00:00None of us knew what this was going to be.
00:02We still don't know. We're trying to figure it out.
00:04Get me out of here.
00:05I'm trying to think, when did the idea of switching,
00:09you know, because that seems to have become...
00:11That began with you two.
00:14Right. So that madness is our fault.
00:16Yes, it's all your fault.
00:17The play continually contains its own reflections
00:20about this doubling as well.
00:22The whole first part, Elektra, kind of puts into question
00:25what does a mother receive from a daughter?
00:27How is a mother like a daughter?
00:29Persona is so beautifully about this merging of two people
00:34till they really swap roles.
00:36I thought what would happen, this crazy task,
00:40if we would literally put that at the core of our work.
00:43And it's a beautiful and insane experiment.
00:47The two of you are like the same,
00:49but just different expressions of it.
00:51I love how generous that is though.
00:54There's such a generosity to that as well.
00:56I watch you do Clytemnestra and I think, that's a good thing.
00:59And then you go and you do it better.
01:01And then you go...
01:01Stop.
01:03This is so much about wrestling for perspective
01:06and who gets heard and whose story doesn't get heard.
01:10And so the tension between those two types of storytelling
01:13has been confounding and challenging.
01:17It's been such a mystery to sort of try and unpack.
01:20It just dall and its regeneration
01:24Time for nurses and other managers
Comments