08:22And this river brought me back again.
08:29I can't cry now, baby.
08:32I'm tired very much.
08:37Without a marriage, how can I get married without a family?
08:43Without a marriage without a family,
08:46I don't get married without a family.
08:49I haven't even understood this yet.
08:52What do you want to say?
08:56It's a child.
08:59It's a child.
09:04Now, when I think about everything,
09:07that Malvi Sahib,
09:10saying all of them,
09:11it was a child.
09:21It's a child.
09:22When you know that love,
09:22you're going to be a child.
09:27You're going to be a child.
09:28People try to have a child who is not the one who does.
09:31Everyone is doing good.
09:34All of them,
09:36all of them,
09:37all of them,
09:39all of them,
09:40all of them,
09:42all of them drama,
09:43all of them.
09:44It was a joke.
09:47And when the truth came in front of me,
09:51she married only two days.
09:54Then what happened?
10:06I have nine stitches.
10:07I have four stitches on the inside.
10:12I have two stitches.
10:16Total twenty stitches.
10:18You say, honey,
10:21this is the end of me.
10:24The fire was burning me.
10:27A fire was burning me.
10:31It was burning me.
10:33How many people are in the house?
10:37You are so strong, Tania.
10:38You are so strong.
10:40You are so strong.
10:42Then some...
10:44...machheros have saved me.
10:47They took me to hospital.
10:50They were good people.
10:52Yes.
10:55When you do a single person,
10:56you will be good.
10:58You are so strong.
11:03Come on.
11:04Come with me.
11:05I can't go.
11:08I can't go.
11:08The people of this world
11:09are so strong.
11:12I can teach my children.
11:14I can't go.
11:16Fine.
11:17You can teach them.
11:18But you can teach them in the morning.
11:20You can teach them in the morning.
11:20You can teach them in the morning.
11:21You can teach them in the morning.
11:25You can teach them in the morning.
11:26Come on.
11:27Get up.
11:32Get up.
11:33Let's go.
11:33Go.
11:35Get up.
11:36Get up.
11:42Get up.
11:45Get up.
11:46get up.
11:49Get up.
11:51Get up.
11:51Get up.
11:53With his deeds.
11:59The living sight of God
12:01didn't have done anything.
12:04Get up.
12:06You can come.
12:07Get up.
12:08Get up.
12:08Get up.
12:09Get up.
12:09Get up.
12:09Get up.
12:10Get up.
12:11and you will be alone?
12:14My attorney and my attorney are so close.
12:18If you can close the door,
12:19if you can open it,
12:22if you can open it,
12:22if you can open it,
12:23or if you can open it.
12:28I've understood this very late.
12:34But,
12:34when my wife and wife
12:37and if you can open it,
12:38if you can open it,
12:41you will not have any chance.
12:45If you can open it up,
12:48you need to open it up.
12:50Just think about it.
12:51Just think about it.
12:53How are you doing, Popo?
12:56In any marriage,
12:58there is no more practical thing.
13:06Just think about it.
13:06Let me talk about it.
13:08If you can open it up,
13:11then you will be able to meet the people of God.
13:18If you can open it up,
13:19and then you will be able to open it up.
13:21If you can open it up,
13:35Mama, my name is Shanawha, I want to love you, but logic with logic.
13:42I told you to go to Natasha's residence and check if she is in America or in Pakistan, please update
13:51me.
13:56That's good news, but don't commit to anyone.
14:01Hmm.
14:06We're going to reach the price of the dust cloud.
14:09But let's see.
14:11Yeah, we might bid as well.
14:16Let's go.
14:17We'll see tomorrow.
14:19Sani.
14:22Remember my last painting, The Dust Cloud?
14:24Coffee buyers interested us in learning.
14:27That's really nice.
14:43I have to attend this call.
14:45I'll make a mood again.
14:54I have to attend this call.
14:56I'll make a mood again.
14:58I'll make a mood again.
14:59It's only in Pakistan.
15:02I knew it.
15:03I'll make a mood again.
15:06I'll make a mood again.
15:10I'll make a mood again.
15:20You made a mood again.
15:22I'll make a mood again.
15:25What do you think about three months?
15:29Because you're not too late, that's why.
15:31You've got the property of Sani's,
15:32you've got your hand,
15:33and you've got to show me so far.
15:36The story is far too far.
15:38You're not coming to meet.
15:40You've got two days.
15:43He was busy in the exhibition.
15:45Let's see tomorrow.
15:46If Sani will come,
15:48then I'll be Azure.
15:49I'll be in this situation.
15:51Black man?
15:52Huh?
15:53Oh, no.
15:55You're alone.
15:56I'll be alone.
15:57You won't do anything like this.
16:00You'll meet in the exhibition.
16:02I don't have any interest in your paintings.
16:05Let me show you those young girls,
16:07who are in prison.
16:11You're talking about young girls.
16:13That's why I know you.
16:15You'll have a property of Sani's,
16:17you'll get married.
16:18You'll get married.
16:20I don't care.
16:23How do you say so straight?
16:26I've always been a fan of this.
16:28I've always been a fan of this.
