming a patron of the arts.
00:44:15If I refuse the honor?
00:44:18Then I shall feel it my duty to tell the police.
00:44:21When I was outside that pavilion window, I heard Sheila faint.
00:44:24Never mind.
00:44:26What's the price?
00:44:28I'm sorry.
00:44:29I hate to have to do this.
00:44:31It is my only chance of getting back to the mainland.
00:44:34Shall we say $500?
00:44:38$500?
00:44:39Look here.
00:44:40You are not dealing with a millionaire.
00:44:42I am an actor on salary.
00:44:45I'll give you $100 now and $200 next week.
00:44:50That's my limit.
00:44:54Thanks.
00:45:08I don't get hurt.
00:45:15You are not dealing with a millionaire.
00:45:17How do you want to get to him while the폰 is not working.
00:45:18Do not know where he is.
00:45:24Oh, dear.
00:45:25Get inside.
00:45:26Oh, dear.
00:45:27That's all right.
00:45:28Let me...
00:45:29I'll manage.
00:45:30I'll manage.
00:45:30Oh.
00:45:55Oh, Pop.
00:45:57So, you have found a report card from school at last, eh?
00:46:04Hmm.
00:46:05Teachers say you are always at bottom of class.
00:46:08Can't you find a better place?
00:46:10No, Pop.
00:46:11All other places are taken.
00:46:13That is no excuse.
00:46:16Oh, bologna.
00:46:17Hmm.
00:46:19Bologna.
00:46:27I have told you all many times now, I do not know.
00:46:32Oh, we don't believe you.
00:46:34Oh, that's a lot of applesauce.
00:46:36Come on, Pop.
00:46:37Spill the beans.
00:46:39Yeah.
00:46:41The lonely applesauce beans.
00:46:43One would think you all took lessons in grocery store instead of at school.
00:46:50Good-bye, Mother.
00:46:52Good-bye, Father.
00:47:01Good-bye, Father.
00:47:05I am gratefully retreating from bosom of honorable family to peace and quiet a murder case.
00:47:11You murdered this morning?
00:47:12No, same one.
00:47:25Where do we go first?
00:47:27To public library.
00:47:29Who?
00:47:30No.
00:47:31But it might be well to know names of all persons mentioned in Denimeo murder.
00:47:38Case finished?
00:47:40Finished.
00:47:41Secret of this case harder to determine than Alley Cat's grandfather.
00:47:46Think they make mistake?
00:47:47Who can say?
00:47:49Even wisest man sometimes mistakes Bumblebee for Blackberry.
00:47:54Oh.
00:47:55I got idea.
00:47:57What are you going to do in libraries?
00:47:58Read newspapers.
00:48:00Huh.
00:48:01Think you're going to catch them that way?
00:48:03Kashimo.
00:48:04I despair trying to make you a smart man.
00:48:07Soap and water never can change perfume of billy goat.
00:48:12Yes.
00:48:31Who asked for these files?
00:48:33You remember?
00:48:34A young woman.
00:48:37Ever see her before?
00:48:39No.
00:48:39She was a stranger.
00:48:40Can you describe?
00:48:43Well, she was young and very pretty.
00:48:46In fact, she was quite striking.
00:48:48I think I know.
00:48:50Possibly you could come with me for identification?
00:48:54Well, yes, I think so.
00:48:56Thank you so much.
00:48:59Look.
00:49:03Yes, Inspector.
00:49:05This is the girl.
00:49:06You are sure?
00:49:07Absolutely.
00:49:08Thank you so much.
00:49:09You will kindly wait for me in ancient remnants of automobiles.
00:49:16Why did you cut out pictures of Denny Mayo from library files?
00:49:21I didn't.
00:49:22You were in library this morning asking for old files of Los Angeles Times.
00:49:29No, I wasn't.
00:49:31You very nice young lady making serious mistake.
00:49:35Please tell truth.
00:49:36Yes, I was in the library this morning.
00:49:39Why did you cut out pictures?
00:49:41I didn't.
00:49:42I didn't do that.
00:49:43Please believe me.
00:49:44Then why did you ask for Los Angeles Times?
00:49:47This morning someone sent me this.
00:50:09And then?
00:50:11Then I hurried to the library.
