#مسلسلات
#مسلسلات رمضان
#رمضان
#مسلسلات كويتية
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#مسلسلات تركية
#مسلسلات عربية
#مسلسلات تركية
#اسطنبول
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#الهيبة
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#الهيبة الحصاد
#جبل شيخ الجبل
#فلم
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#مسلسلات رمضان
#رمضان
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#مسلسلات جديدة
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#مسلسلات مدبلجة
#الهيبة
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#جبل شيخ الجبل
#فلم
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TVTranscript
00:00:15We are carrying the shroud on the shoulders of those who live long lives.
00:00:19They shrouded
00:00:30All prestige is under the sword
00:00:33O history, record this.
00:00:36Oh us
00:00:37Oh my mother
00:00:52More than five thousand dramatic minutes
00:00:56One hundred and fifty episodes
00:00:58and five parts
00:01:12Unparalleled pain
00:01:14I hesitated in every city
00:01:19I entered every street
00:01:21It has become a part of every Arab home.
00:01:26absolute champion
00:01:28With him is an unprecedented number of Arab faces
00:01:32and five fingers struct
00:01:41and five fingers
00:02:13A series that shaped the history of modern Arab production
00:02:17pivotal turning point
00:02:20And in memory, the tale of a folk epic is immortalized
00:02:24And today when we say epic
00:02:28We are definitely saying hip
00:02:47The series topped the headlines in foreign newspapers
00:02:51She won several awards
00:02:53I participated in international cultural events
00:02:56It was shown on global platforms
00:03:08Life is a series of successes
00:03:12In numbers, he is first
00:03:18In the competition, it is the season of seasons.
00:03:22A Turkish production company has purchased the rights to the Al-Hayba series.
00:03:27To present it in the Turkish version
00:03:29In the pyrotechnic industry
00:03:31It is the reference
00:03:32In production
00:03:35It is the model
00:03:38On the border
00:03:40It is the work that broke down barriers
00:03:43And it reached the world
00:04:02Are you living through these days?
00:04:03Escalating events with the heroes of the Al-Hayba series
00:04:05Al-Hayba series is a very successful series
00:04:11This is the reason for the work's success and widespread popularity.
00:04:13The first two seasons of the show are dubbed.
00:04:16On Indian channels
00:04:18Best Lebanese Arabic series
00:04:22Prestige for the product Tabl Sabah
00:04:27The crisis remains, but Lebanese and Arab dramas are still prestigious.
00:04:30And what can I say about prestige?
00:04:32On irresponsible success
00:04:35And everyone who is affected by the success of the work is responsible for it.
00:04:40My honorary award to an Arab actress
00:04:44Regarding her obelisk and distinctiveness in the role of prestige
00:04:46Mona first
00:04:47And he sent a message to the best Arab actor
00:04:51In Lebanese Arabic drama
00:04:53Regarding his role in Al-Hayba
00:04:54For the actor Taim Hassan
00:04:56Samer Barqawi
00:04:58Giza Marax receives my appreciation
00:05:01For an Arab director about Al-Hayba
00:05:03Favorite Lebanese actress
00:05:06First role about prestige
00:05:07We condemn Nasim Jim
00:05:47Prestige
00:05:49A virtual reality with events closer to reality
00:05:53Prestige is a figment of the imagination.
00:05:56As a village
00:05:58The series "Al-Hayba" has etched a deep emotional memory in the world of Arab drama.
00:06:04To become an unprecedented populist phenomenon
00:06:10We weren't entirely sure where we were headed with our relationship with the public.
00:06:14We had a feeling that something popular might be present within the folds of this paper, and how it would breathe.
00:06:21There is complete confidence from the production company that if the product goes to high-end stores, it will be large and huge, as we have seen.
00:06:34The rope of correct directions
00:06:35Five parts of a path to success from which there is no turning back
00:06:45Without anyone betting, the success was overwhelming.
00:06:49Eight farms were harvested, and the response was surprising.
00:07:00Hijaz
00:07:01Pre-Hayba
00:07:04Not the same as after that
00:07:06Where did he say "before the prestige" and "after the prestige"?
00:07:10The majestic God says
00:07:11God of Taklo
00:07:12The prestige has become my current state.
00:07:14When it comes to the young, it doesn't mean starting from the young to the old.
00:07:18I humbly say, and they will understand why this work was so successful.
00:07:24Road to Al-Hayba
00:07:26One of the most important reasons for the success of Al-Hayba or the arrival of Al-Hayba
00:07:30In the way we finish it at the least
00:07:332017 The beginning of the road
00:07:36At least we got something out of the box
00:07:40It's an adventure to produce Al-Hayba at the beginning because it's a private project.
00:07:44He talks about science
00:07:47He talks about abuse
00:07:49He talks about weapons
00:07:52Zenia
00:07:56The adventure of producing prestige in the beginnings
00:07:59We can confirm
00:08:02It's the TV stations that will be embellished
00:08:04This type
00:08:05And understand and put it in time
00:08:08It has high competition
00:08:11Bihar Ramadan
00:08:12and Prime Time
00:08:13And with local and Arab stations
00:08:16And we won the bet successfully together
00:08:19I was expecting that the work would sacrifice the right to success.
00:08:22I expected this success
00:08:23My birth was in relation to Ali
00:08:25He was an actor in front of the world from the series, like a hippie.
00:08:29When it was my turn, I wanted to be there.
00:08:32Anja was an opportunity
00:08:34I wanted this comeback to be anything but ordinary.
00:08:38And her pouring
00:08:42You made me laugh
00:08:43So tell me, guys
00:08:47By chance, we were sitting together and the topic was brought up.
00:08:51He told me to take some time, but I told him it wasn't necessary to take time.
00:08:54I loved it so much, both as a series and as a role I played.
00:08:59I was honestly excited
00:09:02I mean, I didn't even think about counting to two.
00:09:05Ziad thought it was the easiest approval he received
00:09:35His path to prestige was fraught with challenges.
00:09:39His path to prestige was fraught with challenges.
00:09:39In the name of God, the Most Gracious, the Most Merciful
00:09:41There are some hot spots that people usually don't address in TV series.