16:29Okay.
16:29I'm so practical.
16:31I know the value of the exchange.
16:32I know the value of the exchange.
16:34That's why it's better to talk to me.
16:36What you've said,
16:37do that.
16:38Otherwise, you'll see my own shape,
16:41that you won't do anything.
16:53This is the price.
16:55The price goes on the.
16:56It's the price.
16:57The price goes on the price.
16:58If I just want to acquire a property,
17:00it's not a mistake.
17:01It's not a price.
17:05The price goes on the price.
17:10The price goes on.
17:12calmness and wisdom.
17:13What did you say?
17:15This shade of blue is calmness and wisdom.
17:19Look, our Abheera will become a very courageous artist.
17:25Inshallah.
17:27You're very loving, son.
17:28I'll put this in your room.
17:32Okay.
17:40Pupo.
17:44This house was a terrible thing.
17:51I thought you got to take care of yourself.
18:07Danya?
18:12Danya?
18:26Danya?
18:32Danya?
18:38Danya?
18:39Danya?
18:42Danya?
18:44Danya?
18:45Danya?
18:46Danya?
18:46Danya?
18:56How did you go? I'm sorry, Tania.
19:02Sorry, Abeera.
19:18I'm sorry, I'm sorry. I'm sorry.
19:26You can't see much more than you want.
19:31Then you send me your clothes, please.
19:33But I'm sorry.
19:35Just stop, son.
19:39Just stop.
19:41Just stop.
19:43As you don't know, you don't give up to your friends, so you don't give up to your friends.
19:50And you are the pain of this house.
19:53I don't know if you don't give up to your friends.
19:58Pupov, I've heard a story about it.
20:05You've also heard it.
20:06And you've also heard it.
20:10Where are you going?
20:12Yes.
20:13Go, baby.
20:15Go.
20:15Go.
20:16Pupov.
20:18I've never been in your house for so many days.
20:22Come.
20:23I don't see you.
20:30Thank you very much.
20:36Usma?
20:41Go.
20:42No.
20:43You...
20:45Maybe you left here some things and you thought you could read it.
20:52No, Salim.
20:55I'm going to take my own things to this house.
20:59I'll see you in the court.
21:23I'll see you in the court.
21:26But it's no peace with your friends.
21:31I don't have details to tell Abira, but...
21:33She was very happy.
21:35And she was all right.
21:37She said, it's good.
21:39But, son, the love marriage is something that happens to be a problem.
21:46What does it mean?
21:47Abira and I always love one another.
21:49So it's our love marriage.
21:52We are big, we have no one with each other, so we can take care of ourselves.
21:56But if these two people are small, then you can think about what will happen.
22:01You can also run away from the family and other people.
22:04They work with other people and other people.
22:08They leave the family and leave the family.
22:12And when the family asks them, they are different from each other.
22:22Thank you very much.
22:45Thank you very much.
23:15Thank you very much.
23:54Thank you very much.
24:15Thank you very much.
24:45Thank you very much.
25:16Thank you very much.
25:26Thank you very much.
26:03Thank you very much.
26:33Thank you very much.
30:15This is an order.
30:17Understand?
31:47Did you hear me?
31:48Yes?
31:50Adnan!
31:52Shanzai?
31:53What did you hear about your daughter?
31:56Adnan is coming.
31:57What happened? Why are you taking me?
31:59Adnan is coming from me.
32:01Really?
32:03Yes.
32:05Shanzai?
32:08Say it.
32:10Yes.
32:10My daughter.
32:13Thank you, God.
32:17Give it to Abhira.
32:18I'll tell you to the doctor.
32:32What do you think, seeing this painting?
32:34Are you coming up with something?
32:37What have you tried to portray?
32:40It's too hard. You explain it.
32:44You've seen strokes.
32:45You've seen strokes.
32:47Habhazard, abstract, dark colors.
32:55You guys, carry on.
32:56Strokes are showing disturbance.
32:59Dark colors are portraying sadness.
33:04Overall, it's been explained to the tragedy of life.
33:07Is this your perspective?
33:09Yes.
33:10This is my take on this painting.
33:22Sir, she's explaining your painting.
33:24Is she right?
33:27She can never be wrong.
33:30She can never be wrong.
33:32She can never be wrong.
33:34I'll tell you.
33:46I'll tell you about my inner feelings.
33:49You always tell me.
33:52She can never be wrong.
33:53I'm telling you.
33:53It was the first time.
33:55But you're such a good thing.
33:58You're not even knowing.
34:07If you're an artist, if you're an artist, you're not a judge when you're making a decision.
34:14I wish I could explain all these paintings in court.
34:18I wish I could explain all these paintings in court.
34:21If you're an artist, you're going to give a confession to your judge.
34:30What do you mean by me?
34:36If you're an artist, you're not a judge.
34:39If you're an artist, you're my husband.
34:43If you're an artist, you're a judge.
34:50I'm a judge.
34:54I'm not a judge.
34:54You're an artist.
35:01I'm not a judge.
35:03I'm a judge.
35:04I'm a judge.
35:07I'm a judge.
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