00:50:12But there wasn't a word about Chile in any of the articles.
00:50:18Please tell me.
00:50:20Did you leave piles on table?
00:50:22Yes.
00:50:23Were all pictures of Denny Mayo in papers when you left?
00:50:27Yes, all of them.
00:50:27Uh-huh.
00:50:29Bright spark appears in darkness.
00:50:33Only a very clever man can bite pie without breaking crust.
00:50:38Julie, why don't you tell the inspector everything?
00:50:41Oh, Jimmy.
00:50:42There is more?
00:50:43Tell him.
00:50:44He'll find out anyway.
00:50:46Sheila's emerald ring isn't missing.
00:50:48I took it off her finger.
00:50:49Why?
00:50:50Because Denny Mayo's name was inside the band.
00:50:53And I took the pieces of the photograph, too.
00:50:56It was his picture.
00:50:57And, uh, why all this?
00:51:00Because all her life, Sheila kept her relations with Denny Mayo's secret.
00:51:03And now that she's dead, I didn't want them found out.
00:51:06Very kind thought, but have lost valuable time.
00:51:11I will keep this letter from friend.
00:51:13That means something.
00:51:15Now I'll bet you're on the right track, Inspector.
00:51:18Learn from Hen.
00:51:19Never boast about Egg until after Egg's birthday.
00:51:29There, now.
00:51:30Isn't it better to have that off your mind?
00:51:32Yes, Jimmy.
00:51:33You were right.
00:51:34Then suppose you listen to me for a while.
00:51:36Now that Sheila's gone, what are you going to do?
00:51:38I don't care.
00:51:40Somebody's got to care.
00:51:41So I've appointed myself for the job.
00:51:44Why don't you stay in Honolulu?
00:51:45Oh, not for the scenery.
00:51:47For a job.
00:51:48The tourist borough will furnish me with a secretary.
00:51:51I'm entitled to one, and you're it.
00:51:53Oh, Jimmy, you're sweet.
00:51:54But I couldn't stay in Honolulu.
00:52:21And that was identical.
00:52:23Both written on the same machine.
00:52:25And that was identical.
00:52:26Thank you so much.
00:52:27Not at all.
00:52:30What?
00:52:32What are you talking about?
00:52:34Men in public library this morning.
00:52:35Tall men, dark men, sea men.
00:52:38Stop smoking cigarettes.
00:52:40Tanavera will know someone's been in his room.
00:52:48Can't smell now?
00:52:50Kashimo.
00:52:51Can cut off Monkey's tail, but he's still Monkey.
00:52:54Yes.
00:52:54Thanks.
00:52:57Thank you so much.
00:52:58That's quite all right, Mr. Chan.
00:53:03Well, Inspector.
00:53:05Did you have any happy inspirations during the night?
00:53:08No.
00:53:08Nothing.
00:53:10Were you in public library this morning?
00:53:13No.
00:53:14No, I wasn't.
00:53:16Somebody, he cut out pictures.
00:53:19Danny Mayo from papers.
00:53:21Really?
00:53:23I can't imagine the motive for that.
00:53:25I can.
00:53:26Somebody afraid to let me see picture of Danny Mayo.
00:53:31Why?
00:53:43Pardon, please.
00:53:44You were so kind this morning.
00:53:46May I ask a few more questions?
00:53:48You certainly may.
00:53:50Will you sit down and have a cup of tea with us?
00:53:51No time.
00:53:52Thank you so much.
00:53:54This morning, you established absolutely perfect alibi for Tanavera.
00:53:59He was with you from before eight o'clock until half past last night?
00:54:04My oath upon that, sir.
00:54:06I believe, implicitly, you have proved utterly impossible for him to have committed murder.
00:54:13Then what more do you want to know?
00:54:15Father, don't get excited.
00:54:17I'm not excited.
00:54:18But you've got to be emphatic when you're dealing with policemen.
00:54:20Please, no offense.
00:54:22But this morning, you told me that Mr. Tanavera lived with you when he was a young man in Australia.
00:54:28He did.
00:54:29And a nice boy he was.
00:54:30Tanavera, very odd name.
00:54:33Was that what he called himself then?
00:54:35No, it was not.
00:54:37What name did he offer at time?
