A powerful full drama movie filled with love, secrets, and unexpected twists.
Follow a powerful story where relationships are tested, hidden truths are revealed, and lives change forever. From romantic moments to shocking surprises, this drama keeps you engaged from beginning to end.
Featuring stories about CEO, billionaire lifestyles, family connections, and life-changing decisions, this movie delivers strong emotions and unforgettable scenes.
Watch the full movie and discover what happens in the end.
New full drama movies uploaded regularly. Stay tuned for more captivating and trending stories.
#drama #fullmovie #lovestory #dramatic #billionaire #ceo #family #relationships #movie #story
Follow a powerful story where relationships are tested, hidden truths are revealed, and lives change forever. From romantic moments to shocking surprises, this drama keeps you engaged from beginning to end.
Featuring stories about CEO, billionaire lifestyles, family connections, and life-changing decisions, this movie delivers strong emotions and unforgettable scenes.
Watch the full movie and discover what happens in the end.
New full drama movies uploaded regularly. Stay tuned for more captivating and trending stories.
#drama #fullmovie #lovestory #dramatic #billionaire #ceo #family #relationships #movie #story
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CreatividadTranscripción
00:07¡Suscríbete al canal!
00:37¡Suscríbete al canal!
01:00What's your first line?
01:03There are people everywhere outside.
01:07Are you hiding from the press?
01:09Or from me?
01:11Both.
01:17I told myself I wouldn't touch him tonight, but the second he looks at me like that, everything I call
01:23discipline turns ridiculous.
01:48I thought you were avoiding me.
01:50There are people...
02:09¿Estás feliz ahora?
02:10Perfecto tiempo.
02:11Vámonos a seguir pretendiendo que no me conoces.
02:17Escucha a mí.
02:18No te tomas tu vehículo usual.
02:20¿Estás enviando mi alrededor ahora?
02:23Ya tengo mi vehículo primaria enviado a la entrada de la entrada de la entrada de la entrada.
02:25Y la seguridad está enfriando el preso al lado del lado de la izquierda.
02:30Te desecho a la entrada de la entrada de la entrada de la entrada de la entrada de mi nombre.
02:34¿Tú plan esto?
02:35Yo hago un hábito para preparar para el peor.
02:37¿Por quién?
02:43Get in the car.
02:45¿Estás afraid de que te encuentras?
02:46¿O estás afraid de que no te podamos de parar?
02:52¿Estás afraid de que te vayas primero?
02:56Eso es el problema.
02:57No es solo los besos.
02:58Es la forma que me proteja.
03:09Empezando ahora, no más de los pasos privados.
03:13La foto está blanca, pero la gente está ya sabiendo.
03:18¿Qué relación?
03:19¿No los rivales no tu historia favorita para vender?
03:22El equipo de la tienda recomienda mantener la narrativa de la feud.
03:25Es la opción segura.
03:26Es la opción segura.
03:28¿Es eso lo que quieres, también?
03:33Paine, esto no puede ser descubierto.
03:37El equipo de la tienda recomienda para vender la feud.
03:44El equipo de la tienda recomienda para vender la feud.
04:15El equipo de la tienda recomienda para vender la feud.
04:36El equipo de la tienda recomienda para vender la feud.
04:42El equipo de la tienda recomienda para vender la feud.
04:46El equipo de la tienda recomienda para vender la feud.
04:58El equipo de la tienda recomienda para vender la feud.
05:16El equipo de la tienda recomienda para vender la feud.
05:39El equipo de la tienda recomienda para vender la feud.
05:45¿Quieres que me quiera?
05:47¿Estás tarde?
06:05¿Cómo lo has estado despertando?
06:07Un poco más antes que tú.
06:09¿Te regretas?
06:13¿Te regretas no hacer más tarde?
06:20A reporter got pain
06:21entering your floor last night.
06:27You take the service stairs.
06:29I'll handle the front.
06:31What scares me
06:32isn't that he'll turn cold after this.
06:34It's that even after this,
06:35his first instinct
06:36is still to hide me.
06:44No response, no denial
06:45and no one releases
06:46pain's name separately.
06:49And suppress the floor surveillance
06:50from last night.
06:54I had clothes brought up for you.
06:56You remember my size.
06:59I remember your size,
07:01your stomach meds,
07:02your throat logegnes,
07:03all of it.
07:05This isn't the first time
07:07you've taken care of me.
07:12It's just that before this,
07:15you didn't know it was me.
