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#adhs sylvana le pide prueba de adn a nachito
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00:00I went because I wanted to tell her before it was too late that...
00:08that he is the true father of my children.
00:15But it was you who asked to show more skin.
00:19Hey, you forgot.
00:23This needs to be bolder, more daring.
00:27I love it.
00:28We need more fire, Mom.
00:33Polyamorous lovers, fourteen-year-old siblings.
00:38It was the year 1960 when the president visited our land.
00:45And the photo of his ex-wife is no longer there.
00:52Mom, Karen, it's just a photo, okay?
00:55My word should be enough for you.
00:56Well, that's not enough for me, because you're hurting me, Joel.
01:00That's not the case either.
01:01Yes that's how it is.
01:03And now I've opened my eyes and realized what kind of person you are.
01:10You swore to me that you had nothing to do with the bird girl.
01:12Because I don't remember, Gladys.
01:15She insists that it did happen.
01:17And besides, he says that Alessia is your daughter.
01:19This makes no sense at all.
01:22You wouldn't look at me with so much hatred today, my little girl.
01:26Not even Latinito would have died thinking that I had abandoned her.
01:34And now we would be a united and happy family.
01:43Here?
01:45What happened?
02:02Here's the little shower.
02:04It only has one key.
02:06Look, you open it, you close it.
02:09Oh no, no, no.
02:10I don't want to get wet.
02:12This...
02:12Oh, I can't close it now.
02:18Ready?
02:20If the light is flashing, just ignore it.
02:23It's the heating element that's getting hot.
02:25Here's some shampoo and soap, brand new.
02:29So I'll leave you alone so you can take a bath.
02:32Call me if you need anything.
02:36Thank you.
02:44Now he gets out of the shower and goes straight to his truck.
02:47Oh, it's closer than a mule.
02:51Unless a doctor tells you to.
02:53Oh, we need one to arrive.
02:56But I only said it to tell him.
02:59No doctor is coming.
03:02Oh, and what about the eighth commandment, Don Gilberto?
03:04Oh, nothing that can't be fixed like a good old-fashioned prayer, you know, Maria?
03:07But that can't be done.
03:09That can't be done, Don Gil.
03:10Lies have short legs.
03:12Yuli isn't even there, is she?
03:13Like you'd tell a friend of yours.
03:15And what about those doctors you call on the phone who come to your house for free?
03:19Well, that's for sure, sweetie.
03:21Huh?
03:21Yeah.
03:22Lorena, do you have insurance?
03:23My love!
03:24Do you have insurance?
03:25What?
03:26Yeah.
03:27Hey Lorena, do you think she can call your insurance company to send a doctor to see Auntie?
03:32Similar?
03:33No.
03:34Oh, but why not?
03:35No, no, not suddenly.
03:36No no.
03:37What do they want to be?
03:38No no.
03:39Dude, just so you know, health insurance is for personal use.
03:44It is not for public use nor is it a free charity initiative.
03:49But since you always see me as a Legavista, the bad one, the witch, I'd better leave.
03:53No, no, no.
03:54My love.
03:55As?
03:56Does it sound familiar to me that it's the one from the CIS or the CIS?
03:58Well, it was nice, while it lasted.
04:01A doctor, a doctor, a...
04:05I just had an idea.
04:08Sweetheart, are you a Texan?
04:11Thanks, but Marce is waiting for me.
04:14Is she upset?
04:16I?
04:17Oh no, my love.
04:19Why would it be?
04:21I'm fresh.
04:22Yes, well no, because you'd have to be upset, wouldn't you?
04:24Yes, well, right?
04:25Because?
04:26It makes no sense.
04:27Only because you insist on finding a thousand ways for Don Gil's new family
04:32stay upstairs in your daughter's room,
04:35while she has to stay in Macarena's room.
04:38Oh no, my love.
04:40The idea thrills me.
04:43Furthermore, why don't they all return?
04:46Joel with Macarena and their unborn baby,
04:49Tere and her divine creature,
04:51Grace with her whole family,
04:53Lucho and his new engagement,
04:54and even Pepe.
04:55Because there's always room in the back, right?
04:59Pepe.
05:08Is it true?
05:11That wretched old man knew nothing?
05:18Oh, oh, oh, oh, now, now, now, now.
05:20No, not at all.
05:21No way?
05:22No, that wretch,
05:23And all those hypocrites want to see me make a fool of myself.
05:26That is!
05:28Go away, go away.
05:34But Macarena, they're just little men.
05:35In fact, here's something for you.
05:37He's naked, can't you see?
05:39I live in this house.
05:40They're never like this.
05:41Stop everything, stop everything.
05:42The girl is going to start crying again.
05:44Oh, Macarena, please, how dramatic you are.
05:47It's just a photo, nothing more.
05:48It's a photo that suggests you and the young man are together.
05:51Look, it's not my problem that the press likes to make things up.
05:55And that you're so foolish as to believe them either.
05:58Hey, Cayetana.
05:59You too?
06:00It's not just a photo, it's a humiliation.
06:02I don't really understand what they were thinking when they did this.
06:04They want to humiliate me! That's it! They want to humiliate me!
06:07Do you know what I think?
06:09You love playing the victim.
06:12Have you noticed that you always stand there?
06:14Me or you?
06:15No, you.
06:15No, you.
06:16No, you.
06:16Hold me a little.
06:17No, no, no.
06:18What are you going to play?
06:18What are you going to play?
06:19I can.
06:22With threats.
06:24Chirusa.
06:29Leonardo, I was just coming to look for you.
06:32We need you.
06:33It's urgent.
