00:00कुछ कलाकारों का जन्म जमीन पर कई तरीके की प्रतिबाओं को भारने के लिए होता है उन्हीं में इसे एक
00:06ऐसे कलाकार है नित्तक है और क्योरिग्राफर भी है शेशी धरण जी जो आज हमारे साथ है उनको अभी हाल
00:12ही में संगीत नाट अकैडमी द्वारा पुरुशित किय
00:16गया है और सर कुरोगाफिंग करते हैं 1954 में इनका जनम हुआ था केरल में जिस समय हर माबाब चाहा
00:23रहे थे कि उनका वेटा डॉक्टर इंजीनियर या इस ऑफिसर बने उस समय निर्थी की छेत्र को चुनना और कथकली
00:29से शुरुआत करना कैसे शुरुआत रही वो कहानी कै
00:35नमश्कार एक करी हमारे गाउं में चोटा से गाउं थे तो पर सौट में ट्रीशन होता है कि हर गर
00:42में कुछ नकुछ कला होना चाहिए चाहिए लेडिस को कोलम बनाते हैं दांस या जिस तरह से भी हो तो
00:49हमारे गाउं में कि पासओट हो कि टीचर आये थे तो मेरा ग्राइ�
00:56पासर के बहुत इच्छा था मुझे कथखली सिखाए हैं तो उन्होंने ही पहले पहले हम जे भी जादा तुम जाके
01:03सीखो जबकि हमें कुछ पता ही नी तक है ही क्या है इनवे हमने क्लासे शुरू कर दिया वहां पे
01:09दो साल तक में उनके साथ काम किया शीखा और इसके बा�
01:26पानशना था तो करते रहे हम करीब करीब पांच साल तक उदर रहें उसके बाद वापिस गर गहे घर जाने
01:34के बाद पिर मुझे लग रहा है मैरे जो शुरूवत में जो गुरू था, शिखाय था वो डिली में थी
01:40तो मुझे लग रह था कि मुझे भी जाना चाहिए तो ग�
01:55It was a situation that I had to say that I didn't want to do it here.
02:00Then I worked at Shri Ram Bharti because I was a casual artist.
02:04There were many Malayalis and Bengalis who were very capable people.
02:10They told me that my job will not go from this.
02:13You have to learn something more.
02:16At the time, in Gwalior, there was a Little Ballet Troop that was a good place for training.
02:25Then I reached there.
02:28After 10 years, I had a training for five years.
02:32After five years, I worked for a teacher for the first year.
02:37Then I started to go to Delhi.
02:41Then I came to Delhi.
02:43Then I came to Delhi.
02:44Then I had a new production here.
02:46I remember it.
02:48I also remember it.
02:49I also remember it.
02:50Then I was given a role.
02:52But there was a confusion that I would do it or do it.
02:56Then I looked at Shubhaji's attention to me.
02:58Shubhaji's attention to me.
03:01That was the first introduction to Kendra.
03:04After that, I continued to do it.
03:07As an artist.
03:08After that, there was a strike in 1984.
03:10It was often happened to me.
03:12After that, I started training.
03:15My parents were doing it.
03:17Then I came to help my children to try.
03:20I was given a small production,
03:21Mr. Mohs baby.
03:26I asked for a small production.
03:29I was given a small production.
03:32It was successful.
03:34After that,
03:35I got a small production here.
03:39with Kendra. So, just that, then, Shubhaji,
03:43together, Shubhaji, we will be together, and Kendra and Shubhaji
03:49are very important. I am very proud of them.
03:54Yes, sir, you have been given a good support for the
03:59Sangeet Nat Academy. You have been given a lot of
04:03different ways. You have danced in different ways,
04:04you have also been doing a lot of work.
04:06Yeah, actually, when you have to do a choreography, it's very difficult to do with a shaili.
04:14So I've been learning about it, and I've been learning about it, and I've been learning about it, and I've
04:24been learning about it.
04:28in Delhi.
04:30There are many of them who have given their own place.
04:34I have also worked with them.
04:37We have done many of them.
04:38We have done many of them.
04:40We have done many of them in the production.
04:45So, we need to apply them to one person,
04:49and the rest of them should also apply them.
04:51This is what I think.
04:55You have given a new role in Broadway.
04:58You have written a new role in Broadway.
04:59You have written a new role in Sangeet.
05:01How did you do that?
05:05It was a different experience.
05:07Because our media dance is a dance.
05:10The most important actions, mudras, movements.
05:15But the Broadway has a lot of dialogue.
05:18So we can get a dance with the dance.
05:23So it's the most important dialogue.
05:25The actions of the show are free.
05:31It was a great experience.
05:34And it's been 12 years ago.
05:36We're joined with them.
05:38You have 6 people in the journey.
05:41So if you say your performance is better,
05:45then it's better.
05:45How are you doing?
05:48If you look at me, it's Parishuram.
05:54I've also done Ravan and Lakshman, but Parishuram is very good.
06:00We've also done Parishuram's production on Parishuram, so Parishuram is very good.
06:06If you're a choreographer, you need to learn how to teach children in today's time when Bollywood is so big
06:12and the dance is so big,
06:15so you have to be able to join them in today's generation.
06:20It's very difficult, because we need to compromise.
06:25If we have to compromise, then we need to go about our training,
06:31or after six months to have the training we can put our own chances.
06:35Otherwise, whatever we go about, we don't have to compromise,
06:39because as we like it, it doesn't get the only thing.
06:43One big challenge is the children who come from school because they don't continue the same.
06:48you have such a great success, how did you do that?
06:54There are two paths, one is an art lover and one is a money lover.
07:00So, there are two paths.
07:02For art, you have to have a need for dedication.
07:04How much money can you get?
07:06But for money is shortcut.
07:09Which way you can work, you need money.
07:12That's it.
07:13We don't have time.
07:14We asked for work.
07:17We asked for work.
07:18What is the work?
07:20This is a production.
07:21Which way will it be?
07:23It's in a kathak.
07:25I said, kathak?
07:26How do I do it?
07:27What is the production?
07:30How much money will you get?
07:32So, it's completely opposite.
07:34The door has changed.
07:36So, it's not a mistake.
07:37It's not a difference in living style.
07:40It's a difference in thinking.
07:42So, somewhere we have to compromise.
07:47That's it.
07:57So, somewhere we have to compromise.
07:59That's it.
08:00That's it,
08:00that's why,
08:01that's the work.
08:03What is the work?
08:03That's all,
08:03that's the work.
08:05Now,
08:07that's the work.
08:13That's how they have all년' santa hy报.
08:29So,
08:32We are now in front of everyone's hands.
08:37We are all in our hands.
08:41One last question.
08:43You have a lot of great opportunities.
08:45Where are you going to perform in Videsh?
08:49I've visited many in Europe and countries.
08:54We have a great program called Little Bell Group.
08:57Japan was the first visit to Japan.
09:05After all, Russia and London, America,
09:09they go to their own interests.
09:14We have been doing more tours.
09:18Do you have any new performance of the world?
09:21What is your performance now?
09:23Yes, it is a Christian.
09:28After that, we will think about a new production.
09:36This is our guest, Shashi Dhanai Nairjee,
09:40who has told us how to learn how to learn how to learn from 9 years.
09:45After that, we have learned a lot.
09:46We have learned a lot.
09:54We are also on it.
10:00We have experienced a lot.
10:01I am Shashi Kala Singh.
10:01Thank you for the support.
10:03Cheers.