00:09:46Now, these people have their problems, their worries, and their needs.
00:09:52We need to see how these people think.
00:09:54We want to see where they're going, how we want to see them outside.
00:09:57We only see them shooting and not driving.
00:09:59We see their lives, we see their relationships with each other, we see how the social structure influenced them to get to where they are today.
00:10:05These people who work in this profession, perhaps the circumstances of the area they live in have forced them into this situation.
00:10:11In my opinion, this justifies the prestige sometimes criticized in that
00:10:16Okay, so what about this group of armed men who are carrying out an Abu Dhiar operation?
00:10:20If we were just a group of Zaran, they would have escaped into the forest or escaped into the mountains.
00:10:25And they did all the moves they usually do.
00:10:28But no, they have houses, and their houses are well-known, meaning some of them are secretive.
00:10:33And with us are their children, with us are people inside the houses, with us are women and children, and young men
00:10:38This interaction within the family gives off feelings and emotions and expresses the collective conscience.
00:10:48You went against your brother's wishes and the wishes of the whole family, and you acted like a thief and a swindler.
00:10:54In border areas, there are always lawless places because the state hasn't reached them.
00:10:58They replaced the law, but many aggressors were protecting the law.
00:11:03As they say, the security of their small community is what we are trying to achieve.
00:11:06Two words at the end, but it's expensive, and you have a judge, or do I have my own judge?
00:11:15The whole world hears about these people, but this is the first time you've seen them.
00:11:24We're not trying to ruin anything, but it seems like if it doesn't get completely ruined, it won't work out.
00:11:31The innovation of those who work on it is that they invent this tribal situation and talk about its climate
00:11:39This came as a result of research, meetings, and a commission for the writer, who is Hazan Akko.
00:11:46We go to the tribal worlds of the Ahboubiya regions
00:11:50Hey, you're giving us fatwas?
00:11:51Why are we treated this way by them, Abu Khalid?
00:11:54I mean, the one who sent me these sheep
00:11:56And we will fly them on a trip
00:11:58He is the one who humiliates capitals
00:12:00The tribal lineage found in Morocco is also present in Sudan, and there is a shift towards Yemen.
00:12:05He looked towards the Gulf and returned to Syria and Lebanon
00:12:09We are not accustomed to holding a funeral before we take our revenge.
00:12:17In Tarat and in all these news
00:12:20But some of them didn't consider this a taboo subject that shouldn't be discussed.
00:12:23No, it's not there.
00:12:24We were not getting anything out of the core facts in our region
00:12:36I might have sex with someone who needs female soldiers. They talked a lot about weapons because there was someone who was very particular about them.
00:12:40There isn't a single house in a group of Arab countries, and there are many.
00:12:44He is telling a truth; it is a reality of the work being done, and there is a weapon in it.
00:12:55Or he suffered from the idea of weapons or knows something about smuggling
00:13:01You told me milk, right?
00:13:03Or he profited in a disorderly manner from smuggling.
00:13:07Therefore, realism exists and exists strongly.
00:13:11And I also believe that this is one of the secrets of his Messenger to the people.
00:13:14border
00:13:17I want sugar
00:13:21Smuggling will stop, no matter what kind of contraband it is.
00:13:25Although the family, if we were to say that it has flaws
00:13:28For example, she works in smuggling.
00:13:30The things are simple
00:13:32The one that doesn't contain drugs
00:13:34Because we, as a mountain family
00:13:36The mountain sheikh paid us from his authority, you're leaving
00:13:42Because we refused to let him deal in drugs
00:13:45Poetry has been on our tongues for a long time.
00:13:48And the pillar of the year and the four seasons
00:13:51Heavy weapons and drugs, we don't work with them.
00:13:55And this was the most beautiful positive thing about the mountain
00:13:58He was not addicted to anything
00:14:00Heidi did not mix anything.
00:14:03This strengthened his personality in the eyes of his family and children.
00:14:07It means when the boy said "mountain"
00:14:09The family wasn't bothered by him.
00:14:11Because they didn't consider him to be a nice, positive person.
00:14:14Look at his wishes
00:14:18Mahrezani
00:14:19Mahrezani
00:14:20Mahrezani still hasn't argued with you, huh?
00:14:22I'll give you what you have, and what I don't have, I'll give you.
00:14:25When he went on air
00:14:27There was some criticism
00:14:30From state officials and I paid
00:14:32The criticism was that we had greatly reduced the state's presence and control in these areas.
00:14:38Especially after what happened in the battle of Beirut
00:14:41But this time the scene of events is not easy; it's the streets of Beirut.
00:14:46We went out and it was like a battle; there was shooting, kidnapping, beatings, and killing.
00:14:49It's as if the state doesn't exist, and he knows that this thing isn't right, not now.
00:14:52Security forces are deployed on the outskirts of this area.
00:14:57It places barriers at dangerous entrances to areas of clashes.
00:15:02Some people took us for granted.
00:15:05It means we need to share news.
00:15:10We must speak the truth
00:15:11We are an organization that produces cinematic drama.
00:15:15Ultimately, we always do this – a package of suspense and fun.
00:15:21So that people can sing and through them we can reach them
00:15:25We're getting to Manawi
00:15:27What do we need the government for as long as we are capable of doing what we want?
00:15:31That's how you see it.
00:15:32How are you?
00:15:34What was the result?
00:15:36The truth has been revealed to us
00:15:38I loved the evening
00:15:40Amsio Al-Tub
00:15:49music
00:15:57In more than one instance, lawsuits were filed.
00:15:59He attributed himself to figures who were present in Al-Aiba
00:16:05We responded to her as required by law and intentionally.
00:16:12I think this was in the first part or two
00:16:17Then the march continued and things headed in the right direction without any major concessions.
00:16:25It's rare to see it, maybe
00:16:27In our Arab culture, this type of series is missing.
00:16:30Ajza'u Nashheen Asdaqu Nashha
00:16:33As we've seen before, definitely outside.
