00:01What is this?
00:03I'm going to try to hide it.
00:05But I don't know how to go out.
00:07What is it?
00:08Talent, ma'am.
00:09Once again, I'll go out.
00:10What will I go out?
00:11What will I go out?
00:12Lockery.
00:15I'm going to go.
00:17Why, baby?
00:19How did you get this?
00:21Our company's concept is what?
00:23And what kind of design is it?
00:25Common sense isn't it, uncle?
00:26That's right.
00:27But you're more strict.
00:29Our office's staff are scared to see you.
00:33When you go to school,
00:34which child thinks about it?
00:35Everyone thinks about it.
00:37But if we don't study,
00:39how will we progress?
00:41I don't say about it.
00:43But you don't think you're more strict?
00:48When I wasn't strict,
00:50no one didn't take me seriously.
00:53Now I'm strict.
00:54I've been clipped,
00:55I don't expect you to be clear.
01:00I'm really sure,
01:03I don't remember how I was in thejutant before.
01:07Now, I don't know how you live.
01:23You don't know how to stay.
01:42Hello, Akash. Hello, uncle. How are you?
01:44I'm good. How are you going to go? Gautam told you.
01:49If you're free, I'll meet you tomorrow.
01:51I'll meet you in the office. But why are you in the office? Come to the house.
01:54Sure, uncle.
01:56How are you? Yeah, I know.
02:01Hey, man. You said the sardis and churidars, right?
02:04Here's the size of the building, and the clothes are less.
02:06Hey, quiet, man.
02:07You're the same, man. You'll either see yourself or you'll never see anyone.
02:19Hi, uncle.
02:20Hi, Akash.
02:22Ha, ha, ha, ha.
02:24You look like me, my son is coming.
02:27What do you know? Akash?
02:29Hi, auntie.
02:30Hi, son. How are you?
02:31I'm good.
02:32My son, how are you?
02:33He's fine, auntie.
02:34Tell her, at least in a few years, you'll meet your mother-in-law.
02:37Ha, ha, ha.
02:39Okay, I'll take coffee.
02:40Okay, auntie.
02:41I've seen you on CNN.
02:42I've seen your interview.
02:43I've had a very bad feeling.
02:45Thanks, uncle.
02:47Do you want to go home or stay here?
02:48Actually, it's an important job, uncle.
02:50I've come here.
02:51Yes.
02:52Yes, uncle.
02:53Oh, come on, son.
02:55Why did you stop there?
02:56Oh, I'm tired.
02:59This is Akash.
03:00My son's friend.
03:02Hi.
03:02And this?
03:03Bhoomi.
03:04Do you know one another?
03:05Yes.
03:06I know, uncle.
03:07We were in the same college.
03:08Oh.
03:10One minute.
03:11You sit.
03:11Okay, uncle.
03:12I'll come here.
03:12Hello.
03:17It's been a long time, right?
03:19Yes.
03:20You look very different.
03:22What are you doing today?
03:23It's a small business.
03:24And you?
03:25So, Akash.
03:26No project was talking about it.
03:27Okay?
03:28Almost okay, understand.
03:30Yes.
03:31Bhoomi.
03:31Do you know?
03:32He's a famous architect.
03:34Oh.
03:35I remember the architect.
03:37It's a small project.
03:39Whenever you get time, if you see it once again,
03:42What's the need for such a big architect?
03:44Why, son?
03:45You'll charge a lot.
03:46That's why the budget will increase.
03:49Bhoomi's fear.
03:50That's not that, uncle.
03:54One second.
03:56Hello?
03:58You don't have raw materials.
03:59You're telling me.
04:00You can't do the work.
04:00Then go home.
04:01Bloody morons.
04:03Need to go, uncle.
04:04Sorry.
04:05Bye, Akash.
04:06Bye.
04:37Hi, ma'am.
04:38How can I help you?
04:38Please give me some time.
04:41Hey!
04:42How are you here?
04:43I need to ask this.
04:44I'm staying here.
04:46I'm talking about a business deal.
04:47Oh.
04:48Okay.
04:49I'll give you a company.
04:52You know what?
04:54Jeans in the middle of the jeans,
04:55If someone saw me,
04:59you'll see me very good.
05:02Do you like me?
05:05Compliments in college.
05:06They can give like anyone.
05:08Ah.
05:09Seriously.
05:10You're welcome,
05:11so you're asking me,
05:11my lady.
05:14Do you have to go?
05:16Oh, as I tell you,
05:18the next day,
05:19you're saying.
05:21I don't like this.
05:21I don't like this.
05:23When you are so beautiful, you can't change everything.
05:32And tell me, how is your business?
05:33Yeah, fine.
