Hoping to capitalize on a publicity tour by film star April Tremaine (Marjorie Woodworth) from Chicago to Broadway, producer Ivan Ivanski (Leonid Kinskey) decides April should travel with a baby, and he orders his secretary, Patsy Riley (Patsy Kelly), to locate one. A stranger who overhears Patsy telling the plan to an engineer at the train station offers a baby for $500. But, soon after the group boards a train with the infant, news leaks out about the kidnapping of a wealthy family's baby.
#drama #comedy #romance #B&W
#drama #comedy #romance #B&W
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FunTranscript
00:00:03The
00:01:31Oh, that's adorable.
00:01:32Now, wait a minute, boys.
00:01:33We must have patience.
00:01:34Now, just a minute.
00:01:36Now, enough.
00:01:36But you told us to come.
00:01:37Then, Dr. Rybanski.
00:01:39I'm sorry I made a mistake.
00:01:41I'm entitled to change my mind.
00:01:43Am I not?
00:01:43I know, boys.
00:01:44I'm very sorry.
00:01:45But you definitely told us to be...
00:01:46Yes, I know.
00:01:47I'm very sorry.
00:01:48Some other time.
00:01:50Well, what's the matter?
00:01:51Listen now.
00:01:52Listen to me.
00:01:53We made great pictures together.
00:01:55Terrific successes.
00:01:56But now I'm looking into the future.
00:01:58We must go on to better things.
00:02:00You can't top oomph with oomph.
00:02:03What do you mean?
00:02:04Oh, in our next picture, there is no oomph connected with it.
00:02:08The girl must have a soul.
00:02:10She must be deep, sincere.
00:02:12And how do you get that?
00:02:13I've decided.
00:02:15You've got to have a baby.
00:02:18A baby?
00:02:19I have to have...
00:02:21Exactly.
00:02:22This is the only thing.
00:02:23Believe me, my darling.
00:02:24There is nothing so beautiful, so fundamental, so...
00:02:27Now, wait a minute, Yvonne, please.
00:02:29I've done everything you wanted me to for two years.
00:02:31I've posed in bathing suits in the middle of December.
00:02:34I've ridden wild horses.
00:02:35I've collected Russian wolf hounds.
00:02:36And I've even been the sweetheart of the Orange Growers Association.
00:02:39But I'm telling you right now, Yvonne, I'm not going to have a baby.
00:02:43You will.
00:02:44I will not.
00:02:45Make up your mind.
00:02:46My mind's made up, and that's that.
00:02:48Very well.
00:02:49Very well.
00:02:50The end has begun.
00:02:51You're no longer trusting me.
00:02:52And this is goodbye.
00:02:53I go.
00:02:55But you will have a baby.
00:02:57Miss Raleigh.
00:02:58Yes, Mr. Ivansky.
00:03:03We've got to get a baby.
00:03:05But definitely.
00:03:06What's more important, we've got to get it by train time.
00:03:11This is ridiculous.
00:03:14You must be away.
00:03:16What a ridiculous.
00:03:19Baby.
00:03:21Baby.
00:03:23I got it.
00:03:25You get it.
00:03:27Where am I going to get a baby in Chicago?
00:03:29And what kind of a lug do you think I...
00:03:34I got it.
00:03:36You get it.
00:03:37Where am I going to get a baby in Chicago?
00:03:40And what kind of a lug do you think I...
00:03:41You get it.
00:03:41Excuse me.
00:03:42Quiet, please.
00:03:43Hello, operator.
00:03:44Get me the Roundhouse Cafe.
00:03:46He's an old boyfriend of mine who works on the Pennsylvania Railroad.
00:03:49If he's not married or dead, he's a cinch to help us.
00:03:52Hello?
00:03:53Is Mr. Maurice Monaghan there?
00:03:55Just a minute.
00:03:57Oh, Mike.
00:03:59What do you want?
00:04:05Excuse me.
00:04:07Sorry.
00:04:08Telephone, Mike.
00:04:10Is it important?
00:04:12I don't know.
00:04:14Who is it?
00:04:16A dame.
00:04:18A dame?
00:04:19Yeah.
00:04:28Like I always said, dame's is poison.
00:04:32Hello.
00:04:33Who?
00:04:36Oh, hello.
00:04:38When did you get in?
00:04:39Oh, I just this second took off my hat.
00:04:42Oh, no.
00:04:43We're leaving this afternoon on the Broadway Limited.
00:04:46On the Limited?
00:04:47Why, that's my train.
00:04:50I'm the engineer.
00:04:52Oh, that's wonderful.
00:04:54Oh, uh, Maurice, darling, would you do me a little favor?
00:04:58Oh, anything for you, honey.
00:05:00You know that.
00:05:02Why, I'd give you my arm right up to there.
00:05:08You've got to have a baby.
00:05:13You what?
00:05:17Oh, for a press stunt to go to New York.
00:05:23And you want me to get it.
00:05:25Oh, thanks, darling.
00:05:26I knew you wouldn't let me down.
00:05:27Oh, and just one more thing.
00:05:29We must have it by train time.
00:05:30That ain't for a couple of hours yet.
00:05:33Sure, sure.
00:05:35That gives me plenty of time.
00:05:37I'll see you later.
00:05:39Goodbye.
00:05:42A baby.
00:05:44A baby.
00:05:44Come on.
00:05:45Good wine.
00:05:49Can I get you something?
00:05:50Yeah, get me a baby.
00:05:53A baby?
00:05:55I mean a cup of coffee.
00:06:01Lou.
00:06:03You haven't got a baby, have you?
00:06:05I ain't even married.
00:06:06Why?
00:06:08A friend of mine wants to get hold of them.
00:06:12I'll take you to New York for a press stunt.
00:06:14There's 500 bucks in it.
00:06:16I know a baby about 18.
00:06:17He'd like to take a trip to New York.
00:06:20Say, Bud.
00:06:21What's this gag about the baby?
00:06:23It ain't a gag.
00:06:24It's for a friend of mine.
00:06:25She's a press agent for a movie star.
00:06:27That's the movie star that wants the kid.
00:06:29Oh, and so they're gonna take it to New York, huh?
00:06:32Yeah.
00:06:33And like I say, there's 500 bucks in it.
00:06:36That's a lot of money.
00:06:38Stick around a minute.
00:06:39I think I can help you.
00:06:45Hey!
00:06:46Who's that mug?
00:06:47Who knows?
00:06:48I never saw him before.
00:06:49Anything else?
00:06:50Yeah, give me another coffee.
00:06:51Coming right up.
00:06:54Say, you must like coffee.
00:06:56I do.
00:06:56But I wouldn't drink so much hot water just to get a little.
00:06:59Say here, Mr. Monty.
00:07:00Take it easy.
00:07:07Okay, buddy.
00:07:08I got just what you're looking for.
00:07:09Come on.
00:07:10Let's take a walk.
00:07:11Swell.
00:07:12Come and boil you.
00:07:13Save it.
00:07:15Thanks.
00:07:16Gee, if you can get me out of this jam,
00:07:18I'll be a friend of yours for life.
00:07:19Right after here.
00:07:20You haven't got a thing to worry about.
00:07:21Everything is taken care of nice and pretty.
00:07:32Union station.
00:07:33Yes, sir.
00:07:36Oh, it's beautiful.
00:07:38Wonderful.
00:07:40Superb.
00:07:41This will give you what you need.
00:07:42Not a jitterbug kind of love, that old business.
00:07:45Visualize yourself in your own little bungalow before you're flickering fire.
00:07:50Your little baby in your arms.
00:07:52Your young husband by your side.
00:07:54This is the love of real people.
00:07:56Honest and sincere.
00:07:57Down to earth.
00:07:58Believe me, darling.
00:07:59This is basic.
00:08:01Fundamental.
00:08:01The life nations are built on.
00:08:07Thank you very much.
00:08:09Can you hold him this side?
00:08:11Soft smile with warmth.
00:08:18That's enough, gentlemen.
00:08:19That's enough.
00:08:19Thank you very much.
00:08:20Thank you very kindly.
00:08:21It is wonderful.
00:08:23Beautiful.
00:08:24All right.
00:08:25Goodbye.
00:08:28Well, there you are.
00:08:29Okay.
00:08:31Thanks.
00:08:32Lots of luck.
00:08:36Please, gentlemen.
00:08:37Please, Mr. Maine.
00:08:38It's tired.
00:08:38What are you going to New York for this trip, Mr. Maine?
00:08:40Oh, it's just the usual thing.
00:08:42You know, a little vacation before her next trip.
00:08:44How about it, Mr. Maine?
00:08:45Thank you very much, gentlemen.
00:08:46We'll be seeing you.
00:08:47As I said before, I love your fair city.
00:08:51Chicago.
00:08:52Adieu.
00:08:53Hold it, Mr. Ivanky.
00:08:54Thank you very much.
00:08:55Thank you very much.
00:08:55Thank you very much.
00:09:06The End
00:09:43You'll be on your own after we hit Fort Wayne.
00:09:46What do you mean?
00:09:47I ain't going back with you.
00:09:49I'm going through.