00:16:34Forth
00:16:36Something will succeed
00:16:38He wakes up
00:16:42Let's get them back, let's work
00:16:43Second, third, fifth, sixth and tenth
00:16:47Among the people, they made ten
00:16:50I feel like I need a new one
00:16:53Yeah
00:16:55God's dream
00:16:56When he made a second, third, fourth, and fifth
00:16:59And everyone says
00:17:00What do I want him to say?
00:17:01Talaat Al-Omariya said they said something different
00:17:03The importance of prestige lies in its being passed down from one part to another.
00:17:08He kept worrying
00:17:09If he reached the fifth
00:17:11Which was also very sturdy
00:17:22From the womb of prestige, then, five parts were born.
00:17:27Each part has a story, indeed, a thousand stories and more.
00:17:33Nay, a thousand tales, nay, a thousand tales
00:18:02Camera and the team
00:18:04They're saying he can handle a second part
00:18:06But I didn't imagine it
00:18:08I absolutely will make a second part.
00:18:10Day 20, we're back with a session like this
00:18:12On the margin, by "kalos" means
00:18:16I told them, "Guys, I'm the guardian of this series."
00:18:19We create parts from it, I don't know why.
00:18:23Jao
00:18:25Safety
00:18:26From the first part in which this series was released
00:18:28He was topping the viewership statistics
00:18:31He was in Lebanon or the Arab world
00:18:33During the show, the first third of the series aired
00:18:37I received a call from MBC management.
00:18:43And Professor Ali Jader's oil and we held the meeting
00:18:46We talked about the importance of this project, that it complements
00:18:50It was a struggle because we hadn't decided.
00:18:54When we completed the first part, we decided to work on subsequent parts.
00:18:56When we entered the first part
00:18:57The characters were taking shape
00:19:00Its worlds exist, but we don't know why or how they were formed.
00:19:03We tried to move forward
00:19:05But we had a problem that caused a lot of trouble.
00:19:07I'm the one who's first.
00:19:08They lost everything we wrote or progressed on to work on
00:19:12Its brilliance wasn't as brilliant as in the first part.
00:19:17At the same time, there was another dilemma.
00:19:19We don't know its history.
00:19:21The village and its characters
00:19:23The adventure continued in part two.
00:19:25Not just because we're betting on success
00:19:30It may vary
00:19:32Or the taste plays a role in the sweetest
00:19:35Or something like that, that was the only bet.
00:19:38The bet is on the authenticity of these personalities
00:19:41Because it's without the second part
00:19:42We couldn't cut the characters
00:19:45Like Bio
00:19:47For the mountain
00:19:47Like Abu Jabal
00:19:48Like many characters
00:19:50Because we know a little about their origins
00:19:51How did they get there?
00:19:53How are they here?
00:19:54Because in the first part we did not address
00:19:55It was a crane
00:19:58All seasons
00:20:00To the second season
00:20:02And today
00:20:04And tomorrow
00:20:04And the other day of my life
00:20:07My hand will always be extended for the benefit of every one of us.
00:20:11Like someone who wants to take a big jump
00:20:14He needs to take a step back to Ward
00:20:16By God, I swear by my name and assume it's with someone else.
00:20:22I'll lock you up and you'll lock me up in the same cage
00:20:24Nothing will separate us except death.
00:20:26After you leave, part one
00:20:28The phone is ringing, and it says...
00:20:29And I love that
00:20:31Being present in part two
00:20:33I was definitely very surprised and very happy
00:20:35It was a great opportunity for me to be part of such a huge series.
00:20:40And the responsibility was after more
00:20:42Because it was one of my first experiences with nature
00:20:44And the series means that everyone has watched it.
00:20:47She was afraid
00:20:49So, what was sweet was scary.
00:20:51She stopped seeing me
00:20:53They say it's not a good idea if the bride complains before the wedding procession.
00:20:56You're not allowed to see me
00:20:57The scene of Mary and Jabal
00:20:59When he sees her
00:21:00And she tells him, "No, you can't go in and see the dress."
00:21:03He said
00:21:04And the mule
00:21:06The one who said
00:21:08This is the scene that stuck with people the most
00:21:11It means people are still talking about it even now.
00:21:13And you post it on social media
00:21:14But what's done is done.
00:21:16And they finished intentionally
00:21:20Jade Fa'amar
00:21:21To the daughter of Suleiman who killed me
00:21:23He's telling the world that he's going to marry Soumia.
00:21:26And when I look at his face
00:21:27I think this was the strongest scene.
00:21:30By nature
00:21:32There were so many looks
00:21:34It is said that there are many things.
00:21:37Specific and sensitive
00:21:38difficulties and love
00:21:40It means everything is easier
00:21:47Soumia, too, as they say
00:21:49daughter of Atahala
00:21:51What's up, guys?
00:21:54What next let us see?
00:21:57Huh?
00:21:58Turkin, this cat is selling and she's sniffing you.
00:22:02And you ordinary people are printing so they can take you like everyone else?
00:22:04This scene might be something I'm under pressure for.
00:22:07Mountains, mountains
00:22:08We had to do it twice; there was something wrong with the lighting and the camera.
00:22:12I'm tired
00:22:13Because I completely lost him.
00:22:17You are contradicting the norm with the deadly
00:22:18Yes, you should also get her rights.
00:22:21And the mountains are washed
00:22:23right
00:22:23Nasla, when the mountains of Kit stood up, they were talking together about Sumiya.
00:22:27Oh, my God!
00:22:28Oh, you hungry one
00:22:30Oh, street urchins
00:22:32You have a house, Sultan Sheikh
00:22:33Mountains where it is knocked
00:22:41The scene ended with Jabal Ru'a Dakhilik Ru'i 'Alayna
00:22:46I am a well-bred girl
00:22:47I swear to God, there are ten like you.
00:22:50But gather your children under your wing and raise them from the first winter.
00:22:54Teach them
00:22:55Playing with the big boys
00:22:58His precious right
00:23:00I want Abu Salama when I need him
00:23:02Zalmaa is uneducated
00:23:04uneducated
00:23:05Mafioso
00:23:06Drug dealer and non-drug dealer
00:23:09And an arms dealer and so on and so forth
00:23:11Abu Salama is a model
00:23:14For the majority
00:23:15Rulers
00:23:17This country
00:23:18After I saw something
00:23:20I want everyone to know about him, Nasem Al-Ali.