06:37Oh, doctor!
06:38Good morning!
06:42Health!
06:42Good morning!
06:43Good morning!
06:44Good morning!
06:45Good morning!
06:46Good morning!
06:46Good morning!
06:47Thank you for answering our call.
06:50Good morning!
06:50My little girl who appeared, hasn't she been feeling well lately?
06:54Hello, just a minute!
06:56Let me check it, please.
06:58Check it out!
06:59One minute.
07:01Let's see...
07:02Very good, very good.
07:05I think it's backwards.
07:07Ah, no, no, that's a modern technique.
07:10Because the little doctor studied in German schools.
07:13Yes, I studied at Stuttgart, Berlin University, and I am of German descent.
07:19My last name is Schwen-Tayra.
07:22Schwen-Tayra, very, very well known in the south.
07:26Strong soda, please.
07:30Okay, a little louder here.
07:33Oops!
07:33No, no, no!
07:34Doesn't this sound right?
07:35No, no, very serious, very serious, very serious.
07:38What's wrong, doctor?
07:38It is an inflammatory bronchitis, highly contagious.
07:43No, he needs three days of complete rest.
07:46No no!
07:47Five days!
07:48No!
07:48It can't be!
07:49Ten days is very important, he has to rest for seven days.
07:53But.
07:54And any medication?
07:55No, no, no medication.
07:57I am a naturopathic doctor, so rest, good food, nutrition,
08:02A nice little herbal tea and that'll take all your worries away, okay?
08:09Everything's fine, things will get better.
08:11Otherwise, it'll be worse, right?
08:12Even worse!
08:13So no.
08:15Oh!
08:17Thank you very much, Dr. Chanchonella.
08:20You see, Mommy, we have to stay.
08:26Because?
08:27Because?
08:30Because?
08:39Oh, how was the hearing?
08:42Ah, okay.
08:44Well, your mom still has to present some evidence to the judge and all that, right?
08:50And is she going to stay locked up in the meantime?
08:53Oh, my dear sister, this is very much a matter of judgment for me.
08:56On one side there's Nachito, who is my partner, and you are my friend, sis.
09:00Life is complicated, I'm betting on that.
09:02It wasn't my mom.
09:04Sorry, that's my mom.
09:10Oh my God, I hope that everything this bird, a liar, has told us is true.
09:17Let it be a pure story, really, and let Diego be his father, please.
09:24Thank you, Dr. Chanchonella!
09:26Thank you very much, Dr. Chanchonella!
09:28Hey, it's a good thing we called the doctor, isn't it?
09:32Oh, that doctor is an expert.
09:34Yes of course.
09:34Yes, he's a real luminary.
09:37Yes, because you don't play around with health.
09:39Yes indeed.
09:40Of course, a hyperchronic, degenerative pneumotitis is no small matter.
09:44Don't worry about anything like that, we're going to believe you here, like God intended.
09:49You'll recover really quickly.
09:51Oh, yes, yes, right?
09:52I'm going to get saved really fast.
09:54Do you think I was born yesterday?
09:56That?
09:57That doctor is an imposter.
09:59I saw him in the telenovela Canela.
10:02You are the actor Marco Zunino.
10:06I am not Marco Zunino!
10:08But then...
10:11We're leaving this house!
10:13Let's go!
10:14Let's go!
10:15Let's go!
10:16Let's go!
10:16Fast!
10:17No, but...
10:19Little apparition!
10:20Seriously, it looks a lot like it, but it's not everyone...
10:24Aprí, shine!
10:25Come on, let's go!
10:26And now?
10:28What do we do?
10:29He would listen.
10:30We can do something in the truck.
10:32Huh?
10:33But I don't know if you'll want to, okay?
10:35Oh, what a shame!
10:37Oh!
10:39Look at that demon!
10:40You told me that if they linked me to you and Noni, they would stop harassing me.
10:44They were going to stop seeing me as a piece of trash, dude.
10:47But that's what happened.
10:48No!
10:49Of course!
10:50Look at all the comments, let me read them.
10:53Joel.
10:54My idol.
10:56Three in a row, maestro.
10:57Bro, you're awesome.
10:59Polyamory level: legendary.
11:01Now that's a real damn winner.
11:04Aura.
11:04See?
11:05No, no, no.
11:05They don't count that, dude.
11:06They are a group of cheaters who have called themselves the Legendarmis.
11:10Okay, Joel.
11:13If they speak badly of you, you complain.
11:15If people speak well of you, you complain.
11:17What do you want?
11:18Clean up my image, so they stop seeing me as a piece of trash.
11:21That's what I want.
11:21It's just a photo.
11:22We haven't done anything wrong.
11:24Look, if someone thinks it's wrong, it's because those people lack worldly experience.
11:29Haven't they been to Berlin?
11:29That's what happens, they haven't gone.
11:30No, no, no.
11:31I don't know why I listened to you, little girl.
11:34You know you're right.
11:36I shouldn't have gotten involved.
11:40Don't get so worked up, dude.
11:42So, how do you want me to dress?
11:44I haven't been good to you.
11:47Haven't I behaved like a good friend?
11:50No, yes, yes.
11:51Yes, I can't complain.
11:54So why do I sometimes feel like you think you'd be better off without me?
12:00I don't deserve this, Joel.
12:02No, no, no, kid, no, it's not like that either.
12:04So, you know you're important to me, right?
12:07You are my patron, but you are my best friend, my advisor.
12:12It's good to listen to it from time to time, because sometimes it doesn't feel that way.
12:17No, what happened? What happened? What's going on, look?
12:21Look, you know you're in my voice, right?