00:09:50Yeah?
00:09:52You're to where?
00:09:54New York.
00:09:56How come?
00:09:58I'm taking my vacation.
00:10:01What summer are you going in on?
00:10:03Funny of me.
00:10:04I'm going to ride right here on this dude train.
00:10:08You take that head on the limited.
00:10:11Who's that heading?
00:10:13I've got a thingy that my girl's on the train.
00:10:16Your what?
00:10:17Am I supposed to take that as a crack?
00:10:19I sent my girl.
00:10:21And she's from Hollywood.
00:10:23It ain't horrible, is it?
00:10:25No, it ain't garbo.
00:10:27I don't go for block.
00:10:38Pardon me.
00:10:39Certainly.
00:10:40Oh, well.
00:10:41Well, maybe if I went back the other...
00:10:43No, it's perfectly alright.
00:10:46Alright.
00:10:46No, it's just what you...
00:10:48But you just wait a minute.
00:10:51I don't know how I've ever smoked up there.
00:10:54I just...
00:10:57If you...
00:10:59Well, I guess you can't...
00:11:01No, I just...
00:11:04Thank you, lady, very much.
00:11:05You're welcome.
00:11:13Wilbur, this is no place to play ball.
00:11:15Why not?
00:11:16I'm so sorry.
00:11:17It's alright.
00:11:20Pardon me.
00:11:21Oh, janitor.
00:11:23Do you see many motion pictures?
00:11:26Yes, whenever I can.
00:11:27Did you see the scarlet lady?
00:11:29Yes, sir.
00:11:29Do you remember who the star was in it?
00:11:31Yes, Miss April Tulane.
00:11:33The homegirl.
00:11:33She's on this train, isn't she?
00:11:35Yes, ma'am.
00:11:36She sure is.
00:11:37Right in there.
00:11:38Oh, thank you so much.
00:11:39What a small world this is.
00:11:41Yes, sir.
00:11:44Oh, why, Miss Potter?
00:11:46Well, you've had us a little worried.
00:11:48We thought possibly you'd miss the train.
00:11:50Oh, no.
00:11:50I wanted to catch a train all my life and finally did.
00:11:53Is Miss Tulane...
00:11:54Yes, sir.
00:11:55She's being prettied up.
00:11:56By the way, have you met Mr. Ivansky yet?
00:11:59Oh, no, but I'd like to.
00:12:00Well, believe it or not, he can't wait to meet you.
00:12:03Oh, for you.
00:12:03Oh, perhaps this.
00:12:04Oh, just a moment.
00:12:06Look, Miss Potter.
00:12:07Well, this is Mr. Ivansky's compartment.
00:12:09You just go in and take a seat and I won't be a minute.
00:12:11Oh, well, thank you.
00:12:13You will.
00:12:30So?
00:12:31Oh, excuse me.
00:12:32She told me to...
00:12:33Excuse you?
00:12:33I don't even know who you are.
00:12:35I'm...
00:12:35Never mind, Doctor.
00:12:36Why should I care who you are?
00:12:38Get out.
00:12:38Oh, dear, but I'm Miss Potter.
00:12:41Potter, what to, but to, what do I care?
00:12:43Get out.
00:12:44I...
00:12:45Please, get out.
00:12:47I never...
00:12:48Out.
00:12:50I...
00:12:50Oh, dear, I never...
00:12:55Oh, Miss Potter.
00:12:56Oh, I'm so sorry I had to leave you, but you should have gone right in.
00:12:59Oh, that's all right.
00:13:00Oh, now you simply must meet Mr. Ivansky.
00:13:03Why, he'd never forgive me if you didn't.
00:13:04Oh, but I...
00:13:05Now, please, go ahead.
00:13:06Oh, but I was just in here.
00:13:07Oh, he won't mind a bit.
00:13:09Now, you just sit right down there and make yourself comfortable.
00:13:11I wonder where he went.
00:13:13Oh, I'll have a quick look and be back at the gypsy.
00:13:15Oh, dear, but I...
00:13:15That's all right.
00:13:16Hi.
00:13:17La, la, la, la, la, la, la, la.
00:13:19Oh, no.
00:13:20Hi.
00:13:21Why do you make my life, Miss?
00:13:23She...
00:13:24Why are you haunting me?
00:13:25Well, I...
00:13:26Get out again.
00:13:27Ow, please.
00:13:28I'm...
00:13:28Oh, there you are.
00:13:30Oh, I see you two have met.
00:13:31I've met nobody.
00:13:32This woman...
00:13:33Yeah, yes, this is Miss Pottle.
00:13:34You remember, the president of the Chicago April Fremaine Club.
00:13:37No.
00:13:38Yeah.
00:13:39Not the Miss Pottle.
00:13:40Uh-huh.
00:13:41It's impossible.
00:13:42This lovely young creature.
00:13:43Oh, it's impossible.
00:13:45Oh, that isn't all.
00:13:46She's going to write the story of this trip for the Chicago Post.
00:13:49You know, a sort of my day by Mary Pottle.
00:13:52Ay-yay-yay-yay-yay.
00:13:54But why doesn't somebody told me those things?
00:13:56Miss Pottle, a thousand pardons.
00:13:58Ah, how will you ever forgive her?
00:14:00How will you ever forgive that woman?
00:14:02Who, me?
00:14:03But it wasn't her fault, you see.
00:14:04Such generosity, such big-heartedness.
00:14:07Get out.
00:14:08Go, go, go, before I lost my temper.
00:14:09All right, all right.
00:14:10I'm sorry.
00:14:10Oh, Miss Pottle, when you want to change your scenery,
00:14:13you're with me in compartment A, just down the hall.
00:14:15Go, go, go, go, go, go, go.
00:14:18Oh, Miss Pottle.
00:14:20Pottle.
00:14:21What a lovely name.
00:14:22Oh, do you like it?
00:14:24Please, sit down.
00:14:26Please.
00:14:30Oh, what's the matter now?
00:14:32Oh, that's the trouble I don't know.
00:14:34How do you turn them off?
00:14:35I don't know, too.
00:14:36I never turned off one in my life.
00:14:38Poor little dear.
00:14:40Say, maybe he's hungry.
00:14:41Could be.
00:14:42Well, you take care of him for a minute, honey, will you?
00:14:45I'll see what I can find.
00:14:50Next time your baby cries, William, give him some of this.
00:14:52Thought I'd fix him up?
00:14:54Yes, sir, doctor.
00:14:55Thank you, sir.
00:14:56May I have a glass of milk, please?
00:14:58Yes, ma'am.
00:15:04Might I have your autograph?
00:15:07Why, Harvey!
00:15:08Sure.
00:15:09Remember me?
00:15:10The lad that used to breathe down the back of your neck
00:15:12during math class?
00:15:13You mean the short, fat one with the curly hair?
00:15:16That's the same one.
00:15:17How are you, Mary?
00:15:18I'm fine, Harv, but come on, let's sit down.
00:15:22I want to take a good look at you.
00:15:24Well, I might let you have a little peek.
00:15:25Tell me, Harv, how's the doctor business?
00:15:28Picking up.
00:15:28Appendix here, tonsil there, it all adds up.
00:15:31Say, why didn't you ever write to me?
00:15:35You know how it is.
00:15:38Well, after all, you're the famous April Tremaine,
00:15:41and me, well, I'm just this struggling young doctor
00:15:44with too much future and not enough present.
00:15:47You know, just plain folks.
00:15:49And what difference does that make?
00:15:52Hey, what are you doing?
00:15:54Whipping up a nine-course dinner?
00:15:55Oh, dear, the baby.
00:15:56I forgot.
00:15:57The baby?
00:15:57Yeah, come on.
00:15:58Maybe you can help.
00:16:03What's the matter with it?
00:16:04Well, you're the doctor.
00:16:09My fancy, do you feel all right?
00:16:11Not anymore, I don't.
00:16:13Well, what are you doing that for?
00:16:14Every time I quit, he howls.
00:16:17Yeah, let me...
00:16:18Ah!
00:16:20See?
00:16:21Here, let me have him.
00:16:22Yeah.
00:16:23Come on, Paula.
00:16:24This is Dr. North.
00:16:25Dr. North?
00:16:26Oh, how do you do?
00:16:28How do you do?
00:16:29I, uh, pardon me.
00:16:31Certainly.
00:16:33That's the one, huh?
00:16:34Is that the filly you were telling me about?
00:16:36That's the one.
00:16:37It's kind of cute, isn't it?
00:16:38Oh, I think so.
00:16:40Still go for him?
00:16:41Oh, fancy and how.
00:16:44You know.
00:16:45You know what?
00:16:46Well, I think Ron has something there.
00:16:49Home, babies, young husband.
00:16:52Yeah, but...
00:16:53Did you say husband?
00:16:55Uh-huh.
00:16:57That's what I thought you said.
00:16:58Well, excuse me.
00:17:00I got...
00:17:01Excuse me.
00:17:02That is I, uh, well, uh...
00:17:05Oh, excuse me.
00:17:06Excuse me.
00:17:07Ah!
00:17:13Oh, Mr. Ivansky.