00:23:24And I'm putting something inside
00:23:27By your life, Hulu
00:23:29I'm not leaving the council except for some people.
00:23:32After they told me the story
00:23:36What is the story of the series and what is my role?
00:23:38Let it burn
00:23:40I loved the idea
00:23:41I loved the story
00:23:43Of course, the third part, which I participated in
00:23:46I loved them
00:23:47I can't
00:23:49I warned you and told you
00:23:52Musa Al-Sabbat
00:23:53Before he steps on me
00:23:55Sarawat took the role
00:23:57Under my cloak of hatred
00:24:00And crime
00:24:01corruption
00:24:02music
00:24:04music
00:24:04music
00:24:05music
00:24:06Do you know that's a mistake?
00:24:07If you were going to take me?
00:24:09Until there is no more boredom from everyone
00:24:11Those who rule us
00:24:14Kozra
00:24:16And deputies
00:24:17As officials
00:24:19Because
00:24:20No, really
00:24:21Indeed, the spread of immorality
00:24:22You're going down
00:24:24By Tesp
00:24:27You're coming back
00:24:27Just like you were
00:24:30bomber
00:24:30I really loved it, Nour Rahmi.
00:24:32To the point that
00:24:33I adopted it seriously
00:24:34I loved her and felt compassion for her.
00:24:36I was upset with him because of him.
00:24:38And all I say is, that's it.
00:24:40You'll get yourself into trouble if you go back
00:24:42I was pleased with him when he made the decision to change his past.
00:24:45And its explanations for the future
00:24:47Mahno, I tried you and it pleased me, I won't let you down.
00:24:50I am stronger than you
00:24:51It means she had many life choices.
00:24:53random
00:24:54But all the while she was digging for safety
00:24:57On love
00:24:58On stability
00:24:59What is this?
00:25:01Surprise
00:25:04Open it
00:25:09Upside-down
00:25:10Oh my God, what a mess!
00:25:11For now
00:25:12Some people say
00:25:13for example
00:25:14Times on the story
00:25:15On Instagram
00:25:16What's wrong with you, my friend?
00:25:17They call it Maqluba
00:25:18or after
00:25:19It means Saturday, you got to know me, the upside-down one.
00:25:21And after
00:25:23Kevin advises her that the future is uncertain.
00:25:25Because there is no future
00:25:27Because in the last episode of the series
00:25:29The third one we know is light
00:25:31Sadly, she and her son died.
00:25:38One of the endings was a bit sensitive
00:25:41This is the end of part three.
00:25:42Which is an ambush that targets Jabal's mind in a very harsh way.
00:25:50None of us wanted to die
00:25:52Each one is adding to the other's burden
00:25:54I am dead
00:25:55Time's gorge dies
00:25:55The boy died
00:25:57The ambush was because
00:25:58And Al-Shafari, who is Abu Ali, is with us, by God
00:26:01This is a hole
00:26:01It means that all of us were saying
00:26:03You're going to kill me, I don't want to die.
00:26:04So we were really that attached?
00:26:06It's all together, and we complete it together.
00:26:08But if I'm looking at the depth of the personality
00:26:11With a letter, it ended here.
00:26:12It means the light of mercy has ended.
00:26:15His journey here
00:26:16Its name is the harvest part
00:26:17It was intended to be harvested
00:26:19All the friends were going
00:26:21On the content of the last solution
00:26:29People's personalities are attached to it
00:26:31She loves it very much
00:26:32Even if you disagree with me
00:26:33Meaning, with her intentions and goals
00:26:35And Hayek
00:26:36But people were definitely upset about Ghazi.
00:26:39She gets upset over my beauty and my mole
00:26:42She's upset about many people who became attached to her.
00:26:44So when I was distracted by the sweets
00:26:45I worked on it, Professor
00:26:47It was so painful for the audience
00:26:51This harvest is like this
00:26:54music
00:26:57It was around the 27th of Ramadan.
00:26:59I said it was an adventure
00:27:00What's wrong with us?
00:27:01I can't show it
00:27:03And since I'm still here
00:27:05It means I have to disappear
00:27:07So I said to her,
00:27:10Madam Mays
00:27:11I have no solution other than to send my soul to the area.
00:27:13It's impossible for anyone to catch me in it
00:27:15He asked me why I did that.
00:27:17It was the best option
00:27:19At that moment, my imagination ran wild, and I was on the lookout for Cruise.
00:27:21I discovered later that it was the cruise
00:27:23It means all Arabs
00:27:25I told her we're old
00:27:27Oh, it's over, so I'm supposed to attend?
00:27:29You told me it was off
00:27:30You asked me where the sound was coming from
00:27:32You told me Mubarak
00:27:33I started hearing this
00:27:35I shot myself in the corridor
00:27:36The entire corridor
00:27:38I put the sweets
00:27:40All on the cruise
00:27:41We're waiting for the sweets to come.
00:27:43What I imagined means
00:27:45And we know that I am on the cruise
00:27:47Which of the strange stories means
00:27:49What happened to me while playing
00:27:51How do you make direct contact?
00:27:53With the audience
00:27:54Is he highly sensitive?
00:27:56Is he attached to the characters?
00:28:00And is he keen that
00:28:02The series remains good until the very last moment.
00:28:08Those who are watching part three say
00:28:10The mountain is finished.
00:28:12Any march involving bloodshed ends in bloodshed.
00:28:15He and his family are at peace.
00:28:17Hajina Challenge Part 4
00:28:22When I was reading the text, this never occurred to me at all.
00:28:26It means this is the first time we've seen a woman
00:28:29rebellious and defiant
00:28:32It is valid, meaning regarding and so on.
00:28:35And a lot of standing, I mean
00:28:38She was standing there facing the phone.
00:28:41She was
00:28:41multiplying
00:28:43Afwan
00:28:47My mobile
00:28:51I'm the one who's multiplying
00:28:53I mean, I wasn't betting that
00:28:55They like Rania as a character
00:28:57They sympathize with each other
00:28:59I just wanted them to forgive me
00:29:01years
00:29:03For years I've been through this, I forgive you.