05:34Great.
05:36You said uncle about this project.
05:39Do you want me to see?
05:41No, no, not necessary.
05:43It's a small project.
05:45I'll help you out.
05:46No, I don't like this.
05:47No, I don't like this.
05:51Okay, I'm going to go.
05:53This is what?
05:53Who has a business meeting?
05:55If you don't have time value,
05:57what do you want to do with business?
06:00Business, you can see finances,
06:02but it's time sense.
06:03It's necessary,
06:05but it's not necessary.
06:08Bye.
06:17Now this is so interesting.
06:19But why didn't it look like this?
06:22I didn't have to observe it.
06:24I didn't think anything.
06:25Hey, what are you?
06:27How many girls have proposed to you?
06:29Who did you have?
06:31They are not.
06:33They are very new.
06:34That's why I have to observe a little closely.
06:36How many people have to observe?
06:37Why are you here?
06:38Why can't you pass?
06:39You can pass.
06:40There's a route for him.
06:42Oh.
06:44Who?
06:45He's going to pass.
06:46He's going to pass.
06:46I'll take them.
06:51Hello, Akash.
06:52Hi, Uncle.
07:06Hi, Bhoomi.
07:08He's Raghu.
07:09My friend come here.
07:10Hello.
07:10Hi.
07:12So,
07:13you're doing our project?
07:15Yeah.
07:15I did.
07:16I did.
07:16I did.
07:17I did.
07:18I did.
07:18I did.
07:18I did.
07:18I did.
07:19I did.
07:20I did.
07:20I did.
07:22I did.
07:23I told you.
07:23Oh.
07:25Did you say that?
07:26You said that.
07:29I told you.
07:30I told you.
07:30It's a small project.
07:31I'm going to do it.
07:32I don't like anything.
07:34I don't like anything.
07:35Later, I'll be frustrated.
07:37I'll do it.
07:38I don't like anything.
07:39I don't like anything.
07:40Actually, I don't like anything.
07:40It's not a big matter.
07:41It's very easy to design it.
07:44Let's see.
07:45Sir.
07:46Tea.
07:49Sir.
07:53Sorry.
07:54Sorry.
07:54Sorry, madam.
07:56Sorry, madam.
07:58Sorry, madam.
07:59Sorry, madam.
07:59Sorry, madam.
07:59Let's clean it.
07:59Okay, madam.
08:04You said it interesting, but it doesn't look like it.
08:07Look, judge not to judge.
08:09Hey, your range and your work is not going to match.
08:14It's not going to match.
08:15It's not going to match.
08:16Oh.
08:17Hmm.
08:25Kishore, come to my cabin.
08:27This is our site layout.
08:29May I come in, ma'am?
08:30Hmm.
08:32He's Akash, architect from Paris.
08:34Hmm.
08:35This is Kishore.
08:36You will clear your doubts.
08:38Sure.
08:44Hello.
08:46Hello.
08:47You have a pencil in Paris.
08:49We have a pencil here.
08:50We can't make a pencil.
08:53We can make a pencil.
08:53Our doubts will clarify.
08:54Don't tell you yourself.
08:59Wow.
09:00How handsome you are.
09:02One selfie, please.
09:03Sure.
09:08You know yourself.
09:10You can't see me.
09:11You are very funny in Paris.
09:12It's a little funny thing.
09:13We just made a mistake.
09:15You can't make a mistake.
09:16Like talented people.
09:17That's such a joke.
09:20You can do bad stuff.
09:21But it seems like we are talking about that.
09:22There's no doubt.
09:23Where is the site?
09:24How much?
09:25Who's the plot?
09:26Who's the site?
09:28Where is the paperwork?
09:28Where is the paperwork?
09:29If you get to this data two days,
09:31then we will start the work.
09:32So let's go, two days.
10:02Hey, hey, wait, wait.
10:04Hey, wait, wait.
10:06Hey, wait.
10:07I'm going to get a call.
10:08Hey, wait.
10:11Hey, wait.
10:14Thank you, son.
10:16No, auntie.
10:17Is everything right or not?
10:18For the family.
10:19The cafe came out.
10:21The family came out.
10:22The family came out in the cafe.
10:26It's late, but it's not the details.
10:28Tell me.
10:31It's very interesting.
10:32Is it?
10:32You need to be able to do something.
10:36No, I didn't have anything.
10:38The family came out.
10:40And at the time, you went.
10:44Now, I'm going to go.
10:46I'll drop you.
10:48No, no, son.
10:49I'm going to go to the hotel.
10:51Okay.
10:51I'll drop you.
10:57Bye, son.
10:58Bye, son.
10:58Bye, madam.