00:17:15Really?
00:17:15Yeah.
00:17:22Come here.
00:17:23And then, in the third reel, he gives her a kiss.
00:17:27Deep, with war, with feeling.
00:17:30A kiss like only I, Ivan Mikhailovich Ivansky, can direct.
00:17:35Well, what do you want?
00:17:36I have to see you.
00:17:38It's very important.
00:17:39There's nothing so important as my art.
00:17:42Oh, yes, there is.
00:17:44April.
00:17:45April?
00:17:47April?
00:17:48Oh, will you excuse me?
00:17:49We'll resume later.
00:17:50Yes, I have to tidy up.
00:17:51Yes, you go tidy up.
00:17:53Such generosity.
00:17:53Come on.
00:17:56So what's with April?
00:17:57Do you know that she's got a boyfriend?
00:17:58So what?
00:17:59Some of the best people have boyfriends.
00:18:01I forgive her.
00:18:02Did you say boyfriend?
00:18:03Yes, the one she almost married before you came along.
00:18:06Stop worrying.
00:18:07I pushed him out of her life.
00:18:09Well, somebody's pushed him back in again.
00:18:11And if you're interested, he's in there with her now.
00:18:13Impossible.
00:18:14He's in there?
00:18:14Yes, and that isn't all.
00:18:15You remember that stuff you told her in the taxi about a home and babies, a young husband?
00:18:20Yes, yes, yes, yes.
00:18:21So what?
00:18:21Well, she's beginning to believe you.
00:18:23Believe me?
00:18:23Nonsense.
00:18:24She can't do that to me.
00:18:25That's right since she got to be in there.
00:18:27Think of my next picture.
00:18:28Think of my pride.
00:18:29If I were you, I'd start thinking about my pocketbook.
00:18:31What's with the pocketbook?
00:18:32What's that got to do with it?
00:18:33Oh, well, maybe I'm wrong.
00:18:35But if she happens to marry the guy, you wouldn't have any star to direct.
00:18:39You mean, you think it's possible?
00:18:41Hmm, could be.
00:18:43Fantastic.
00:18:44I've heard enough.
00:18:45We've got to get him out, but definitely.
00:18:47Come on.
00:18:50This time I'll do it.
00:18:51And when I do it, I've done it.
00:18:53Just think what we've been missing all these years.
00:18:57Uh-huh.
00:18:58Come on, darling, just once more.
00:19:04Oh, Harvey, isn't it wonderful?
00:19:06It sure is.
00:19:10It's a blitzkrieg.
00:19:15I wish his mother would come by.
00:19:17Well, that wasn't his mother.
00:19:18Oh, wasn't it?
00:19:19Hey, you know something?
00:19:21He's got eyes just like yours.
00:19:23You think so?
00:19:24Uh-huh.
00:19:29Say, whose baby is this?
00:19:30Well, I don't know.
00:19:32It's just a press stunt.
00:19:33Press stunt?
00:19:34Yeah.
00:19:35Publicity gag.
00:19:38What's the matter?
00:19:39Don't you believe me?
00:19:41Well, isn't what to believe.
00:19:43Well, he even looks like you.
00:19:45Now, wait a minute.
00:19:46This isn't my idea.
00:19:47Mr. Ivansky thought it up.
00:19:49It's just a gag.
00:19:50A gag?
00:19:51Yes.
00:19:52Oh, now, look, honey.
00:19:53Let's just start all over again now.
00:19:55Tell me the truth.
00:19:58Hello, darling.
00:19:59And how do you feel after your strenuous day?
00:20:01Well, here's somebody that'll tell you the truth.
00:20:03Yvonne, this is Dr. North.
00:20:05Pleasure.
00:20:06How do you do?
00:20:06I just told Dr. North that this baby is a publicity stunt.
00:20:10He doesn't seem to believe me.
00:20:12A publicity stunt?
00:20:13Well, now, my darling.
00:20:15After all, you put me in a very embarrassing position.
00:20:20Why?
00:20:21Why, this is ridiculous.
00:20:22No, no, no, no.
00:20:23Please don't excite yourself.
00:20:24Oh, a publicity stunt, eh?
00:20:26If you don't mind, I'll go back and finish my drink.
00:20:29Why, I never heard of such a thing.
00:20:32Now, believe me, darling, this is for your own good.
00:20:34But positively.
00:20:35One day you'll thank me.
00:20:36I'll thank you right now to get out of my life.
00:20:39And stay out.
00:20:42Well, the situation is safe.
00:20:44I did it again.
00:20:45Well, now, if you'll excuse me, I must relax.
00:20:48Here.
00:20:48Here, you double-crosser.
00:20:50This was your idea.
00:20:51Now, you take care of it.
00:20:55Well, stop relaxing.
00:21:00What did you say?
00:21:01Oh, never mind.
00:21:11Green on top.
00:21:12Green on top.
00:21:13This is 43.
00:21:15Right on the nose.
00:21:17Yard limit.
00:21:18Yard limit.
00:21:39Oh, when you get back to Chicago, throw this in my locker.
00:21:41Okay, Romeo.
00:21:43That's me.
00:21:45See you in a couple of weeks.
00:21:46Don't take it easy.
00:21:47Hey, you might need your other shirt.
00:21:52Hey, ain't you getting kind of fancy there?
00:21:54I'm on the dirt for a couple of weeks.
00:21:56I'm riding her through to New York.
00:21:57With this girl.
00:21:58With this girl.
00:22:02My girl.
00:22:04Do you want to make something of it?
00:22:06All aboard.
00:22:10Thanks.
00:22:11All aboard.
00:22:26There you are, sir.
00:22:27Hi.
00:22:29This is swell.
00:22:34Menu, sir.
00:22:38I'll order later.
00:22:39I'm waiting for a lady.
00:22:40Yes, sir.
00:22:44Class.
00:22:47Hi.
00:23:22Hello, sonny.
00:23:32What's your name?
00:23:43Beat it, will you?
00:23:45Beat it.
00:23:51Come along, Wilbur.
00:24:03Is this satisfactory, sir?
00:24:05It'll be fine.
00:24:05Thanks.
00:24:07Sorry.
00:24:07I'm going to be fine.
00:24:23Yvonne's pushed me around for the last week.
00:24:25Next week.
00:24:25Next week, you want to cut your own throat?
00:24:26Remember, Pop?
00:24:28Oh, isn't it lovely?
00:24:29Oh, lovely isn't the word.
00:24:31Pardon me.
00:24:32Yeah.
00:24:38Look, Harvey, you're being absolutely childish.
00:24:41Don't see what's childish about it.
00:24:43Just don't like being fooled, that's all.
00:24:45Pardon me.
00:24:45But I'm not trying to fool you.
00:24:47There's two schools of thought on that subject.
00:24:49Listen, Harvey, I told you what this was.
00:24:50What else can I do?
00:24:52Would you mind?
00:24:52You might try telling the truth for a change.
00:24:54But I have told you the truth.
00:24:56Okay, that's your story.
00:24:57You speak to it.
00:24:58Listen, would you mind letting me out of this argument?
00:25:00Well, go ahead.
00:25:01Go ahead.
00:25:02Who's stopping you?
00:25:03Let's just forget about the whole thing.
00:25:05I don't want to forget it.
00:25:08I'm not the baby's mother.
00:25:14I'm not the mother.
00:25:15I told you that a dozen times.
00:25:16Now, won't you believe me?
00:25:17No.
00:25:19All right.
00:25:20Have it your way.
00:25:21I am the mother.
00:25:26Now, are you happy?
00:25:29No.
00:25:31Who's the father?
00:25:32Oh, you make me so...
00:25:36He is.
00:25:40Good evening, Mr. Rybanski.
00:25:42My friends are over there.
00:25:46Hello, darling.
00:25:48Hello, darling.
00:25:49Well, darling, you...
00:25:50It's a baby.
00:25:51Take care of you later.
00:25:52Knock those store teeth right down your throat.
00:25:57So what's with him?
00:25:59Oh, he's...
00:26:00He's a little bit upset.
00:26:02You know, you told him I was the baby's mother.
00:26:05Well, I told him you were the father.
00:26:07Me?
00:26:08The father?
00:26:09Oh, yeah, yeah, yeah.
00:26:10Excuse me.
00:26:12I'm going to my room.
00:26:13Contact me in New York.
00:26:14You can't order, Mr. Rybanski.
00:26:15You can't order, Mr. Rybanski.
00:26:15I'm not hungry.
00:26:16Anything wrong?
00:26:17Nothing is wrong.
00:26:18Everything is wrong.
00:26:21Well, I guess we took care of him, didn't we?
00:26:28He's going to knock my teeth down my throat.
00:26:30Where is that porter?
00:26:44Who is it?
00:26:45It's the porter, sir.
00:26:50You must stop this train.
00:26:51I'm getting out.
00:26:51Sir?
00:26:52I'm getting out.
00:26:53Stop the train.
00:26:54But this train don't stop no more until we get out there.
00:26:56Oh, listen, listen.
00:26:58For a red light, you'll stop the train, don't you?