12:25Yeah.
12:26What girl?
12:26What girl?
12:29What girl?
12:30What girl?
12:38Who is it?
12:39Leonardo.
12:40Happens!
12:44What is Mr. Leonardo doing in that costume?
12:47What does the hand-puller do?
12:56Sorry, no, no.
12:57I don't mean to be intrusive, but...
13:00I have to ask you, because even though I live here with all this news, I'm really worried.
13:06Pranchi, what's going on between Cayetana, Joel, and you?
13:11Nothing.
13:11And why do you want Peru to think so?
13:15I don't even know where to begin.
13:18I took bad advice and everything got out of control.
13:22Oh, I'm so embarrassed.
13:25I haven't even turned on my cell phone.
13:30Did someone tell you about it or did you see the cover?
13:32Which cover?
13:35Oh no!
13:39Look at it yourself, look at it yourself.
13:40I can't anymore because I'm going to get old.
13:42But how did this happen?
13:44Yesterday, during the photo shoot, we couldn't see.
13:47That's why Miss Cayetana gave us the afternoon off.
13:50I should never have listened to you about going to the amusement park rides.
13:58We're leaving.
13:59And stop with the nonsense, you're not going to change my mind.
14:01Mom, don't talk to them like that either, they've been good to us.
14:04No, no, don't worry, cousin.
14:05The aunt who looks like her is right.
14:07If she wants to leave, who are we to stop her?
14:09No?
14:09Anyway, it's been nice having you at home, even if it's just for a day.
14:18Thank you, grandpa.
14:19Here I've put little rolls with blood sausage for you on the way.
14:26And here are some blankets to make you more comfortable in the truck.
14:31Thank you.
14:32Do I know?
14:33Yeah.
14:33Did they help you?
14:34Do you want me to charge it?
14:35No no.
14:37Thank you, I'm sorry.
14:40Bye bye!
14:44There it goes, there it goes, there it goes, now.
14:47Finally we're leaving.
14:49I don't know why we have to leave too.
14:53Did you realize it yet?
14:55I don't know, but it's still this little thing.
14:57Bye bye!
14:59Bye bye!
15:04What? It won't start?
15:06Oh no! It can't be!
15:08What's going on?
15:10It seems to be the starter, but it was working perfectly.
15:13I don't understand.
15:14Okay, okay, try again.
15:15Oh, little Gaspar!
15:17He's a mechanic, he knows about these things.
15:20Yes, to listen to it, let's see.
15:25How odd!
15:26It's very strange!
15:28Very strange!
15:29Oh, after so many lies I'm going to have to pray everything, pray the whole thing!
15:33Can you fix it?
15:34Yes, but you have to take it to the workshop.
15:36Oh, but the starter kicks in three times!
15:39Hang in there!
15:39The headlights have been stolen too!
15:41Oh, God!
15:42No no!
15:43What a moment!
15:44What a moment!
15:45What a moment!
15:45What a moment!
15:46No, no, no!
15:47Oh, how!
15:48Oh no, it can't be!
15:50That?
15:51But it was you!
15:53Us!
15:54How can you say that?
15:55Felix is to blame here!
15:58Huh?
15:58Yeah.
15:59What's up, grandpa?
15:59You haven't taken care of the truck of the little one.
16:04The responsibility is yours.
16:06You have failed in your duty.
16:08No, it wasn't nighttime.
16:10I, well, I got cold and went into my bed.
16:12And what, am I supposed to swallow that story?
16:14It's no fairy tale.
16:15The streets are very dangerous.
16:17Haven't you seen the news?
16:18Oh, really?
16:18Here in the hills?
16:19Everywhere, aunt.
16:21Last Christmas they broke into the neighbor's house
16:23and they shot him.
16:24Yeah?
16:25And days before, they broke into the mansion
16:27And they stole a wallet, yes or no, Juana?
16:28Oh, I've been changed!
16:30Shut up, Juana!
16:30Sir, sir, don't worry, I'll fix it for you.
16:33Yes, and so you can see that we all love them here,
16:35I don't charge you a single sol.
16:36Oh, how lovely!
16:38I'm going to pay you.
16:39Oh, Mom, with what money!
16:40Oh, life is curious, isn't it?
16:42They don't even want the truck to leave.
16:45Yes, well.
16:46Shall we go in?
16:47Yes, why are we here?
16:48We made it!
16:48Oh, I'll give it a little check there, right?
16:50There is no other way!
16:51I hear you, this is the potato!
16:54This is the potato!
16:56This place is horrible, my love.
16:58But I'm going out.
16:59Don't worry.
17:01How could I not worry?
17:02I am sure I will prove my innocence.
17:05Hey, my love, could you bring me...
17:10my sleep mask,
17:12my creams, I don't know why I'm asking you for them
17:13because everything falls apart every day,
17:15my silk robe,
17:16My perfume and my sunglasses?
17:17Yes, I'll stop by Francesca's house later.
17:20Oh, thank you, my love.
17:22And make me something to eat
17:23because the food here is awful.
17:26Anything else?
17:27Well, now that you mention it,
17:28I'm craving Swiss chocolates.
17:31Swiss?
17:32Yes, Francesca has some delicious ones.
17:34He keeps them in his second drawer.
17:36That?
17:37I'm leaving you, my love,
17:38because I need to talk to my lawyer.
17:39Kisses.
17:40I love you.
17:41I'll wait for you.
17:42Bye.
17:44He went too far.
17:47Thank you.
17:48There's no reason to.
17:50Okay, let's start from the beginning.
17:53Where were you the night of the attack?
17:56Look, Inocencio, I already told you.