07:16This isn't a standard confrontation.
07:18You need to feel like enemies
07:20who know each other best
07:21and can't bear
07:23to destroy each other.
07:27You can't bear to let go,
07:29yet you wear indifference
07:30like armor.
07:34Because I know better
07:35than you do
07:36that no good comes
07:37from staying close to me.
07:38Yes!
07:39That's exactly it!
07:41How does he make my wounds
07:42sound like a line reading?
07:53I didn't put those there.
07:55Someone had them sent up
07:56from the front desk.
08:01What exactly are you trying to do?
08:07Take care of you.
08:12Sleep with me?
08:14Then hide me again?
08:15That's your version of care?
08:20Pain.
08:21I never wanted to hide you.
08:23I just don't know
08:24how to protect you
08:25openly in this world.
08:29Reporters caught pain
08:30on this floor.
08:31They're blocking the elevators!
08:37All I know is that
08:38every time I push you away,
08:40it hurts me too.
08:44Then stop winning like this.
08:49Hey!
08:50Were you upstairs last night?
08:52Are you and no one more
08:53than just co-stars?
08:59Pathetic.
09:00One night with him
09:01and the next morning
09:01I have to flee
09:02like I committed a crime.
09:08Move.
09:18What are you doing out here?
09:19Getting you out.
09:29Close your eyes.
09:41I thought this was exactly
09:42what you feared most.
09:44I'm more afraid of you
09:45standing there alone.
09:46Say that again.
09:50Pain.
09:51I'm not hiding from you.
09:53I'm afraid I won't be able
09:53to protect you.
10:07We can't suppress this anymore.
10:11Pull his solo route first.
10:13Any place I'm appearing today,
10:15he's not handling it alone.
10:17He's deciding for me again.
10:18The terrifying part is
10:20this time
10:21I almost want to trust him.
10:25This family can tolerate
10:26your public life,
10:28your violent films,
10:30even your refusal
10:31to inherit the business.
10:33But it will not tolerate
10:34you tying yourself
10:35to an actor
10:36of uncertain pedigree
10:37who climbed upward
10:38on publicity and appetite.
10:40Stay away from him.
10:41And if I don't?
10:44Then you'll watch
10:45with your own eyes
10:46how studios,
10:47brands,
10:48and investors
10:48pull him down
10:49piece by piece.
10:51Let me tell you
10:51something else.
10:53That arthouse film
10:54three years ago,
10:55the one that could have
10:55changed his life?
10:57Do you think losing
10:58that role was just
10:59bad luck?
10:59For every step
11:00you try to build for him,
11:02I can close ten doors.
11:05So it wasn't all fate.
11:07Some of what I failed
11:08to save was sabotage.
11:23Shouldn't you be back
11:24with your perfect family?
11:31Did you regret it today?
11:35Pain, I'm afraid.
11:37I'm afraid I won't be able
11:38to protect you.
11:40And I'm afraid I may
11:41already be too late.
11:44What do you mean?
11:46It means from now on
11:48this won't just be
11:49aimed at me.
11:55Noah,
11:56this is what I hate
11:57most about you.
11:58You're already
11:59barely holding together
12:00and you're still thinking
12:01about how to push me away.
12:02Then tell me how.
12:04If I stop pushing you away,
12:06how do I keep you
12:06from getting hurt?
12:07Stop trying to win
12:08this alone.
12:09If we lose,
12:10then lose with me.
12:14then don't let go
12:16this time.
12:17All right.
12:18Not this time.
12:48There it is.
12:50If they're really
12:50going after him,
12:51then I'll spend
12:52every last thing
12:53I used to protect
12:54to fight back.
12:56I thought no it.
12:57I just
12:58nothing this year.
12:59Your work is in here.
13:00Why don't somebody
13:00relay that?
13:01It's just business.
13:02That's right.
13:03Fungalize is knackly.
13:04Okay.
13:05I thought no it.
13:05I just
13:06nothing this year.
13:07You're going to want
13:07missing here.
13:08Why don't somebody
13:08relay that?
13:16Effective immediately,
13:17all joint promotion
13:18is suspended.
13:19Separate arrivals,
13:21separate accommodations,
13:22separate interviews.
13:24Why not just ask us
13:25to pretend we've never met?
13:27Payne,
13:27we've always valued
13:28your personal image.
13:30The safest move now
13:31is for you to establish
13:32distance first.
13:38Mr. Ashford's side
13:40has made their position clear.