00:27:00Well, yes, sir.
00:27:02Well, ain't I as important as a red light?
00:27:04I guess so.
00:27:05Well?
00:27:06Well, maybe I'd better talk to the conductor about this.
00:27:08Well, come in.
00:27:09Yes, sir.
00:27:09Come in.
00:27:10Yes.
00:27:15Pardon me.
00:27:20Who is it?
00:27:21This is Dr. North.
00:27:22I want to see you.
00:27:24He ain't in.
00:27:26Besides, he's very sick.
00:27:27I said I wanted to see you.
00:27:29Open this door.
00:27:30I'll tell you when he comes back.
00:27:32If you don't open this door, I'm going to break it in.
00:27:35It won't be necessary.
00:27:38Can't you see I'm coming?
00:27:42Don't strike me.
00:27:44It's about time you and I had a little talk.
00:27:47Talk?
00:27:48Certainly.
00:27:49Besides, I have something to tell you to.
00:27:50Come in.
00:27:51There's something I want to tell you to.
00:27:53No, no.
00:27:53Please, me first.
00:27:54Now, I, Ivan Mikhail Chibansky, will tell you the truth.
00:27:56And this is official.
00:27:57I am the one which arranged this.
00:27:59Just what I heard.
00:28:00No, no, no, no, no, no.
00:28:00You don't understand.
00:28:01I am not the baby's father, and she is not the baby's mother.
00:28:05What?
00:28:05For publicity for her next picture.
00:28:13I am the baby's father.
00:28:15I am the baby's father.
00:28:15You are the baby's father.
00:28:17I am the baby's father.
00:28:26See you later. Thank you. Nice fellow.
00:28:29But how did you know there was a freight car on the track?
00:28:33Because I looked out in the window and saw a paddle.
00:28:35A paddle?
00:28:36A paddle is a light signal.
00:28:38A light signal? Why didn't you say so?
00:28:46Hey, Jerry!
00:28:52That was Jerry Mulligan driving the 281.
00:28:55I don't think he saw me.
00:28:56He probably heard you.
00:28:58I don't think he could have, do you?
00:29:01Look, Miss Pottle, let's go in and see if we can help April with the baby.
00:29:05Oh, dear, yes. I just love babies.
00:29:09You must tell me more about the railroad business.
00:29:12There ain't anymore.
00:29:13Look, come along, dear. Come.
00:29:15I'll see you in the observation car later.
00:29:17Yes, but put that quiz program to bed first, will you?
00:29:19I think you got something there.
00:29:34I just love you.
00:29:34This sheet, Rasoap, yes.
00:29:36Do you wish to order?
00:29:38Oh, I'll take care of that later.
00:29:40I'm waiting for a lady.
00:29:41Yes, sir.
00:29:47Hey, buddy.
00:29:49Buddy.
00:29:52How did you know the day came out?
00:29:59They won.
00:30:06What score?
00:30:13Six for nothing.
00:30:21Who made the touchdown?
00:30:27Here, you take it.
00:30:38I'll lay odds that it won't take long to get the guy that pulled that snatch.
00:30:41What?
00:30:42The person who kidnapped us.
00:30:44Oh.
00:30:49His mole of left shoulder, long hair, blue eyes, believed heading east.
00:30:57You know, the last snatch case they had in Chicago, they got the guy in three weeks.
00:31:02They hung him.
00:31:03They gave 177 years to his accomplice.
00:31:08He's what?
00:31:09His accomplice.
00:31:10You know, the guy that helped him.
00:31:11Of course, he said he was just driving the car and didn't know that the kid was hot.
00:31:15But they made it stick.
00:31:16And they'll bring in this mob, too.
00:31:20177 years.
00:31:21Yeah.
00:31:22Yeah.
00:31:23Oh, you'll get a match.
00:31:33No, thanks.
00:31:34I don't smoke.
00:31:45Oh, come in.
00:31:46Say, Patsy.
00:31:47I was wondering.
00:31:47Uh, well, we'll be running along now, Miss Patsy.
00:31:50You must be tired.
00:31:51Oh, no.
00:31:52It's only three minutes to nine.
00:31:54What time do you get tired?
00:31:55I never do until I've heard Renfrew of the mountain.
00:31:58He's on the radio at nine o'clock.
00:32:00I haven't missed him in 47 weeks.
00:32:02Well, lady, there's a swell radio in the cocktail lounge.
00:32:05Oh, yeah.
00:32:05Oh, but I couldn't go there alone with all those men.
00:32:09Well, she can go with you.
00:32:10Yeah, but...
00:32:11Oh, that would be lovely.
00:32:12Oh, yes.
00:32:13I've always wanted to meet Renfrew.
00:32:16Well, hurry.
00:32:16We've only got one minute.
00:32:17Yeah, but, uh, somebody's gonna take care of the baby.
00:32:20I'll take care of him.
00:32:21Say, what about our date?
00:32:22Yeah, yeah.
00:32:23Go ahead.
00:32:23Have a good time.
00:32:24Yeah, have a good time.
00:32:26With, uh, Renfrew?
00:32:27That's right.
00:32:35Kind of a cute kid, ain't he?
00:32:40I was just trying to cover him up.
00:32:42So I noticed.
00:32:43If you need any help, I'll be right out here.
00:33:01It's Renfrew.
00:33:02Oh, thank goodness.
00:33:03You're right.
00:33:04It is Renfrew.
00:33:08Stand where you are, Jack Dalton.
00:33:10Then you'd better reach for the sky.
00:33:11No, you don't, Renfrew.
00:33:13I've been saving this .45 slug just for you.
00:33:16Ow!
00:33:17Oh, Renfrew, are you hurt?
00:33:18It's never touched me.
00:33:20Oh, Renfrew, darling, you've saved me from a fate too horrible to think about.
00:33:24I don't know how to reward you.
00:33:26Ridding the country of a skunk like that is reward enough, Melinda.
00:33:28But surely.
00:33:30Shh.
00:33:30That's the soft light I see dancing in your eyes.
00:33:33Renfrew, darling, you may kiss me.
00:33:36Will Renfrew kiss Melinda?
00:33:38Listen in at the same time tomorrow night, ladies and gentlemen, for the further adventures of Renfrew of the Mounted,
00:33:43presented each weekday evening by the makers of...
00:33:51Do you think you'll kiss her?
00:33:53I really don't.
00:33:55Honest, I don't.
00:33:56Well, we'll know tomorrow night anyway.
00:33:59I can hardly wait.
00:34:01Say, what are you doing here?
00:34:03The baby.
00:34:04Is it all right?
00:34:05That's what I've come to tell you about.
00:34:06You mean you walked out on him?
00:34:07Well, I'll take care of him.
00:34:09I really ought to go to bed anyway.
00:34:11Oh, I wouldn't think of it, Miss Parkwell.
00:34:13Good night.
00:34:14Good night.
00:34:14Thanks.
00:34:16Say, what ails you?
00:34:18I was just thinking.
00:34:19Do you always aspire when you think?
00:34:21No, no, no, Pat.
00:34:22Look.
00:34:23It's about that kid.
00:34:24Oh, you were a sweetheart to get that baby for us.
00:34:26You know, I think I'm beginning to go for you.
00:34:28Yes, yes, yes.
00:34:28That's nice.
00:34:29That's swell.
00:34:29But the baby has a move.
00:34:31What's that got to do with my going for you?
00:34:33Or aren't you interested?
00:34:34Sure, I am.
00:34:35You know I am.
00:34:36I was reading in the papers.
00:34:37Oh, if you want to keep this conversation strictly and personal, all right.
00:34:40Oh, no, no, no.
00:34:41Don't get me wrong.
00:34:42I'm worried.
00:34:43About what?
00:34:45177 years.
00:34:46What are you mumbling about?
00:34:48A guy doesn't have to be any more than 60 or 70, does he?
00:34:50Well, how could he serve 177 years?
00:34:52For what?
00:34:53That's what I've been trying to tell you.
00:34:55And I've been trying to tell you something too, Mr. Monaghan.
00:34:58But if you're not in the mood, I guess you're not in the mood.
00:35:00Good night.
00:35:01Patsy.
00:35:06Patsy.
00:35:07What do you want?
00:35:09Is that really your face?
00:35:18Excuse me, buddy.
00:35:19I'll let this to your mind.
00:35:20Ah, friendship is a wonderful thing.
00:35:23Now that we have a perfect understanding, you feel better and I feel better.
00:35:27Ah, sure, sure.
00:35:28How about a drink?
00:35:29No, no, no, thank you.
00:35:30I don't drink after dinner.
00:35:31No.
00:35:31But don't let it stop you.
00:35:32Oh, no, no, thanks.
00:35:33I don't drink after dinner either.
00:35:34Oh.
00:35:37Excuse me.
00:35:41Ma'am.
00:35:43Ma'am.
00:35:44Ma'am.
00:35:45Ma'am.
00:35:45Ma'am.
00:35:46Ma'am.
00:35:46Ma'am.
00:35:47Ma'am.
00:35:47Ma'am.
00:35:49Oh, but listen, kiddo, I've apologized.