00:54:39Well, Mr. Shan, he asked us not to tell his real name.
00:54:43Why?
00:54:44He said he was done with it.
00:54:46And he asked that we think of him as Mr. Tanavera.
00:54:49This is very serious matter.
00:54:52You are honorable, law-abiding citizens.
00:54:55Law needs your help.
00:54:57We must know real name.
00:55:01Well, you know, this is an awfully difficult situation.
00:55:04I think Mr. Shan's right, Father.
00:55:06We did enough when we swore to his alibi.
00:55:08And if you don't tell, I will.
00:55:10Why should Arthur be ashamed of his real name?
00:55:13Thank you, madam.
00:55:15Dain to mention name, please?
00:55:17In Australia, his name was Arthur Mail.
00:55:20Mail?
00:55:22He told you this morning he was alone when he came to us.
00:55:25I can't think why he said that.
00:55:27It's not true.
00:55:28He and his brother came to us together.
00:55:30His brother?
00:55:31Yes, of course.
00:55:33His brother, Danny Mail.
00:55:36Please, does he look like brother?
00:55:39Oh, yes, very much.
00:55:41Ah.
00:55:42Pictures in newspapers.
00:55:53Please excuse me.
00:55:59You are Mr. Feist?
00:56:01Yes.
00:56:02You actor in theater?
00:56:04Yes.
00:56:05Then who's you?
00:56:06Why did you shoot him?
00:56:07Shoot him?
00:56:07Shoot who?
00:56:08Artist.
00:56:09Mr. Smith.
00:56:09You are afraid you have to pay more money, so you shoot him.
00:56:11Are you crazy?
00:56:12I don't know what you are talking about.
00:56:14Police!
00:56:14Police!
00:56:15Murderer!
00:56:15Murderer!
00:56:16You killed my man!
00:56:17Murderer!
00:56:18Murderer!
00:56:20One moment, please.
00:56:22What's the matter here?
00:56:23Last night he tried to kill Smith.
00:56:24Oh, she's mad, Inspector.
00:56:26You know that he's insulted.
00:56:27Smith?
00:56:28Shot?
00:56:29Where is he now?
00:56:30He's in my house.
00:56:31He's dying.
00:56:32He told me this is the man that shot him.
00:56:33We must go to him at once.
00:56:35You will come too, Mr. Feist.
00:56:36I have nothing to do with it.
00:56:38Then you compel me to make a rest?
00:56:41All right.
00:56:47Well, you got me, didn't you?
00:56:50Perhaps you were right.
00:56:53But was the painting really as bad as that?
00:56:57What makes you think I would do such a thing?
00:57:00I don't blame you.
00:57:02Perhaps I'd have done the same thing in your place.
00:57:05But...
00:57:06But what does it matter?
00:57:15I'm shoving off, Inspector.
00:57:19And...
00:57:19You might hang an innocent person.
00:57:23So...
00:57:24So I'm gonna tell you the truth.
00:57:26You can't help anyone, don't.
00:57:30I was at the window...
00:57:32When this man was talking to Sheila Fane.
00:57:35And...
00:57:36I heard her...
00:57:38Tell him...
00:57:40That...
00:57:41She just confessed a crime...
00:57:44To a man named Tana Vero.
00:57:49What crime?
00:57:55She told him...
00:57:57That...
00:57:59She...
00:58:00Was the person...
00:58:01Who killed...
00:58:02Denny Mayo.
00:58:07Is this...
00:58:08True?
00:58:10Yes.
00:58:13He told her for the first time...
00:58:15That he already had a wife.
00:58:17That he married a young girl in England.
00:58:20A girl who was desperately in love with him.
00:58:23He had sent money to her to come to him.
00:58:26The bitter quarrel that followed...
00:58:29Sheila shot him.
00:58:32So...
00:58:33It was Sheila Fane...
00:58:36Who killed...
00:58:37Denny Mayo.
00:58:40Why did you tell me last night...
00:58:43That you killed her?
00:58:44I thought for a moment...
00:58:46I...
00:58:47Could save her...
00:58:48Memory from...
00:58:49From this.
00:58:51Then...
00:58:52Who did kill Sheila Fane?
00:58:54I don't know.