17:58The issue is not where I was,
18:01but who he was with.
18:03And that night
18:06I was with a man
18:09marvelous,
18:09high,
18:10with eyes
18:11and an accent
18:12that melted me,
18:14You don't know.
18:17But I don't know how to talk to him.
18:18But what was his name?
18:20What's it called?
18:22Royer?
18:24Philippe?
18:25Look, all I know is
18:26It's because you're a foreigner.
18:27English, French.
18:28I don't know.
18:29Okay, okay.
18:30And the department's address?
18:32San Isidro, I think.
18:34Please try to remember.
18:36because the building
18:37It must have security cameras.
18:39Let's see,
18:40I only remember
18:41that had a swimming pool
18:41and a bar.
18:43Spectacular.
18:44I don't remember anything else.
18:46Well,
18:48without that alibi
18:49we're going to have to keep at it
18:50with the DNA thing,
18:51the DNA test,
18:53to demonstrate
18:53that you went there
18:54for another reason.
18:56And also to insist
18:57where there is insufficient evidence
18:59against him.
19:00And we don't have
19:01another letter
19:01up his sleeve?
19:03There is.
19:04And what would I know?
19:05Aren't you the lawyer?
19:07Well,
19:09then what
19:10we're going to have to do
19:11is to divert
19:12attention.
19:14By that I mean,
19:15well,
19:16search and point
19:17to someone
19:17that has
19:18more reasons
19:19that you
19:20for the attack.
19:27There must be a reason,
19:28mother.
19:28We have to listen to him
19:29to the signals.
19:30Oh,
19:30Pure fiction.
19:31Already,
19:32And if that were the case,
19:32mother,
19:33Isn't it beautiful?
19:34that they are so eager
19:35Should we stay?
19:37Say,
19:37if they didn't love us
19:38in their lives,
19:39no would be taken
19:40the job
19:40of inventing so much.
19:46How beautiful!
19:48Now,
19:49similar,
19:50He's going to stay
19:51a few more days.
19:53How many days?
19:54Everything will depend
19:55of magic
19:55from Gasparcito.
19:57Thank you,
19:58family,
19:58to do our best.
20:03Macarena,
20:03what's happening?
20:04Why do you have
20:04That face?
20:07What's happening?
20:08Oh my God!
20:09Hail Mary,
20:09purest,
20:10That's a mortal sin!
20:12It's Doña Francesca!
20:14With Joelito
20:15And the little girl!
20:17Take!
20:18Well,
20:19He is only seen
20:20the shoulders,
20:20No?
20:21What's wrong with him?
20:21To my brother?
20:22I don't know,
20:22me too
20:23I don't know.
20:24Ah,
20:24yours that filters
20:25were used
20:26with noni.
20:27Now,
20:28if we leave
20:28to make you think badly,
20:29Now it makes sense
20:30Why Joel
20:31he wanted to fasten
20:32with the millionaire
20:32Old Skin.
20:34That?
20:35Tito,
20:36You're going too far.
20:38How can you say this?
20:42No.
21:04Forward.
21:12Mrs. Francesca,
21:14lunch
21:14It's ready.
21:15I have no appetite.
21:16Coqui.
21:19Have you seen the photo yet?
21:21No,
21:22No,
21:22No,
21:23Which photo?
21:24Ah,
21:24to become an expert
21:25in poker
21:26You're doing terribly.
21:28What am I going to do?
21:29now?
21:31At this point
21:32all my acquaintances
21:33They must have seen it.
21:38Seen what?
21:46Umay!
21:51Excellent
21:52They've already left!
21:53Who is it?
21:55I appeared to her children,
21:56The truck is no longer there.
21:57No,
21:57No,
21:58No,
21:58They didn't leave,
21:58They're upstairs in the little room.
22:00Are they going to stay?
22:02Oh,
22:02Dr. Pig Tiger
22:04he said clearly
22:05that's the least they could do.
22:06a week,
22:07then we invented
22:08what thing
22:09so that more people will stay.
22:10Olinda,
22:10Are you crazy?
22:12I mean,
22:13I know
22:14who is the daughter
22:15from your husband
22:15and that he has rights,
22:16but,
22:17Olinda,
22:18There are too many of us
22:19living in this house,
22:20There are more than ten of us.
22:22hello,
22:22my love,
22:23all good?
22:24Your sweetheart
22:25She's upset
22:26because my little goldfinch
22:27wants her daughter
22:28stay under his roof.
22:29It's not that,
22:31pretty.
22:31What happens
22:32It's just not fair
22:33just to please him
22:34to a few people
22:35sacrifice
22:36comfort
22:36of the whole family.
22:38I don't see it
22:38so that no one is offended,
22:39I feel uncomfortable.
22:41Tito too
22:41He's uncomfortable.
22:44No,
22:45I mean,
22:45once you reach them
22:46to find out now...
22:47Tito,
22:47There are three people.
22:49Us too
22:49There are three of us.
22:50and we are not immediate family.
22:52Thank you for making me
22:53see how inconsiderate.
22:55No, ma,
22:56look,
22:56Me neither
22:57I love the idea,
22:58but,
22:59What are we going to do?
23:00They have nowhere to go,
23:01We cannot be selfish.
23:02It's not about
23:03of selfishness,
23:04It's common sense.
23:06We are an engine,
23:07silly,
23:08We have only one bathroom,
23:09We didn't get on the table,
23:11the rooms
23:11They are packed.
23:13Well, Lorena,
23:14really,
23:16You're absolutely right.
23:18Oh.
23:20But Aparecida
23:21He's not leaving.
23:23Oh!