00:35:54Oh, sure.
00:35:55Sure, you've apologized.
00:35:57Oh, I don't know what I could have been thinking about.
00:36:02It's been so long that I'll just see you again, sort of.
00:36:05Pardon me if I seem to intrude.
00:36:07That's quite all right.
00:36:08I was leaving anyway.
00:36:09Oh, but honey, please.
00:36:10Oh, wait.
00:36:11Now, wait.
00:36:11Now, wait, my young friend.
00:36:12We must have a talk.
00:36:13Yeah, about what?
00:36:14About Miss Tremaine and you.
00:36:15Sit down, please.
00:36:16Sit down.
00:36:18Who are you?
00:36:19What do you mean, who am I?
00:36:21Dr. Harvey North, that's who.
00:36:23And what does that mean?
00:36:25I don't expect you to understand.
00:36:26But it means ten years of study and sweat and sacrifice.
00:36:29Of working for humanity instead of for audiences.
00:36:32It means that someday I'm going to have the finest clinic
00:36:35that science can dream up.
00:36:36A place where I can patch up youngsters,
00:36:38the way you patch up film.
00:36:40It's nice.
00:36:41It's very nice.
00:36:42And what would such clinic cost?
00:36:45Fifty thousand dollars, I could build a pip.
00:36:47And how much have we got now?
00:36:54If somebody would suddenly hand me seventy-five dollars,
00:36:57I'd have an even hundred.
00:36:58So?
00:36:59You would ask her to give up her future, her career,
00:37:02for this silly thing you call love?
00:37:05Would you do that to her?
00:37:07Believe me, my young friend.
00:37:09You too?
00:37:10It won't work.
00:37:11Oh, well, all right, all right.
00:37:13You don't have to blueprint it for me.
00:37:14I can figure it out for myself.
00:37:17Killing up a girl like that isn't so easy.
00:37:21But I guess you're right.
00:37:23When was I wrong?
00:37:24She's not familiar.
00:37:25Believe me, my young friend.
00:37:27It is best you do not see her anymore.
00:37:29That'll make it easier for her.
00:37:31You must stay out of her life, but completely.
00:37:37Okay, you win.
00:37:39Good.
00:37:39We're shaking back.
00:37:41One thing.
00:37:42Just don't you try any tricks.
00:37:45Me?
00:37:45With me, it's strictly business.
00:38:13Thanks.
00:38:19Hey, what's the idea?
00:38:23I...
00:38:24Red Cross.
00:38:25Well, I'm not through with that yet.
00:38:27Oh.
00:38:29I beg your pardon.
00:38:35Find me.
00:38:42Find me.
00:39:09STEPHEN
00:39:40Cigarette.
00:39:53Here, here, the chest.
00:40:07I was wondering if I could borrow your paper.
00:40:10Oh, sure. Help yourself.
00:40:12Hey, Mike, would you mind giving me a hand with my suitcase?
00:40:14I can't get it open.
00:40:15Why, sure. Sure.
00:40:16Sure.
00:40:17Sure.
00:40:34Sure.
00:40:45Sure.
00:40:47Thanks a lot, Mike.
00:40:48That was swell of you.
00:40:49Oh, that's all.
00:40:50I didn't time at all.
00:41:05Oh, dear.
00:41:07Oh, please.
00:41:09Oh, you mustn't.
00:41:10Oh, not here.
00:41:13After all, I hardly know you.
00:41:17Oh, dear.
00:41:18Oh, please.
00:41:21Oh, well, if you insist.
00:41:25You may kiss me, Renfrew.
00:41:31Oh!
00:41:36Which way did he go?
00:41:37He went that way.
00:41:39Oh.
00:41:41Oh.
00:41:42I hardly know what to say.
00:41:43Oh, I know just how you feel.
00:41:46Confidentially.
00:41:47I'm that way about Donald Duck.
00:41:49Really?
00:41:50Mm-hmm.
00:41:52Oh.
00:41:56Well, it's the high up there.
00:41:58You come right in here.
00:42:00There's plenty of room.
00:42:00Besides, if Renfrew comes back, you won't have so far to fall.
00:42:03Well, that's right.
00:42:04Well, thank you.
00:42:06You're perfectly welcome.
00:42:08I'm not used to sleeping alone.
00:42:09Back home, always sleep with Richard.
00:42:12Richard?
00:42:12Yes, Richard's the cat.
00:42:14It's really a girl cat, but we always call it Richard.
00:42:17Oh, you do.
00:42:19Well, good night.
00:42:20Good night.
00:42:22I hope I'm not crowding the baby.
00:42:24Oh, no.
00:42:25Why, when I was his age, we used to sleep 13 in a bed.
00:42:29Weren't you superstitious?
00:42:30No, we...
00:42:32Good night, Miss Popple.
00:42:34Good night.
00:42:38Good night.
00:42:57Good night.
00:43:01Good night.
00:43:04Good night.
00:43:14I hope you, radian.
00:43:14Good night.
00:43:15Good night.
00:43:24THE END
00:43:50Ms. Popple, would you please get rid of that bottle?
00:43:54Oh, of course.
00:44:07Petty.
00:44:10Petty.
00:44:14What do you want?
00:44:15I've got to talk to you.
00:44:17Shh.
00:44:24Shh.
00:44:31Oh, Petty.
00:44:32Shh.
00:44:33Say, what's the matter?
00:44:34Have you got Howell's blood in you?
00:44:35Why don't you go to bed?
00:44:36I can't sleep.
00:44:38It's about that baby.
00:44:39It's hot.
00:44:40What am I supposed to do?
00:44:41Stay up all night and fan it?
00:44:42Oh, it's not that kind of hot.
00:44:44It's been snatched.
00:44:45Oh, stop.
00:44:46Kidnapped.
00:44:47Oh, don't be.
00:44:48Are you telling me that you stole that baby?
00:44:50Not me.
00:44:51But I'm an accomplice.
00:44:53A accomplice?
00:44:54Do you know what that means?
00:44:56Yeah.
00:44:58177 years.
00:44:59Oh.
00:45:01Well, what are we going to do about it?
00:45:02We.
00:45:03Include me out.
00:45:05Wait a minute.
00:45:07I think I've got an idea.
00:45:09Yeah.
00:45:10Good.
00:45:11Shh.
00:45:22Here.
00:45:23You take it from here.
00:45:25But, Petty.
00:45:28Come on.
00:45:44You don't want to get me in a jam, do you?
00:45:51Give me a break, will you?
00:45:53Please.
00:46:02Hey, how would you like to hear the story about the three bears?
00:46:08Oh.
00:46:10Huh.
00:46:11Now we're going somewheres.
00:46:14Well, now.
00:46:15Let me see.
00:46:20Once upon a time, there was three bears.
00:46:25A papa bear.
00:46:26A great big bear like that.
00:46:28And a mummy bear about that size.
00:46:30And a teeny weeny little bear.
00:46:33Well, about your size.
00:46:36Well, one day, they decided to go out for a little stroll.
00:46:41Well, you know, just like bears always do.
00:46:46You understand, don't you?
00:46:48Sure.
00:46:49Well, little Goldilocks came along.
00:46:52Now there was our swell girl.
00:46:55She had everything.
00:46:57You know the kind of a girl I mean, don't you?
00:46:59Sure you did.
00:47:00Well, she spots this joint over there.
00:47:04And she makes for it.
00:47:17What's the hitch, Superintendent?
00:47:18There's a flood up the valley.
00:47:19We've got to get these gondolas up there in a hurry or the whole town will go out.
00:47:23That 1600 won't make it fast enough, so I'm taking the kettle off the limit.
00:47:33Maybe bold porridge.
00:47:36She, uh, she, uh, she ate it all up.
00:47:41And that she wanted to go upstairs.
00:47:44She went upstairs and, uh, she went to sleep.
00:48:03Hey, Mike.
00:48:06Come on, Mike.
00:48:07Open up.
00:48:11Listen, the train is stopped, and this is our chance to get the baby back to its family.
00:48:15How?
00:48:15Shh, I got it all figured out.
00:48:17There you are.
00:48:23Oh, um, what are we stopping for, Cap?
00:48:25We don't know yet, ma'am.
00:48:26Must be some trouble up ahead.
00:48:28Oh, I see.
00:48:29Well, uh, how long are we going to be here?
00:48:31Well, that's hard to say.
00:48:32The conductor's just gone up front now to find out.
00:48:59Goodbye, punkins.
00:49:00You'll be all right now.
00:49:36Everything's okay.
00:49:37Okay?
00:49:37That's what you think.
00:49:39I just heard from the sergeant we have to lay over here for two and a half hours.
00:49:42Lay over?
00:49:43But, but we can't.
00:49:44Yeah, but they don't know that.
00:49:46Maybe I'd better find out what the trouble is.
00:49:48I know what the trouble is.
00:49:49I want you to go and see what you can do about it.
00:49:51Yeah, yeah.
00:49:52Roll that coal train as soon as you're ready.
00:49:55Say, super.
00:49:55Is this on the level about us laying over for two hours and a half?
00:49:58Right, and that's figuring close, Monaghan.