00:29:07I couldn't
00:29:11Are you counting on me?
00:29:12What are you holding me accountable for?
00:29:14This scene also appeared
00:29:16It was a little shorter
00:29:18And I felt that it was him
00:29:20It does not live up to the standard
00:29:23It's Rania defending a case that's only happened once in her career.
00:29:27So, of course, collaborating with the writer will help us.
00:29:30And with the director, of course
00:29:32I told him I wanted to do a scene called the pleading scene
00:29:36What did you expect from me after you killed my father?
00:29:39Should I send you a thank you card, for example?
00:29:42You see me in a different light
00:29:46You see things from a different angle.
00:29:47You opened your home to me
00:29:48I saw one of your relatives coming to you.
00:29:51Okay, but from my point of view
00:29:54You are the one who killed my father.
00:29:57And with myself
00:29:59Oh God
00:30:10This location was also one of the most difficult locations at the time.
00:30:15Technically speaking, it means
00:30:17For the actor, it meant that it was from a location considered difficult.
00:30:22music
00:30:25I mean, I imagined open endings
00:30:29I can tell you about Imran under the rubble
00:30:32The thing I enjoyed the most
00:30:35In the end
00:30:35The walkers were just surrounded and ended up in the middle of the room.
00:30:39And Dima's character at that time was attacked with a spear
00:30:46It means
00:30:48He was suffering then
00:30:49This scene
00:30:54The absolute idea is that I'm currently like this without a plan.
00:30:59Press the button
00:31:02Let's fly away, everything he does
00:31:04I suffered a lot
00:31:05Especially since he's taking his last breaths too.
00:31:08This scene is very
00:31:10It's mentally exhausting me
00:31:13I'm mentally exhausted
00:31:17What was the end of Nimer Al-Saeed in this way?
00:31:23They were taking into consideration that he was a young man.
00:31:27From Ziad, from Samer
00:31:30He takes into account that no tiger dies in this way.
00:31:34The tiger returned to generosity
00:31:35Some of them are from here, far from generosity.
00:31:36Many a tiger has passed by the hippie
00:31:39And this tiger
00:31:42One of them
00:31:44Helico died
00:31:45This scene was filmed a long time ago.
00:31:47He photographed us in our final state
00:31:49The one that is Mount Jerwa for the tiger
00:31:51I explained it, it was explained.
00:31:54Even Ntime
00:31:56That's how it was.
00:31:58We were ashamed of how they appeared to be explaining us.
00:32:00They are still looking at something that is typical of generosity.
00:32:02My brother, no, I am Nimr Al-Saeed
00:32:05I'm in your place, not just explaining it.
00:32:06I'll put it in a car trunk, tie it to it, and spin it around in the yard two or three times.
00:32:10Because this man, no matter how much he did, was a source of prestige.
00:32:12At least we should do this
00:32:13He's saying the medicine is more potent
00:32:16But no, we were completely focused on that.
00:32:19Because Adel has a similar injury
00:32:24They appear on what I remember or something
00:32:26So it was inevitable that there would be many of us
00:32:27Even if it's love and he's thankful for it
00:32:29We care a lot that we don't remove Adel
00:32:33These scenes are presented in an elegant manner.
00:32:37And I personally mean
00:32:39I am not even inclined to a slap
00:32:42I'm really doing it
00:32:44He sat aside and let us handle it.
00:32:47He sat aside and let us handle it.
00:32:49He sat aside and let us handle it.
00:32:53He sat aside and let us handle it.
00:32:54Good
00:32:54Good
00:32:55Good
00:32:56Good
00:32:59Good
00:33:14Good
00:33:18Good
00:33:19Good
00:33:20Good
00:33:20Good
00:33:20The presenter kept saying part after part after
00:33:23Especially when there is a preemptive ruling
00:33:27He is working on parts of his game to capitalize on his success
00:33:31This will always remain a genuine act, this proactive judgment
00:33:34No, we're now being asked to make five more parts or ten.
00:33:40Or never stop
00:33:42Honestly, it was difficult to even consider stopping at part five.
00:33:45But it was a decision
00:33:46The decision was made by everyone that we wanted to stop at a point of success.
00:33:53A joint and temporary decision, very timely.
00:33:56That's the story of Al-Qaws, which ends in the fifth part.
00:34:00The determination increases progressively from the first episode to the last.
00:34:04Standing on a text held to a high-level story
00:34:08On a significant upward trend at all levels
00:34:12From the first episode to the last episode
00:34:15Part five was the strongest because
00:34:18The last part of it had action.
00:34:21The director was the hero, not the script.
00:34:24This is something
00:34:25The second thing is that the company was
00:34:30It means giving everything its due.
00:34:34It means people today have simplified the last part.
00:34:37Because it contained well-planned and generous battles
00:34:40It has weapons and action that rivals American cinema.
00:34:48And it contained field difficulties on the ground.
00:34:51Hip Hop, Part 5, means four chapters.
00:34:55It means those who were acting were in it
00:34:57A woman over them in winter, spring, autumn, and summer
00:35:01And they returned in winter
00:35:02He's telling me we're done
00:35:03I'm his uncle, I have an armored vehicle.
00:35:05Or, by the way, this is the door of the Z.
00:35:07We are filming in it
00:35:08We want to remove it
00:35:10We want to break into the garage door inside.
00:35:14And a long journey means
00:35:16He means he's telling me about the last
00:35:18I'm telling him this
00:35:18music
00:35:21music
00:35:21music
00:35:26music
00:35:28music
00:35:28music
00:35:32music
00:35:33music
00:35:35music
00:35:36music
00:35:39music
00:35:41music
00:35:42music
00:36:42It means that the cartridge hit our heads a lot, especially in the second part.
00:36:46It means I'm getting my head plucked out from the empty shells that hit my head.
00:36:51What control can one exert over such punishments?
00:36:56I was never satisfied with my role in the fifth part.
