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00:25What happened to you?
00:28What happened to her?
00:30What happened to her?
00:30We've been living with two years.
00:32And who has a kiss with you?
00:33Who is she doing?
00:34Who is shooting at the film?
00:35Is she going to make a movie first?
00:36Who is she doing?
00:38Now it's clear that you're not my boyfriend.
00:41Let's go, let's tell you,
00:42what is my real knowledge?
00:44And who is she?
00:45I'm just convinced you're not my boyfriend.
00:48If you're not my boyfriend,
00:49then it's only two meanings.
00:52Either you're not my boyfriend,
00:55or you're gay.
00:56I'm gay, I'm gay.
00:58Okay, what do I do again?
01:00No, I don't need to do it again.
01:02Just like I'm your real knowledge,
01:04you're my real knowledge.
01:06Don't forget this.
01:10Eat food and drink.
01:16This is not my boyfriend.
01:18People are getting too far from two years.
01:26Who does this?
01:32Oh, wow.
01:34What a joke.
01:36We were eating at home.
01:38What do you need to bring all the food here?
01:40Hmm.
01:41When you reach home,
01:42you'll get crazy.
01:44Oh, you too.
01:45Look at this.
01:46For you, I've got something else.
01:48I've also brought it.
01:50I've thought that today I'll give you my food.
01:58Let's go.
01:59Cheers!
02:00No, cheers!
02:01Cheers!
02:01Cheers!
02:02I've got something else to do with this.
02:04And the rest of me,
02:05I've got nothing more to try it.
02:07It's hard to be me or you.
02:07It's hard to be me or you.
02:18Oh, you're scared. What are you doing here? You said I'm going to go home.
02:25Yes, but I'm back.
02:31Who does that? Who does that? Without saying anything.
02:37And without making a place, everyone does that. Who does that?
02:41I don't understand all this.
02:44Oh, I don't understand. What a small child.
02:48I want to go.
02:50No, no, don't go.
02:51No, no, no, no. You just stop here.
02:53You eat food. What?
02:54Look, I'm hungry.
02:56No, I'm hungry.
02:57No, no, don't drink.
02:58This drink is very delicious.
03:00Drink. Drink. I'm out of here.
03:02Listen to me.
03:06What?
03:13Sorry.
03:15I'm on a wrong time.
03:16But I'll say, hey, okay. There's no one.
03:20What happened to you?
03:23Why are you looking like your tomato?
03:26What did you eat after eating?
03:29Why did you eat after eating after eating?
03:31What did you eat after eating after eating?
03:32What happened to you?
03:33What happened to you?
03:36What happened to you?
03:38What happened to you?
03:42Now, what happened to you?
03:43You say a man, but a small kid was so upset that you were going to open your door.
03:47No, I didn't have any trouble.
03:49What happened to you?
03:50What was your first one?
03:50I'm sure we saw that.
03:52Hey, don't ask this.
03:53We'll be talking about it.
03:54Don't let it be.
03:56That's not to me.
03:56That's a little thing.
03:59You've done it.
04:01You're a dude.
04:03That's me.
04:04I was wrong.
04:04Against boxing, I needed to learn this.
04:07I was the one you wanted to learn.
04:16You saved her, then you go and believe it's your story.
04:20Oh, man.
04:21Who loves to save her?
04:24She's got a copy.
04:26She's a thief.
04:27I don't want to say anything.
04:29Whatever I've ever seen in my head.
04:31Ah.
04:32What do you want to do?
04:35Oh, boy.
04:36This girl is so big and big.
04:38But she's not looking for a girl.
04:40She's a thief.
04:41Okay, first of all,
04:43let me tell you one thing that the prosecutor Goh has done something for you.
04:48And if you've done it,
04:49then who has done it?
04:50Because you're doing so much for him?
04:52And what is it that you're doing in front of you,
04:55that you're going to die in front of you?
04:57That's it.
04:58You've also met him before.
05:02What did you say?
05:03I've met him before.
05:08After getting married, don't forget me.
05:10You're the medal.
05:11I've met him before.
05:14When I win a gold medal in the Olympics,
05:16I'll give you your name in the interview.
05:17I thought it was good.
05:19Are you a gold medalist?
05:26What are you talking about?
05:28That girl's a big girl in school.
05:31Prosecutor Goh?
05:33After that, we're not talking about it.
05:35Everything will be,
05:35but we'll get back around 8 years.
06:11What are you doing?
06:12What are you looking at?