00:49:59Well, why didn't you run in on the 1600?
00:50:01What's that supposed to be, a gag?
00:50:03There ain't a chance.
00:50:04Why ain't there?
00:50:05That little boiler couldn't pull that new train in a million years.
00:50:08You couldn't get up enough head on that to haul a limited around the block.
00:50:11Oh, you don't know what you're talking about.
00:50:13Give me a farmer with a pair of arms and some shoulders, and I'll show you what's what.
00:50:18What's the matter with you, Mulcahy?
00:50:20You used to be the best smoke agent that ever had this mountain run.
00:50:23Maybe you're a little too old and fat.
00:50:25What do you mean, old and fat?
00:50:27I can still show you young guys a thing or two.
00:50:29I'll fire for you if that's all you're worrying about.
00:50:31Well, what are we waiting for?
00:50:33Come on.
00:50:38Come on.
00:51:02I'll fire for you.
00:51:11Miss Riley?
00:51:12Yeah?
00:51:12Monahan says he'll see you in Harrisburg.
00:51:14He's taking the limited in.
00:51:15He's taking it in?
00:51:17That's right.
00:51:19Say, there's a handy little fellow to have around the house.
00:51:22Yes, ma'am.
00:51:26Okay, here.
00:51:47I'm going to have a lot of time to waste if we don't get going soon.
00:51:52Fill her up, will you?
00:51:55I'll give her some sand.
00:52:13Too big a load, huh?
00:52:3470, do you hear me?
00:52:35We're making 70.
00:52:36All right, all right.
00:52:38I'll say this for you.
00:52:39You're the only man on this line that knows enough about this cattle to cook her through.
00:52:43Cook her through?
00:52:44Well, we'll be on time if you don't pay us out on me first.
00:52:47Come on, come on.
00:52:48Fill her up, fill her up.
00:52:49You've got a full head on now.
00:52:50She'll blow her plate.
00:52:52So what?
00:52:53You're in short, ain't you?
00:53:07Where is everybody?
00:53:10Oh, there you are.
00:53:15Oh, where's the baby?
00:53:18Baby?
00:53:19Baby!
00:53:22The baby!
00:53:25Oh, dear.
00:53:27Oh, Mr. Rivansky, we must do something.
00:53:29Please, please, Miss Pottle, this is not I.
00:53:32Yes, but the baby's gone.
00:53:34Somebody's taken the baby.
00:53:35Somebody's taken the baby?
00:53:36Something wrong.
00:53:36Something wrong?
00:53:37What are you standing here for?
00:53:38Do something.
00:53:38You heard it.
00:53:39The baby's gone.
00:53:39But where?
00:53:40Well, when, how, what's the difference?
00:53:42I demand action.
00:53:43Go.
00:53:43Call the police quickly.
00:53:44I'll get a message offered to the next station.
00:53:46We pass there in a minute.
00:53:47Oh, wait.
00:53:47Wait, nothing.
00:53:48Go.
00:53:48I demand action.
00:53:49You don't understand.
00:53:50Oh, this is dreadful.
00:53:51Oh, look, Miss Pottle, it's awfully late.
00:53:53Oh, but I got tired.
00:53:54Where are you?
00:53:55Try and get tired.
00:53:56If it isn't something, it's something else.
00:53:58Wait.
00:53:59I must talk to you.
00:53:59Talk, talk, talk.
00:54:00Tonight I sleep.
00:54:01Tomorrow I talk.
00:54:02Please, you must listen.
00:54:03That baby is hot.
00:54:04Why do I care about his temperature?
00:54:06Oh, oh, try and understand.
00:54:08Mike didn't know about it when he got the kid,
00:54:09but it had been kidnapped, snatched.
00:54:12I get it.
00:54:13Kidnapped.
00:54:13Snitched.
00:54:15You mean yourself?
00:54:16What are you standing here for?
00:54:17Let's stop the conductor.
00:54:18Don't let him send for the police.
00:54:19Come on.
00:54:20What do you think?
00:54:21I've been trying to tell you.
00:54:28Mr. Conductor, Mr. Conductor, I thought it over.
00:54:30I changed my mind.
00:54:31Yes?
00:54:32You what?
00:54:32We'll decide it is better.
00:54:34We do not call the police.
00:54:34Yes, you know, Miss Tremaine being such a famous person,
00:54:37is it all.
00:54:37Oh, it's too late.
00:54:38I just put the message off.
00:54:39Well, you don't understand.
00:54:40I'm telling you, we do not want the police.
00:54:42And I'm telling you, you've got them.
00:54:44They get out at Harrisburg.
00:54:45I can't, I can't.
00:54:46Oh, but they can't.
00:54:48Oh, please.
00:54:48What are we going to do?
00:54:49What are we going to do?
00:54:53It's terrific.
00:54:54It's sensational.
00:54:55Is it?
00:54:55I want to solve the whole thing.
00:54:57That's fine.
00:54:58Solve what?
00:55:00The baby's hot, no?
00:55:01Yes.
00:55:02Snitch, no?
00:55:02Yes.
00:55:03Well, we haven't got it, so what are we worrying about?
00:55:05What are we wor...
00:55:07That's right.
00:55:21Say, how did you get in here?
00:55:26Why aren't you asleep?
00:55:45Will you please get Dr. North right away?
00:55:46Yes, ma'am.
00:55:51Come on, you better sit up and take these things off.
00:55:55We've got to make this thing look right.
00:56:01That's right.
00:56:13Something the matter?
00:56:14Oh, Harvey, it isn't me.
00:56:17It's, it's the baby.
00:56:23Well, there must be something wrong.
00:56:26He's, he's so wide awake.
00:56:28I don't see things are wrong in that.
00:56:30But it's, it's late.
00:56:32He, he should be asleep.
00:56:34Shouldn't he?
00:56:36Maybe he isn't tired.
00:56:41Babies are just like grown, folks.
00:56:43And they'll sleep, they'll wake up.
00:56:46Is that right?
00:56:47Oh, but, uh, I'll stick around and make sure that he gets back to sleep.
00:56:53Oh, please don't close that.
00:56:54I had to call Mike in to open it for me.
00:56:56You mean that Mike came in here to open...
00:56:58Uh-huh.
00:57:03Oh, what's the matter?
00:57:05Oh, nothing, nothing.
00:57:06Everything is just dandy.
00:57:08It's a lovely bag.
00:57:10And don't you worry about the baby either.
00:57:12He's going to be fine.
00:57:14Oh, I'm so glad.
00:57:21Isn't it beautiful?
00:57:23Yeah, they all are.
00:57:25Gee, Harvey, I'd love to have a little fella just like that.
00:57:29Wouldn't you?
00:57:30Yes, of course.
00:57:32Anybody would.
00:57:34But on a staff doctor's salary?
00:57:36Why, Harvey, do you think that would make any difference to him?
00:57:42No, Harvey wouldn't make any difference to him.
00:57:45Now I still think it'd make a heck of a lot of difference to April Tremaine.
00:57:49Oh, listen, Harvey.
00:57:50I'm never going back to Hollywood again.
00:57:52I want to be just plain Mary Potter or Mrs. Jones or...
00:57:57or Mrs. Dr. North.
00:58:00You really mean that?
00:58:09Mary, you sure you know what you're talking about?
00:58:12I was never so sure of anything in my whole life.
00:58:15You come with me, I'll prove it to you.
00:58:19But, honey, wait.
00:58:20I have waited.
00:58:21I've waited for three years and it's much too long.
00:58:25Say, did I tell you that I love you?
00:58:27You know, I'm not quite sure.
00:58:30Maybe you better tell me again.
00:58:35Hello.
00:58:36Hello.
00:58:36Hello.
00:58:36No, no, no, no.
00:58:37You snake in the bush.
00:58:38You double crosser.
00:58:39You triple crosser.
00:58:40Oh, no, he's not, Abon.
00:58:42I love him.
00:58:43And I love her.
00:58:44Now, you figure out an answer for that.
00:58:46It's impossible.
00:58:47Oh, no, it isn't.
00:58:48You were right, Abon.
00:58:49And I'm very grateful to you for opening my eyes.
00:58:53I'm going to marry Harvey.
00:58:55Married?
00:58:56Uh-huh. I'm through with pictures.
00:58:58I'm never going back to Hollywood.
00:59:00You're quitting pictures.
00:59:01She's quitting pictures.
00:59:02So I am.
00:59:03Darling, listen, listen to me.
00:59:05Maybe you're tired.
00:59:06Maybe you're excited.
00:59:07Maybe you go to bed.
00:59:08And in the morning, I'll settle everything.
00:59:10Oh, I'm sorry, old-timer.
00:59:11But you see, it seems that we've settled everything tonight.
00:59:15Toodle-oo.
00:59:16Toodle-oo?
00:59:17Toodle-oo?
00:59:18Ay!
00:59:20Не,hum.
00:59:21Нет, 이거 невозможно.
00:59:23Это же человек
00:59:24своровал у меня девочку!
00:59:26Он же, он же негодяй!
00:59:27Он же...
00:59:41Девочку красавицу молодую!