13:41The best course
13:42is separation.
13:47Do it for now.
13:48There it is again.
13:49He always finds
13:50the calmest tone
13:51for leaving me
13:52in the ugliest place.
14:09What exactly
14:10did you mean by
14:11do it for now?
14:13It means if we go
14:14head on right now,
14:16you'll be the first one hit.
14:17You always do this.
14:19You decide for me,
14:20hurt for me,
14:21endure for me.
14:22Have you ever asked
14:22whether I even want
14:23to be protected like that?
14:25The first time I saw you
14:27didn't even have
14:27a proper suit.
14:31You were standing
14:31in the back row
14:32of that audition hall
14:33in a black coat
14:34that didn't fit.
14:35The cuffs already frayed.
14:37But the second
14:38you looked toward the camera,
14:39I knew you were born
14:40for this.
14:41You saw me back then?
14:43The first time
14:44you walked into that room
14:44looking like a leading man,
14:45it wasn't luck.
14:46I had a stylist
14:47send that suit over
14:48anonymously.
14:50What?
14:50I didn't want you
14:51to lose to a suit.
14:53So it wasn't heaven
14:54favoring me that day.
14:55Someone believed
14:56I'd win before I did.
14:58Noah,
14:59how many things
15:00have you done
15:00behind my back?
15:06Enough that I barely
15:07know anymore.
15:08Whether I was helping you
15:09or simply indulging
15:11my need to see you shine.
15:13Good night.
15:40I'm willing
15:42to see you
15:42¿Qué es eso?
16:12¿Y qué es eso?
16:14After the audition that day,
16:17everyone laughed at you.
16:18They said your accent was too rough,
16:22your resume too thin,
16:24and that you had no manager
16:26and no business being there.
16:30But I still remember the way you looked at the camera that day,
16:33like you were gambling your life against the whole world.
16:36You didn't get the role in the end.
16:38I took your audition sheet,
16:40and I made sure they kept your tape.
16:42Why?
16:47Because even then,
16:49I was thinking that one day,
16:52you would stand somewhere impossible to ignore.
17:14Noah,
17:15do you have any idea what this does to me?
17:18It only makes it harder to ever let you go.
17:22I never wanted you to.
17:48I never wanted you to.
17:56Touch me now?
17:58Aren't you worried we'll get photographed again?
18:02I am.
18:08But I'm more afraid you'll walk out stage still angry at me.
18:12And what exactly do you think I'm angry about?
18:21That I don't love you out loud enough.
18:29Everyone outside seems convinced you two can't stand each other off camera.
18:33Is that true?
18:35If it were truly that bad,
18:37I wouldn't be sitting here.
18:40So the relationship is good?
18:42Then?
18:43More complicated than you imagine.
18:56He's always like this.
18:58Bolder in the shadows than anyone else could ever be in the light.
19:12You kept that form for seven years.
19:15When exactly did you start liking me?
19:20The power went out before your turn that day.
19:25Everyone else complained.
19:27You were the only one who stood in that dead dark room and finished the scene anyway.
19:30No camera.
19:32No lights.
19:33No audience.
19:34But I saw you.
19:36Payne, do you know?
19:37Our meeting wasn't fate.
19:39It's my plan.
19:41What?
19:42I mean...
19:43You've been impossible to get out of my head for a long time.
19:48Noah...
19:48I don't understand.
20:02A European Art Tour is a new feature.
20:05A major awards opportunity.
20:08The only condition is that there can be no personal scandal during promotion.
20:18Nobody may survive on rumors.
20:23Rumors.
20:37Does your father think someone like me is a stain on you?
20:42Fair enough.
20:44The plates in your house probably cost more than the place I grew up in.
20:51Pain.
20:54You know what's most pathetic?
20:56I hate anyone who tells me to accept my place.
21:01But every time I think about your family, I start wondering if maybe I really don't belong beside you.
21:14You are not the one who falls short.
21:18It's that world that falls short of you.
21:36What is this?
21:37When I was first approached for this project, the director asked who I wanted opposite.
21:42I wrote down your name.
21:44Payne.
21:45You did not wander into my world by mistake.
21:49I wrote you into my future long before you knew it.
21:54So I didn't claw my way into his world.
21:57He made room for me long before I arrived.
22:09Yes, it has.
22:28You are coming after me now?
22:30What if your father sees?
22:43You were about to leave.
22:45What else was I supposed to do?
22:46Stay and watch you perform your polished little life?