00:36:59While Uncle was preparing the text
00:37:01Let's start delivering episodes
00:37:03Your head was working
00:37:05I do this, I don't do that
00:37:07Shahin is like this
00:37:09No brotherhood, a moment of strong objection to my role in the fifth part
00:37:19My camel told me, "I won't forget it, invest."
00:37:21He told me, "You're confusing the characters and you're insulting them."
00:37:25It's not a gift, meaning that someone is being honored, for example, by having their personality continue.
00:37:30On the contrary, it's a crowning achievement for this personality, and Abdo understands it perfectly.
00:37:34He was the one who was demanding and feeling that he was desperate
00:37:39This purification that occurred to the character after the extension of the five years
00:37:43In a very important scene, he said something with his wife.
00:37:50If you don't come back
00:37:57Complete what you were doing
00:37:59He sent me a very nice investment message.
00:38:02So you sent me a message saying, "Can I talk to you?"
00:38:04He told me, "I want to see you now."
00:38:0711 at night
00:38:08And Angeli, your dean, was Balotelli
00:38:10In the place where I'm working in the writing workshop
00:38:13I went to the mayor
00:38:15He told me, "Come here, you're a real pain."
00:38:18And he wants to talk to you about my work
00:38:19Talaat
00:38:20He's talking, he's hinting that this person, Samer Bousheeb, is sad.
00:38:27You said Samer for a moment
00:38:29You want to kill Shahin
00:38:31He fell silent
00:38:32He told me it was true
00:38:33You said, "He's with you."
00:38:35Of course
00:38:36But I drowned
00:38:40He teared up and asked me what
00:38:43You said okay, meaning she's a personal person who's lived with me all these years.
00:38:47I miss him
00:38:50The next day was the filming of the scene, the swimming scene.
00:38:57We all cry when we see you
00:39:00Jay wants to take pictures of you
00:39:02He said and told us that
00:39:04That's it, uncle, I'm not going to die, Shahir is going to die.
00:39:11Saturday, Mawasif, I teared up when I found out it was Abdo Shahin.
00:39:14Today, the scene of death is being filmed.
00:39:16She came at the last possible moment, her eyes lit.
00:39:19Hamama, what's wrong?
00:39:20I'm not going to die personally.
00:39:22This is Shaheen
00:39:27The peregrine falcon is a free bird.
00:39:28What is not caught
00:39:30Is that right or not, Maghazi?
00:39:34Behind the scenes with me and Abdo Shahin
00:39:36I think this needs documentation for the exam.
00:39:40nest
00:39:41Oh kind one
00:39:43What field do you have?
00:39:46What's wrong with you?
00:39:48Your brother from
00:39:53God
00:39:54The most difficult scene for me was in part five.
00:39:58At the moment
00:40:01He vents all his anger on me.
00:40:06God
00:40:18You can write your poet's words to get permission from your leader
00:40:25Tighlik, take them out and you take them out
00:40:28The broasted chicken from the town was very difficult to make.
00:40:31This isn't something we'll do just once.
00:40:34And it won't happen again
00:40:42I am a plaything
00:40:44and a fine
00:40:46And passion
00:40:47I work with dialects and languages
00:40:49Samalut
00:40:50Todo besti chiternatset
00:40:52Catoriumite
00:40:53Raslo Jeepat Swankie
00:40:55Yasser
00:40:56Translate for us
00:40:58There is a modern aircraft that can eavesdrop on calls.
00:41:02The difficulty is that you're watching me
00:41:06Those who don't actually understand anything
00:41:07It means if someone comes who doesn't know me
00:41:10And I'll see part of what they called it, Abu Al-Walid
00:41:13Yasser
00:41:14And Abdul Razzaq
00:41:16He is convinced that he is Abdul Razzaq
00:41:17One of them doesn't understand
00:41:18war
00:41:19If something happens to us
00:41:21He's going to cut off her knees
00:41:25Qatar Jam
00:41:26Qatar is larger
00:41:28Translate for her
00:41:29So Yasser's sentence had to be translated for her.
00:41:32This shop
00:41:33Let this be the real tower between them
00:41:35Participating in the fifth and final part of Al-Hayba is definitely an option.
00:41:38Wow, that comeback for me was more than a challenge in acting.
00:41:44today
00:41:46The other side of prestige appeared
00:41:50Sarah Brahim is not ordinary
00:41:51Not an ordinary person
00:41:53Because of the power that exists in Sarah
00:41:57She misses out and is working on the case that she is working with the United Nations.
00:42:02I took from him like water, I took a lot from him
00:42:04I mean, honestly, I don't have the same strength that Sarah has.
00:42:08Oh peace
00:42:09How to meet Joe
00:42:11Bass Plant
00:42:13Does that mean I loved the character so much that if I saw all the characters, I would have been jealous of Sarah Ibrahim?
00:42:18Be normal
00:42:20Welcome to me, by all my knowledge, I am sincere.
00:42:22What's up, Razi?
00:42:24How many hours?
00:42:25The scene was about baklava and coffee.
00:42:29The scene really did take a very, very long time
00:42:33And I was the one who had the most beautiful scene.
00:42:36And the confrontation that followed
00:42:38Because she just finished the story of the baklava and her fluffy hair
00:42:40And so a confrontation ensued between Jabal and Sarah.
00:42:43Indeed, Nabs discovered her true nature.
00:42:45This is my favorite scene.
00:42:47Many people love it
00:42:48Maybe she'll come and tell you
00:42:49Bogor Monsieur Jabal
00:42:51I'm Sarah Brahim and I'm an investigative journalist.
00:42:53Welcome
00:42:55With a sigh
00:42:56The girl disappeared
00:42:58Is that how it is?
00:42:59I'll come and put your mind at ease and provide you with a safe haven.
00:43:02The scene is romantic.
00:43:04With the presence of a mountain in person
00:43:06It becomes like that, meaning it's different
00:43:24The true love that Jabal had was Mary
00:43:27This is a clear check
00:43:29Look, I'm not good at explaining things.
00:43:32But my Lord
00:43:33You are one of the women I have ever seen in my entire life
00:43:37Many girls envied me for my love time.
00:43:39He's very flirtatious.