00:59:42Украсться у меня самый opinions!
00:59:44Я.
00:59:46Держите.
00:59:47Yes, it is.
00:59:47Yes, it is.
00:59:48Yes, it is.
00:59:49Yes, it is.
00:59:55May I come in?
00:59:57Now what do you want?
00:59:59My friend, last night you told me that if you had fifty thousand dollars,
01:00:03you could build a great clinic.
01:00:04A place where you can do fine things for little children.
01:00:08Yes, and I also told you that I didn't have the fifty thousand dollars.
01:00:11Exactly.
01:00:12You have the skill, but you haven't got the money.
01:00:15I have the money, but not the skill.
01:00:17So, together.
01:00:18Yeah, I know.
01:00:19You put them all together and they smell magnolia.
01:00:22No, no, no.
01:00:23I, Ivan Ivansky, will give you the money.
01:00:26I'm going to build for you the finest clinic that money can buy.
01:00:30Now look, who do you think you're kidding?
01:00:31Kidding?
01:00:32But I'm not kidding.
01:00:32In Hollywood we do those things in a business-like way.
01:00:35I'm going to give you a contract before you leave this train.
01:00:38And just why are you doing all of this for me?
01:00:41For you?
01:00:41But I'm doing this for me too.
01:00:43You've opened my eyes.
01:00:45I've been selfless.
01:00:46Cold.
01:00:48Perhaps, perhaps a little bit heartless.
01:00:50But, say, you have a nice robe.
01:00:53But now I see the light.
01:01:07All right, Monaghan.
01:01:09I'm proud of you to go to the road.
01:01:11You know your business.
01:01:12I sure do.
01:01:13And a little bit of everybody else.
01:01:16Well, good luck.
01:01:17Good luck to you.
01:01:18Hope you have a nice vacation.
01:01:19I think I will now.
01:01:21Yes.
01:01:24Have you found the baby yet?
01:01:25Not a sign of it.
01:01:26Go up front.
01:01:27Work your way back.
01:01:27Look everywhere.
01:01:28Right, Sergeant.
01:01:30You know, maybe I've had you all wrong.
01:01:32Maybe.
01:01:33But of course you got me wrong.
01:01:35I assure you that...
01:01:38Come in.
01:01:40I'm sorry to disturb you, gentlemen.
01:01:42But we're looking for a missing baby.
01:01:43Missing baby?
01:01:44That's right.
01:01:46Well, I guess you haven't got him in here.
01:01:47I haven't got him.
01:01:48I haven't seen you.
01:01:49Sorry to have troubled you.
01:01:50That's all right.
01:01:51That's all right.
01:01:52What do you suppose that's all about?
01:01:53Shh.
01:01:54I sent for them.
01:01:55You?
01:01:55Yes, you see, Mr. Maine's little adopted baby is missing.
01:01:58But now I've changed my mind.
01:01:59I wish to say nothing about it.
01:02:01Besides, how can I tell anything about it when I don't know where it is?
01:02:04Well, if you don't, I do.
01:02:06Do you know where the baby is?
01:02:07Oh, certainly.
01:02:08I just left him a little while ago.
01:02:09He's in April's room.
01:02:10Oh, yeah, yeah.
01:02:11Excuse me, please.
01:02:12Excuse me, please.
01:02:12It's a matter of life.
01:02:13Or maybe death.
01:02:15Good morning, Mr. Cupid.
01:02:18And how do you feel?
01:02:20That's right.
01:02:21Smile.
01:02:22You've got something to smile about.
01:02:24Why would Hannah been for you?
01:02:28Yvonne!
01:02:28Here.
01:02:29Shh.
01:02:30So it is the truth.
01:02:31He's here.
01:02:32The baby?
01:02:33Where should he be?
01:02:34Anyplace, anyplace but here.
01:02:35But why?
01:02:37Listen, darling.
01:02:38I'll try to tell it to you, Jim.
01:02:40Think of everything, the most terrible that ever happened in your life.
01:02:43And this, this is worse.
01:02:45This baby is kidnapped.
01:02:49Kidnapped?
01:02:50But, but I thought that...
01:02:51You thought it.
01:02:52I thought.
01:02:53Patsy thought.
01:02:53Only that big, half-wit engineer.
01:02:55He, he didn't think.
01:02:58May I come in?
01:02:59Certainly come in.
01:03:00What are you waiting for?
01:03:00Good morning.
01:03:02Good night.
01:03:03So.
01:03:04We haven't got the baby.
01:03:05So what have we got to lose, huh?
01:03:07Well, where did he come from?
01:03:08Come from, come from.
01:03:09Could the baby that size come from someplace?
01:03:12Where is she going?
01:03:13That's important.
01:03:14Now what do we do?
01:03:14Oh, it's all yours.
01:03:16I'm fired.
01:03:16You're fired again.
01:03:18Hi.
01:03:18Shh.
01:03:20Who is there?
01:03:21The police.
01:03:22Oh.
01:03:23Jai, jai, jai.
01:03:24What are we gonna do?
01:03:25I'm leaving.
01:03:26Hurry, open the window.
01:03:27Quiet.
01:03:29Just one minute, please.
01:03:31We are in the conference.
01:03:33Shh.
01:03:35Now you take care of him.
01:03:36Take him in there.
01:03:37Me?
01:03:37Ay, yai, yai, yai, yai.
01:03:44Now, remember your big scene in The Scarlet Lady?
01:03:47The one where the sister dies?
01:03:48Exactly.
01:03:49Of course I do.
01:03:50But, but...
01:03:51We got no time for butts.
01:03:52Come.
01:03:54Come in.
01:03:56But I beg of you, my darling.
01:03:58You shouldn't worry.
01:04:00Ah, good morning, officer.
01:04:02You must excuse me, Mr. May.
01:04:04You know, it was quite a shock.
01:04:05Of course.
01:04:06I wish I had better news to report.
01:04:08I know, I know.
01:04:09But what can we do?
01:04:11Please, relax.
01:04:12Relax, my darling.
01:04:17Now, if I could get one or two details.
01:04:19Of course, of course.
01:04:20But please be seated.
01:04:22This case reminds me very much of one similar in Russia.
01:04:26Wintertime, it was snowing.
01:04:29It always snows in Russia.
01:04:34Oh, shh.
01:04:35Quiet.
01:04:35Quiet.
01:04:37Quiet.
01:04:38Shh.
01:04:39Who is this?
01:04:40It's Maurice.
01:04:42Good morning.
01:04:43Shh.
01:04:44I got you.
01:04:45I've just come to tell you that everything's okay.
01:04:47Oh.
01:04:48A train load full of police and everything's okay.
01:04:50You mean they're looking for the kid?
01:04:51What do you think they're looking for?
01:04:52Well, what's the difference?
01:04:53They'll never find him.
01:04:54Because he ain't on the train.
01:04:55Oh, he isn't.
01:04:56What do you think that is?
01:04:58A singer's midget?
01:05:02Impossible.
01:05:03It can't be.
01:05:05But it is.
01:05:06Yeah.
01:05:07Uh, who is it?
01:05:08The police.
01:05:08Oh.
01:05:09Just a moment, please.
01:05:11Shh.
01:05:12Here.
01:05:13Take the baby.
01:05:14Get in there and keep quiet.
01:05:16Shh.
01:05:18Coming.
01:05:19Is that someone knocking?
01:05:20Yes.
01:05:20There's no woodpecker.
01:05:22Oh.
01:05:23Good morning.
01:05:23Good morning.
01:05:24Oh, it's him.
01:05:26Who?
01:05:27Renfrew.
01:05:28Oh, uh, don't mind her officer.
01:05:30It's the uniform.
01:05:31Her uncle used to be a fireman.
01:05:32No.
01:05:33Yeah.
01:05:33Do you mind answering a few questions?
01:05:35Not at all, Renfrew.
01:05:36Sit down.
01:05:37Where'd you leave your horse?
01:05:38My horse?
01:05:39Mm-hmm.
01:05:40Look, lady.
01:05:41All I want is a little information.
01:05:43Do you mind?
01:05:44No, I don't mind if that's the way you feel about it.
01:05:47Hm.
01:05:47I've been listening to you for 47 weeks.
01:05:49But now I don't care whether you kiss her or not.
01:05:51Look, lady, one question.
01:05:54Do you mind?
01:05:59Oh, no.
01:05:59Not at all.
01:06:00Go right ahead.
01:06:02What am I gonna do now?
01:06:04What you gonna do now?
01:06:05It's not important.
01:06:06Well, you do it.
01:06:07That's the thing.
01:06:08And you are not going to do it here.
01:06:10You must go out.
01:06:11But quick.
01:06:12Please.
01:06:12Please.
01:06:13Hurry.
01:06:24Well, I'm sorry to have troubled you, ladies.
01:06:26Oh, it was no trouble at all.
01:06:28No.
01:06:28Goodbye.
01:06:29Must you go, Renfrew?
01:06:30Yes, he must.
01:06:32Well, do you think he'll be back?
01:06:33That's what I'm afraid of.
01:06:39Well, thanks very much.