00:58:57Do you know?
00:59:00I don't know.
00:59:03I went away.
00:59:05I came back later.
00:59:08She...
00:59:09Was...
00:59:10On the floor.
00:59:12There was...
00:59:14A diamond pin...
00:59:16Lying near her.
00:59:18I...
00:59:18I was...
00:59:20Broke.
00:59:21Desperate.
00:59:22I took it.
00:59:25Give it to him, Blue Anna.
00:59:37Part of pin...
00:59:38Missing.
00:59:40And...
00:59:41Here's something for you, Mr. Fife.
00:59:45Something...
00:59:46The native doctor...
00:59:49Extracted.
00:59:51A bullet.
00:59:53Yes.
00:59:54A...
00:59:55A bit of...
00:59:58Penetrating...
01:00:00Criticism...
01:00:01From...
01:00:02A connoisseur of art.
01:00:08Oh...
01:00:21Mr. Fife...
01:00:23You are...
01:00:24Under...
01:00:25Arrest.
01:00:35But...
01:00:35Charlie...
01:00:35The newspapers...
01:00:36Are running me ragged.
01:00:38Now...
01:00:38You're working on...
01:00:39The Sheila Fane case...
01:00:40And you arrest a man named Fife...
01:00:41For the murder of Smith.
01:00:42What are you trying to do to me?
01:00:44I want an arrest on the Fane case...
01:00:47And Tannivero's the man I want.
01:00:49Tannivero, not man you want.
01:00:51He did not commit murder.
01:00:52Oh, he didn't, eh?
01:00:54He discovered the Fane woman murdered his brother...
01:00:56And four hours later she's found dead.
01:00:58What about alibi of McMaster's?
01:01:00Ouch.
01:01:02There is one...
01:01:04More clue left.
01:01:06Heel that crushed Orchids...
01:01:08And broke this pin...
01:01:10May furnish evidence.
01:01:13I am going to Sheila Fane's house.
01:01:15Well, Charlie, I'll give you one more chance.
01:01:17But I am going with you.
01:01:20Okay.
01:02:00The person who threw this...
01:02:02Evidently thinks...
01:02:03A long life...
01:02:04Is only extra time...
01:02:06For more troubles.
01:02:07Yes, but where did it come from?
01:02:12Did you ring, sir?
01:02:15No.
01:02:21Pardon.
01:02:23Mistake.
01:02:25Thank you so much.
01:02:34Please wait.
01:02:35Wait.
01:02:36Nothing.
01:02:36Do you want to get us all killed?
01:02:38I'm going to nail that bird now.
01:02:40No.
01:02:41We nail, all right.
01:02:43The person who tried to...
01:02:45Extinguish me...
01:02:46Does not want scratches to be found.
01:02:54Tin...
01:02:55Scratches.
01:03:00Broken piece of this pin...
01:03:02Is still in rubber heel.
01:03:12Man who sat in this chair last night...
01:03:15Was murderer.
01:03:17Charlie, I think you're right.
01:03:19Shall I call them in?
01:03:21Call him?
01:03:22Yes.
01:03:23I have everyone who was here last night.
01:03:26One moment.
01:03:27Fixed chairs.
01:03:34Don't you see, dear?
01:03:35There's nothing else to do.
01:03:40Stay in Honolulu and marry me.
01:03:42Oh, I don't know, Jimmy.
01:03:43You see...
01:03:43Oh, come on.
01:03:45Just this once.
01:03:53Come on.
01:03:57In conclusion, must ask you all to imaginary feast.
01:04:00Enter, please.
01:04:01Look here.
01:04:02You can count me out of this hocus-pocus right now.
01:04:05Listen, Mr. Below.
01:04:06I ask you all to come here this afternoon as a personal favor to me.
01:04:10All right, if that's the way you feel about it.
01:04:12Will you be seated, please, in chairs where you sat last night at coffee?
01:04:18I can't remember what I did then.
01:04:20I do.
01:04:21I sat right over here.
01:04:22Well, I sat next to you, really.
01:04:24I know I sat next to you.
01:04:25I suppose I sat next to you.
01:04:27Just like that.
01:04:28You did.
01:04:30I sat here, I believe.
01:04:35No.
01:04:36No, I sat here.