23:25If only
23:26could have
23:27my own door
23:28out into the street.
23:29Well,
23:29Just do it.
23:31Oh really?
23:32Clear,
23:33if that's what you like
23:34And you pay for it,
23:34I don't have any problem.
23:36Really?
23:37Really?
23:37Doesn't it bother you?
23:38Not even
23:39Are you going to put it to a vote?
23:40No!
23:42I'm going to serve.
23:44Family!
23:50You are already unwell,
23:51Sir,
23:52Huh?
23:52And forgive me
23:53Tell him like that
23:53head on,
23:55But how will it allow it?
23:56that it is stretched out
23:57to whatever you want
23:57with you?
23:59She doesn't.
23:59what he wants from me.
24:00What are you going to tell me?
24:01Was this your idea?
24:04I agreed
24:06to not clarify
24:07that nonsense
24:08of polyamory
24:09It was because
24:10I want her
24:11invest
24:1110 million more
24:12in the corporation.
24:14The thing about the cover
24:15It wasn't part of the deal.
24:17Miss,
24:17But he has her by his side
24:18like fish
24:20on the hook.
24:22She believes
24:23who has control,
24:24But he doesn't have it.
24:25Miss,
24:25Don't be fooled.
24:27That little girl
24:28He does what he wants.
24:28She wins it with you.
24:29You have been so good.
24:32He opened the doors for her.
24:32from his house,
24:34He takes it,
24:35on top of that, she leaves it
24:35bring your guests
24:37and she does
24:38which gives him
24:38She wins it with you.
24:39No, no, no.
24:40Under normal conditions
24:42I wouldn't have
24:42I have accepted none of this.
24:44It was excess
24:45of alcohol.
24:48I went too far,
24:49I admit it.
24:50I know that money
24:51It is important
24:52for you,
24:53but everything
24:54It has a limit.
24:56Do you think I don't know?
24:57Are you sure?
24:59Because with this
25:00not only will he lose
25:01silver,
25:02is going to lose
25:03something a lot
25:04more importantly,
25:05Sir.
25:05Respect!
25:17Aparecidita,
25:17Aren't you going down?
25:18Lunchtime?
25:19Did you call me?
25:21I screamed
25:22very loud,
25:23Family!
25:24Family!
25:25Ah, yes, yes,
25:27listen.
25:30AND?
25:31And?
25:32I am not your family.
25:35Ah.
25:38You're tough, Rober.
25:41Now I understand.
25:43Life has made me this way.
25:45And I say life
25:46not to mention names.
25:50Well,
25:53So you're going to come down
25:54Or not?
25:56Later,
25:57Do you see yourself?
25:58Are you sure?
25:59Because everyone
26:00We're waiting for you.
26:09Want
26:11that you go up
26:12The food?
26:13No no,
26:14I apreciate it.
26:15I can take care of myself
26:16alone.
26:17As you wish.
26:20Rest well.
26:32That aunt is tough.
26:36But it will return.
26:38one of us.
26:40The Gonzalezes,
26:42Collazo,
26:43Zapayal,
26:44Montalbán,
26:45Lara,
26:46Goyoneche,
26:47Panduro,
26:48Panduro,
26:49We don't give up easily.
26:56How can you work
26:57with that woman?
26:58She's shameless.
26:59a shameless one,
27:00a sinner.
27:01Let's see,
27:01Juanita,
27:02my love,
27:02You're telling me
27:03who posed nude
27:04with Joel and with Cayetana.
27:05Yeah,
27:06Look for it.
27:06It should be ready by now.
27:07all over the internet.
27:08Juanita.
27:08Look for it.
27:11Oh, dear God.
27:15Well,
27:16I see three heads here
27:17and only six shoulders.
27:18See?
27:18Sin has been given over,
27:20the evil one,
27:21has caught her
27:21And you're working
27:22with her.
27:23You have to fire her.
27:25My love,
27:26I can't do that.
27:27It's the ultimate
27:27shareholder of the corporation.
27:29Then resign.
27:30My boyfriend can't
27:31to be under orders
27:32of that woman.
27:33Juanita,
27:34princess,
27:34You can't put me
27:35between the sword
27:35and the wall.
27:36You can't be working
27:37with that servant
27:38from the darkness.
27:39Juanita.
27:40It's her
27:41or me.
27:49The news is
27:50everywhere,
27:51Sir.
27:51Local newspapers,
27:53international.
27:5450 years
27:55career path
27:56reduced
27:57to a simple piece of gossip
27:59cheap pasquim.
28:01Who is it?
28:02San Luisete.
28:09Hello,
28:10John Paul,
28:10What can we offer you?
28:12It's about
28:12the cover
28:13of huts
28:13that you're posing
28:14alongside Cayetana
28:15and Joel.
28:16I know that
28:17your personal life
28:17It's your personal life,
28:18Francesca,
28:19But this guy
28:20of decisions
28:20has a direct impact
28:21with the corporation.
28:22John Paul,
28:23Don't dramatize.
28:24They're talking about this today,
28:26They will speak tomorrow.
28:27of something else.
28:28It's not that serious.
28:29Yeah,
28:29It's serious.
28:30The image
28:31of the corporation
28:31It's at stake,
28:32Francesca,
28:33and your reputation too.
28:34About my reputation
28:35I'll take care of it.
28:36I don't need
28:37that you administer it to me.
28:38What you did
28:39It's irresponsible.
28:40and me as CEO
28:41I have to tell you.
28:42You cannot expose
28:43to the corporation
28:44to such a scandal,
28:45Francesca.
28:45It is not acceptable.