06:22Tell me quickly what you need.
06:29Who are you?
06:31How do you feel? This is a VIP room.
06:33Come here.
06:35What are you doing?
06:46Go!
06:47Go!
06:51Stop!
07:00Oh, my God.
07:26Hey!
07:52Please, leave me the police. Leave me the police.
07:55As much as you've killed, you've killed us.
07:58And if you've done this next time,
08:01I'll throw you a cart.
08:04Yes, I understand.
08:27Sir, the work has also been good.
08:29And look, the weather is also good.
08:31Why don't you go to one or two?
08:33Not today.
08:35I don't mind today.
08:36You go, leave me alone.
08:38No sir, how are you enjoying our lives?
08:40You too, go with us.
08:42This will give me a little.
08:45You're really good.
08:47Thank you sir.
08:48Okay, I'll see you sir.
09:00Come on, let me tell you all.
09:05Come on.
09:05Come on, let me teach you all about yourself.
09:19Go, let me teach you all.
09:21Oh!
09:39I don't know.
10:02I don't know.
10:22I don't know.
10:23Shit.
10:32Hurt.
10:33Check it out.
10:36You understand yourself?
10:39Huh?
10:39Salim!
10:43Salim!
11:03Salim!
11:21Hurt.
11:23Hurt.
11:23Hurt.
11:25Hurt.
11:26Hurt!
11:28Hurt!
11:30Windy war!
12:23But...
12:24Hmm?
12:27What are you doing?
12:28Yeah, how did I get to know?
12:29that you are Korean
12:30when you were talking with your little brothers
12:33I understood you
12:35but those people who were behind you
12:37were very dangerous
12:39here in Japan
12:41so you should have to wait a little while
12:51why are you seeing this?
12:58I am
13:00I can't figure out
13:01if I'm not sure
13:01I feel that
13:04that's the thing
13:04that's the time
13:04and I can't
13:10thank you
13:22for having me
13:37Hmm, Shidney.
13:40Hmm.
13:52Yes, I'm totally fine.
13:54You don't need to come. I'll go alone.
13:56You guys, tell me about the hotel.
14:12Oh, what am I going to do now?
14:14I don't have petrol for going back.
14:17I feel like I hit a lot faster and the petrol has lost.
14:21Okay, stop. I'll see.
14:22I'll do something.
14:23It's the last night, everything will be closed.
14:31We're stuck.
14:33It's okay, nothing.
14:34When it's early, everything will open.
14:37So, wait until then.
14:44Oh!
14:46Oh!
14:46You're holding your blood.
14:47Oh!
14:48Oh, it'll get hurt from them.
14:55It'll be running.
15:07It'll be fine.
15:08Oh, I'm sorry.
15:09It's okay.
15:10Now, it'll go fine quickly.
15:12You are taking a bandit?
15:14Yes, I'm going to fall down.
15:18And you are taking a drink and drinking?
15:22I've seen people in films like this.
15:25I've never seen a drink.
15:27You're the shock of drinking.
15:29Or you are...
15:31You're a drunk in the blood.
15:31...bubed in the blood.
15:38Oh, stop, stop.
15:39You're back to the blood.
15:40Why are you keeping a drink?
15:41There's a little drink.
15:44Oh.
15:49If you don't have to do anything,
15:50you can drink a little bit.
15:53You're strong.
15:57It's delicious.
16:01Have you come here with your brothers?
16:03Have you come here with your brothers?
16:06Hmm.
16:08I've come here alone.
16:10I've come here to break up.
16:12I've come here to call her.
16:15It's very difficult to call her.
16:17It's very difficult to call her first love.
16:18It's very difficult to call her first love.
16:19I need help either.
16:23What makes her last love?
16:27That's the story for her first love.
16:28I'm not sure she's keeping her first love.
16:31Now, I don't care.
16:37You're a delicious substitute.
16:37I'm not sure she's being remarried.
16:39You're a delicious chef.
16:39You're a delicious chef.
16:39I'm not sure she's not.
16:39You're the best and best.
16:39I'm not eating.
16:41You're the best.
16:42You're the best.
16:43You're the best friend.
16:45You're the best friend.
17:00My name is Gojivon, but my real name is Gounse.
17:09Gounse.
17:11My mother left me in Anath Ashram.
17:15But I don't know why my name was Gojivon.
17:20But in my mother's diary, it was written in Gounse.
17:23It's a love name, right?
17:27That's why I believe that my mother will love me a lot.