22:50Payne.
22:52I'm so, so sorry.
22:53I swear I didn't know she was coming.
22:56You're a liar.
23:01My father only told me there was a charity dinner tonight.
23:04I had no idea he'd arrange for reporters to be there taking pictures.
23:08You don't know her?
23:10I swear, I had no idea.
23:14I promise you, this kind of thing won't happen again, okay?
23:19Do you remember that audition seven years ago?
23:24The audition records were supposed to be destroyed, but I had someone make a copy and keep it.
23:31I mean, this heart has belonged completely to you for a very long time.
23:36So trust me, okay?
23:38It's beating for you.
23:42I'm just, do you know what happened after that audition?
23:48I sat outside all night, because for the first time in my life, I felt like someone had truly seen
23:54me.
23:57Turns out, it was you all along.
24:13Noah, are you in there?
24:22Payne.
24:24If I have to lose this time, I want to lose to you.
24:29That's it.
24:30I may never be able to let this man go again.
24:36Noah?
24:42Let go.
24:43I'll leave through the back.
24:52Don't do that.
24:57I'll go out first.
24:58And then what?
25:00Leave me in here alone?
25:04You come out five minutes later.
25:07Noah?
25:23Don't lie to me.
25:31Not this time.
25:39He's always the one who walks out first, and I'm starting to fear that one day when he does, he
25:45won't come back.
25:53Noah Ashford, seen with socialite heiress at Gela.
25:58Ashford family rumored to approve relationship.
26:05The production wants to use this wave and set you up with the female lead to bury the rumor.
26:10They really know how to pick their timing.
26:18Hey, hand on her waist.
26:20Closer.
26:26Closer.
26:37Noah, what brings you here?
26:39Just came to see what people mean by work requirement.
26:42Since you're here, want to join for a friendly photo?
26:53He doesn't like people getting too close.
26:57You want a shot?
26:58I'll show you how.
27:13He's always like this.
27:14He should be the one hiding.
27:16And yet every time, he's the one stepping out to block the blow.
27:19So, are you crazy?
27:23Yes.
27:34Were you this good at acting when you stood beside her last night?
27:39My father arranged that.
27:43So what?
27:45Pain.
27:48I didn't touch her.
27:50But when I saw you standing next to her,
27:55it hurt.
27:57Then look at me.
27:59All night.
28:01I kept wondering whether the photo would hurt you.
28:05And when I came to the studio and saw your hand at someone else's waist,
28:09I nearly lost it on the spot.
28:12Pain, I admit it.
28:14I was jealous.
28:20So he gets jealous, too.
28:23So I'm not the only one bleeding here.
28:30Then don't ever do that again.
28:33Okay.
28:34You promised.
28:39Work up the emotion tonight.
28:41I want it to feel like fate itself.
28:52You knew I'd come back.
28:55Wherever you go, you always end up back with me.
29:09Do you always need to push me until I admit defeat?
29:14And will you?
29:18Do you?
29:29That's it!
29:30That's the fate I wanted!
29:32It's not that we're good at acting.
29:34It's that this relationship has pushed us past pretending.
29:44You did that on purpose.
29:51And you?
29:54You kissed me back, didn't you?
30:02Pain.
30:05Pain.
30:05Yeah?
30:06Yeah?
30:08Yeah.
30:11I think I was doomed to lose to you from seven years ago.
30:21And now, let's welcome our two male leads to the stage to talk about their experience of working together.
30:31Pain, don't just orbit the Ashford's tonight.
30:34Let somebody else have a little spotlight, too.
30:45Pain, stand next to me.
31:04Do you even know what you just did out there?
31:07Yes.
31:09Your father was sitting right there.
31:12I saw him.
31:17Pain.
31:18You used to ask me when I'd really choose you.
31:21I may not be able to throw away the whole world all at once.
31:25But starting today, everyone will know I can't do without you.
31:29So this is what being chosen feels like.
31:32Not a confession.
31:33Him literally pulling me out of the crowd and placing me beside him.
31:37Noah Payne, we've got a problem.
31:39Someone dug up your joint audition records from seven years ago.
31:50Everyone online is guessing when this really started.
31:57Mr. Ashford has already called.
31:59He wants you home tonight.
32:11When are you going back?
32:13Your father is probably blowing up your phone by now.
32:17I'll handle it.
32:23I'm not letting go.
32:25I'll go back in a bit and make things clear with my father.