01:04:37I remember.
01:04:46What did I tell you?
01:04:49No.
01:04:50There is some mistake.
01:04:53Wait.
01:04:53Wait, nothing.
01:04:54Make the arrest now.
01:04:57Please.
01:04:58Just one moment.
01:05:00Has to be mistaken.
01:05:02Yes, sir?
01:05:09Think clearly.
01:05:10Last night, after guests left,
01:05:13other people sat at this table?
01:05:19Yes, sir.
01:05:20We'd had no dinner,
01:05:22so we just sat down for a bit of coffee.
01:05:24We needed it badly.
01:05:26We?
01:05:27Who?
01:05:29Miss Anna and I, sir.
01:05:32Where is she now?
01:05:33Will you get her, please?
01:05:37Just a moment.
01:05:41Anna.
01:05:42Keep seated, Mr. Tanovero.
01:05:44Sorry.
01:05:44I prefer to stand.
01:05:54Last night, you had coffee here at this table with Jessup?
01:05:59Yes, sir.
01:06:01Where did you sit?
01:06:02Why, I sat right here.
01:06:05Please excuse.
01:06:07Must make odd requests.
01:06:11Will you be good enough, please,
01:06:13to remove right shoe?
01:06:16Why should you?
01:06:19Well, certainly.
01:06:45You are all witnesses.
01:06:51Last night, when you stamped orchids on the feet,
01:06:55you committed important blunder.
01:07:01You killed Sheila Payne.
01:07:04No.
01:07:05No, no, no.
01:07:13Yes.
01:07:14I did.
01:07:15Anna, don't be a fool.
01:07:17Find it out.
01:07:18I warn you that whatever you say will be used against you as evidence.
01:07:22Why did you kill her?
01:07:27Because I am Mrs. Denny Mayo.
01:07:30Anna, don't.
01:07:31Oh, what does it matter now?
01:07:33What difference does it make?
01:07:36What difference can anything make?
01:07:41What else do you want to know?
01:07:44Then it was not by coincidence that you were working for Sheila Payne as maid?
01:07:51No.
01:07:53Inspector.
01:07:55I am Arthur Mayo, Denny's brother.
01:07:59From the first I suspected Miss Payne.
01:08:02And placed Anna here to watch her.
01:08:06Oh.
01:08:09When did Mr. Tanavaro tell you that Sheila Payne murdered Denny Mayo?
01:08:17Yesterday evening.
01:08:19We were going to wait until her dinner party was over,
01:08:22and then have her arrested.
01:08:24I was sure I could control myself that long.
01:08:28Then some flowers came.
01:08:31The orchids.
01:08:33And when I took them into her,
01:08:35right in front of me,
01:08:36she seized Denny's picture and tore it.
01:08:39Tore it viciously into bits.
01:08:45That may seem like a little thing to you,
01:08:49but to me,
01:08:50it was like killing Denny all over again.
01:08:55Later,
01:08:57when she went into the pavilion,
01:09:00you followed her.
01:09:03Oh, don't ask me to tell you the rest.
01:09:11Inspector.
01:09:12I left my profession in London
01:09:14and went to Hollywood to find out who murdered my brother.
01:09:18But Anna and I
01:09:19had never intended to do more
01:09:22than hand him over to the law.
01:09:26I didn't mean to kill her.
01:09:28I'm sorry.
01:09:32My mistake was in telling this poor child last night.
01:09:36Now that she has confessed,
01:09:38I want to share with her equally,
01:09:40whatever fate lies ahead.
01:09:47I'm very sorry, Mrs. Mayo,
01:09:49but you are under arrest.
01:09:51No, you don't.
01:09:52Up or stand back.
01:09:53You are never going to take her.
01:09:54She's coming with me.
01:09:56Come on.
01:09:56Oh, no, no, please.
01:09:58I got them.
01:10:00Give me a gun, please.
01:10:08This is gun that shot Smith.
01:10:09Yes, I killed him because he knew too much.
01:10:12And you know too much.
01:10:13Nobody would have known anything about it
01:10:15if it hadn't been for you.
01:10:16I'm sorry I didn't get you with that knife.
01:10:20True.
01:10:22Too late.
01:10:23Save for next case.