28:47And what are you going to do to me?
28:48You are not who
28:49to scold me.
28:50Excuse me
28:50If I sound harsh,
28:51but this situation
28:52It's worrying.
28:53Well,
28:54I order you,
28:55I urge you,
28:57I force you
28:57to leave
28:58stop worrying.
28:59Don't talk to me like that,
29:00Francesca.
29:01I'm speaking to you properly.
29:02And let me remind you of something.
29:04I decide
29:05which is worrying
29:06and that it doesn't
29:06in my corporation.
29:16Miss,
29:17Let's see
29:18the good side
29:19of this situation.
29:20You leave the gate
29:22in the photo.
29:23I wish!
29:24I see myself like this.
29:30here.
29:31Exactly
29:31I want her here.
29:32Love,
29:33please,
29:33look for one of those pretty ones
29:34that have a little window at the top
29:35so that light can enter.
29:36Already?
29:36Look,
29:37These are the references
29:38of what I like.
29:41Oh,
29:41They are beautiful.
29:42We need to paint it
29:43in white.
29:44Oh,
29:44She's going to look beautiful.
29:46I'm going to ask
29:46leave at work
29:47so they'll let me out
29:48before and being able to be here
29:49exactly at the moment
29:51have it installed.
29:52That?
29:52Today?
29:52obvious.
29:54Before Olinda
29:54repent.
29:55Yeah,
29:56dad,
29:56I'll help you.
29:57Okay.
29:58Oh,
29:58I can't believe it
29:58that finally
29:59The day arrived.
30:14And this?
30:15I don't know
30:16What do you think?
30:17Miguel Ignacio,
30:18But I'm worried.
30:20And now
30:21Are you with her?
30:22Francesca says
30:23that I am not the one
30:24to say nothing to him.
30:25But let's see,
30:25Miguel Ignacio,
30:27This directly affects us.
30:28Brands,
30:29institutional image,
30:30contracts,
30:31Everything is teetering.
30:33Well,
30:33You will not be the one,
30:34But I do.
30:35What are you thinking?
30:38Dismissal.
30:43I know,
30:44Ronald,
30:45I don't need
30:46Don't tell me anything.
30:47Miguel Ignacio
30:47has decided to convene
30:48to a directory
30:49urgently.
30:50Let him summon him.
30:52How was the hearing?
30:54I can't reveal that.
30:55It is part of
30:56of professional secrecy.
30:57That means
30:58that something important
31:00came to light.
31:01I can only tell you
31:02that topics were discussed
31:03of a personal nature.
31:05I hope you understand.
31:06my discretion,
31:06Francesca.
31:07of course,
31:08I expected nothing less from you.
31:11I'll see you in the directory
31:12and story
31:13with your support.
31:18Thank goodness
31:19that not everyone
31:19They are so discreet
31:20like you.
31:30The Juelix.
31:31How are you, Felix?
31:32What a bunch of people.
31:33How are you?
31:33Hey, Felix,
31:35Were you going to install me?
31:36a door
31:36in my room?
31:37A door?
31:38Oh, with that
31:39I have experience
31:40Sun.
31:41There in my land
31:42have installed
31:42a lot
31:43of doors
31:43from my aunt,
31:44from my niece,
31:45also from the corral
31:45of the ajín.
31:47They have all remained
31:47nice and straight,
31:49not a single nail
31:49crooked.
31:50And what happened
31:51with the current door?
31:52No, no, no.
31:53Nothing has happened,
31:53It's just that Lorena
31:54he wants another door
31:55with direct access
31:56out into the street.
31:57Ah, I see.
31:58surely
31:58for more independence.
32:00That's it, my friend, exactly.
32:01I would like that too.
32:02a door like that
32:02for my cup today.
32:04No, but that
32:04It's not going to happen.
32:05Okay, will you help me?
32:07How much is there?
32:08Thank you?
32:09Thank you?
32:10Okay, okay.
32:11What does it matter?
32:15I'm sure
32:15that this city
32:16She's Cayetano's idiot.
32:17Well,
32:17Not that stupid, huh?
32:19That one is more lively
32:19that the three of them together.
32:20And manipulative.
32:21Oh, yes,
32:22really,
32:22It's pure poison.
32:23Just kick the woman out, okay?
32:24But Joy follows her.
32:25But if Francesca follows her,
32:27What can you expect?
32:27She's a witch,
32:29pure misfortune
32:29Just bring your life.
32:31But you know what?
32:33I'm not going to give it to him
32:34one more tear.
32:35That's the way to talk,
32:36Focus on your talent
32:37just singing this
32:38and your little legend
32:39which is about to arrive
32:40So what if you're hungry?
32:41Yes, yes,
32:41And Gladys is right.
32:42Maca,
32:43You've given him a lot
32:44of opportunities
32:44And you have failed yourself in all of them.
32:45I believe it's time
32:46that you turn the page.
32:47Yeah?
32:48And that's what I'm going to do.
32:50I'm going to focus on myself
32:51and my little legend.
32:53Ex!
32:54Former mini legend!
32:57Ex!
33:01Titos,
33:01But are we sure?
33:03that this wall
33:03Does it happen on the street?
33:05Oh,
33:06It's supposed to be.
33:07Well,
33:07My mom wants her there.
33:09I say this because
33:11I feel more barbs
33:12over there.
33:14No, no, no, no,
33:16Felix,
33:16The street is this way.
33:21What if they check instead?
33:22the plans?
33:24Already,
33:25to clear up any doubts
33:26we're going to use
33:27This winch, huh?
33:29Let's see.
33:30We're going to do
33:30the measurements
33:31corresponding.