32:35You're not letting go and neither am I.
32:52How far have you gone with him?
32:56Which answer do you want?
32:58I want you to end this.
33:00Completely.
33:02A European film.
33:04The best awards runway for best actor, exclusive brand deals.
33:08And a seat in the new board fund.
33:13All of it can still be yours.
33:16On one condition.
33:18Stay away from pain.
33:25And if I don't?
33:26Then I'll show him exactly how easy it is to climb into this industry.
33:32And how fast he can be dropped back out.
33:50What's wrong?
33:53My father used you as leverage.
33:59Pain for a moment just now.
34:01I really wanted to take you and leave.
34:05No acting.
34:06No awards.
34:06No going back to that house.
34:08Nothing.
34:08I wanted none of it.
34:12Then why didn't you?
34:14Because I won't drag you into a gamble when I don't even know if I can win it.
34:19Noah.
34:22Do you realize that the moments you hurt me most are usually the moments I can tell you love me
34:27the most?
34:51Do you know how much I hate that you always try to carry everything alone?
34:55I wasn't trying to do it alone.
35:00Then tell me why when it really comes down to choosing, I'm always the one left outside.
35:08Noah, you owe me a public answer.
35:13Not tomorrow, not this second.
35:20But at least let me know you've thought about it.
35:25Don't make me keep waiting for you in the dark forever.
35:31Before this film is released.
35:33Before then.
35:34Okay?
35:37By the time the film opens, I won't make you love me in the shadows anymore.
35:46Don't lie to me.
36:07Don't lie to me.
36:12Because I've never won once since the first time I saw you.
36:41No te parles.
36:43Keep going.
36:55Pain, if fate ever favored anyone once, it was probably when it let me see you first
37:06seven years ago.
37:31Since your chemistry is so strong,
37:33why not show us a little of that ontage chemistry?
37:40Thank you.
38:07Are you insane?
38:08Yes.
38:12Not afraid anymore?
38:14I am, but I'm more afraid that someday I'll look back and realize I loved you without
38:21ever really walking towards you.
38:23Thank you.
38:37Thank you.
38:57Noah, the gentleman wants to see you now.
39:05You head back first, and tomorrow I'll just get another do it for now.
39:15Mr. Payne, this is an Ashfield family matter.
39:20Too late.
39:21It doesn't really look that way anymore.
39:30Tell my father I'll come see him, just not now.
39:33Noah, do you even know what you're doing tonight?
39:38For the first time, I'm doing something because I want to.
39:48Why did you pull me back just now?
39:50Because I didn't want you standing outside alone waiting.
39:55Payne, this wasn't impulse.
39:57I just can't stand being this close to you and still pretending we don't know each other.
40:07He's finally protecting me from the open, but I know the hard part is only beginning.
40:28I gave you a chance.
40:32Starting tomorrow, I'll take over your private team, your account management, and your public schedule.
40:37You won't need to participate in the film's promotion anymore.
40:41You're threatening to bury me?
40:43If you're determined to ruin yourself for a grassroots actor, I don't mind forcing a pause.
40:52And Payne.
40:55I've already had people speak to his new brand deal.
40:58If you back off, he won't lose a thing.
41:02What gives you the right to decide for him?
41:05Because I know people like him know exactly what to grab and what to let go.
41:11Then you're wrong.
41:13Then you're wrong.
41:42Fine.
41:43I won't decide for you this time.
41:46I'll ask you.
41:52If this could destroy everything, do you still want to keep going with me?
41:58Noah, I am afraid of losing.
42:01But if I'm losing with you, I'll need to face it together.
42:12If the two of you can't provide a reasonable explanation, we'll have to reassess our partnership risk.
42:19Payne, you can issue a statement first.
42:22Say you're just friends.
42:24No.
42:25I won't issue that statement.
42:28And we are more than friends.
42:31Noah, do you realize what you're saying?
42:33Yes.
42:42From today on, no one gets to handle any narrative about me by isolating pain.
42:50You're really insane today.
42:57Scared?
43:00No.
43:01I'm excited.
43:04I've waited too long for this.
43:14Do you know that I really wanted to hug you just now?
43:19Then do it now.
43:33Do you know what people are saying about us out there?
43:36Yes.
43:38They're all waiting for us to fall apart.
43:41I don't care about them.
43:46You've both been treading nonstop.
43:48Some people even say your film is more of a PR project than a movie.
43:54Maybe that's because some people don't believe two actors can be serious about their craft and serious about each other.
