00:00I spoke with my God a lot.
00:02I literally reached a point that I felt like I was able to get a few.
00:10I was the only one who had a good day.
00:17Mumbapuri, Sazilisari,
00:19Maja Raja Chi Aliya Swari
00:22Pawhuni tujjeh rup,
00:26Uzzadliadishaya daahi
00:28I literally felt like that moment.
00:35Hello, my name is Ashutosh Takade.
00:39I'm a singer of LAL Bhaktar.
00:40I've been listening to you for two years.
00:50I've been giving you love for the song.
00:55I don't know how to express this song.
00:59I don't know how to express this song.
01:00I don't know how to express this song.
01:02The reason is that I have a song called The Maulis Limbs.
01:06I've been doing a lot of songs.
01:08I've been doing a little bit.
01:10I want to present a song.
01:13I want to sing to LAL Bhaktar Raja.
01:16I've been doing a big story.
01:18The reason is that I've been doing a shrub building.
01:20I've been doing a lot of songs.
01:22I've been doing food for everything.
01:22In all of the rural areas,
01:27I've been able to learn aboutui and other people.
01:39I was working to stand here and make an important role in my life.
01:42The most important part was that I went to do a show of LAL Bhaktar Raja.
01:43I lost a point.
01:43And I felt like I was drawing more in the pool.
01:48I saw a good place.
01:48But after that,
01:49I felt like I was in the pool,
01:50And I felt like when I made a pool of the pool and everything,
01:50I never got impressed by that situation.
01:53But that's what I was thinking and thought about it.
01:58Then, I thought, I would not give a good chance for my boss.
02:02So, I was very proud of that.
02:04I was surprised that it's not good enough.
02:06I was a friend of mine.
02:07I was a friend of mine.
02:08And that's how I asked the last time I wanted to be successful.
02:13That's why I had to say that in his way he was the king,
02:17So I'll call out about the Raja Manjaya 민re.
02:21So you can express her name in the Raja Manjaya Char at the Raja Manjaya.
02:26In Mumbai I have some respect to Raja Manjaya.
02:31But when I say that you have a different feeling of the Raja Manjaya,
02:33I'll call out the Nantar Mak,
02:35I'll call out adjusting a graph used by taking the photograph of any guy.
02:39I'll call out of every particular photograph.
02:42For this reason I need to do a photograph.
02:47The first place on the friends of Ganesh Chaturgyi was the first place on the friends.
02:52I told him that this was true.
02:55I didn't have the opportunity to give up.
02:57I thought that this was true.
02:59I didn't get out of the house, but I was the king of Palkhi.
03:03I was the king of Palkhi.
03:05I was the king of Palkhi.
03:07I thought that this was true.
03:10I thought that this was true.
03:12I thought that it's true.
03:14It's true that the people will be able to make these songs.
03:17We are the king of Palkhi.
03:22But this is the king of Palkhi.
03:23We are the king of Palkhi, but we will obviously make them do it.
03:40I was a musician, I called a music producer, he was making a song for the LALBAKHTRAJAR
03:50I was making a song for him, and I said, okay, we can do it, we can do it, we
03:57can do it, we can do it, we can do it, we can do it, we can do it.
04:01We have a song for him, and if you go there, they just make a song for it.
04:06The story is very old and I was making a song for him to come too, but we can't make
04:13a song for the LALBAKHTRAJ.
04:14So we have a very big support of the video team as well.
04:20We are very limited, it's part of the drone that we provide great practices,
04:23we have very high-level videos, we are very limited, very high-level videos.
04:28The main thing is that the Raja's footage is not available for the Raja's footage.
04:33The Mandala has a great help to cooperate with all the other things.
04:37If you have access to the Raja's footage, you can get a lot of footage from the Raja's footage.
04:56If you have access to the Raja's footage, you can get a lot of footage from the Raja's footage from
05:05the Raja's footage from the Raja's footage.
05:16I did a lot of research, my friend told me that I had a call that I had access to
05:24the Raja's footage.
05:24So I suggested that Vipul Shivalkar now.
05:27I did a connect with Vipul Shivalkar, so he asked me a lot.
05:32I was a fan of the Raja's footage.
05:45I was a fan of the Raja's footage.
05:47I was a fan of the Raja's footage.
05:47Eventually, I had a mutual understanding.
05:50But then, I was told that this song was called Rohan Kudunaj Korya.
05:55Rohan Kudunaj Korya is called the music program.
05:58There was a kind of band, that song.
06:00It was a song song.
06:05The song song was called Rohan Kudunaj Fah��.
06:08The song song was called Rohan Kudunaj Koya.
06:10The song song was called Rohan Kudunaj Koya.
06:11beat on the Raja's footage.
06:11I had a song called Raja's footage, but then, the song was called Rohan Kudunaj.
06:14The song song was called Rohan Kudunaj Korya.
06:21When I then left the song song, I think it was a really fun to play Raja's footage.
06:30The first look was opened in front of Manda's photographer and the center was opened in front of Manda's.
06:38And when it was revealed, it was a big picture.
06:43Mumbapuri, Sadli, Sari.
06:46It was a moment like that.
06:49I think that it's a blank, but I think that it's a blank.
06:55What is it doing? I think I feel like it's unexpected.
07:00My life is the most beautiful moment.
07:04I think that the king of the king, the king of the king of the king,
07:08is the king of the king.
07:10It's the king of the king of the king.
07:20Since I am cont 예쁜 scorer, I will tell you, come get melted from the purpose of my life.
07:20Because my readers first life came to the English version ,
07:23I achieved said six hours to do it all because I realized that it's no longer good that光 would be
07:42herself.
07:42Sarewe karegante e jhaa prakar e naatsat anandha toh te na t'haya ganeala gheogh
07:46Karat toshan maayase thi moolasa ho ta koup mohaata shan ho ta
07:49Mahayewon bhaktanh maalaa toh dhiva saath hoto
07:52Toh dhiva sota mih ben bolleloo mih sota la
07:55Khi mih kadhi teena kadhi paoul naadhiun sake t'ya a garde
08:00Karad t'ne teg teg malaha sewa paan karayal laoj li sota ho
08:03Koup anandha vatko ya ghosti cha
08:06Khi youdi garadit te ganea vaastu hai
08:09Manjee garadit le lukkhaas te ganea bolta hai
08:11I think it's a huge joy in my origin.
08:14It's a God-gright.
08:15When I was born in this village, I would tell the story in my family.
08:20There were singers who would come from the village,
08:24but I was born in the village of Vicarajana.
08:28I was on a stage of the village and I was waiting for her and I was watching that.
08:35During this time, I didn't get angry at all.
08:38I didn't get angry at all about a child.
08:39And the king of the king took this place and took it to the king of the king.
Comments