33:33Look at that,
33:34from here to here
33:35one meter.
33:36Already,
33:37And from here to here?
33:38Let's see,
33:38let's see.
33:40No, well,
33:41Extend the winch,
33:42Extend the winch.
33:44Already,
33:45here here
33:46two meters.
33:47two meters.
33:48I have two meters there.
33:49Already,
33:49Here's the stain.
33:50Where is the stain?
33:51Where is the stain?
33:51There.
33:54Back and forth.
33:57Two by two.
33:58Four.
33:58Four meters.
33:59Already,
33:59I refer to it in bed.
34:00I referred to the bed.
34:01I'm going to leave.
34:04All the way to the door
34:04So how much is there?
34:05Four plus two would be
34:07six.
34:08Six.
34:08That's it, my little girl!
34:09Leave your foot.
34:10Already.
34:11Yeah,
34:11the door.
34:16Already,
34:16but not him,
34:17double,
34:17well.
34:18No,
34:18also,
34:18Don't bend it.
34:19Straight ahead,
34:19straight ahead.
34:20Already,
34:21even the strip.
34:21How much is there?
34:22There we have it
34:24eighteen.
34:24Weren't there sixteen?
34:26Yeah.
34:26Well,
34:27already seventeen
34:27for no one,
34:28that it be an average.
34:29Aren't they starting?
34:30of nine?
34:30And not,
34:32pure mathematics.
34:33Oh,
34:33Oh,
34:33this.
34:34Now, that way.
34:35Peter is here.
34:36we would have there
34:38nineteen.
34:39What are they doing?
34:39Ah,
34:40measuring the house,
34:41Can't you see?
34:41Yeah,
34:42It's because Lorena
34:43wants a door
34:43out on the street
34:44super cool
34:45and we
34:46We're going to install it for you.
34:47Ah,
34:47How cool.
34:48And what size do they need?
34:50Ah,
34:50Well,
34:51the distance
34:51between the new door
34:52and the main door
34:54and then do the same
34:55outside
34:55and see the exact location
34:57where we have to break.
34:58That,
34:58Yeah,
34:58that.
34:59If they want,
35:00I help them.
35:01You?
35:02Aha,
35:02clear,
35:03It doesn't cost me anything.
35:04Well,
35:05yes that's how it is,
35:05then I can move forward
35:06with Mavi
35:07to buy the materials.
35:08Clear,
35:08Good idea,
35:09go on,
35:09uncles,
35:09here with Britney
35:10We take care of everything,
35:11already?
35:12Already,
35:12grab there,
35:13that keeps stretching.
35:15Okay,
35:15There it is.
35:20Was it necessary
35:21make me come all the way here
35:22to tell me
35:23what was said
35:23in the audience?
35:24Well,
35:25I found a legitimate excuse
35:27in order to taste
35:28a good coffee
35:28in her pleasant companion.
35:31Welcome to Tomatela,
35:32Is anything useful to you?
35:33Yeah,
35:33Please bring me
35:34a cortado,
35:35a crescent moon,
35:36a mixed toast,
35:37Ah,
35:38and a little juice
35:39natural orange.
35:39Please.
35:40Okay.
35:41Or is it?
35:42For me, a coffee
35:44nothing else.
35:46Share.
35:47Very good.
35:48What is that revelation?
35:51I'm going to tell you
35:52something of great interest.
35:54Mrs. Silvana Müller
35:56states that
35:57both Miss Alesia
35:59like young Christopher
36:01They are not children
36:02from her ex-husband,
36:04but of the Lord
36:05of the houses.
36:06From Miguel Ignacio?
36:10He reacted
36:11exactly like you,
36:13very surprised
36:13and of course
36:14indignant
36:15saying that he didn't have
36:16nothing to do with it
36:16with that lady.
36:18But Mrs. Müller
36:19claims that he arrived
36:21to the clinic
36:21when of the houses
36:23he was in a coma
36:23precisely
36:24to confess to him
36:26the truth.
36:29And Diego?
36:30Are you aware?
36:31Well,
36:32That hasn't been mentioned.
36:33but I can
36:34find out discreetly
36:35if you wish.
36:42Thank you.
36:44It's a pleasure
36:45work for you.
36:46On purpose,
36:46I want to tell him,
36:48He looked
36:49very photogenic
36:51on the cover
36:51from the magazine
36:52scribbles.
37:06I received your message,
37:08what do you want?
37:12I'm surprised
37:13that you haven't had
37:14initiative
37:15to look for me.
37:16I thought you'd want to
37:17talk to me.
37:18Talk?
37:19About what?
37:20About your lies?
37:22Why did you say
37:23That barbarity?
37:24What do you want?
37:24Get myself into more trouble
37:25With Diego?
37:26Do you want to take me out?
37:27More money?
37:29Because of what I said
37:30It's true
37:31And that's what I've tried to do.
37:32tell you throughout
37:33this time
37:34ever since I found out
37:34that you were going to die.
37:38You're insane
37:39If you think I'm going to believe it
37:40something that never happened.
37:43Let's see,
37:44Tell me one thing.
37:47How's your memory?
37:48after the accident?
37:50Good.
37:52And then
37:53Why don't you remember?
37:54Who shot you?
37:56It's normal
37:57not remember
37:58traumatic events.
37:59Then everything else
38:00Yes, you remember.
38:03Let's suppose
38:06that you have forgotten
38:08of what happened
38:08among us
38:09that night.
38:13I don't know
38:14so that
38:14The truth is coming.
38:16No no.
38:17I don't care
38:17Whether you believe me or not.