00:43:40With the most beautiful mountain, I weave with the light of my mercy
00:43:43He says sometimes that he will never love anyone else.
00:43:49She is the most beautiful woman I have ever seen
00:43:51And he forbade me from marrying women after me.
00:43:53Many people were envied for these stories.
00:43:55It means not that you killed the last of creation
00:43:57My heart and soul
00:43:59May every eyelash in Mary's eye be sacrificed for her
00:44:02But since it means Mum Zabate, this love is complete
00:44:05My thoughts are consumed by the love I once had for her.
00:44:09Oh God
00:44:11I say, God willing, don't ask me about this place.
00:44:13Because it was about Jet, where did it bother you?
00:44:18I'll start with something really funny about the actor
00:44:20The viewer might not be very interested in the details.
00:44:23But the actor often adopts the character
00:44:27To the point that he believes in it.
00:44:30Therefore, they say that part of the light of the womb
00:44:33It's upsetting that Jabal had a relationship with someone else.
00:44:44Malabank Dol Al-Gharani
00:44:47We agreed that the play was over.
00:44:51I'm lost for the operator
00:44:56Did you see me, Rashin?
00:45:02She is a woman on the tar
00:45:05She didn't want to
00:45:05She's acting
00:45:06The first thing was not getting started
00:45:08But then she really loved him
00:45:15I imagine most of the women who passed by
00:45:17They were lovers
00:45:18I have only seen that I have been led to awe.
00:45:21And I cursed Mount Ta'ira
00:45:23I want the car to take me out of the shadows
00:45:25I'll finish this tomorrow.
00:45:27The importance of this work
00:45:29It is a five-part destiny that changes five women's faces
00:45:33Who are they afraid of? Who?
00:45:35I'm the stranger who came from the ends of the earth
00:45:38I buried the fear here
00:45:39The Threshold of the Holy Shrine
00:45:40In my opinion, it's a gift for every actress.
00:45:42I stood in front of Time.
00:45:44Considering that he
00:45:45It means it is the axis
00:45:47Everyone stands in front of him
00:45:48The high and the low stand before him
00:45:50They weren't standing because it meant they wanted to
00:45:53For example, so-and-so stopped in front of him.
00:45:56no
00:46:05mountain
00:46:07A character was
00:46:09You love it from the first moment
00:46:11It's always because of its strange name
00:46:13It means at a certain moment I felt we were splitting a pill too much
00:46:16mountain
00:46:18It means a little more
00:46:20And when they asked me
00:46:22But someone named it Jabal
00:46:24I was
00:46:26This mountain
00:46:28It will contain all the tenderness in the world.
00:46:31Before his equal
00:46:32Samer and Ziad
00:46:33They were worried
00:46:35In the beginning
00:46:36They have a feeling that
00:46:39It needs a mountain like this to move it.
00:46:44Meaning, they enter more than 100
00:46:47I saw the opposite.
00:46:49I saw that
00:46:51And I remained firm on this.
00:46:53that I
00:46:54This character
00:46:56God has a unique feature if it's patterned
00:46:59If it takes the meaning of clear, formal characteristics
00:47:03From the way he walked
00:47:05His way of speaking
00:47:08As if
00:47:09Something solid, almost its name
00:47:13They tell them that Jabal Sultan, the Sheikh of the Mountain, says
00:47:19Everything was removed from our lives.
00:47:21Ten from the house of Al-Saeed
00:47:26As long as Jabal lives
00:47:28Don't be afraid of anyone in the family.
00:47:30And he was a lion to them.
00:47:31Also, part of my feeling about the character
00:47:34I found that it might be suitable
00:47:36Let me try saying "Matthew Kalil" to them
00:47:38He played the first part
00:47:42Then the reaction
00:47:44The positive aspect of it
00:47:46He made me adopt the loyal ones
00:47:47On this basis
00:47:48It was from the preparation
00:47:49Take your time
00:47:50To the third
00:47:53Throwing it on God
00:47:54To the fourth, Faraj
00:47:55To the fifth
00:47:56Oh, the lust!
00:47:57But the audience remains
00:47:59God has his own taste for whoever reads it
00:48:01or in a group of words
00:48:03O wrath of God
00:48:03Oh God, grant me patience
00:48:04By God and my wonder
00:48:06And the spirit is coming
00:48:06Jay walks
00:48:07He'll take you to something completely different.
00:48:09The public embraces it
00:48:12Benchi has one of these
00:48:13And they separate them by adding a couple of words to the other words.
00:48:15For example, if you get hurt
00:48:19Roya
00:48:23My trust is in God
00:48:24I threw it, by God!
00:48:27And relief
00:48:28Oh God, grant us patience
00:48:29Oh, the wrath of God!
00:48:31And who is she?
00:48:32From where or in, do you have a new word?
00:48:35Abd Plus Ya Rib Al-Wakimi
00:48:36For example, this scene
00:48:39You showed Samer the whole thing.
00:48:41I wrote this scene.
00:48:44I asked him, "What do you think?"
00:48:45I told him the idea
00:48:47I told him, "I'm thinking of picking the prettiest one out of them all. Let his mother tell him."
00:48:50What does it mean to move?
00:48:51He told me, "How nice the idea is!"
00:48:53I told him, "Let me write it down."
00:48:54I wrote it and returned it, my love.
00:48:56Tajoy
00:48:57And who is prepared?
00:48:58I told you, don't be like a mother's night.
00:49:00Throw it to God
00:49:02Faraj
00:49:03Mother's night
00:49:05Oh, what a shame!
00:49:07Wait, I'm coming
00:49:08A place for you to worry
00:49:09From Part One
00:49:12And when we strengthened our resolve
00:49:13Going back
00:49:14The upbringing had to be shown
00:49:17What tasks is Abu assigning?
00:49:19Where does he live?
00:49:22Seeing how to carry a load
00:49:23Bejawz smuggling
00:49:25Limits
00:49:26How will he treat it?
00:49:27He needs to treat him physically.
00:49:29With great force
00:49:31And he wants to treat him
00:49:32In terms of strength, no less
00:49:35May God grant him success.
00:49:36Oh, you shameless ones!
00:49:37For the villages and the squatters
00:49:40What are these walls?