17:32If she doesn't, she doesn't keep such a love name.
17:36Is it or not?
17:40What's your name?
17:45Zhang Teha.
17:48Oh.
17:49It's such a great name.
17:52What do you do with your work?
17:57Oh.
17:58If you don't want to tell you, you don't need to tell you.
18:01Just don't come out.
18:09I can't tell you, you don't need to tell me.
18:13I'm not going to tell you.
18:14I'm not going to tell you.
18:16It's like a doctor.
18:18Oh.
18:20I'll tell you.
18:26I'm going to tell you.
18:28I'm afraid that I'll just stop this for the time.
18:35My photo is here.
18:58Let's see how it came.
19:01Do you like to buy photos?
19:04I'm very shocked from my childhood.
19:11Would you like to take a photo with me?
19:15What is that?
19:20Today is my birthday.
19:23Do you not do so much for me?
19:25Tell me.
19:30Okay.
19:37What are you doing?
19:38I don't know.
19:39I don't know.
19:41I don't know.
20:02I don't know.
20:15I don't know.
20:17I don't know.
20:18I don't know.
20:48I don't know.
20:50I don't know.
20:50I don't know.
20:52I don't know.
20:54Um
20:56Yeah.
21:56시간을 타고 흘러 흘러 곁에 반짝이는 넌 문득 어딘가로 또 사라지겠지 꿈속의 꿈처럼 아직
22:19내가 남은 행운이 있다면 지금 여기에
22:30밀물처럼 밀려온다 사랑처럼 속삭인다 너의 걸 이다로 떠나 괜찮아
22:44바람처럼 설레인다 노을처럼 사라진다 지나온 나의 어두운 기억
22:53
23:03이렇게 너무 아름다운 눈이
23:20Happy birthday.
23:52Happy birthday.
24:30Happy birthday.
24:33Happy birthday.
24:46Happy birthday.
24:49Happy birthday.
33:50This is your name of boxing.
33:53Now, you don't need to be a kid or a kid.
33:55You don't need to be a kid.
34:09You can see this place, right?
34:11Here, there are a lot of fish here.
34:13You don't need to be a kid.
34:14And on this side, the lal mutton is very delicious.
34:18Tell me what you'll eat.
34:20You said we're friends,
34:22but you don't know anything about me.
34:25I don't like the lal mutton food.
34:27When I was in hospital,
34:28I didn't eat that food.
34:31I didn't eat that food.
34:33So don't forget me.
34:34I don't believe that.
34:37I don't know.
34:38I don't know.
34:38I'm talking about this joke.
34:39Why are you taking me here?
34:42Okay.
34:43So why don't you?
34:45Think about this,
34:47which you really like.
34:49Have you ever eaten tofu?
34:52It's very tasty.
34:54You don't eat food because you're dieting.
34:56If you're dieting,
34:58you have to leave the food.
35:01I know everything.
35:03If you don't believe,
35:05then you're right.
35:07What am I doing?
35:08Today is very heavy.
35:10There's a lot of water.
35:12I want to eat a poke.
35:14Come, come, come.
35:15Eat a little tofu and bibimbap.
35:16This is a poke.
35:17It's a poke.
35:18It's a poke.
35:19I don't know.
35:20It's a poke.
35:23It's a poke.
35:23But it's a poke.
35:25It's a poke.
35:27I don't eat this goat.
35:28Yes.
35:29This dog's fruit is also a taste.
35:38You're eating a little bit.
35:39Oh, so this is your film hero.
35:42Did you say that my husband
35:43can see some hero?
35:44I don't know.
35:45They're in the house.
35:47When they're ready,
35:48they're in the house.
35:50They're in the house.
35:51They're in the house.
35:53They're in the house.
35:53They're in the house.
35:54So you're saying that
35:55I was here a lot.
35:57Yes.
35:58Yes, absolutely.
35:59We were here a lot.
36:01We were sitting here
36:02and eating food.
36:05I don't believe.
36:07This is a shame.
36:09What do I say?
36:10I don't remember.
36:12Look at that.
36:14Look at that.
36:14You know that
36:15we were eating a lot.
36:16We were eating a lot.
36:17We were eating a lot.
36:19We were eating a lot.
36:20What do I tell you?
36:21Why do I don't remember?
36:22Tell me what I always ask
36:23from Chinese restaurants.
36:25One, two, three.
36:26Jajang Pong.
36:30Jajang Pong.
36:30What do you think?
36:34What do you think?