38:19If you want to know
38:19the truth
38:20It's very simple.
38:21You can do it
38:22a test
38:22by ANN
38:22And that's it.
38:24But if you leave
38:25now
38:26you'll never know
38:27the truth.
38:29Doesn't it give you
38:29curiosity?
38:37320 square meters.
38:39That?
38:39That's the size of the house.
38:41Multiply it by 3,000.
38:42So that?
38:42Just multiply.
38:44How much does it give you?
38:44It's coming, isn't it?
38:45Yes, one less slap.
38:49960,000.
38:51That's almost
38:52one million dollars.
38:54Do you realize?
38:55It's a fortune.
38:56And what does that mean?
38:57It means, little brother,
38:59that we are standing still
39:00on gold
39:01And I don't think so.
39:02pass up.
39:08The shot
39:10It went inside.
39:12He didn't force it.
39:13the lock.
39:19Entrance,
39:22shot,
39:24exit.
39:26less than a minute.
39:49Okay, honey,
39:50help yourself.
40:00Hello, Pacho.
40:02Can you give us a hand?
40:03Hey, it's listed.
40:05Let's see, let's see.
40:12I don't mind it either,
40:13It's just that I'm tired right now.
40:15Yeah.
40:15Hello.
40:16How are you doing?
40:17Almost.
40:18Do you like the model?
40:19What should we buy?
40:19Yes, how wonderful.
40:21I can't wait to see it installed.
40:22Missing?
40:22Uh, well,
40:24knock down the wall.
40:25And will it be very difficult?
40:29Not anymore.
40:32Is this it?
40:34Indeed.
40:34We measured it
40:35with the measuring tape,
40:36meter by meter
40:37and we have also applied
40:38the technique of the steps.
40:42Love, can you hear me?
40:43Yes, for you, of course.
40:50That's lovely.
40:51Just finish it already.
40:53That's lovely.
40:54Oh, he finished it.
40:56Hello.
40:57Hello.
40:57Family, a question.
40:59Do you know why?
41:00Tito and Felix
41:01They're outside
41:02with helmets
41:02yes Pacho
41:03It has a curve
41:04facing the wall
41:04on the side of the house?
41:06Oh, that was it.
41:08I knew it!
41:09that had something
41:09What to tell them.
41:14Hey, family!
41:16Welcome,
41:16just in time.
41:17Ready, Pacho?
41:18Whenever you say.
41:21Five!
41:22Four!
41:23Three!
41:25Two!
41:26Oh, I'm looking at my door now,
41:27I'm already looking at my door.
41:28One!
41:33What happened?
41:34I don't know,
41:35They're sure to hit.
41:35more times
41:36so that the hole can be made.
41:37Dad,
41:38He strikes again!
41:43Why isn't he answering?
41:44No idea.
41:46Let's see.
41:49Oh no!
41:52That?
41:53Wasn't this the way?
41:55No!
42:04We were in Fort Lauderdale
42:07and I had fought
42:08with Diego.
42:10You were fed up
42:11from Isabela.
42:13That night
42:13we met
42:14in the hotel bar.
42:17Because we love you a little,
42:18but...
42:19But it was enough.
42:21We drank a lot.
42:23between drinks
42:25I told you something
42:25that I had never told him
42:27to no one.
42:28That I always liked you
42:31from day one
42:33when I saw you.
42:35That there was something
42:36in your way
42:37from looking at me
42:38that made me feel
42:39light,
42:40fun,
42:42as if life
42:43had a different color.
42:45I was in a fight
42:47with Diego.
42:48I was fed up
42:49of his mediocrity,
42:50of that routine
42:51without shine.
42:52Instead,
42:53you always seemed to me
42:55more exciting,
42:56more successful,
42:57more passionate,
42:58more man than him.
43:01Went
43:03to walk
43:04along the beach.
43:06I don't know,
43:07We were joking,
43:09we were watching,
43:09We laughed.
43:11The sand
43:12It was cold,
43:14The sea roared.
43:18And that's when it happened.
43:24I took the first step,
43:26I admit it,
43:27But you didn't do it.
43:28nothing to stop me.
43:30We enjoyed it,
43:32as if there were no
43:33a tomorrow.
43:35The next day
43:36It was all very awkward,
43:38but exciting.
43:41Isabela wanted
43:42take a walk
43:42on the catamaran
43:43and we
43:46we don't stop
43:46of looking at each other
43:47throughout the entire walk.
43:49That same night
43:50we met again
43:51at the bar.
43:53You left me
43:54very light
43:55that you weren't going
43:56to put at risk
43:57your relationship
43:57with a Picasso
43:58Maldini for me.
44:00I didn't say anything,
44:02perhaps out of pride
44:04or because
44:05I knew what to do
44:06whatever he did
44:07I was never going to achieve it.
44:09Your ambition
44:10It was always bigger
44:11than anything else.
44:15I didn't say anything either.
44:17when I found out
44:19that I was waiting for
44:20to your twins.
44:23Until today?
44:2527 years later.
44:28Because?
44:31Because
44:32my financial situation
44:33has changed,
44:34because the boys
44:35have grown
44:36and because for some time
44:38a few months
44:38It's no longer a secret.
44:41Who else knows?
44:43Only one person.
44:46Diego.
44:50This is where it comes from
44:51the most interesting part.
44:52Do you know when
44:53Did you find out?
44:54Two days before
44:55of your attack.
44:58Are you still thinking
44:59that was me
44:59who shot
45:00The trigger?
45:00Because I believe
45:01that you already have
45:02to your main
45:03suspicious.
45:05How to bury
45:07Well,
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