44:00Each other?
44:01That's a phrase that invites a lot of interpretation.
44:11So, are you two in a special relationship?
44:17Some relationships don't need labels to exist.
44:21Existing is special enough.
44:32You almost said it outright.
44:36But you were happy, weren't you?
44:38Your heart was racing.
44:48I used to think that if I worked hard enough, won enough awards, and had enough fans, no one could
44:57look down on me forever.
44:59But now I realize some things don't go away just because you climb high enough.
45:05Like people always thinking, I'm not from the same world as you.
45:14Noah, if, in the end, your world really can't make room for me, what then?
45:22Then I won't take that world.
45:33Pain, I never loved you because of the awards you won.
45:36I loved you the moment I saw you standing there alone and brave in that blackout seven years ago.
45:49If they want to take everything from me, we'll still have each other.
45:53And if I have to lose, I'd only want to lose to you.
46:15Did Noah already know Kayden?
46:18Did this started seven years ago?
46:19I knew they'd been dating all along.
46:23I remember the day you confessed to me.
46:26It was the opening night of my first film.
46:29After the ceremony, you were just like this, waiting for me in the car with a bouquet of flowers, all
46:35sneaky-like.
46:36What were you thinking back then?
46:49I was thinking, I should have given you those flowers the very first time we met.
46:56Then why didn't you?
46:58I couldn't.
46:59I couldn't.
47:00My family, my team, the film investors, they would never allow me to be linked to some newcomer no one
47:05even remembered by name.
47:07If they'd found out a rookie actor might affect me, do you know what they would have done to you?
47:13So all I could do was sit in the car and stay with you.
47:17Those 40 minutes were the only thing I could give you then.
47:25Noah, I don't want flowers.
47:27I just want you.
47:33I know.
47:34You said our meeting wasn't God's doing.
47:38I know it was you.
47:53By 8pm tonight, you'll issue this statement.
48:00If you sign it, I'll handle everything after that.
48:03You'll keep acting, keep winning awards, and keep being the most respectable son in the Ashford family.
48:08And if I don't?
48:09Then Payne's new film investment gets pulled, two brand deals get cancelled, and I can make your movie rot on
48:15the wealth.
48:17I'm not negotiating.
48:20I'm making sure you understand how hard it is to climb up and how fast you can fall.
48:25Especially someone like him.
48:32You know what?
48:34The very thing you look down on in him is exactly what I love most.
48:39Noah.
48:44I'm not signing this.
48:46Not now.
48:48Not ever.
48:57Am I late to the funeral?
49:08Payne, I think I'm really past the point of going back.
49:14And come to my side.
49:28If you really break with your family today, it'll be more than just losing your resources.
49:35I know.
49:37Noah, I'm not trying to push you away.
49:41I'm really afraid.
49:43You'll regret this later.
49:48You were born into everything.
49:52If you choose me, you could lose a lot.
49:57Payne.
49:58The thing I regret most has never been loving you.
50:05It's that day seven years ago when I didn't get out of the car and stay with you.
50:13So, listen carefully.
50:17I didn't walked out of that house today on impulse. I just didn't want to make the same mistake again.
50:25Then, don't ever regret loving you.
50:59You know, I used to fear cameras the least.
51:04But now, just thinking about sitting in front of one with you tomorrow makes me nervous.
51:10What are you afraid of?
51:12That you'll suddenly back out.
51:14That once you're on camera, you'll turn back into the Noah who can endure anything and say nothing.
51:25Pain.
51:28Tomorrow, if they ask me whether you're special, I won't hide behind the word complicated anywhere, anywhere.
51:49The audition tape from seven years ago is all over the internet now.
51:53When did the two of you actually meet?
51:59Seven years ago.
52:03So, you really knew each other that early?
52:06Yes.
52:06Then, why keep it secret?
52:09Because nobody would have believed it then.
52:12A debuting rich kid and an audition actor nobody remembered.
52:17What was there to say?
52:19And now?
52:20Is this relationship worth talking about now?
52:30Yes.
52:33So, what you're saying is?
52:35What I mean is that pain has never been a piece of public opinion I needed to manage.
52:46He's someone I stopped being able to let go of a long time ago.
52:59No one.
53:05This time, don't even think about backing out.
53:08I won't.
53:09No one.
53:11No one else.
53:14No one.
53:16No one.
53:16No.
53:16No one.
53:17No one.
53:17No one.
53:18No one.