36:36What do you think?
36:36You should believe
36:36about your things.
36:39Let me leave.
36:41What's up?
36:49What's up here?
37:00What do you think?
37:01Do you think
37:02that I will go there
37:03and my dad will be
37:04slowly and slowly
37:04come back?
37:05No, no.
37:05That's not.
37:06We want to come here.
37:08What are you doing?
37:09Put the pudding low
37:10and take it away.
37:11Yes, take it away.
37:13But first, let's eat.
37:15Okay?
37:15What?
37:17It's a strange thing.
37:19It's been three weeks
37:20and until now,
37:21the prosecutor will go
37:22that there is no news.
37:23But why are you
37:23getting frustrated?
37:26I think you can't get
37:27further from your acting.
37:30You've never loved
37:30in the truth.
37:31I had to make his boyfriend
37:32in his testimony.
37:34But I didn't want him
37:34to be bad.
37:35Okay.
37:37Whatever happens,
37:38it doesn't happen
37:38if you keep me
37:39at the party.
37:40You didn't do your work
37:41because I have
37:43a step back.
37:44I have a step back.
37:44Do you know
37:45how serious this situation
37:47So stop this drama
37:47in front of me.
37:50Don't forget
37:50that you're only
37:51a secret.
37:53So do the same
37:53as you say,
37:54that's enough.
37:59Man, this Goji
38:00doesn't know
38:01how bad it is.
38:03If he doesn't have
38:04a house,
38:05then he will do
38:05what he will do.
38:07Is this in today's plan
38:08too?
38:09Hmm.
38:14If he has told
38:14him,
38:15we will go
38:17Besides this,
38:19there is also
38:19one of us.
38:20I mean,
38:21he has something
38:23on the car.
38:24Oh,
38:25so pudding
38:26is
38:27Van's name.
38:28Yes.
38:28Yes.
38:29When we were
38:31we ate the pudding
38:31for the first time
38:32we ate the pudding
38:33for the first time.
38:35Oh,
38:36so this is
38:36very old.
38:38Look,
38:39you can see
38:39the car outside.
38:41the same thing.
38:42But the work
38:43is just like
38:44the same thing.
38:45There is no difference
38:45with the good or bad
38:46to see the car.
38:48It is necessary
38:48to reach us
38:49to the entrance.
38:54Oh,
39:05what happened?
39:06It's never happened
39:06with my pudding.
39:08What happened
39:09that pudding?
39:10You're okay,
39:11You're okay.
39:12You love it,
39:13but you can't reach
39:14until the entrance.
39:15What happened?
39:16Call the mechanic.
39:18I call the mechanic.
39:20You go.
39:20Don't go to the clinic.
39:22Where is the clinic?
39:24They told them
39:25the road
39:26but they were
39:27doing pudding
39:27all the time.
39:31Oh,
39:32oh,
39:33oh,
39:33ah,
39:34ah,
39:36thank you.
39:37Hello.
39:37Here,
39:37there's no
39:38thing left here.
39:40Can you hear me?
39:49Yes.
39:50Hello.
39:52If you don't ask,
39:53would you please
39:54leave me to the building
39:55there?
40:00What?
40:00I don't want to go
40:02I'm going to the building.
40:03Oh,
40:05I'm going to the building.
40:06But I'm going to the building.
40:07Oh,
40:08if you're going to the building,
40:09then you can leave me
40:10to the building.
40:11You'll have to go to the building.
40:13Okay,
40:14I'm going to go to the building.
40:16Oh,
40:18hold on.
40:20hold on.
40:20Hold on.
40:20I'm crazy.
40:20Where are you from?
40:21Go from here.
40:22Just a little more.
40:23What will happen?
40:24I don't want to go.
40:25Go.
40:31If it's you,
40:32then I can take the building.
40:33Don't leave.
40:34There's no need.
40:36Just take it.
40:37I'm running.
40:44Get out.
40:49No,
40:57no,
41:09no,
41:11no,
41:12Don't leave me.
41:18I'm sorry.
41:20I'll give you a little bit of advice.
41:22I was a man who was a man who was a man who was a man who was a man.
41:26If you give me a man, you'll be a man who will be a man.
41:34You'll be a man who will be a man who will be a man.
41:37Come on.
41:39Ladies first.
41:49Hello, I'm very fast. Good morning, doctor.
41:54Doctor?
41:57I don't believe you. One second.
42:00Look at this.
42:02In this photo, I'm here.