11:01This is our proposed site, sir.
11:03Shadnagar.
11:04I'll drop you.
11:05If he's been here, you understand.
11:06How much talent is.
11:07We'll call local, all cheap.
11:09And we'll give it from abroad.
11:11Don't do it.
11:14Don't do it.
11:15Don't do it.
11:15Don't do it.
11:16Don't do it.
11:17Don't do it.
11:18Don't do it.
11:18Don't do it.
11:22Don't do it.
11:33Don't do it.
11:34I'm going to go to the other side.
11:40I'm going to go to the other side.
11:40I'll take another one second, sir.
11:41Bindu, mark.
11:44Take it.
11:45I'm going to take an important marker.
11:55I like it.
11:57It's time for giving, I mean, you'll definitely like it.
12:02excuse me sir follow her complicated love story
12:07in films like this girl's family is very close and this girl's family is very
12:13ameer and for our office in this opposite love story our big
12:17sahabes love guru plays a role play who is our boss yes that's that's that's that's
12:22that's that's that's that's that's that's that's that's that's that's that's that's
12:26long now see go talk to him, they'll be casually reply
12:30so how are you doing it? so tell me, tell me again it's not a joke book
12:35sir has no joke book this is his habit, sir say something, it's a joke it's only
12:39the people for our hindustan people, they can make it like this, but what you say
12:45but when they'll cry, this I don't understand, so before I get out of my head it's
12:51The art is also an art. Don't understand the artist.
12:56Oh, my dear.
12:59How are you going to see the site?
13:02We are going now, uncle.
13:04Kishore, show them the site.
13:06Yes, ma'am.
13:06You too, son.
13:08Uncle, I will go to the office.
13:10You are looking at this India border?
13:12If you don't stay in the office, then you will go out.
13:14Good, sir. Good, sir.
13:16Good, sir.
13:21You are looking at my car.
13:23If you want to go to your car, what is the problem?
13:25I don't know the address.
13:27Kishore, come with her.
13:29Yes, ma'am.
13:35Your madam looks very strict.
13:37Whatever you want to say, openly.
13:38It's a very strange thing.
13:39If you have a tune-up end, it's only the winner of every season.
13:42I don't think it's a marriage.
13:44Who will you marry?
13:45If you don't have a beautiful girl, then you will adjust.
13:48You will adjust with the command.
13:49It's very important.
13:57Bhoomi.
13:59Nice, siri.
14:00Look at the side.
14:03Nice, siri.
14:05You are thinking of your boss in Pakistan.
14:08Yes.
14:10Hello.
14:11Hello.
14:13Hello.
14:15Hello.
14:15You are looking at the end of this world.
14:16You want to be a person in this world?
14:18Why?
14:19What?
14:19What's your problem?
14:20No, no.
14:22Why are you so serious?
14:23I'm just kidding.
14:26The girls and architects are just this way.
14:29They are just doing it.
14:29They are just trying to reject themselves.
14:32They are looking at six batsmen by the six batsman.
14:34They can kill each ball.
14:36They have seen a no ball of a vampire.
14:38You have seen them on each ball.
14:46They are looking at a no ball.
14:50They are looking at the same ball?
14:54Monvrat? But who is it?
14:56My mother, my marks, and your mother, my marriage.
15:00And what will it be, tell me?
15:05Because they will be married to me, my mother will be married.
15:09My mother will be married, so I will get my marks.
15:12They are like this.
15:14Let me know.
15:15Tell them that they will keep this day.
15:18We will get peace to our mind.
15:18We will get peace to them.
15:23But I will not give you my mother to my mother.
15:26Whatever the first class will come, I will marry her.
15:30You first leave a kiss.
15:32Then marry her.
15:35Who are these?
15:36There are photos of the girls in the house.
15:38What will they be in your house?
15:42Who is this girl?
15:44How handsome is this girl.
15:45Let's see.
15:46Let's see.
15:47Let's see.
15:48Let's see.
15:48Let's see.
15:49It's got a present.
15:51Monvrat opened, right?
15:53My wife's back with you.
15:55Don't go to my house.
15:57Don't go to my home.
15:57Bumi, it's cheating, cheating, cheating, cheating.
16:00What is that?
16:00Who is cheating?
16:01What is that?
16:03Oh.
16:03How bad is that?
16:05Hey.
16:07What is that?
16:08What is our sister's house number 12?
16:10She is married and married.
16:12She has married.
16:12She has married.
16:13She has married.
16:13Oh
16:43?
16:44?
16:44?
16:47?
16:47?
16:48?
16:48That's why I have opened my mouth, but how will you turn your mouth to the people?
16:52Oh, that's it!
16:57You've got a solution!
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