00:49:42And you're gathering them here for me
00:49:44When I run, I advise here
00:49:46When I want to come
00:49:47Realistic workings
00:49:48There is no option but to be realistic
00:49:50However
00:49:51I love having a guest here
00:49:53That's when I want to be realistic
00:49:55Of course I'm not
00:49:55With harsh insults
00:49:57Those who know her very well
00:50:00How much is it?
00:50:01Part of the linguistic fabric
00:50:03The spoken
00:50:05Specifically
00:50:06In the Levant
00:50:06So if I want to make one
00:50:08This isn't someone who has a part of his personality
00:50:10He is a thug
00:50:11We focused on this in the second part.
00:50:13This is a gathering of thugs
00:50:16And their upbringing and the way they suffer
00:50:18Over a long, wide border
00:50:20How can they blame them?
00:50:22Before you, you hit the fish with your fish
00:50:25This is the end
00:50:26Definitely not
00:50:28Carry yourself and tuck yourself under your mother's armpit
00:50:31To deter you
00:50:32Let Yako shit
00:50:34Recklessness and bullets
00:50:37Logic dictates that
00:50:38We need to go in the right direction
00:50:40That's what I was thinking
00:50:43And by the way, Manu is new
00:50:44I've had a desire to plant it for a long time
00:50:46So that it slips through the necks
00:50:49These things entered the relationship
00:50:52Get a little closer
00:50:53From the spirit of insult
00:50:55He understands the viewer
00:50:56But he can't say
00:50:57That I insulted
00:50:58Who did I insult in the first place?
00:50:59Halwan, brother of evil, is a treasury
00:51:01Is there evil lurking around you, or not?
00:51:04Is he a bad omen or not?
00:51:07So, salvation
00:51:08Therefore
00:51:10You're riding on it, aren't you?
00:51:12And it reaches Adam
00:51:14Those who heard it wrong mixed things up
00:51:15What did he do to him?
00:51:16The lions of the jury regretted
00:51:18On my choice of words
00:51:21But I mean
00:51:23What's the lawyer for Zarti's map?
00:51:26Jabal's character has many
00:51:28Many jokes
00:51:29In many things
00:51:30You will be surprised by it
00:51:32It interacts with her at the time.
00:51:34In a French company, here is a branch
00:51:37So, you stayed with us for the interview.
00:51:39Interviewer told me
00:51:40I was surprised
00:51:42Siri, you're comparing me to Sarah's personality.
00:51:44But no, I don't want to make it seem like Sirine was going to die from the explosion.
00:51:48Regarding the topic of comedic touch
00:51:50This specifically
00:51:51One of the faces feels
00:51:54Any personality you deal with or implement
00:51:56It has to happen at a certain moment
00:51:58On one side
00:52:00Either invites a smile
00:52:03Or sometimes it goes in a certain direction
00:52:05Laughing
00:52:06Structural
00:52:09Building on good
00:52:12Oh Banajer
00:52:14Welcome to Egg Day!
00:52:16local
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00:52:22Enjoy
00:52:23This applies to everything we observe in our normal, everyday lives.
00:52:27From the family to the madman
00:52:29From small to large
00:52:31Different psychological makeups
00:52:33At a certain moment
00:52:33Even with the questioner
00:52:36At a certain moment, he makes you laugh
00:52:40So, I'm careful with this fabric, that's me.
00:52:42Hatta will be there
00:52:43I've set up a sleeper cell for you
00:52:54Noor means today is my guest
00:52:56for him?
00:52:57I propose marriage to the garbage collector, the garbage sheikh
00:53:00What are you talking about, Shad?
00:53:01Yes, you're talking to a garbage man.
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01:03:30But she has a high level of understanding, she has a high level of sensitivity.
01:03:33She possesses immense talent in both feeling and expression; she is a great artist.
01:03:41I'm very happy that these five parts have brought us together
01:03:53I am describing the final scene.
01:03:56And the final sentence expresses everything.
01:03:59It means that nothing remained in the house except the mountain, its mother, and a story told about it.
01:04:03This is the story we told in five parts.
01:04:05The final scene
01:04:06This is a powerful scene about a person who gave to the world and to the village, and who suffered a lot.
01:04:13In the end, this guy became lonely.
01:04:15It means that his mother is very similar to reality in the end.
01:04:21The last scene, but this camera is making Jabal look at his mother.
01:04:26And his mother, looking at him, this scene makes her blood run cold.
01:04:30It's crushing my heart and killing me
01:04:33It's as if we're saying
01:04:35Let's see how big the price is.
01:04:38This is the life that these people lived, the life that Jabal lived.
01:04:42The Jabal family needs to reconsider.
01:04:55The interviewers, I believe, evaded the issue very tactfully, as Professor Samer would have it, meaning he would have concluded it.
01:05:03There remains a simple line; this line is what the launch will be built upon.
01:05:09The old man might be in the film; he could be the only hot tool left in the series that hasn't been shut down.
01:05:20What we've achieved in the fifth installment is so far-fetched that we need to deliver a film to a whole world that's been waiting for it.
01:05:29It's said that the last part became somewhat similar to cinema.
01:05:33What more could they possibly have achieved?
01:05:35What more can we expect to see in cinemas than what we saw in the fifth installment?
01:05:39We are creating a cinematic breakthrough born from the hippie movement.
01:05:49The success of the hippies was unprecedented and unmatched; this success was achieved through the work of the workers.
01:05:53He should be at the cinema office.
01:05:57It's essential to watch a movie.
01:06:00Imagine how happy people will be, just like that.
01:06:05You see the mountain on the big screen
01:06:10And we will have a story with a different texture as well.
01:06:18There will be some skewing when we deal with cinema.
01:06:22Al-Sabah Company has placed great efforts and hopes on this matter.
01:06:28This is a sensitive topic that concerns the production of the series.
01:06:31He is highly sensitive to film production.
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01:07:08After the finale of the series
01:07:10Final Conclusion
01:07:12Be fit
01:07:13People love him and enjoy him
01:07:16She's watching it and enjoying it too.
01:07:18And she is her uncle.