00:12When I choreograph action, I like to use the venue, which always presents targets of opportunity,
00:18like if you're in the kitchen of a restaurant, plates, knives, hot stove, boiling water, anything
00:23you can think of. You know, coming into the circus tent for me and creating a pace, I think that's
00:29what the idea of this was. We called this fight the vicious fight.
00:37So when I came on the show to meet Gitu, and I've met her, and I know it's a little
00:41hard
00:41sometimes for a director to trust another director to come and help with the action, but she's
00:45been extremely generous of spirit. Get your real chance because you're so good when you're
00:50real. This is the moment I need real. And what a talent, what an artist. I mean, Yash and
00:55her together are a very formidable team. Speaking to Yash, who in his own right, not
01:01just being a movie star, but he's an incredible talent as far as creative ideas, like bouncing
01:06those ideas was super exciting for me. You know, I could tell we were on the same page.
01:10We had a finger on the pulse of what we were doing.
01:15He's got mad swagger. I mean, he is a movie star. He has that magic, and not everybody has
01:19that magic. He understands where he is. He understands the lens. Great talent, physical
01:27talent, great actor. I was so proud of Yash. He's stepping up and doing an action. Quick and
01:33sharp. He's learning so fast. This huge star here, but he's so down to it. Oh my God, Yash is
01:40awesome. He's one of the best. And he's got it. So we're just grinding it right out of him.