42:05We have a dolly, right?
42:07Go and take it quickly.
42:09Look, it's gone.
42:10Doctor?
42:23It's like that.
42:24We don't know your knowledge,
42:26so we can't admit you here.
42:28And that's why I can't do this.
42:30I can't do my knowledge.
42:31But I've given you today, so...
42:35How much are your clothes and clothes?
42:38You don't have to go.
42:39Look, you were in this hospital.
42:41You can't do that.
42:43I don't do that.
42:44In this small hospital,
42:46how will my knowledge be done?
42:47Yes, I can understand you,
42:49but there are also some rules.
42:50There are some rules.
42:51How many rules are you talking about?
42:52You don't need to do a lot of people.
42:54No, it's not.
42:55If you have a problem,
42:56I'm trying to help you myself.
42:58Hello?
42:59My knowledge is in danger.
43:00It's possible that the person
43:01tells me my boyfriend
43:01he doesn't have a boyfriend.
43:04And if this is true,
43:05then this will be a crime.
43:07And if you haven't done anything,
43:09then I'm saying, Doctor,
43:11you will also become a crime.
43:14What am I and a crime?
43:15Yes.
43:16But...
43:17Well, it's okay.
43:18But it's possible
43:19that he is your boyfriend.
43:21No, it's possible.
43:23I'm saying that.
43:23I'm saying that.
43:24Before,
43:25I don't understand that
43:27that I can make
43:27a small taffy village
43:29in a small village
43:29in a small village.
43:29How can I make taffies?
43:31What a taffy village?
43:32I used to be there too.
43:33What?
43:34You worked there
43:35to make taffies in which place?
43:38Jankteha's house.
43:39Jankteha's house.
43:42Jankteha?
43:42So the girl
43:43telling your boyfriend
43:44is Jankteha?
43:46Yes.
43:48Do you know her?
43:51I...
43:52Oh.
44:01What?
44:02I've known all the hospitals.
44:04Goji,
44:04there's no one name.
44:06No.
44:07But,
44:08there was a young girl
44:10in the hospital
44:10who is under 25 to 30 years.
44:13Maybe that's it.
44:14And where is the hospital?
44:45Where is the hospital?
44:45That's her.
44:46That's her.
44:47I don't know.
44:49I don't know.
44:49I've done makeup on her,
44:50so I don't understand
44:51that she's the girl
44:52or not.
44:54Yes, she's the girl.
44:57What?
44:58She's the young girl
45:00who was in our house.
45:05She's the my father.
45:10She's the young girl.
45:11You've got your heart.
45:14She's the young doctor.
45:23What,
45:24she was the young lady?
45:25The young lady?
45:27What,
45:31do you remember
45:34These women are kind of wandering around the world.
45:39They are not wandering around the world.
45:41They are MMS.
45:42What is MMS?
45:44MMS means.
45:45Mahila Mandel Sammiti.
45:47We call MMS.
45:49In this village, people keep their names.
45:51They keep their names.
46:00How are you?
46:02How are you?
46:04Come on.
46:05Who is that in the jungle?
46:07She is the girl who is the only girl.
46:10Why is she taking care of me?
46:12Let's go.
46:16You know Bhavashur Adit?
46:19Yes.
46:19Yes.
46:19She has given us all, right?
46:21Yes.
46:22She is all right.
46:23Yes.
46:24That's such a thing.
46:39I didn't get it.
46:41What?
46:43On your face.
46:45On your face?
46:46I didn't write anything.
46:48I didn't write anything.
46:50Yes.
46:51I mean, this judge or judge will not be left.
46:53Oh, I can tell that too.
46:56So what did I do again?
46:58What did you do?
46:59What did you do?
47:00What did you do?
47:01What did you do?
47:01Let's see.
47:05What did you do?
47:05Oh, so my name is Go Unse.
47:07What did you do?
47:09Your birth was in the dandelion.
47:12And you think it will be a mission.
47:15It means that you are on the sea and the sun.
47:18you want to save someone who has no need to tell you about your head and that's the person
47:26Teeha. Do you understand?
47:28Oh wow, you've done a good job, you've done a good job.
47:34Okay, what is this?
47:38When I was in the hospital, I was doing all kinds of things.
47:43I wanted to know who I am.
47:45Really?
47:47And I realized that I am very poor in drawing.
47:51I saw my aunt's room, but my head was on top of my head.
47:57So, I couldn't do anything.
47:58What do you mean?
48:01I mean, you don't have no power.