01:06:47I haven't found a thing, sir.
01:06:48Well, all we can do is fill out the report.
01:06:50Right.
01:06:52Albert!
01:06:52Albert!
01:06:53Albert!
01:07:12How are you?
01:07:14Okay.
01:07:27What did I ever do to you?
01:07:33Because it's a fine time to be laughing.
01:07:37Well, 177 years.
01:07:40Being so healthy.
01:08:00What's this we're coming to?
01:08:02Philadelphia.
01:08:03Philadelphia.
01:08:04Philadelphia.
01:08:05That's an inspiration.
01:08:06What?
01:08:06Well, get off!
01:08:08But I thought we were going to New York.
01:08:10New York?
01:08:10How can we go to New York?
01:08:12With blatteries of newspaper men waiting to photograph Miss April to remain with her adopted
01:08:16baby.
01:08:16And what happens?
01:08:17Her adopted baby ain't legal.
01:08:19It's kidnapped.
01:08:20But you said we were getting off the train without the baby.
01:08:23Listen, darling, listen.
01:08:25Fifty million newspaper readers know that Miss April to remain got on a Broadway limited
01:08:31in Chicago with an adopted baby.
01:08:33And what are we going to tell them when we get off to New York without the baby?
01:08:36And what are we going to tell the police?
01:08:38Well, don't forget there are police in Philadelphia, too.
01:08:40Shh!
01:08:41Wait a minute.
01:08:41Shh!
01:08:56I was afraid you weren't going to make it.
01:08:57I would mess it.
01:08:58Where's the kid?
01:08:59Is he okay?
01:09:00Everything is okay.
01:09:01It worked like a charm.
01:09:02Come on.
01:09:02All aboard!
01:09:18Stop worrying everybody.
01:09:20There is a solution to all this.
01:09:22All we have to do is to think of it.
01:09:24I don't know why you're all so glum and worried.
01:09:27Personally, I'm quite thrilled.
01:09:28She's thrilled.
01:09:29Excuse me, please.
01:09:31Miss Powell, I assure you, the electric chair is no chaise long.
01:09:35Besides, personally, you are not connected with the matter.
01:09:40I know.
01:09:41I just wish I were.
01:09:43Why, you're all heroes.
01:09:44Heroes?
01:09:45That's not what they call them in Sing Sing.
01:09:48Oh.
01:09:49Why, Miss Powell's absolutely right.
01:09:52Why, of course she is.
01:09:53Here, the whole world is searching for the baby, and we have it right here, safe and sound.
01:09:57Yeah.
01:09:59Why, this is the biggest story that ever broke.
01:10:01We've got it right in the palm of our hands.
01:10:03Of course.
01:10:03Why, certainly it will put April Tremaine on the front page of every newspaper in the world.
01:10:07Now, listen.
01:10:08Excuse me.
01:10:10I've made up my mind as soon as I get to New York, I'm going to surrender.
01:10:13Surrender?
01:10:14Why, Mike, you're a hero!
01:10:15You certainly are.
01:10:16Maybe the first one to shake your hand.
01:10:19Pleased to meet you.
01:10:20All right, save it, save it.
01:10:21Now, go get the baby.
01:10:22When we get off this train, they'll carry us around on their shoulders.
01:10:26Sure, sure.
01:10:26Hurry up.
01:10:27Hurry up.
01:10:28Hurry up.
01:10:29Hurry up.
01:10:29My friends, I've cleared up everything.
01:10:33Well, come in.
01:10:34Come in.
01:10:34Pardon me.
01:10:35You aren't in your compartment, so I...
01:10:36Thank you very much.
01:10:37Thank you very much.
01:10:37You may go.
01:10:38Oh.
01:10:38I'll give you one more car.
01:10:39Oh, thank you very much.
01:10:41You always win his money.
01:10:43Oh!
01:10:43Oh, what?
01:10:45Oh, my friend.
01:10:45Oh, my friend, my sister, you t es owe your cheque for 50 and $50 and..
01:10:48$50,000?
01:10:50In real money?
01:10:51It ain't no hay.
01:10:52And your contracts for the clinic.
01:10:55Please sign on the death of Michael's.
01:10:56Your contract for the clinic? You mean that Yvonne...
01:10:59That's right.
01:11:00You see, I didn't want to tell you until I was sure.
01:11:02Why, Yvonne, that's the nicest thing you've done in your whole life.
01:11:07Listen, what do you think? The baby's gone.
01:11:10Gone?
01:11:11Yeah, when I got there, the baby was gone.
01:11:13Oh, but he must still be on the train.
01:11:15Exactly. Search every place. Call the conductor. Get the police.
01:11:18Come on, let's get going.
01:11:19Spread out! Search every place.
01:11:20I'll go this way.
01:11:22Then may I go, too?
01:11:23Yeah, you may go, too.
01:11:25Hansel Radio Station, New York.
01:11:35Pulling a fast one, huh? Give me that kid.
01:11:37Wait, it's a mistake. Now listen.
01:11:39Listen, nothing.
01:11:40Take it easy.
01:11:42So you want to play, huh?
01:11:46Now listen. Now wait a minute.
01:11:48I ain't got no time.
01:11:49Now wait a minute, mister.
01:11:49Hey, Mike, where are you?
01:11:51I'm right in here.
01:11:54What's going on?
01:11:56Everything's taken care of.
01:11:57There's the kid and these are the guys that took him.
01:11:59Now wait a minute.
01:12:00Listen, this is a mistake, I tell you.
01:12:01Oh, yeah?
01:12:02Well, this is no mistake, you baby snatcher.
01:12:04Here.
01:12:05Here, you gather the love and I'll meet you on the planet.
01:12:07Right.
01:12:07Wait a minute, lady.
01:12:08You're not going anywhere with that kid.
01:12:10Oh, yes, she is.
01:12:18Nothing.
01:12:18Nothing good at all.
01:12:20See you later.
01:12:20Okay.
01:12:21Come on.
01:12:22Come on, kiddies.
01:12:23Get out.
01:12:24Come on.
01:12:24Step right up and get a load of the greatest story that ever broke.
01:12:27We have the Pearson kids play some sound and that ain't all.
01:12:30We've got the kidnappers, too.
01:12:32The Pearson kids?
01:12:33What do you mean, the kidnappers?
01:12:35Why, the Pearson kids have been home since 9 o'clock last night.
01:12:38You mean this isn't the Pearson baby?
01:12:39That's what I've been trying to tell you.
01:12:41That's my baby.
01:12:42I'm the baby's father.
01:12:43I'm the baby's father.
01:12:45You...
01:12:45Well, who are these two mugs?
01:12:47Mugs?
01:12:47This is my brother and brother-in-law from Philadelphia.
01:12:49I only let you have the baby when I heard you were going to New York.
01:12:52I figured I could use the $500 to have a family reunion.
01:12:55My relatives have never seen the baby.
01:12:57What about the baby's mold?
01:12:58My baby hasn't got a mold.
01:13:00What do you call this?
01:13:01What, this thing here?
01:13:02Oh, dear.
01:13:03That's my beauty mark.
01:13:04I've been looking all over for it all morning.
01:13:05Beauty marks?
01:13:07Come on.
01:13:08Let's get out of here.
01:13:10So.
01:13:11Well, I guess I'd better be going.
01:13:12Yeah, me too.
01:13:13Just a moment, Miss Raleigh.
01:13:15Come on, honey.
01:13:15Let's get out of here before something else happens.
01:13:17So long, Yvonne.
01:13:18Goodbye, Yvonne.
01:13:19Goodbye, Miss Jemaine.
01:13:20Goodbye.
01:13:21Goodbye, children.
01:13:22Bye.
01:13:22Miss Raleigh, we're leaving for the Colts this afternoon.
01:13:25Oh, no more orders, my friend.
01:13:26I am leaving for Niagara Falls this morning.
01:13:29Or am I?
01:13:30But definitely.
01:13:31You mean you'll be happy with him?
01:13:34Aye-yi-yi.
01:13:35Oh.
01:13:37Aye-yi-yi.
01:13:39She means it.
01:13:41Say, I just thought of something.
01:13:42Where's the Colts going to bring you?
01:13:43You know, in all the excitement, I forgot to look.
01:13:46Must say in here someplace, though.
01:13:48Let's see.
01:13:49Party of the first part says the party.
01:13:52Yes, here it is right here.
01:13:53To be located at 3685 Hollywood Boulevard, Hollywood, California.
01:14:00Why, that's right across the street from the studio.
01:14:05I'll be seeing you.
01:14:09I'll be seeing you.
01:14:10I'll be seeing you.
01:14:25All right.
01:14:30All right.
01:14:31Let's do it.
01:14:38All right.
01:14:39All right.
01:14:41Well, three of theIR Dinosaur.
01:14:44You're listening to the Pim取ix.
01:14:44All right.
01:14:44You're listening to the Pim取ix.
01:14:44All right.
01:14:44All right.
01:14:44Let's do it, man.
01:14:45I'll be seeing you.
01:14:45Oh, my God.
01:14:45You're listening to the Pim取ix.
01:14:46You