48:05What?
48:06You know everyone in the village.
48:08You know the color of their houses.
48:09You know the color of their houses.
48:10That's why they put a gold-mol on top of my head.
48:12But I'm coming from outside.
48:13That's why you don't even know anything about me.
48:17You mean you're a dhongi?
48:19What did you say?
48:20Dhongi?
48:21Dhongi?
48:23Yes?
48:24Yes?
48:25Then go out.
48:26What do you mean?
48:26Shakti are angry and I will tell them nothing.
48:29Dhongi?
48:30What a Shakti is that I have to open my head and sit on my head?
48:34Shakti, you must have more praise from people.
48:37You're saying my Shakti?
48:39I'm telling you the truth.
48:44I'm going back.
48:45I'm going back.
48:45There's no right for that.
48:48I won't take this.
48:48I won't let you go.
48:50And I won't let you keep it.
48:56What do you understand?
49:01What are you doing?
49:04I won't let you go.
49:07I won't let you go.
49:07But you haven't told me anything.
49:09I won't let you go.
49:11You said you remember something.
49:13How do you know that I'm going to let you go?
49:14Don't let me go.
49:15Don't let me go.
49:17Don't let me go.
49:20Don't let me go.
49:30Who stole this?
49:32What are you doing?
49:33My powers.
49:37I'm sorry.
49:39Who stole this?
49:40Who stole this?
50:09Who stole this?
50:15Who stole this?
50:28Who stole this?
50:33Who stole this?
50:42Who stole this?
50:44She's a girl.
50:47And what arm is she's a coward?
50:49Who stole this?
50:56Don't let me go.
50:57Let's do the same thing.
50:58Leave me, let's finish my story.
51:02What a shame. Leave me, man.
51:05If you have told them sorry, then I will be wrong.
51:07And if you have filled their money,
51:09it would be my fault.
51:11So why would I give them to you?
51:13That's why I finished my story.
51:15But I didn't finish my story.
51:17I had to fight for the truth.
51:22But it wasn't for me.
51:23That's why I went there.
51:24Yes.
51:27If you don't have a fault, then you won't go.
51:29But why don't you believe me?
51:31Do you think my boyfriend is so difficult?
51:33Yes.
51:33Why?
51:36Because you are not that type of girl
51:38who can love me.
51:43So what is your type?
51:44Fill me, hero type.
51:48Okay.
51:49I'm just saying that you are not my boyfriend
51:51because you are not my type.
51:53And our focus was very strange.
51:56It's very strange.
51:56You said that we are two years old.
51:58So what should we do?
52:02Then you should do this.
52:03Which is not our love?
52:05No love.
52:05I didn't care.
52:06Today, my head coach and her son
52:07looked at her mind
52:09that they had such love.
52:10They didn't do anything.
52:12They were not saying that they had seen
52:14the love in the eyes.
52:14Now, it's not possible to do anything, anything that you want.
52:15The truth is, what you see, all your beautiful colors.
52:21But your eyes areWhoo green.
52:25Neither you can see the truth, and neither my love.
52:32And the reason why I'm not sure you're on your own.
52:36I'm not able to do anything.
52:40Some people don't want to read other people's eyes.
52:45You're sitting on the table. Who's such a sword?
53:11I'm not able to read other people's eyes.
53:36I'm not able to read other people's eyes.
53:47Okay. I'll stop here.
54:11Oh no.
54:48Oh, my God.
55:14Oh, my God.
56:05Oh, my God.
56:06Oh, my God.
56:36Oh, my God.
56:39Oh, my God.
56:41Oh, my God.
56:44Oh, my God.
56:59Oh, my God.
57:02Oh, my God.
57:04Oh, my God.
57:06Oh, my God.
57:08Oh, my God.
57:21Oh, my God.
57:23Oh, my God.
57:47Oh, my God.
57:50Oh, my God.
57:52Oh, my God.
58:09Oh, my God.
58:12Oh, my God.
58:13Oh, my God.
58:30Oh, my God.
58:31Oh, my God.
58:32Oh, my God.
58:48Oh, my God.
58:49Oh, my God.
58:49Oh, my God.
58:52He was very strange.
59:08This man is the mayor of Ju.
59:10He made a boyfriend for this attorney.
59:15How is he?
59:29What do you think?
59:32What do you think?
59:33What do you think?
59:52What do you think?
59:54What do you think?
59:58What do you think?
59:58What do you think?
59:58What do you think?

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